Galatea: Collation
Witnesses
[Q]: 1592 quarto text printed by Broome
[D]: 1632 duodecimo text printed by Stansby
Enter … tree.
Q:
Tyterus. Gallathea.
D:
prey
mermaids
Dear
!
Enter … Diana.
Q:
Cupid, Nimph of Diana.
D:
hearts
D:
heart
Enter … Phillida.
D:
Dear (substantively)
D:
wreck
To the Mariner
He … leave.
To … Mariner.
Ay
!
Bevington changes periods to exclamation marks at comparable moments in the text.
This change here has been collated as an example.
To Rafe
D:
Exit. (substantively)
D:
SONG … feather. (substantively)
Q:
Exeunt.
Enter … alone.
!
!
heart
!
She … aside.
To herself
!
!
Aside … Phillida
Aside
Aside
Aside
Aside
Aside
To Galatea
deer
deer
deer
dear
To Diana
Aside
the
dear
!
To Phillida
To Diana
To Phillida
deer
halloo
Aside
To Galatea
Aside
To himself
Aside
Aside
lunary
Aside
Aside
Coming forward
!
Aside
twenty
Coming forward
Indicating Rafe
To Rafe
not
D:
heart
D:
heart
heart
hearts
Q:
Harts
Q:
false
Q:
thou
D:
heart
D:
heart
They … themselves.
Prosopography
David Bevington
David Bevington was the Phyllis Fay Horton Distinguished Service Professor Emeritus
in the Humanities at the University of Chicago. His books include From
Mankindto Marlowe (1962), Tudor Drama and Politics (1968), Action Is Eloquence (1985), Shakespeare: The Seven Ages of Human Experience (2005), This Wide and Universal Theater: Shakespeare in Performance, Then and Now (2007), Shakespeare’s Ideas (2008), Shakespeare and Biography (2010), and Murder Most Foul: Hamlet Through the Ages (2011). He was the editor of Medieval Drama (1975), The Bantam Shakespeare, and The Complete Works of Shakespeare. The latter was published in a seventh edition in 2014. He was a senior editor of the Revels Student Editions, the Revels Plays, The Norton Anthology of Renaissance Drama, and The Cambridge Edition of the Works of Ben Jonson (2012). Professor Bevington passed away on August 2, 2019.
Janelle Jenstad
Janelle Jenstad is a Professor of English at the University of Victoria, Director
of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge). She has edited John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Elizabethan Theatre, Early Modern Literary Studies, Shakespeare Bulletin, Renaissance and Reformation, and The Journal of Medieval and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives (MLA); Institutional Culture in Early Modern England (Brill); Shakespeare, Language, and the Stage (Arden); Performing Maternity in Early Modern England (Ashgate); New Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter); Placing Names: Enriching and Integrating Gazetteers (Indiana); Making Things and Drawing Boundaries (Minnesota); Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (Routledge); and Civic Performance: Pageantry and Entertainments in Early Modern London (Routledge). For more details, see janellejenstad.com.
John Lyly
Kate LeBere
Project Manager, 2020–2021. Assistant Project Manager, 2019–2020. Textual Remediator
and Encoder, 2019–2021. Kate LeBere completed her BA (Hons.) in History and English
at the University of Victoria in 2020. During her degree she published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History
Conference (2020), and the Digital Humanities Summer Institute’s Project Management
in the Humanities Conference (2021). While her primary research focus was sixteenth
and seventeenth century England, she completed her honours thesis on Soviet ballet
during the Russian Cultural Revolution. She is currently a student at the University
of British Columbia’s iSchool, working on her masters in library and information science.
Navarra Houldin
Project manager 2022–present. Textual remediator 2021–present. Navarra Houldin (they/them)
completed their BA in History and Spanish at the University of Victoria in 2022. During
their degree, they worked as a teaching assistant with the University of Victoriaʼs
Department of Hispanic and Italian Studies. Their primary research was on gender and
sexuality in early modern Europe and Latin America.
Sarah Fowler
Sarah Fowler is a fourth-year undergraduate student in the English Honours program
at the University of Victoria. She is encoding the early editions of Gallathea as a part of her work for the Jamie Cassels Undergraduate Research Project under
Janelle Jenstad.
Orgography
LEMDO Team (LEMD1)
The LEMDO Team is based at the University of Victoria and normally comprises the project
director, the lead developer, project manager, junior developers(s), remediators,
encoders, and remediating editors.
University of Victoria (UVIC1)
https://www.uvic.ca/Witnesses
1592 quarto text printed by Broome
1632 duodecimo text printed by Stansby
Metadata
Authority title | Galatea: Collation |
Type of text | Apparatus |
Publisher | Published by the University of Victoria on the Linked Early Modern Drama Online platform |
Series | Digital Renaissance Editions |
Source |
Collation prepared by Sarah Fowler.
|
Editorial declaration | Collation prepared according to the DRE Editorial Guidelines |
Edition | Released with LEMDO Classroom 0.2.1 |
Sponsor(s) |
Digital Renaissance EditionsAnthology Leads and Co-Coordinating Editors: Brett Greatley-Hirsch, Janelle Jenstad,
James Mardock, and Sarah Neville.
|
Encoding description | Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines |
Document status | TEI_proofed |
Funder(s) | Social Sciences and Humanities Research Council of Canada |
License/availability |
Intellectual copyright in this edition is held by the editors, David Bevington, Janelle
Jenstad, and Sarah Fowler. The components of the edition are in progress and are not
yet licensed for reuse.
|