Edition: GallatheaGalatea
The Prologue
Pro.Sp1Prologue
Ios and Smyrna were two sweet cities, the first named of
the violet, the
latter of the myrrh. Homer was born in the one
and buried in the
other
. Your
Majesty’s judgment and favour are our sun and shadow, the one coming
of your deep wisdom, the other
of your wonted
grace. We
in all humility desire that by the former receiving
our first breath
, we may, in the latter
, take our last rest. Augustus Caesar
had such piercing eyes that whoso looked on him was constrained to wink
. Your
Highness hath so perfect a judgment that, whatsoever we offer, we are enforced to
blush. Yet as the Athenians were most curious
that the
lawn
wherewith Minerva
was covered should be without spot or
wrinkle, so have we endeavored with all care that what we present Your Highness
should neither offend in scene nor syllable
— knowing that as in the ground
where gold groweth
nothing will prosper but gold, so in
Your Majesty’s mind, where nothing doth harbor but virtue, nothing can enter but
virtue.
1.1
Enter Tityrus and Galatea disguised as a boy. They sit under an oak tree.1.1.Sp1Tityrus
1.1.Sp2Galatea
Father, you have devised well. And whilst our flock doth roam up and
down this pleasant green, you shall recount to me, if it please
you, for what cause this tree was dedicated unto Neptune, and
why you have thus disguised me.
1.1.Sp3Tityrus
I do agree thereto, and, when thy state and my care be considered, thou shalt
know this question was not asked in vain.
1.1.Sp5Tityrus
In times past, where thou see’st a heap of small pebble stood a
stately temple of white marble, which was dedicated to the God
of the Sea, and in right
, being so near the sea. Hither
came all such as either ventured by long travel to see countries
or by great traffic
to use merchandise
, offering sacrifice by fire
to get safety by water, yielding thanks for perils past and
making prayers for good success to come. But Fortune, constant in
nothing but inconstancy, did change her copy
, as
the people
their custom; for, the land being oppressed by Danes — who
instead of sacrifice committed sacrilege, instead of religion rebellion, and
made a prey
of that in which they should have made their prayers, tearing
down the temple even with the earth
, being almost equal with the skies
—
enraged so the god who binds the winds in the hollows of the
earth
that he caused the seas to break their bounds sith
men had broke their
vows, and to swell as far above their reach as men had swerved beyond
their reason. Then might you see ships sail where sheep fed,
anchors cast where ploughs go, fishermen throw their nets where
husbandmen
sow their corn
, and fishes throw
their scales where fowls do breed
their quills
. Then might you gather froth
where now
is dew, rotten weeds
for
sweet
roses, and take view of monstrous
mermaids
instead of passing fair
maids.
1.1.Sp7Tityrus
1.1.Sp9Tityrus
1.1.Sp11Tityrus
1.1.Sp15Tityrus
1.1.Sp17Tityrus
I would thou hadst been less fair or more fortunate. Then shouldst thou
not repine that I have disguised thee in this attire, for thy
beauty will make thee to be thought worthy of this god. To avoid
therefore destiny (for wisdom ruleth the stars), I think it
better to use an unlawful means, your honor
preserved, than intolerable grief,
both life and honor hazarded; and to prevent, if it be possible,
thy constellation
by my craft. Now hast thou heard
the custom of this country, the cause why this tree was
dedicated unto Neptune, and the vexing
care of thy fearful father.
1.1.Sp18Galatea
Father, I have been attentive to hear, and by your patience am ready
to answer. Destiny may be deferred, not prevented; and therefore
it were better to offer myself in triumph than to be drawn
to it with
dishonor. Hath nature (as you say) made me so fair above all
, and shall
not virtue make me as famous as others? Do you not know, or doth
overcarefulness make you forget, that an honorable death is to be preferred
before an infamous life? I am but a child, and have not lived
long, and yet not so childish as
I desire to live ever. Virtues I mean to carry to my grave, not
grey hairs. I would I were as sure that destiny would light
on me as
I am resolved it could not fear
me. Nature hath given me beauty,
virtue
courage; nature must yield me death, virtue
honor. Suffer
me
therefore to die, for which I was born
, or let me curse that I was
born, sith I may not die for it
.
1.1.Sp19Tityrus
1.1.Sp21Tityrus
1.1.Sp23Tityrus
Exeunt.
In health it is easy to counsel the sick, but it’s hard for the
sick to follow wholesome counsel. Well, let us depart. The day is far
spent.
1.2
Enter Cupid and a Nymph of Diana1.2.Sp1Cupid
Fair nymph, are you strayed from your company by chance, or love you to wander
solitarily on purpose?
1.2.Sp2Nymph
1.2.Sp5Cupid
I pray thee, sweet wench, amongst all your sweet troop is there not one that
followeth the sweetest thing, sweet love?
1.2.Sp7Cupid
1.2.Sp10Nymph
Exit.
I have neither will nor leisure, but I will follow Diana in the
chase, whose virgins are all chaste, delighting in the bow
that
wounds the swift hart
in the forest, not fearing the
bow
that strikes the soft heart
in the chamber. This difference is between
my mistress Diana
and your mother (as I guess) Venus: that all
her
nymphs are amiable and wise in their kind
, the
other amorous and too kind
for their sex. And so farewell, little god.
1.2.Sp11Cupid
Exit.
1.3
Enter Melibeus and Phillida.1.3.Sp1Melibeus
Come, Phillida, fair Phillida, and I fear me too fair, being my Phillida:
thou knowest the custom of this country, and I the greatness of
thy beauty; we both
the fierceness of the monster
Agar. Everyone thinketh his own child fair, but I know that which I
most desire and would least have
, that thou art fairest. Thou shalt
therefore disguise thyself in attire, lest I should disguise
myself in affection
, in suffering
thee to perish by a fond
desire
whom I may preserve by a sure deceit.
1.3.Sp2Phillida
1.3.Sp6Phillida
1.3.Sp9Melibeus
Exeunt.
1.4
Enter Mariner, Rafe, Robin, and Dick.1.4.Sp3Rafe
1.4.Sp6Rafe
1.4.Sp7Dick
1.4.Sp8Mariner
1.4.Sp9Robin
1.4.Sp10Rafe
1.4.Sp12Robin
1.4.Sp13Mariner
He turns to leave.Thou art wise from the crown of thy head upwards
. Seek you new
fortunes now; I will follow mine old. I can shift the moon and
the sun
,
and know by one card
what all you cannot do by a whole pair
. The
loadstone
that always holdeth his
nose to
the north, the two-and-thirty points for the wind, the wonders I see would make
all you blind. You be but boys. I fear the sea no more than a
dish of water. Why, fools, it is but a liquid element.
Farewell.
1.4.Sp14Robin
1.4.Sp15Rafe
1.4.Sp16Dick
1.4.Sp19Mariner
1.4.Sp21Mariner
1.4.Sp22Dick
I’ll say it. North. North-east. North-east. Nore-nore and by nore-east. I shall
never do it.
1.4.Sp24Robin
I shall never learn a quarter of it. I will try. North. North-east, is by the
west side. North and by north.
1.4.Sp28Mariner
O dullard! Is thy head lighter then the wind, and thy tongue so heavy it will
not wag? I will once again say it.
1.4.Sp29Rafe
1.4.Sp30Mariner
1.4.Sp31Rafe
1.4.Sp34Rafe
1.4.Sp36Omnes
1.4.Sp44Omnes
Rove, then, no matter whither,
In fair or stormy weather.
And as we live, let’s die together.
2.1
Enter Galatea alone2.1.Sp1Galatea
She stands aside.Blush, Galatea, that must frame thy affection fit for thy habit
, and
therefore be thought immodest
because thou art
unfortunate!
Thy tender years cannot dissemble this deceit,
nor thy sex bear it. Oh, would the gods had made me as I seem
to be, or that I might safely be
what I seem not
!
Thy father
doteth, Galatea, whose blind love corrupteth his fond
judgment, and, jealous
of thy death, seemeth to dote
on thy beauty; whose fond care carrieth his partial eye as far
from truth as his heart
is from falsehood. But why dost thou blame
him, or blab what thou art, when thou shouldst only counterfeit
what thou art not? But whist
!
Here cometh a lad. I will learn of him how to behave myself
.
2.1.Sp2Phillida
2.1.Sp3Galatea
2.1.Sp4Phillida
2.1.Sp6Phillida
2.1.Sp7Galatea
2.1.Sp8Phillida
Enter Diana, Telusa, and Eurota.
2.1.Sp14Telusa
2.1.Sp19Galatea
2.1.Sp20Diana
2.1.Sp23Phillida
2.1.Sp24Telusa
2.1.Sp25Diana
2.1.Sp26Phillida
Exeunt.
2.2
Enter Cupid alone in nymph’s apparel, and Neptune listening.2.2.Sp1Cupid
Exit.
Now, Cupid, under the shape of a silly
girl show the power of
a mighty god. Let Diana and all her coy nymphs know that there
is no heart so chaste but thy bow can wound, nor eyes so modest
but thy brands
can kindle, nor thoughts so
staid
but thy shafts can make wavering, weak, and wanton. Cupid, though he be a
child, is no baby. I will make their pains my pastimes, and so
confound their loves in their own sex
that they
shall dote in their desires, delight in their affections, and practice only
impossibilities. Whilst I truant
from my mother
, I will
use some tyranny in these woods, and so shall their exercise in
foolish love be my excuse for running away
. I will see whether fair faces
be always chaste, or Diana’s virgins only modest; else will I
spend
both my shafts and shifts
; and then, ladies
, if you
see these dainty dames entrapped in love, say softly to yourselves, we may all
love.
2.2.Sp2Neptune
Exit.
Do silly
shepherds go about to deceive great Neptune in putting on man’s
attire upon women, and Cupid, to make sport, deceive them all
by using
a woman’s apparel upon a god
? Then, Neptune, that hast taken
sundry shapes to obtain love
, stick not
to practice some
deceit to show thy deity, and, having often thrust thyself into
the shape of beasts to deceive men, be not coy to use the shape
of a shepherd to show thyself a god. Neptune cannot be overreached
by
swains
. Himself is subtle, and, if Diana be overtaken by craft
, Cupid
is wise. I will into these woods and mark all, and in the end
will mar all.
2.3
Enter Rafe alone.2.3.Sp1Rafe
Enter the Alchemist’s boy, Peter.
Call you this seeking of fortunes, when one can find nothing but birds’
nests? Would I were out of these woods! For I shall have but
wooden
luck. Here’s nothing but the skreeking
of owls, croaking of frogs,
hissing of adders, barking of foxes, walking of hags
.
But what be these?
(Enter Fairies, dancing and
playing, and so
exeunt.)
I will follow them, To hell I shall not go, for so fair
faces never can have such hard fortunes. What black boy
is
this?
2.3.Sp2Peter
(
To himself
) What a life do I lead with my master! Nothing but
blowing of bellows, beating of spirits
, and
scraping of crosslets
. It is a very secret science, for
none almost can understand the language of it: sublimation,
almigation, calcination, rubification, incorporation, circination, cementation,
albification, and fermentation
, with as many terms unpossible to be uttered as
the art to be compassed
.
2.3.Sp3Rafe
2.3.Sp4Peter
2.3.Sp6Peter
2.3.Sp8Peter
2.3.Sp11Rafe
2.3.Sp14Peter
2.3.Sp15Rafe
2.3.Sp16Peter
2.3.Sp18Peter
2.3.Sp20Peter
2.3.Sp21Rafe
2.3.Sp27Rafe
Enter the
Alchemist.
2.3.Sp32Peter
2.3.Sp34Alchemist
2.3.Sp37Rafe
2.3.Sp38Peter
A pottle pot? Nay, I dare warrant it a whole cupbord of plate
.
Why, of the quintessence of a leaden plummet
he
hath framed
twenty
dozen of silver spoons. Look how he studies
. I
durst venture my life he is now casting about
how of his breath
he may make golden bracelets, for oftentimes of smoke he hath
made silver drops.
2.3.Sp42Peter
2.3.Sp43Alchemist
2.3.Sp44Peter
2.3.Sp52Rafe
2.3.Sp53Alchemist
2.3.Sp54Peter
2.3.Sp56Alchemist
Exit.
When in the depth of my skill I determine to try the uttermost
of mine art, I am dissuaded by the gods. Otherwise, I durst
undertake to make the fire, as it flames, gold; the wind, as it
blows, silver; the water, as it runs, lead; the earth, as it
stands, iron; the sky, brass; and men’s thoughts, firm metals.
2.3.Sp59Rafe
Exit.
2.3.Sp60Peter
Exit.
2.4
Enter Galatea alone.2.4.Sp1Galatea
Exit.
How now, Galatea? Miserable Galatea, that, having put on the apparel of a
boy, thou canst not
also put on the mind
. O fair
Melebeus
! Ay, too fair, and therefore, I fear, too proud. Had it not
been better for thee
to have been a sacrifice to
Neptune then a slave to Cupid? To die for
thy country than to live in thy fancy
? To be a sacrifice than a lover?
Oh, would, when I hunted his eye with my heart
, he might have
seen my heart
with his eyes! Why did Nature to him, a boy,
give a face so fair, or to me, a virgin, a fortune so hard? I
will now use for the distaff the bow
, and play
at quoits
abroad
that was wont
to sew in my sampler
at
home. It may be, Galatea. — Foolish Galatea, what may be? Nothing. Let me
follow him into the woods, and thou, sweet Venus, be my
guide!
2.5
Enter Phillida alone.2.5.Sp1Phillida
Exit.
Poor Phillida, curse the time of thy birth and rareness
of
thy beauty, the unaptness of thy apparel and the untamedness of
thy affections. Art thou no sooner in the habit
of a boy
but thou must be enamored of a boy? What shalt thou do, when
what best liketh thee
most discontenteth thee? Go into the woods,
watch the good times
, his best moods, and transgress
in love a little of thy modesty. I will. — I dare not. Thou
must — I cannot. Then pine in thine own peevishness. I will not
— I will. Ah, Phillida, do something, nay, anything, rather
then live thus! Well, what I will do, myself knows not, but
what I ought I know too well. And so I go, resolute either to bewray
my love
or suffer shame.
3.1
Enter Telusa alone.3.1.Sp1Telusa
Enter Eurota.
How now? What new conceits
, what strange contraries, breed in thy mind? Is
thy Diana become a Venus, thy chaste thoughts turned to wanton
looks, thy conquering modesty
to a captive imagination
?
Beginnest thou with piralis to die in the air and live in the fire
, to
leave the sweet delight of hunting and to follow the hot desire
of love? O Telusa, these words are unfit for thy sex, being a
virgin, but apt for thy affections, being a lover. And can
there in years so young, in education so precise
, in vows so holy, and in
a heart so chaste, enter either a strong desire or a wish or a
wavering thought of love? Can Cupid’s brands
quench
Vesta’s flames
, and his feeble shafts headed with feathers
pierce deeper than Diana’s arrows headed with steel? Break thy
bow, Telusa, that seekest to break thy vow, and let those hands
that aimed to hit the wild hart scratch out those eyes that have wounded thy
tame heart
. O vain and
only naked name of chastity, that
is made
eternal and perisheth by time; holy, and is infected by fancy
; divine,
and is made mortal by folly! Virgins’ hearts
, I perceive,
are not unlike cotton trees, whose fruit is so hard in the bud that it soundeth
like steel, and, being ripe, poureth forth nothing but wool;
and their thoughts like the leaves of lunary
, which,
the further they grow from the sun, the sooner they are scorched with his
beams. O Melebeus
, because thou art fair, must I be fickle and
false
my vow because I see thy virtue? Fond
girl that
I am, to think of love! Nay, vain profession
that I follow,
to disdain love! But here cometh Eurota. I must now put on a
red mask and blush, lest she perceive my pale face and laugh.
3.1.Sp2Eurota
3.1.Sp4Eurota
I am no Oedipus to expound riddles
, and I muse
how thou canst be
Sphinx to utter them. But I pray thee, Telusa, tell me what thou ailest
. If
thou be sick, this ground hath leaves
to
heal; if melancholy, here are pastimes to use; if peevish, wit
must wean it, or time, or counsel
. If thou
be in love (for I have heard
of such a beast called Love), it shall be cured. Why blushest
thou, Telusa?
3.1.Sp5Telusa
3.1.Sp6Eurota
I confess that I am in love, and yet swear that I know not what
it is. I feel my thoughts unknit, mine eyes unstayed, my heart
I know
not how affected or infected, my sleeps broken and full of
dreams, my wakeness
sad and full of sighs, myself in
all things unlike myself. If this be love, I would it had never been
devised.
3.1.Sp7Telusa
3.1.Sp9Telusa
3.1.Sp10Eurota
They conceal themselves.3.1.Sp13Ramia
(To herself) Can there be no
heart so chaste but love can wound? Nor vows so holy but
affection
can violate? Vain art thou, virtue, and thou,
chastity, but a byword
, when you both are subject to love, of all
things the most abject. If Love be a god, why should not lovers
be virtuous? Love is a god, and lovers are virtuous.
3.1.Sp14Eurota
3.1.Sp17Eurota
3.1.Sp18Ramia
If myself felt only
this infection, I would then take upon me the
definition, but, being incident
to so many, I dare not myself
describe it. But we will all talk of that in the woods. Diana
stormeth that, sending one
to seek another, she loseth all.
Servia, of all the nymphs the coyest, loveth deadly
, and
exclaimeth against Diana, honoreth Venus, detesteth Vesta, and
maketh a common scorn of virtue
. Clymene, whose stately
looks
seemed to amaze
the greatest lords, stoopeth,
yieldeth, and fawneth on the strange boy
in the woods. Myself (with blushing
I speak it) am thrall to that boy, that fair boy, that
beautiful boy!
3.1.Sp19Telusa
3.1.Sp22Telusa
3.1.Sp23Ramia
3.1.Sp25Telusa
Exeunt.
Immodest all that we are, unfortunate all that we are like
to be,
shall virgins begin to wrangle for love and become wanton in
their thoughts, in their words, in their actions? O divine
Love, which art therefore called divine because thou overreachest
the wisest, conquerest the chastest, and dost all things both
unlikely and impossible, because thou art Love! Thou makest the bashful
impudent, the wise fond
, the chaste wanton, and workest
contraries to our reach
, because thyself is beyond reason.
3.2
Enter Phillida and Galatea .3.2.Sp1Phillida
3.2.Sp2Galatea
3.2.Sp3Phillida
3.2.Sp5Phillida
Nay, I do not wish to be a woman, for then I should not love thee, for I have
sworn never to love a woman.
3.2.Sp6Galatea
3.2.Sp7Phillida
3.2.Sp8Galatea
If it be a shame in me, it can be no commendation in you, for yourself is of
that mind.
3.2.Sp9Phillida
Suppose I were a virgin (I blush in supposing myself one), and that
under the habit
of a boy were the person of a maid: if I should
utter my affection with sighs, manifest my sweet love by my
salt tears, and prove my loyalty unspotted and my griefs
intolerable, would not then that fair face
pity this true heart?
3.2.Sp10Galatea
3.2.Sp22Galatea
3.2.Sp23Phillida
3.2.Sp27Phillida
Exeunt.
Come, let us into the grove, and make much one of another, that cannot tell
what to think one of another.
3.3
Enter the Alchemist and Rafe.3.3.Sp3Alchemist
He turns to go.
3.3.Sp6Rafe
I would I had not known the beginning. Did not you promise me
of my silver thimble to make a whole cupboard of plate, and
that of a Spanish needle you would build a silver steeple?
3.3.Sp7Alchemist
Ay, Rafe. The fortune of this art consisteth in the measure
of the
fire, for if there be a coal too much or a spark too little, if
it be a little too hot or a thought too soft, all our labor is
in vain. Besides, they that blow must beat time with their
breaths, as musicians do with their breasts
, so as
there
must be of
the metals, the fire, and workers a very
harmony.
3.3.Sp8Rafe
3.3.Sp9Alchemist
Exit Alchemist.
Enter Astronomer, gazing up at the sky,
with an almanac in his hands. He and Rafe do not notice each other at first.
So is it, and often doth it happen, that the just proportion of the fire and
all things concur.
3.3.Sp12Rafe
An art
,
quoth you
, that one multiplieth
so much all day that he wanteth
money
to buy meat
at night?( Seeing the Astronomer
) But what have we yonder? What devout man
? He will
never speak till he be urged. I will salute
him. — Sir, there lieth
a purse under your feet
. If I thought it were not yours, I
would take it up.
3.3.Sp13Astronomer
Dost thou not know that I was calculating the nativity of Alexander’s great
horse?
3.3.Sp17Astronomer
Ipsissimus
. I can tell the minute of thy
birth, the moment of thy death, and the manner. I can tell thee
what weather shall be between this and octgessimus
octavus mirabilis annus
. When I list
I can set
a trap for the sun, catch the moon with lime-twigs
, and go a-batfowling
for stars. I can tell thee things past and things to come, and
with my cunning
measure how many yards of clouds are beneath the
sky
.
Nothing can happen which I foresee not; nothing shall.
3.3.Sp20Rafe
3.3.Sp25Astronomer
3.3.Sp26Rafe
3.3.Sp28Rafe
3.3.Sp30Rafe
3.3.Sp31Astronomer
That I must cast by our judicials astronomical
. Therefore come in with
me, and thou shall see every wrinkle in my astrological wisdom,
and I will make the heavens as plain to thee as the highway.
Thy cunning shall sit cheek by jowl with the sun’s chariot.
Then shalt thou see what a base thing it is to have others’
thoughts creep on the ground, whenas thine shall be stitched to
the stars.
3.3.Sp34Rafe
Exeunt.
O fortune! I feel my very brains moralized, and as it were a
certain contempt of earthly actions is crept into my mind by an
ethereal contemplation. Come, let us in.
3.4
Enter Diana, Telusa, Eurota, Ramia, and Larissa.3.4.Sp1Diana
Exeunt Telusa and Larissa.
What news have we here, ladies? Are all in love? Are Diana’s nymphs
become Venus’s wantons? Is it a shame to be chaste because you
be amiable
? Or must you needs be amorous because you are fair? O Venus,
if this be thy spite I will requite it with more then hate.
Well shalt thou know what it is to drib
thine arrows up
and down Diana’s leas
. There is an unknown nymph
that
straggleth up and down these woods, which I suspect hath been
the weaver of these woes, I saw her slumbering by the brook-side. Go
search her and bring her. If you find upon her shoulder a
burn
,
it is Cupid; if any print on her back like a leaf
, it is
Medea
;
if any picture on her left breast like a bird
, it is
Calypso
. Whoever it be, bring her hither, and speedily bring her hither.
3.4.Sp5Diana
Now, ladies, doth not that make your cheeks blush that makes mine ears
glow? Or can you remember that without sobs which Diana cannot
think on without sighs? What greater dishonor could happen to
Diana, or to her nymphs shame
, than that there can be any time
so idle that should make their heads so addle
? Your
chaste hearts, my nymphs, should resemble the onyx
, which
is hottest when it is whitest; and your thoughts, the more they are assaulted
with desires, the less they should be affected. You should
think love like Homer’s moly
: a white leaf and a black root,
a fair show and a bitter taste. Of all trees the cedar is
greatest and hath the smallest seed; of all affections, love
hath the greatest name and the least virtue. Shall it be said,
and shall Venus say it — nay, shall it be seen, and shall
wantons see it — that Diana, the goddess of chastity, whose thoughts are always
answerable to her vows, whose eyes never glanced on desire, and
whose heart abateth
the point of Cupid’s arrows,
shall have her virgins to become unchaste in desires,
immoderate in affection, untemperate in love, in foolish love,
in base love? Eagles cast their evil feathers in the sun
, but you
cast your best desires upon a shadow
. The birds ibes
lose their sweetness when they lose
their sights
, and virgins all their virtues
with their unchaste thoughts. “Unchaste,” Diana calleth that that hath
either any show or suspicion of lightness. O my dear nymphs, if
you knew how loving thoughts stain lovely faces, you would be
as careful to have the one
as unspotted as the other
beautiful. Cast before your eyes
the loves of Venus’s trulls
, their
fortunes, their fancies, their ends
. What are
they else but Silenus’s pictures — without
, lambs and doves; within
, apes
and owls
— who, like Ixion, embrace clouds for Juno
, the shadows of virtue instead of
the substance. The eagle’s feathers consume the feathers of all
others
, and love’s desire corrupteth all other virtues. I blush,
ladies, that you, having been heretofore patient of labors
, should
now become prentices to idleness and use the pen for sonnets,
not the needle for samplers
. And how is your love placed? Upon
pelting
boys, perhaps base of birth, without doubt weak
of discretion. Ay, but they are fair. O ladies, do your eyes
begin to love colors
, whose hearts was wont to loathe them? Is
Diana’s chase
become Venus’s court? And are your holy vows
turned to hollow thoughts?
3.4.Sp6Ramia
3.4.Sp7Eurota
3.4.Sp8Diana
Enter Telusa and others (Larissa and perhaps
other nymphs) with Cupid.
Foolish girls, how willing you are to follow that which you should fly! But
here cometh Telusa.
3.4.Sp9Telusa
We have brought the disguised nymph, and have found on his shoulder Psyche’s
burn, and he confesseth himself to be Cupid.
3.4.Sp12Diana
And thou shalt see, Cupid, that I will show myself to be Diana
— that is, conqueror of thy loose and untamed appetites. Did
thy mother, Venus, under the color
of
a nymph, send thee hither to wound my
nymphs? Doth she add craft to her malice, and, mistrusting her
deity
,
practice deceit? Is there no place but my groves, no persons but my
nymphs? Cruel and unkind Venus, that spiteth only chastity,
thou shalt see that Diana’s power shall revenge thy policy
and
tame this pride. As for thee, Cupid, I will break thy bow and burn
thine arrows, bind thy hands, clip thy wings, and fetter thy
feet. Thou that fattest others with hopes shalt be fed thyself
with wishes
, and thou that bindest others with golden
thoughts shalt be
bound thyself with golden
fetters. Venus’s rods
are made
of roses, Diana’s of briars. Let Venus, that great goddess,
ransom Cupid, that little god. These ladies here, whom thou hast infected with
foolish love, shall both tread on thee and triumph over thee.
Thine own arrow shall be shot into thine own bosom, and thou
shalt be enamored, not on Psyches, but on Circes
. I will teach thee
what it is to displease Diana, distress her nymphs, or disturb
her game
.
3.4.Sp13Cupid
3.4.Sp14Diana
Exeunt.
Are you prating? I will bridle thy tongue and thy power, and in
spite of mine own thoughts
I will set thee a task every
day which, if thou finish not, thou shalt feel the smart
. Thou
shalt be used as Diana’s slave, not Venus’s son. All the world
shall see that I will use thee like a captive, and show myself a conqueror.
( To her nymphs ) Come, have
him in,
that we may devise apt punishments for his proud presumptions.
4.1
Enter Augur4.1.Sp1Augur
Exit Augur.
This is the day wherein you must satisfy Neptune and save yourselves. Call
together your fair daughters, and for a sacrifice take the
fairest; for better it is to offer a virgin than suffer ruin.
If you think it against nature to sacrifice your children, think it
also against sense to destroy your country. If you imagine
Neptune pitiless to desire such a prey, confess yourselves
perverse to deserve such a punishment. You see this tree, this fatal tree,
whose leaves, though they glister like gold, yet it threateneth
to fair virgins grief. To this tree must the beautifullest be
bound until the monster Agar carry her away, and, if the monster come not, then
assure yourselves that the fairest is concealed; and then your
country shall be destroyed. Therefore consult with yourselves,
not as fathers of children, but as favorers of your country. Let Neptune have
his right if you will have your quiet. Thus have I warned you
to be careful, and would wish you to be wise, knowing that
whoso hath the fairest daughter hath the greatest fortune, in losing
one to save all. And so I depart to provide ceremonies for the
sacrifice, and command you to bring the sacrifice
.
4.1.Sp2Melibeus
They say, Tityrus, that you have a fair daughter. If it be so,
dissemble not, for you shall be a fortunate father. It is a
thing holy to preserve one’s country, and honorable to be the
cause.
4.1.Sp3Tityrus
4.1.Sp4Melibeus
I must confess that I had a daughter, and I know you have; but
alas! My child’s cradle was her grave and her swath-clout
her winding sheet
. I would
she had lived till now. She should willingly have died now; for
what could have happened to poor Melibeus more comfortable
than to be the father of a fair child and sweet country?
4.1.Sp5Tityrus
Oh, Melibeus, dissemble you may with men; deceive the gods you cannot. Did
not I see (and very lately see) your daughter in your arms,
whenas you gave her infinite kisses with affection I fear me
more then fatherly? You have conveyed her away that you might
cast us all away, bereaving her the honor of her beauty and us
the benefit, preferring a common inconvenience
before a private mischief
.
4.1.Sp6Melibeus
It is a bad cloth, Tityrus, that will take no color
, and a simple
father
that can use no cunning. You make the people believe that you wish well when
you practice nothing but ill, wishing to be thought religious
towards the gods when I know you deceitful towards men. You
cannot overreach
me, Tityrus; overshoot yourself you may. It is a
wily mouse that will
breed in the cat’s ear
, and
he
must halt cunningly
that will deceive a cripple. Did
you ever see me kiss my daughter? You are deceived; it was my wife. And if
you thought so young a piece
unfit for so old a person, and
therefore imagined it to be my child, not my spouse, you must
know that silver hairs
delight in golden locks, and the
old fancies crave young nurses, and frosty years must be thawed by youthful
fires. But this matter set aside, you have a fair daughter,
Tityrus, and it is pity you are so fond
a father.
4.1.Sp7Populus
4.1.Sp8Alter
Exeunt.
4.2
Enter Cupid. Telusa, Eurota, and Larissa enter singing, with Ramia.4.2.Sp1Telusa
4.2.Sp3Eurota
4.2.Sp5Larissa
4.2.Sp6All Three
And in her tears he shall be drowned.
Read his indictment; let him hear
Boy, give ear!
4.2.Sp7Telusa
4.2.Sp8Cupid
If they be true love-knots, ’tis unpossible to unknit them; if false, I never
tied them.
4.2.Sp10Cupid
They threaten him.
He sets to work, unwillingly, on a
love-knot.
He tries another.
Love-knots are tied with eyes and cannot be undone with hands, made fast
with thoughts and cannot be unlosed with fingers. Had Diana no
task to set Cupid to but things impossible?
4.2.Sp20Telusa
4.2.Sp21Cupid
He gives up on another love-knot.
He takes up another, and laughs.
4.2.Sp27Cupid
He bestows it on Larissa.
4.2.Sp34Telusa
Exit Telusa with Ramia and Eurota.
4.2.Sp40Cupid
He offereth and starts to go to sleep.
Enter Ramia and Telusa, and perhaps Eurota.
( To the absent Venus ) O Venus,
if thou sawest Cupid as a captive, bound to obey that was wont
to command, fearing ladies’ threats that once pierced their hearts, I
cannot tell whether thou wouldst revenge it for despite or
laugh at it for disport. (To the absent
Diana) The time may come, Diana, and the time shall come, that thou
that settest Cupid to undo knots shalt entreat Cupid to tie
knots. (To the ladies in the audience, perhaps also
to the absent nymphs) And you ladies that with solace
have beheld my pains shall with sighs intreat my pity.
4.2.Sp42Ramia
Come, Cupid, Diana hath devised new labors for you that are god of
loves. You shall weave samplers
all night, and lackey after
Diana
all day. You shall shortly shoot at beasts for
men
because you have made beasts of men, and wait
on ladies’ trains
because
thou entrappest ladies by trains
. All the stories that are in
Diana’s arras
which are of love you must pick
out with your needle, and in that place sew Vesta
with her nuns and
Diana with her nymphs. How like you this, Cupid?
4.2.Sp47Cupid
Exeunt.
You shall find me so busy in your heads that you shall wish I had been idle
with your hearts.
4.3
Enter Neptune alone.4.3.Sp1Neptune
Exit.
This day is the solemn sacrifice at this tree, wherein the fairest virgin
(were not the inhabitants faithless) should be offered unto me.
But so over-careful are fathers to their children that they
forget the safety of their country, and, fearing to become unnatural, become
unreasonable. Their sleights may blear men
; deceive
me they cannot. I will be here at the hour, and show as great
cruelty as they have done craft, and well shall they know that Neptune should
have been entreated, not cozened
.
4.4
Enter Galatea and Phillida.4.4.Sp1Phillida
4.4.Sp3Phillida
I pray thee, sweet boy, flatter not me. Speak truth of thyself, for in mine eye
of all the world thou art fairest.
4.4.Sp4Galatea
4.4.Sp5Phillida
4.4.Sp7Phillida
4.4.Sp14Galatea
Because I dreamt that if I were there I should be turned to a
virgin, and then being so fair (as thou say’st I am) I should be offered, as
thou knowest one must. But will not you be there?
4.4.Sp17Phillida
Exit.
But I would escape it by deceit. But seeing we are resolved to be both absent,
let us wander into these groves till the hour be past.
4.4.Sp21Phillida
Exit.
I will
. —
Poor Phillida, what shouldst thou think of thyself, that lovest
one that, I fear me, is as thyself is? And may it not be that
her father practiced the same deceit with her that my father
hath with me, and, knowing her to be fair, feared she should be
unfortunate? If it be so, Phillida, how desperate is thy case! If
it be not, how doubtful! For if she be a maiden, there is no
hope of my love; if a boy, a hazard. I will after him or her,
and lead a melancholy life, that look for a miserable death.
5.1
Enter Rafe alone.5.1.Sp1Rafe
Enter Robin.
No more masters now, but a mistress, if I can light on her. An
astronomer! Of all occupations that’s the worst. Yet well fare
the
Alchemist, for he keeps good fires though he gets no gold; the
other
stands warming himself by staring on the stars, which I think
he can as soon number as know their virtues
. He told me a long tale
of octogessimus octavus
, and the meeting of the conjunctions and planets, and in the
meantime he fell backward himself into a pond. I asked him why
he foresaw not that by the stars. He said he knew it but
contemned it
. But soft, is not this my brother Robin?
5.1.Sp5Rafe
5.1.Sp7Rafe
5.1.Sp15Rafe
5.1.Sp16Robin
5.1.Sp18Robin
5.1.Sp19Rafe
He shows Robin a list of astrological names
5.1.Sp21Rafe
5.1.Sp23Rafe
Enter Peter, not seeing the other two at
first.
5.1.Sp25Rafe
5.1.Sp26Peter
5.1.Sp27Rafe
5.1.Sp28Peter
5.1.Sp31Peter
5.1.Sp32Rafe
5.1.Sp34Rafe
Exeunt.
5.2
Enter Augur and Ericthinis.5.2.Sp1Augur
5.2.Sp2Ericthinis
Enter Hebe, with otherHere she cometh, accompanied only with men, because it is a sight unseemly
(as all virgins say) to see the misfortune of a maiden, and
terrible to behold the fierceness of Agar the monster.
5.2.Sp3Hebe
They wait, but no monster comes.
Miserable and accursed Hebe, that, being neither fair nor fortunate, thou
shouldst be thought most happy and beautiful! Curse thy birth,
thy life, thy death, being born to live in danger and, having
lived, to die by deceit. Art thou the sacrifice to appease Neptune and satisfy
the custom, the bloody custom, ordained for the safety of thy
country? Ay, Hebe, poor Hebe: men will have it so, whose forces
command our weak natures. Nay, the gods will have it so, whose
powers dally with our purposes. The Egyptians never cut their dates from the
tree, because they are so fresh and green; it is thought
wickedness to pull roses from the stalks in the garden of
Palestine, for that they have so lively a red; and whoso cutteth the incense
tree in Arabia before it fall committeth sacrilege.
Shall it only be lawful amongst us in the prime of youth and
pride of beauty to destroy both youth and beauty, and what was
honored in fruits and flowers as a virtue to violate in a
virgin as a vice? But alas! Destiny alloweth no dispute. Die,
Hebe, Hebe, die! Woeful Hebe, and only
accursed Hebe! Farewell the sweet
delights of life, and welcome now the bitter pangs of death!
Farewell, you chaste virgins, whose thoughts are divine
,
whose faces fair, whose fortunes are agreeable
to
your affections
! Enjoy, and long enjoy, the pleasure of your
curled locks, the amiableness of your wished looks
, the
sweetness of your tuned
voices, the content of your
inward thoughts, the pomp of your outward shows. Only Hebe
biddeth farewell to all the joys that she conceived and you
hope for, that she possessed and you shall. Farewell, the pomp of princes’
courts, whose roofs are embossed with gold and whose pavements
are decked with fair ladies; where the days are spent in sweet
delights, the nights in pleasant dreams; where chastity honoreth affections and
commandeth, yieldeth to desire and conquereth
!
Farewell, the sovereign of all virtue and goddess of all virgins, Diana, whose
perfections are impossible to be numbered and therefore
infinite, never to be matched and therefore immortal! Farewell,
sweet parents, yet, to be mine
, unfortunate parents! How blessed
had you been in barrenness! How happy had I been if I had not
been
! Farewell, life, vain life, wretched life, whose sorrows are
long, whose end doubtful, whose miseries certain, whose hopes
innumerable, whose fears intolerable! Come, Death, and welcome,
Death, whom nature cannot resist, because necessity ruleth, nor
defer because destiny hasteth! Come, Agar, thou unsatiable
monster of maidens’ blood and devourer of beauty’s bowels. Glut
thyself till thou surfeit, and let my life end thine
. Tear
these tender joints with thy greedy jaws, these yellow locks with thy black
feet, this fair face with thy foul teeth. Why abatest thou thy
wonted swiftness? I am fair; I am a virgin; I am ready. Come,
Agar, thou horrible monster, and farewell, world, thou viler monster!
5.2.Sp4Augur
Hebe is unbound.
5.2.Sp7Hebe
Fortunate Hebe, how shalt thou express thy joys? Nay, unhappy girl, that art
not the fairest. Had it not been better for thee to have died
with fame than to live with dishonor, to have preferred the
safety of thy country and rareness of thy beauty before
sweetness of life and vanity of the world? But alas! Destiny
would not have it so. Destiny could not, for it asketh the
beautifullest. I would, Hebe, thou hadst been beautifullest.
5.2.Sp8Ericthinis
Exeunt.
Come, Hebe, here is no time for us to reason. It had been best for us thou
hadst been most beautiful.
5.3
Enter Phillida and Galatea.5.3.Sp1Phillida
We met the virgin that should have been offered to Neptune. Belike either the
custom is pardoned or she not thought fairest.
5.3.Sp5Phillida
5.3.Sp6Neptune
Enter Diana with her nymphs.
And do men begin to be equal with gods, seeking by craft to
overreach them that by power oversee them? Do they dote so much
on their daughters that they stick
not to dally with our deities?
Well shall the inhabitants see that destiny cannot be prevented
by craft nor my anger be appeased by submission. I will make
havoc of Diana’s nymphs. My temple shall be dyed with maidens’
blood, and there shall be nothing more vile then to be a
virgin. To be young and fair shall be accounted shame and punishment, insomuch
as it shall be thought as dishonorable to be honest
as
fortunate to be deformed.
5.3.Sp7Diana
Enter Venus.
O Neptune, hast thou forgotten thyself, or wilt thou clean forsake me? Hath
Diana therefore brought danger to her nymphs because they be
chaste? Shall virtue suffer both pain and shame, which always
deserveth praise and honor?
5.3.Sp8Venus
Praise and honor
, Neptune; nothing less, except
it be
commendable to be coy and honorable to be peevish. Sweet
Neptune, if Venus can do anything, let her try it in this one
thing: that Diana may find as small comfort at thy hands as Love
hath
found courtesy at hers. This is she that hateth sweet
delights, envieth loving desires, masketh wanton eyes, stoppeth
amorous ears, bridleth youthful mouths, and, under a name or a
word “constancy,”
entertaineth
all kind of cruelty. She hath
taken my son Cupid — Cupid, my lovely son — using him like a
prentice, whipping him like a slave, scorning him like a
beast. Therefore, Neptune, I entreat thee by no other god than
the god of love that thou evil entreat
this goddess of hate.
5.3.Sp9Neptune
5.3.Sp10Diana
I say there is nothing more vain than to dispute with Venus, whose
untamed affections have bred more brawls in heaven than is fit
to repeat in earth or possible to recount in number. I have
Cupid, and will keep him — not to dandle in my lap, whom I
abhor in my heart, but to laugh him to scorn that hath made in
my virgins’ hearts such deep scars.
5.3.Sp11Venus
Scars, Diana, call you them that I know to be bleeding wounds? Alas,
weak deity! It stretcheth not so far, both to abate the
sharpness of his arrows and to heal the hurts. No, love’s
wounds, when they seem green
, rankle, and, having a smooth skin without
,
fester to the death within. Therefore, Neptune, if ever Venus
stood thee in stead
, furthered thy fancies
,
or shall at all times be at thy command, let either Diana
bring her virgins to a continual massacre or release Cupid of
his martyrdom
.
5.3.Sp12Diana
5.3.Sp13Venus
It is an honor for Diana to have Venus mean ill, when she so
speaketh well.
But you shall see I come not to trifle.
Therefore once again, Neptune, if that be not buried which can
never die — fancy
— or that quenched which must ever burn
— affection
— show thyself the same Neptune that I knew
thee to be when thou wast a shepherd, and let not Venus’s
words be vain in thine ears, since thine were imprinted in my heart.
5.3.Sp14Neptune
It were unfit that goddesses should strive, and it were unreasonable that I
should not yield. And therefore to please both, both attend.
Diana I must honor; her virtue deserveth no less. But Venus I
must love; I must confess so much. Diana, restore Cupid to Venus,
and I will forever release the sacrifice of virgins. If
therefore you love your nymphs as she doth her son, or prefer
not a private grudge before a common
grief, answer what you will do.
5.3.Sp15Diana
I account not the choice hard, for, had I twenty Cupids, I would
deliver them all to save one virgin, knowing love to be a
thing of all the vainest, virginity to be a virtue of all the
noblest. I yield. — Larissa, bring out Cupid.(
Exit Larissa.
)
And now shall it be said that Cupid saved
those
he thought to spoil.
5.3.Sp16Venus
I agree to this willingly, for I will be wary how my son wander again. But
Diana cannot forbid him to wound.
5.3.Sp19Neptune
Enter Larissa with Cupid.
5.3.Sp21Venus
5.3.Sp22Cupid
Coming through Diana’s woods, and seeing so many fair faces with fond hearts,
I thought for my sport to make them smart, and so was taken by
Diana.
5.3.Sp25Venus
5.3.Sp26Cupid
Enter Tityrus and Melibeus. Enter Galatea
and Phillida, who follow at a distance, unseen at first by the
characters on stage.
5.3.Sp39Galatea
( To herself ) And wast thou all this while
enamored of Phillida, that sweet Phillida?
5.3.Sp40Phillida
( To herself ) And couldst thou
doat upon the face of a maiden, thyself being one, on the face of fair
Galatea?
5.3.Sp42Galatea
5.3.Sp43Phillida
I had thought that in the attire of a boy there could not have
lodged the body of a virgin, and so was inflamed with a sweet desire which now
I find a sour deceit.
5.3.Sp44Diana
5.3.Sp47Neptune
An idle choice, strange and foolish, for one virgin to dote on another,
and to imagine a constant faith where there can be no cause of
affection. — How like you this, Venus?
5.3.Sp48Venus
I like well and allow it. They shall both be possessed of their
wishes, for never shall it be said that Nature or Fortune
shall overthrow Love and Faith.(To
Galatea and Phillida) Is your love unspotted, begun
with truth, continued with constancy, and not to be altered
till death?
5.3.Sp54Venus
5.3.Sp58Tityrus
5.3.Sp65Venus
5.3.Sp74Venus
Enter Rafe, Robin, and Dick.
5.3.Sp77Rafe
Come, Robin, I am glad I have met with thee, for now we will make our father
laugh at these tales.
5.3.Sp81Rafe
We do not mean fortune-tellers, we mean fortune tellers. We can tell what
fortune we have had these twelve months in the woods.
5.3.Sp92Rafe
Exeunt.
Content? Never better content! For there we shall be sure to fill our bellies
with capons’ rumps, or some such dainty dishes.
The Epilogue
Galatea comes forward as the rest leave.Epi.Sp1Galatea
Exit.
Go all, ’tis I only that conclude all. You ladies
may see that
Venus can make constancy fickleness, courage cowardice, modesty
lightness, working things impossible in your sex and tempering
hardest hearts like softest wool. Yield, ladies, yield to love,
ladies, which lurketh under your eyelids whilst you sleep and
playeth with your heartstrings whilst you wake; whose sweetness never breedeth
satiety, labor weariness, nor grief bitterness.
Cupid was begotten in a mist, nursed in clouds, and sucking only upon conceits
.
Confess him a conqueror, whom ye ought to regard, sith
it is
unpossible to resist; for this is infallible, that love
conquereth all things but itself, and ladies all hearts but their own.
FINIS.
Annotations
mermaids
The quarto spelling of
maremaidespreserves the rhyme with fair maids later in the line (Scragg), and emphasizes the nightmare-ish qualities of Tityrus’ tale.
beasts
as, for example, Zeus or Jupiter taking the guise of a swan to win
Leda, as a bull to run off with Europa, etc.
Omnes … feather.
This song is omitted from the 1592 edition of
Gallathea, as are the others in this play. Blount
includes all the songs mentioned in the play except one in the 1632 edition. The
omission from the early edition is typical of the songs in Lyly’s plays (Scragg 54n87-105).
Are you a maid?
Are you a virgin — a question that Galatea would interpret as
“Of what sex are you?” (JJ questions this DB’s reading here.)
deer
This is the beginning of the auditory pun on
dear/deer in this scene. Recent editors have modernized the spelling and selected
the spelling of dear that best suits the sense of the sentence in their
interpretation (Lancashire, Hunter, Scragg). However, in both the 1592 and 1632 editions
of Gallathea, the word is spelled
Deare.
fermentation
These terms describe the heating and fusing of substances until
they are vaporized, then reduced to powder and reheated until red hot, combined
with other substances, stirred until white, fermented, etc.
indurative
These alchemical instruments include various vessels used in
vaporizing and distillation, both hand-held and affixed to a wall, in order to
produce absorption, softening, and hardening.
not
The substances here include potassium nitrate, sulfuric acid,
potassium carbonate, prepared salts, tartars, disulphide of arsenic, ammonium
chloride, and various herbs and yeasts, along with lime, chalk, ashes, and
hair.
Danae?
When Danae was confined by her father, King Acrisius of Argos, to
a brazen tower, Jupiter or Zeus visited her in a shower of gold, conceiving
Perseus as their son.
thumb.
Proverbially, an honest miller was said to have a golden
thumb — a rare occurrence, since honest millers were rare. The miller would teste
the quality of the meal by rubbing it between his thumb and forefinger.
flames
the eternal flame guarded by the Vestal Virgins in the temple of
Vesta, Roman goddess of the hearth
and
and yet
This meaning of “and”persists through
the next clauses, as Galatea muses on the contradictions of chastity.
feet
like the proverbial absent-minded philosopher, so intently
contemplating the heavens that he is unaware of what lies at his feet
zodiacs
the ecliptic or pathway in the stars that contains the twelve
signs of the zodiac and through which the sun and planets move
taverns
where tavern signboards might feature such zodiacal signs as Aries
the Ram, Taurus the Bull, Cancer the Crab, Leo the Lion, etc.
head.
These asssociations of the twelve zodiacal constellations with
various parts of the body were a central part of astrological lore.
moly
a magical herb given by Hermes or Mercury to Odysseus to protect
him against Circe’s powers of enchantment (Odyssey, Book 10)
sun
a legend telling how the old eagle finds renewal by exposing
itself to excessive heat of the sun, then plunging into cold water in order to
shed its old plumage
owls
According to one legendary account, when the jolly satyr Silenus
ascended to the skies, the ass on which he rode was placed among the stars and his
pictures of apes and owls were covered over by embroidered representations of
lions and eagles.
Juno
For attempting to win the love of Hera or Juno, Ixion was tricked
by Zeus or Jupiter into making love to a cloud, Nephele, that resembled Juno. By
this cloud Ixion fathered the centaurs.
Circes
i.e.you will be infatuated not with an ennobling and spiritual
love but with base enchantment
thoughts
i.e. despite my inclination to exercise a godlike mercy, or to
have nothing to do with you, or, conversely, to revenge myself on you more
harshly
stone
the magical substance vainly sought by alchemists that could
convert all metals into gold; also, the testicles
brothers.
This master, evidently a shystering lawyer, will devise a way to
give Dick the means to claim the right of the oldest brother and thereby inherit
all their father’s estate, the mill.
points.
That’s as likely as if your (Peter’s) former master, the
Alchemist, could transmute the metal tag-tips for fastening clothes into silver
tankards.
conquereth
i.e. where chaste love is held in honor and yields to desire in
such a way as to command and control affection in virtuous marriage
martyrdom
i.e. unless Cupid is released, Diana’s nymphs will suffer
continual and violent reprisal from Venus
jars.
Their pardon has been obtained not by any merit on your part, but
as a consequence of the enmity between Diana and Venus.
Ianthes?
When a young woman was given the male name of Iphis to spare her
life but was then engaged against her will to marry the beautiful Ianthe, Iphis
and her mother prevailed on the goddess Isis to change Iphis’s sex to that of a
male, whereupon he and Ianthe were able to marry happily.
door.
(The audience is also left to guess, though Galatea, disguised as
a boy already as the play begins, is perhaps a logical choice to be the designated
male.)
it.
To their two voices I’ll add a third, singing the treble part (in
a song with which the original presumably concluded).
Collations
Adopted reading (This edition):
mermaids
Adopted reading (This edition):
Dear
Adopted reading (This edition):
!
Adopted reading (This edition):
Enter … Phillida.
Adopted reading (This edition):
wreck
Adopted reading (This edition):
To the Mariner
Adopted reading (This edition):
He … leave.
Adopted reading (This edition):
To … Mariner.
Adopted reading (This edition):
Ay
Adopted reading (This edition):
!
Bevington changes periods to exclamation marks at comparable moments in the text.
This change here has been collated as an example.
Adopted reading (This edition):
To Rafe
Adopted reading (This edition):
Adopted reading (This edition):
Enter … alone.
Adopted reading (This edition):
!
Adopted reading (This edition):
!
Adopted reading (This edition):
heart
Adopted reading (This edition):
!
Adopted reading (This edition):
She … aside.
Adopted reading (This edition):
To herself
Adopted reading (This edition):
!
Adopted reading (This edition):
!
Adopted reading (This edition):
Aside … Phillida
Adopted reading (This edition):
Aside
Adopted reading (This edition):
Aside
Adopted reading (This edition):
Aside
Adopted reading (This edition):
Aside
Adopted reading (This edition):
Aside
Adopted reading (This edition):
To Galatea
Adopted reading (This edition):
deer
Adopted reading (This edition):
deer
Adopted reading (This edition):
deer
Adopted reading (This edition):
dear
Adopted reading (This edition):
To Diana
Adopted reading (This edition):
Aside
Adopted reading (This edition, D):
the
Adopted reading (This edition):
dear
Adopted reading (This edition):
!
Adopted reading (This edition):
To Phillida
Adopted reading (This edition):
To Diana
Adopted reading (This edition):
To Phillida
Adopted reading (This edition):
deer
Adopted reading (This edition):
halloo
Adopted reading (This edition):
Aside
Adopted reading (This edition):
To Galatea
Adopted reading (This edition):
Aside
Adopted reading (This edition):
To himself
Adopted reading (This edition):
Aside
Adopted reading (This edition):
Aside
Adopted reading (This edition):
lunary
Adopted reading (This edition):
Aside
Adopted reading (This edition):
Aside
Adopted reading (This edition):
Coming forward
Adopted reading (This edition):
!
Adopted reading (This edition):
Aside
Adopted reading (This edition):
twenty
Adopted reading (This edition):
Coming forward
Adopted reading (This edition):
Indicating Rafe
Adopted reading (This edition):
To Rafe
Adopted reading (This edition):
not
Adopted reading (This edition):
heart
Adopted reading (This edition):
They … themselves.
Characters
Prologue
Tityrus, father of Galatea
Galatea
Cupid
Nymph
Melibeus, father of Phillida
Phillida
Robin, brother of Rafe and Dick
Mariner
Rafe, brother of Robin and Dick
Dick, brother of Robin and Rafe
Diana
Telusa
Neptune
Peter, servant to the Alchemist
Alchemist
Eurota
Ramia
Astronomer
Larissa
Augur
Populus
Alter
Ericthinis, a citizen
Hebe
Venus, goddess of love
Prosopography
David Bevington
David Bevington was the Phyllis Fay Horton Distinguished Service Professor Emeritus
in the Humanities at the University of Chicago. His books include From
Mankindto Marlowe (1962), Tudor Drama and Politics (1968), Action Is Eloquence (1985), Shakespeare: The Seven Ages of Human Experience (2005), This Wide and Universal Theater: Shakespeare in Performance, Then and Now (2007), Shakespeare’s Ideas (2008), Shakespeare and Biography (2010), and Murder Most Foul: Hamlet Through the Ages (2011). He was the editor of Medieval Drama (1975), The Bantam Shakespeare, and The Complete Works of Shakespeare. The latter was published in a seventh edition in 2014. He was a senior editor of the Revels Student Editions, the Revels Plays, The Norton Anthology of Renaissance Drama, and The Cambridge Edition of the Works of Ben Jonson (2012). Professor Bevington passed away on August 2, 2019.
Edward Blount
Edward Blount (1562–1632) was a London publisher and prominent member of the Stationers’s
Company, most famous now for co-publishing the 1623 folio of Shakespeare’s plays.
Gary Taylor’s ODNB entry characterizes Blount as
the most important publisher of the early seventeenth century,with
an unaparalleled gift for recgonizing new works that would eventually become classics.Open-access sources on his life and work: Wikipedia and British Book Trade Index.
Janelle Jenstad
Janelle Jenstad is a Professor of English at the University of Victoria, Director
of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Beatrice Kaethler, she co-edited Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge). She has edited John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Elizabethan Theatre, Early Modern Literary Studies, Shakespeare Bulletin, Renaissance and Reformation, and The Journal of Medieval and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives (MLA); Institutional Culture in Early Modern England (Brill); Shakespeare, Language, and the Stage (Arden); Performing Maternity in Early Modern England (Ashgate); New Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter); Placing Names: Enriching and Integrating Gazetteers (Indiana); Making Things and Drawing Boundaries (Minnesota); Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (Routledge); and Civic Performance: Pageantry and Entertainments in Early Modern London (Routledge). For more details, see janellejenstad.com.
John Lyly
Kate LeBere
Project Manager, 2020–2021. Assistant Project Manager, 2019–2020. Textual Remediator
and Encoder, 2019–2021. Kate LeBere completed her BA (Hons.) in History and English
at the University of Victoria in 2020. During her degree she published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History
Conference (2020), and the Digital Humanities Summer Institute’s Project Management
in the Humanities Conference (2021). While her primary research focus was sixteenth
and seventeenth century England, she completed her honours thesis on Soviet ballet
during the Russian Cultural Revolution. She is currently a student at the University
of British Columbia’s iSchool, working on her masters in library and information science.
Navarra Houldin
Training and Documentation Lead 2025–present. LEMDO project manager 2022–2025. Textual
remediator 2021–present. Navarra Houldin (they/them) completed their BA with a major
in history and minor in Spanish at the University of Victoria in 2022. Their primary
research was on gender and sexuality in early modern Europe and Latin America. They
are continuing their education through an MA program in Gender and Social Justice
Studies at the University of Alberta where they will specialize in Digital Humanities.
Nicole Vatcher
Technical Documentation Writer, 2020–2022. Nicole Vatcher completed her BA (Hons.)
in English at the University of Victoria in 2021. Her primary research focus was women’s
writing in the modernist period.
Sarah Fowler
Sarah Fowler is a fourth-year undergraduate student in the English Honours program
at the University of Victoria. She is encoding the early editions of Gallathea as a part of her work for the Jamie Cassels Undergraduate Research Project under
Janelle Jenstad.
Tracey El Hajj
Junior Programmer 2019–2020. Research Associate 2020–2021. Tracey received her PhD
from the Department of English at the University of Victoria in the field of Science
and Technology Studies. Her research focuses on the algorhythmics of networked communications. She was a 2019–2020 President’s Fellow in Research-Enriched
Teaching at UVic, where she taught an advanced course on
Artificial Intelligence and Everyday Life.Tracey was also a member of the Map of Early Modern London team, between 2018 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.
Bibliography
Hunter, G.K., ed. Galatea, by John Lyly. In Galatea and Midas, by John Lyly. Revels Plays. Manchester: Manchester University Press, 2000.
Lancashire, Anne Begor, ed. Gallathea and Midas, by John Lyly. Regents Renaissance Drama. Lincoln: University of Nebraska Press, 1969.
Scragg, Leah, ed. Galatea. By John Lyly. Manchester: Manchester University Press, 2012.
Orgography
LEMDO Team (LEMD1)
The LEMDO Team is based at the University of Victoria and normally comprises the project
director, the lead developer, project manager, junior developers(s), remediators,
encoders, and remediating editors.
University of Victoria (UVIC1)
https://www.uvic.ca/Witnesses
1592 quarto text printed by Broome
1632 duodecimo text printed by Stansby
Metadata
| Authority title | Galatea |
| Type of text | Primary Source |
| Publisher | University of Victoria on the Linked Early Modern Drama Online Platform |
| Series | |
| Source |
This file has been converted from IML, the SGML markup language of the Internet
Shakespeare Editions platform. IML files do not indicate the copy or copytext
transcribed. LEMDO acknowledges that we are not the main source of transcription,
and
that we do not know the witness transcribed in this transcription. As time permits,
we will compare this transcription to an open-access digital surrogate and align the
transcription that surrogate. If you have worked on ISE and/or may have an idea as
to
the source of this file, please contact lemdo@uvic.ca.
|
| Editorial declaration | Edited by David Bevington according to the ISE Editorial Guidelines. Re-edited by Janelle Jenstad to bring into line with DRE Editorial Guidelines. |
| Edition | Released with LEMDO Classroom 0.2.1 |
| Sponsor(s) |
Digital Renaissance EditionsAnthology Leads and Co-Coordinating Editors: Brett Greatley-Hirsch, Janelle Jenstad,
James Mardock, and Sarah Neville.
|
| Encoding description | |
| Document status | IML-TEI_INP |
| License/availability |