Bibliography
Primary Sources
Bradman, Tony, ed.
Julius Caesar. The Arden Shakespeare, Third Series.
London, Bloomsbury, 2011.
Cartwright, Kent, ed.
The Comedy of Errors,
The Arden Shakespeare,
Third Series. London,
Bloomsbury,
2016. WSB aaag33.
Clark, Sandra and
Mason, Pamela , eds.
Macbeth.
The Arden Shakespeare,
Third Series. London,
Bloomsbury, 2015.
WSB aaae92.
Dusinberre, Juliet, ed. As You Like It. Arden Shakespeare.
London: Thomson
Learning, 2006. WSB aat83a.
A Collection of the Best
English Plays. The Hague,
Thomas Johnson,
1711–1712.
Rowe, Nicholas, ed. The Works of Mr William
Shakespear. 6 vols. London,
1709; rpt. 8 vols. 1714.
ESTC T138296.
Shakespeare, William. Mr William Shakespeares
Comedies, Histories, and Tragedies.
London: Robert
Allot, 1632. STC 22274. ESTC S111233.
Weis, René, ed.
Romeo and Juliet,
The Arden Shakespeare, Third Series.
London, Bloomsbury,
2015. WSB aaab138.
Secondary Sources
Beales, A.C.F.
Education under Penalty:
English Catholic Education from Reformation to Fall of James II.
London, The Athlone
Press1963.
Burton, Edwin H. and Williams, Thomas L., eds.
The Douay College Diaries. Third, Fourth and Fifth, 1598–1654.
2 vols. London, Catholic Record Society,
1911.
Catalogue général
de manuscrits des bibliothèques publiques
des départements. Ed. C. Dehaisnes.
Vol. 6: Douai. Paris,
Imprimerie Nationale,
1878, 477–478.
Chartier, Roger and
Peter Stallybrass.
Reading and Authorship: the Circulation of Shakespeare (1590–1619).Ed,Andrew Murphy A Concise Companion to Shakespeare and the Text. Oxford, Blackwell, 2007 35–56. WSB bbu1685.
Cottegnies, Line.
The Saint-Omer Folio in Its Library.New Perspectives on Shakespeare’s First Folio, special issue of Cahiers Élisabéthains: 93.1 (2017), 13–32. WSB bbbg2027.
Cottegnies, Line.
Shakespeare Anthologized: Taking a Fresh Look at Douai Manuscript MS787.Actes des congrès de la Société française Shakespeare, 37(2019). DOI 10.4000/shakespeare.4289. http://journals.openedition.org/shakespeare/4289.
Cottegnies, Line
and Jean-Christophe Mayer, eds.
New Perspectives on Shakespeare’s First Folio,
special issue of Cahiers Élisabéthains, 93.1
(2017).
Davenant, William.
The Siege of Rhodes. Ed. Ann-Mari
Hedback. Studia Anglistica Upsaliensia.
Uppsala, Almqvist & Wiksell,
1973.
Dryden, John.
The Works of John Dryden.
Ed. John Loftis and Vinton A. Dearing.
20 vols. Berkeley and
Los Angeles, University of
California Press, 1966.
Dugas, Don-John.
Marketing the Bard,
Shakespeare in Performance and Print,
1660–1740. Columbia
and London, University of Missouri Press, 2006. WSB aat248.
Dictionnaire dʼHistoire et de
Géographie Ecclésiastiques, vol. 14. Paris, Letouzey et Ané,
1960.
Evans, G. Blakemore
The Douai Manuscript—Six Shakespearean Transcripts (1694–1695).Philological Quarterly, 41 (1962), 158–172.
Evans, G. Blakemore.
Shakespeareʼs Julius Caesar: A Seventeenth-Century Manuscript.The Journal of English and Germanic Philology, 41.4 (1942), 401–417.
Ford, Philip
and Andrew Taylor, eds.
The Early Modern Cultures of Neo-Latin Drama.
Leuven, Leuven
University Press, 2013.
Gossett, Suzanne .
Drama in the English College, Rome, 1591–1660.English Literary Renaissance, 3.1 (1973), 60–93.
Hall, Edgar Albert, ed.
William Drury’s Aluredus
sive Alfredus, A Latin College
Play Edited with Introduction, Marginal Translation, and Notes;
To Which Are Added Synopses and Discussion of the
Same Author’s Mors and
Reparatus.
2 vols, PhD thesis.
Chicago, University
of Chicago, 1918.
Harris, P.R.
The English College, Douai, 1750–1794.Recusant History, 10.2 (1969), 79–95. DOI 10.1017/S0034193200000212.
Hedbäck, Ann-Mari.
The Douai Manuscript Reexamined.Papers of the Bibliographical Society of America, 73.1 (1979), 1–18.
Knight, Jeffrey Todd.
Shakespeare and the Collection: Reading beyond Readersʼ Marks.Ed. Margaret Jane Kidnie and Sonia Massai. Shakespeare and Textual Studies. Cambridge and Cambridge University Press, 2015, 177–195. WSB bbbe1221.
Lee, Nathaniel.
Works of Nathaniel Lee.
Thomas B. Stroup and
Arthur L. Cooke.
2 vols. New Brunswick,
The Scarecrow Press,
1954.
Lennam, T.N.S.
Sir Edward Dering’s Collection of Playbooks, 1619–1624.Shakespeare Quarterly, 16 (1965), 145–53. WSB bbo287.
Lock, Alexander.
Catholicism, Identity and Politics
in the Age of Enlightenment: The Life and Career
of Sir Thomas Gascoigne, 1745–1810.
Studies in Modern British Religious
History. Boydell & Brewer, 2016.
Lunn, David.
The English Benedictines, 1540–1688:
From Reformation to Revolution.
Burns & Oates,
1980.
Marotti, Arthur F. and
Estill, Laura.
Manuscript Circulation.Ed, Arthur F. Kinney, The Oxford Handbook of Shakespeare. Oxford, Oxford University Press, 2012, 53–70. WSB bbbb461.
Massai, Sonia.
Early Readers.Ed, Arthur F. Kinney, The Oxford Handbook of Shakespeare. Oxford, Oxford University Press, 2012, 143–162. WSB bbbb465.
Mayer, Jean-Christophe.
Annotating and Transcribing for the Theatre: Shakespeare’s early modern reader-revisers at work.Ed. Margaret Jane Kidnie and Sonia Massai. Shakespeare and Textual Studies. Cambridge, Cambridge University Press, 2015, 163–176. WSB bbbe1222.
McCabe, William.
An Introduction to the Jesuit Theater.
Ed, Louis Oldani.
St. Louis, Institute of
Jesuit Sources, 1983.
McCoog, Thomas M.
The Society of Jesus in Ireland,
Scotland and England, 1598–1606.
Leiden, Brill.
Milburne, David.
Douai to Durham: The Second Centenary of Crook Hall.Northern Catholic History, 35 (1994), 18–37.
Pavur, Claude, ed.
Ratio Studiorum, The Official Plan for Jesuit Education.
St. Louis, Institute
of Jesuit Sources, 2005.
Schrickx, Willem.
Pericles in a Book-List of 1619 from the English Jesuit Mission and Some of the Playʼs Special Problems.Shakespeare Survey, 29 (1976), 21–32.
Semper, I.J.
The Jacobean Theater through the Eyes of Catholic Clerics.Shakespeare Quarterly, 3.1 (1952), 45–51.
Shattuck, Charles.
Shakespeareʼs Promptbooks:
A Descriptive Catalogue. Urbana and London, University of Illinois Press,
1965. WSB aao433.
Shell, Alison.
Priestly Playwright, Secular Priest: William Drury’s Latin and English Drama.Sederi, 31 (2021), 117–145. DOI https://dx.doi.org/10.34136/sederi.2021.6.
Spevack, Marvin,
ed. Julius Caesar.
Cambridge Shakespeare.
Cambridge, Cambridge
University Press, 1988.
WSB aam111.
Walsham, Alexandra.
Catholic Reformation in Protestant Britain.
Farnham, Ashgate,
2014.
Werstine, Paul. Early Modern Playhouse Manuscripts and the
Editing of Shakespeare.
Cambridge: Cambridge
University Press, 2013. WSB
aaac5.
Prosopography
Ada Souchu
Ada Souchu is an MA student at Sorbonne Université in Early Modern English literature.
After a BA in Classics in 2021, they are currently doing an MA on Latin and Greek
sources in Early Modern theatre. They are a junior transcriber on the Douai Shakespeare
Manuscript Project.
Côme Saignol
Côme Saignol is a PhD candidate at Sorbonne University where he is preparing a thesis
about the reception of Cyrano de Bergerac. After working several years on Digital
Humanities, he created a company named CS Edition & Corpus to assist researchers in classical humanities. His interests include: eighteenth-century
theatre, philology, textual alignment, and XML databases.
Line Cottegnies
Line Cottegnies teaches early-modern literature at Sorbonne Université. She is the
author of a monograph on the politics of wonder in Caroline poetry, LʼÉclipse du regard: la poésie anglais du baroque au classicisme (Droz, 1997), and has co-edited several collections of essays, including Authorial Conquests: Essays on Genre in the Writings of Margaret Cavendish (AUP, 2003, with Nancy Weitz), Women and Curiosity in the Early Modern Period (Brill, 2016), with Sandring Parageau, or Henry V: A Critical Guide (Bloomsbury, 2018), with Karen Britland. She has published on seventeenth-century
literature, from Shakespeare and Raleigh to Ahpra Behn and Mary Astell. Her research
interests are: early-modern drama and poetry, the politics of translation (between
France and England), and women authors of the period. She has also developed a particular
interest in editing: she had edited half of Shakespeareʼs plays for the Gallimard
bilingual complete works (alone and in collaboration), and, also, Henry IV, Part 2, for The Norton Shakespeare 3 (2016). With Marie-Alice Belle, she has co-edited two Elizabethan translations of
Robert Garnier (by Mary Sidney Herbert and Thomas Kyd), published in 2017 in the MHRA
Tudor and Stuart Translation Series as Robert Garnier in Elizabethan England. She is currently working on an edition of three Behnʼs translations from the French
for the Cambridge edition of Behn’s Complete Works
Navarra Houldin
Project manager 2022–present. Textual remediator 2021–present. Navarra Houldin (they/them)
completed their BA in History and Spanish at the University of Victoria in 2022. During
their degree, they worked as a teaching assistant with the University of Victoriaʼs
Department of Hispanic and Italian Studies. Their primary research was on gender and
sexuality in early modern Europe and Latin America.
Bibliography
A Collection of the Best
English Plays. The Hague,
Thomas Johnson,
1711–1712.
Beales, A.C.F.
Education under Penalty:
English Catholic Education from Reformation to Fall of James II.
London, The Athlone
Press
1963.
Bradman, Tony, ed.
Julius Caesar. The Arden Shakespeare, Third Series.
London, Bloomsbury, 2011.
Burton, Edwin H. and Williams, Thomas L., eds.
The Douay College Diaries. Third, Fourth and Fifth, 1598–1654.
2 vols. London, Catholic Record Society,
1911.
Cartwright, Kent, ed.
The Comedy of Errors,
The Arden Shakespeare,
Third Series. London,
Bloomsbury,
2016. WSB aaag33.
Catalogue général
de manuscrits des bibliothèques publiques
des départements. Ed. C. Dehaisnes.
Vol. 6: Douai. Paris,
Imprimerie Nationale,
1878, 477–478.
Chartier, Roger and
Peter Stallybrass.
Reading and Authorship: the Circulation of Shakespeare (1590–1619).Ed,Andrew Murphy A Concise Companion to Shakespeare and the Text. Oxford, Blackwell, 2007 35–56. WSB bbu1685.
Clark, Sandra and
Mason, Pamela , eds.
Macbeth.
The Arden Shakespeare,
Third Series. London,
Bloomsbury, 2015.
WSB aaae92.
Cottegnies, Line
and Jean-Christophe Mayer, eds.
New Perspectives on Shakespeare’s First Folio,
special issue of Cahiers Élisabéthains, 93.1
(2017).
Cottegnies, Line.
Shakespeare Anthologized: Taking a Fresh Look at Douai Manuscript MS787.Actes des congrès de la Société française Shakespeare, 37(2019). DOI 10.4000/shakespeare.4289. http://journals.openedition.org/shakespeare/4289.
Cottegnies, Line.
The Saint-Omer Folio in Its Library.New Perspectives on Shakespeare’s First Folio, special issue of Cahiers Élisabéthains: 93.1 (2017), 13–32. WSB bbbg2027.
Davenant, William.
The Siege of Rhodes. Ed. Ann-Mari
Hedback. Studia Anglistica Upsaliensia.
Uppsala, Almqvist & Wiksell,
1973.
Dictionnaire dʼHistoire et de
Géographie Ecclésiastiques, vol. 14. Paris, Letouzey et Ané,
1960.
Dryden, John.
The Works of John Dryden.
Ed. John Loftis and Vinton A. Dearing.
20 vols. Berkeley and
Los Angeles, University of
California Press, 1966.
Dugas, Don-John.
Marketing the Bard,
Shakespeare in Performance and Print,
1660–1740. Columbia
and London, University of Missouri Press, 2006. WSB aat248.
Dusinberre, Juliet, ed. As You Like It. Arden Shakespeare.
London: Thomson
Learning, 2006. WSB aat83a.
Evans, G. Blakemore
The Douai Manuscript—Six Shakespearean Transcripts (1694–1695).Philological Quarterly, 41 (1962), 158–172.
Evans, G. Blakemore.
Shakespeareʼs Julius Caesar: A Seventeenth-Century Manuscript.The Journal of English and Germanic Philology, 41.4 (1942), 401–417.
Ford, Philip
and Andrew Taylor, eds.
The Early Modern Cultures of Neo-Latin Drama.
Leuven, Leuven
University Press, 2013.
Gossett, Suzanne .
Drama in the English College, Rome, 1591–1660.English Literary Renaissance, 3.1 (1973), 60–93.
Hall, Edgar Albert, ed.
William Drury’s Aluredus
sive Alfredus
, A Latin College
Play Edited with Introduction, Marginal Translation, and Notes;
To Which Are Added Synopses and Discussion of the
Same Author’s Mors and
Reparatus
.
2 vols, PhD thesis.
Chicago, University
of Chicago, 1918.
Harris, P.R.
The English College, Douai, 1750–1794.Recusant History, 10.2 (1969), 79–95. DOI 10.1017/S0034193200000212.
Hedbäck, Ann-Mari.
The Douai Manuscript Reexamined.Papers of the Bibliographical Society of America, 73.1 (1979), 1–18.
Knight, Jeffrey Todd.
Shakespeare and the Collection: Reading beyond Readersʼ Marks.Ed. Margaret Jane Kidnie and Sonia Massai. Shakespeare and Textual Studies. Cambridge and Cambridge University Press, 2015, 177–195. WSB bbbe1221.
Lee, Nathaniel.
Works of Nathaniel Lee.
Thomas B. Stroup and
Arthur L. Cooke.
2 vols. New Brunswick,
The Scarecrow Press,
1954.
Lennam, T.N.S.
Sir Edward Dering’s Collection of Playbooks, 1619–1624.Shakespeare Quarterly, 16 (1965), 145–53. WSB bbo287.
Lock, Alexander.
Catholicism, Identity and Politics
in the Age of Enlightenment: The Life and Career
of Sir Thomas Gascoigne, 1745–1810.
Studies in Modern British Religious
History. Boydell & Brewer, 2016.
Lunn, David.
The English Benedictines, 1540–1688:
From Reformation to Revolution.
Burns & Oates,
1980.
Marotti, Arthur F. and
Estill, Laura.
Manuscript Circulation.Ed, Arthur F. Kinney, The Oxford Handbook of Shakespeare. Oxford, Oxford University Press, 2012, 53–70. WSB bbbb461.
Massai, Sonia.
Early Readers.Ed, Arthur F. Kinney, The Oxford Handbook of Shakespeare. Oxford, Oxford University Press, 2012, 143–162. WSB bbbb465.
Mayer, Jean-Christophe.
Annotating and Transcribing for the Theatre: Shakespeare’s early modern reader-revisers at work.Ed. Margaret Jane Kidnie and Sonia Massai. Shakespeare and Textual Studies. Cambridge, Cambridge University Press, 2015, 163–176. WSB bbbe1222.
McCabe, William.
An Introduction to the Jesuit Theater.
Ed, Louis Oldani.
St. Louis, Institute of
Jesuit Sources, 1983.
McCoog, Thomas M.
The Society of Jesus in Ireland,
Scotland and England, 1598–1606.
Leiden, Brill.
Milburne, David.
Douai to Durham: The Second Centenary of Crook Hall.Northern Catholic History, 35 (1994), 18–37.
Pavur, Claude, ed.
Ratio Studiorum, The Official Plan for Jesuit Education.
St. Louis, Institute
of Jesuit Sources, 2005.
Rowe, Nicholas, ed. The Works of Mr William
Shakespear. 6 vols. London,
1709; rpt. 8 vols. 1714.
ESTC T138296.
Schrickx, Willem.
Pericles in a Book-List of 1619 from the English Jesuit Mission and Some of the Playʼs Special Problems.Shakespeare Survey, 29 (1976), 21–32.
Semper, I.J.
The Jacobean Theater through the Eyes of Catholic Clerics.Shakespeare Quarterly, 3.1 (1952), 45–51.
Shakespeare, William. Mr William Shakespeares
Comedies, Histories, and Tragedies.
London: Robert
Allot, 1632. STC 22274. ESTC S111233.
Shattuck, Charles.
Shakespeareʼs Promptbooks:
A Descriptive Catalogue. Urbana and London, University of Illinois Press,
1965. WSB aao433.
Shell, Alison.
Priestly Playwright, Secular Priest: William Drury’s Latin and English Drama.Sederi, 31 (2021), 117–145. DOI https://dx.doi.org/10.34136/sederi.2021.6.
Spevack, Marvin,
ed. Julius Caesar.
Cambridge Shakespeare.
Cambridge, Cambridge
University Press, 1988.
WSB aam111.
Walsham, Alexandra.
Catholic Reformation in Protestant Britain.
Farnham, Ashgate,
2014.
Weis, René, ed.
Romeo and Juliet,
The Arden Shakespeare, Third Series.
London, Bloomsbury,
2015. WSB aaab138.
Werstine, Paul. Early Modern Playhouse Manuscripts and the
Editing of Shakespeare.
Cambridge: Cambridge
University Press, 2013. WSB
aaac5.
Orgography
LEMDO Team (LEMD1)
The LEMDO Team is based at the University of Victoria and normally comprises the project
director, the lead developer, project manager, junior developers(s), remediators,
encoders, and remediating editors.
Metadata
| Authority title | Bibliography |
| Type of text | About |
| Short title | Bibliography |
| Publisher | Sorbonne Université and University of Victoria on the Linked Early Modern Drama Online Platform |
| Series | Douai Shakespeare Manuscript Project |
| Source |
Bibliography compiled by Line Cottegnies and Ada Souchu.
|
| Editorial declaration | n/a |
| Edition | Released with Douai Shakespeare Manuscript Project 1.0 |
| Sponsor(s) |
The Douai Shakespeare Manuscript ProjectAnthology Lead: Line Cottegnies. The project is a scientific collaboration between Sorbonne Université and the University
of Victoria.
|
| Encoding description | Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines |
| Document status | published |
| License/availability | This file is licensed under a CC BY-NC_ND 4.0 license, which means that it is freely downloadable without permission under the following conditions: (1) credit must be given to the author, the Douai Shakespeare Manuscript Project, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except for quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of the Douai Shakespeare Manuscript Project, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom. Images provided by the Bibliothèque Marceline Desbordes-Valmore are licensed under a CC BY-NC-ND 4.0 license. They can be downloaded and reproduced in scholarly publications and presentations provided that credit is included. Credit must include the phrase: Used by kind permission of the Bibliothèque Marceline Desbordes-Valmore, Douai, and must include the shelfmark MS 787 and the folio numbers. We ask that a copy of any scholarly publication be sent to the Douai library via email attachment to the Curator, currently Jean Vilbas at jvilbas@ville-douai.fr, or via mail to the following address: Bibliothèque Marceline Desbordes-Valmore, 61 Parvis Georges Prêtre, BP 20625, 59506 Douai cedex, France. |