Galatea

The Prologue

Pro.Sp1Prologue
Ios and Smyrna were two sweet cities, the first named ofClick to see collations the violet, the latter of the myrrh. Homer was born in the oneClick to see collations and buried in the otherClick to see collations. Your Majesty’s judgment and favour are our sun and shadow, the one coming of your deep wisdom, the otherClick to see collations of your wontedClick to see collations grace. WeClick to see collations in all humility desire that by the former receiving our first breathClick to see collations, we may, in the latterClick to see collations, take our last rest. Augustus Caesar had such piercing eyes that whoso looked on him was constrained to winkClick to see collations. Your Highness hath so perfect a judgment that, whatsoever we offer, we are enforced to blush. Yet as the Athenians were most curiousClick to see collations that the lawnClick to see collations wherewith MinervaClick to see collations was covered should be without spot or wrinkle, so have we endeavored with all care that what we present Your Highness should neither offend in scene nor syllableClick to see collations — knowing that as in the ground where gold growethClick to see collations nothing will prosper but gold, so in Your Majesty’s mind, where nothing doth harbor but virtue, nothing can enter but virtue.

1.1

Enter Tityrus and Galatea disguised as a boy. They sit under an oak tree.Click to see collations
1.1.Sp1Tityrus
The sun doth beat upon the plainClick to see collations fields. Wherefore let us sit down, Galatea, under this fair oak, by whose broad leaves being defended from the warm beams we may enjoy the fresh air, which softly breathes from Humber floodsClick to see collations.
1.1.Sp2Galatea
Father, you have devised well. And whilst our flock doth roam up and down this pleasant green, you shall recount to me, if it please you, for what cause this tree was dedicated unto Neptune, and why you have thus disguised me.
1.1.Sp3Tityrus
I do agree thereto, and, when thy state and my care be considered, thou shalt know this question was not asked in vain.
1.1.Sp4Galatea
I willingly attendClick to see collations.
1.1.Sp5Tityrus
In times past, where thou see’st a heap of small pebble stood a stately temple of white marble, which was dedicated to the God of the Sea, and in rightClick to see collations, being so near the sea. Hither came all such as either ventured by long travel to see countries or by great trafficClick to see collations to use merchandiseClick to see collations, offering sacrifice by fire to get safety by water, yielding thanks for perils past and making prayers for good success to come. But Fortune, constant in nothing but inconstancy, did change her copyClick to see collations, asClick to see collations the people their custom; for, the land being oppressed by Danes — who instead of sacrifice committed sacrilege, instead of religion rebellion, and made a preyClick to see collations of that in which they should have made their prayers, tearing down the temple even with the earthClick to see collations, being almost equal with the skiesClick to see collations — enraged so the god who binds the winds in the hollows of the earthClick to see collations that he caused the seas to break their bounds sithClick to see collations men had broke their vows, and to swell as far above their reach as men had swerved beyond their reason. Then might you see ships sail where sheep fed, anchors cast where ploughs go, fishermen throw their nets where husbandmenClick to see collations sow their cornClick to see collations, and fishes throwClick to see collations their scales where fowls do breed their quillsClick to see collations. Then might you gather frothClick to see collations where now is dew, rotten weedsClick to see collations forClick to see collations sweet roses, and take view of monstrousClick to see collations mermaidsClick to see collationsClick to see collations instead of passing fairClick to see collations maids.
1.1.Sp6Galatea
To hear these sweet marvels I wouldClick to see collations mine eyes were turned also into ears.
1.1.Sp7Tityrus
But at the last our countrymen repenting, and not too late, because at last Neptune, either weary of his wrothClick to see collations or waryClick to see collations to do them wrong, upon condition consented to ease their miseries.
1.1.Sp8Galatea
What condition will not miserable men accept?
1.1.Sp9Tityrus
The condition was this: that at every five years’ dayClick to see collations, the fairest and chastest virgin in all the country should be brought unto this tree, and, here being bound (whom neither parentage shall excuse for honor, nor virtue for integrityClick to see collations), is left for a peace-offering unto Neptune.
1.1.Sp10Galatea
DearClick to see collations is the peace that is bought with guiltless blood.
1.1.Sp11Tityrus
I am not able to say thatClick to see collations, but heClick to see collations sendeth a monster called the Agar, againstClick to see collations whose coming the waters roar, the fowls fly away, and the cattleClick to see collations in the field for terror shun the banks.
1.1.Sp12Galatea
And she boundClick to see collations to endure that horror?
1.1.Sp13Tityrus
And she boundClick to see collations to endure that horror.
1.1.Sp14Galatea
Doth this monster devour her?
1.1.Sp15Tityrus
Whether she be devoured of himClick to see collations, or conveyed to Neptune, or drowned between both, it is not permitted to know, and incurreth danger to conjecture. Now, Galatea, here endeth my tale and beginneth thy tragedy.
1.1.Sp16Galatea
Alas, father!Click to see collations And why so?
1.1.Sp17Tityrus
I would thou hadst been less fair or more fortunate. Then shouldst thou not repine that I have disguised thee in this attire, for thy beauty will make thee to be thought worthy of this god. To avoid therefore destiny (for wisdom ruleth the stars), I think it better to use an unlawful means, your honorClick to see collations preserved, than intolerable grief, both life and honor hazarded; and to prevent, if it be possible, thy constellationClick to see collations by my craft. Now hast thou heard the custom of this country, the cause why this tree was dedicated unto Neptune, and the vexingClick to see collations care of thy fearful father.
1.1.Sp18Galatea
Father, I have been attentive to hear, and by your patience am ready to answer. Destiny may be deferred, not prevented; and therefore it were better to offer myself in triumph than to be drawnClick to see collations to it with dishonor. Hath nature (as you say) made me so fair above allClick to see collations, and shall not virtue make me as famous as others? Do you not know, or doth overcarefulness make you forget, that an honorable death is to be preferred before an infamous life? I am but a child, and have not lived long, and yet not so childish asClick to see collations I desire to live ever. Virtues I mean to carry to my grave, not grey hairs. I would I were as sure that destiny would lightClick to see collations on me as I am resolved it could not fearClick to see collations me. Nature hath given me beauty, virtueClick to see collations courage; nature must yield me death, virtueClick to see collations honor. SufferClick to see collations me therefore to die, for which I was bornClick to see collations, or let me curse that I was born, sith I may not die for itClick to see collations.
1.1.Sp19Tityrus
Alas, Galatea, to consider the causes of change thou art too young, and that I should find them out for thee, too too fortunateClick to see collations.
1.1.Sp20Galatea
The destiny to me cannot be so hard as the disguising hateful.
1.1.Sp21Tityrus
To gain love, the gods have taken shapes of beastsClick to see collations, and to save life art thou coy to take the attire of men?
1.1.Sp22Galatea
They were beastly gods, that lust could make them seem as beasts.
1.1.Sp23Tityrus
In health it is easy to counsel the sick, but it’s hard for the sick to follow wholesome counsel. Well, let us depart. The day is far spent.
Exeunt.

1.2

Enter Cupid and a Nymph of DianaClick to see collations.Click to see collations
1.2.Sp1Cupid
Fair nymph, are you strayed from your company by chance, or love you to wander solitarily on purpose?
1.2.Sp2Nymph
Fair boy, or god, or whatever you be, I would you knew these woods are to me so well known that I cannot strayClick to see collations thoughClick to see collations I would, and my mind so free that to be melancholy I have no cause. There is none of Diana’s trainClick to see collations that any can trainClick to see collations, either out of their way or out of their wits.
1.2.Sp3Cupid
What is that Diana, a goddess? What her nymphs, virgins? What her pastimes, hunting?
1.2.Sp4Nymph
A goddess? Who knows it not? Virgins? Who thinks it not? Hunting? Who loves it not?
1.2.Sp5Cupid
I pray thee, sweet wench, amongst all your sweet troop is there not one that followeth the sweetest thing, sweet love?
1.2.Sp6Nymph
Love, good sir? What mean you by it? Or what do you call it?
1.2.Sp7Cupid
A heat full of coldness, a sweet full of bitterness, a pain full of pleasantness, which maketh thoughts have eyes and heartsClick to see collationsClick to see collations earsClick to see collations, bred by desire, nursed by delight, weaned by jealousy, killed by dissembling, buried by ingratitude; and this is love. Fair lady, will you any?
1.2.Sp8Nymph
If it be nothing else, it is but a foolish thing.
1.2.Sp9Cupid
Try, and you shall find it a pretty thing.
1.2.Sp10Nymph
I have neither will nor leisure, but I will follow Diana in the chase, whose virgins are all chaste, delighting in the bowClick to see collations that wounds the swift hartClick to see collations in the forest, not fearing the bowClick to see collations that strikes the soft heartClick to see collations in the chamber. This difference is between my mistress DianaClick to see collations and your mother (as I guess) Venus: that all herClick to see collations nymphs are amiable and wise in their kindClick to see collations, the other amorous and too kindClick to see collations for their sex. And so farewell, little god.
Exit.
1.2.Sp11Cupid
Diana, and thou, and all thine, shall know that Cupid is a great god. I will practiceClick to see collations awhile in these woods, and play such pranks with these nymphs that, while they aim to hit others with their arrows, they shall be wounded themselves with their own eyes.
Exit.

1.3

Enter Melibeus and Phillida.Click to see collations
1.3.Sp1Melibeus
Come, Phillida, fair Phillida, and I fear me too fair, being my Phillida: thou knowest the custom of this country, and I the greatness of thy beauty; we bothClick to see collations the fierceness of the monster Agar. Everyone thinketh his own child fair, but I know that which I most desire and would least haveClick to see collations, that thou art fairest. Thou shalt therefore disguise thyself in attire, lest I should disguise myself in affectionClick to see collations, in sufferingClick to see collations thee to perish by a fond desireClick to see collations whom I may preserve by a sure deceit.
1.3.Sp2Phillida
DearClick to see collations father, nature could not make me so fair as she hath made you kind, nor you more kind than me dutiful. Whatsoever you command I will not refuse, because you command nothing but my safety and your happiness. But how shall I be disguised?
1.3.Sp3Melibeus
In man’s apparel.
1.3.Sp4Phillida
It will neither becomeClick to see collations my body nor my mind.
1.3.Sp5Melibeus
Why, Phillida?
1.3.Sp6Phillida
For then I must keep company with boys, and commit follies unseemly for my sex; or keep company with girls, and be thought more wanton than becomethClick to see collationsClick to see collations. Besides, I shall be ashamed of my long hoseClick to see collations and short coatClick to see collations, and so unwarily blab out something by blushing at everything.
1.3.Sp7Melibeus
Fear not, Phillida. Use will make it easy; fear must make it necessary.
1.3.Sp8Phillida
I agree, since my father will have it so, and fortune must.
1.3.Sp9Melibeus
Come let us in, and, when thou art disguised, roam about these woods till the time be past and Neptune pleasedClick to see collations.
Exeunt.

1.4

Enter Mariner, Rafe, Robin, and Dick.
1.4.Sp1Robin
Now, mariner, what callest thou this sport on the sea?
1.4.Sp2Mariner
It is called a wreckClick to see collations.
1.4.Sp3Rafe
I take no pleasure in it. Of all deaths. I would not be drowned. One’s clothes will be so wet when he is taken upClick to see collations.
1.4.Sp4Dick
What call’st thou the thing we were bound to?
1.4.Sp5Mariner
A rafterClick to see collations.
1.4.Sp6Rafe
I will rather hang myself on a rafter in the house than be so haledClick to see collations in the sea; there one may have a leap for his life. But I marvelClick to see collations how our masterClick to see collations speedsClick to see collations.
1.4.Sp7Dick
I’ll warrant by this time he is wetshodClick to see collations. Did you ever see water bubble as the sea did? But what shall we do?
1.4.Sp8Mariner
You are now in Lincolnshire, where you can wantClick to see collations no fowl, if you can devise means to catch them. There be woods hard by, and at every mile’s end, houses, so that if you seek on the landClick to see collations you shall speedClick to see collations better than on the sea.
1.4.Sp9Robin
Sea? Nay, I will never sail more. I brook notClick to see collations their diet. Their bread is so hard that one must carry a whetstone in his mouth to grind his teethClick to see collations; the meat so salt that one would think after dinner his tongue had been powderedClick to see collations ten days.
1.4.Sp10Rafe
( To the MarinerClick to see collations ) Oh, thou hast a sweet life, mariner, to be pinnedClick to see collations in a few boards, and to be within an inch of a thing bottomlessClick to see collations. I pray thee, how often hast thou been drowned?
1.4.Sp11Mariner
Fool, thou see’st I am yet alive.
1.4.Sp12Robin
Why, be they dead that be drowned? I had thought they had been with the fish, and so by chance been caught up with them in a net again. It were a shame a little cold water should kill a man of reasonClick to see collations, when you shall see a poor minnow lieClick to see collations in it that hath no understanding.
1.4.Sp13Mariner
Thou art wise from the crown of thy head upwardsClick to see collations. Seek you new fortunes now; I will follow mine old. I can shift the moon and the sunClick to see collations, and know by one cardClick to see collations what all you cannot do by a whole pairClick to see collations. The loadstoneClick to see collations that always holdeth hisClick to see collations nose to the north, the two-and-thirty points for the wind, the wonders I see would make all you blind. You be but boys. I fear the sea no more than a dish of water. Why, fools, it is but a liquid element. Farewell.
He turns to leave.Click to see collations
1.4.Sp14Robin
It were good we learned his cunning at the cardsClick to see collations, for we must live by cozenageClick to see collations. We have neither lands, nor wit, nor mastersClick to see collations, nor honesty.
1.4.Sp15Rafe
Nay, I would fainClick to see collations have his thirty-two, that is, his three dozen lacking four points, for you see betwixt us three there is not two good pointsClick to see collations.
1.4.Sp16Dick
. Let us call him a little back that we may learn those points. ( To the MarinerClick to see collations ) Sirrah, a word. I pray thee show us thy points.
1.4.Sp17Mariner
Will you learn?
1.4.Sp18Dick
AyClick to see collations.
1.4.Sp19Mariner
Then as you like this I will instruct you in all our secrets, for there is not a cloutClick to see collations, nor cardClick to see collations, nor board, nor post that hath not a special name or singular nature.
1.4.Sp20Dick
Well, begin with your pointsClick to see collations, for I lack only points in this world.
1.4.Sp21Mariner
North. North and by east. North north-east. North-east and by north. North-east. North-east and by east. EastClick to see collations north-east. East and by north. East.
1.4.Sp22Dick
I’ll say it. North. North-east. North-east. Nore-nore and by nore-east. I shall never do it.
1.4.Sp23Mariner
. This is but one quarter.
1.4.Sp24Robin
I shall never learn a quarter of it. I will try. North. North-east, is by the west side. North and by north.
1.4.Sp25Dick
Passing illClick to see collations!Click to see collations
1.4.Sp26Mariner
Hast thou no memory?( To RafeClick to see collations ) Try thou.
1.4.Sp27Rafe
North. North and by north. I can go no further.
1.4.Sp28Mariner
O dullard! Is thy head lighter then the wind, and thy tongue so heavy it will not wag? I will once again say it.
1.4.Sp29Rafe
I will never learn this language. It will get but small livingClick to see collations, when it will scarce be learned till one be old.
1.4.Sp30Mariner
Nay then, farewell. And if your fortunes exceed not your wits, you shall starve before ye sleep.(Exit.Click to see collations)
1.4.Sp31Rafe
. Was there ever such cozeningClick to see collations? Come, let us to the woods and see what fortune we may have before they be madeClick to see collations ships. As for our master, he is drowned.
1.4.Sp32Dick
I will this way.
1.4.Sp33Robin
I, this.
1.4.Sp34Rafe
I, this, and this day twelvemonthClick to see collations let us all meet here again. It may be we shall either beg together or hang together.
1.4.Sp35Dick
It skills notClick to see collations, soClick to see collations we be together. But let us sing now, though we cry hereafter.
Click to see collations SONG
1.4.Sp36OmnesClick to see collations
Rocks, shelves, and sands, and seas, farewell! Fie! Who would dwell In such a hell As is a ship, which drunkClick to see collations does reel, Taking salt healthsClick to see collations from deck to keel.
1.4.Sp37Robin
Up were we swallowed in wet graves,
1.4.Sp38Dick
All soused in waves,
1.4.Sp39Rafe
By Neptune’s slavesClick to see collations.
1.4.Sp40Omnes
What shall we do, being tossd to shore?
1.4.Sp41Robin
MilkClick to see collations some blindClick to see collations tavern, and there roar.
1.4.Sp42Rafe
’Tis braveClick to see collations, my boys, to sail on land, For being well mannedClick to see collations, We can cry “Stand!Click to see collations
1.4.Sp43Dick
The trade of pursingClick to see collations ne’er shall fail Until the hangman cries, “Strike sail!Click to see collations
1.4.Sp44Omnes
Rove, then, no matter whither,
In fair or stormy weather.
And as we live, let’s die together.
One hempen caper cuts a featherClick to see collations.
Click to see collationsClick to see collations Exeunt.Click to see collations

2.1

Enter Galatea aloneClick to see collations.Click to see collations
2.1.Sp1Galatea
Blush, Galatea, that must frame thy affection fit for thy habitClick to see collations, and therefore be thought immodestClick to see collations because thou art unfortunate!Click to see collations Thy tender years cannot dissemble this deceit, nor thy sex bear it. Oh, would the gods had made me as I seem to be, or that I might safely beClick to see collations what I seem notClick to see collations!Click to see collations Thy father doteth, Galatea, whose blind love corrupteth his fondClick to see collations judgment, and, jealousClick to see collations of thy death, seemeth to dote on thy beauty; whose fond care carrieth his partial eye as far from truth as his heartClick to see collations is from falsehood. But why dost thou blame him, or blab what thou art, when thou shouldst only counterfeit what thou art not? But whistClick to see collations!Click to see collations Here cometh a lad. I will learn of him how to behave myselfClick to see collations.
She stands aside.Click to see collations Enter Phillida in man’s attire.
2.1.Sp2Phillida
( To herselfClick to see collations ) I neither like my gaitClick to see collations nor my garments: the one untowardClick to see collations, the other unfitClick to see collations, both unseemly. O Phillida!Click to see collations But yonder stayeth oneClick to see collations, and therefore say nothing. But O Phillida!Click to see collations
2.1.Sp3Galatea
( Aside, seeing PhillidaClick to see collations ) I perceive that boys are in as great disliking of themselves as maids. Therefore, though I wear the apparel, I am glad I am not the personClick to see collations.
2.1.Sp4Phillida
( AsideClick to see collations ) It is a pretty boy and a fair. He might well have been a woman, but because he is not, I am glad I am; for now, under the colorClick to see collations of my coat, I shall decipher the follies of their kind.
2.1.Sp5Galatea
( AsideClick to see collations ) I would saluteClick to see collations him, but I fear I should make a curtsy instead of a legClick to see collations.
2.1.Sp6Phillida
( AsideClick to see collations ) If I durst trust my face as well as I do my habitClick to see collations, I would spend some time to make pastimeClick to see collations; for, say what they will of a man’s wit, it is no secondClick to see collations thing to be a woman.
2.1.Sp7Galatea
( AsideClick to see collations ) All the blood in my body would be in my faceClick to see collations, if he should ask me (as the question among men is common), “Are you a maid?Click to see collations
2.1.Sp8Phillida
( AsideClick to see collations ) Why stand I still? Boys should be bold. But here cometh a brave trainClick to see collations that will spillClick to see collations all our talk.
Enter Diana, Telusa, and Eurota.
2.1.Sp9Diana
( To GalateaClick to see collations ) God speed, fairClick to see collations boy.
2.1.Sp10Galatea
You are deceived, lady.
2.1.Sp11Diana
Why, are you no boy?
2.1.Sp12Galatea
No fair boy.
2.1.Sp13Diana
But I see an unhappy boy.
2.1.Sp14Telusa
Saw you not the deerClick to see collationsClick to see collations come this way? He flew down the windClick to see collations, and I believe you have blanched himClick to see collations.
2.1.Sp15Galatea
Whose deerClick to see collations was it, lady?
2.1.Sp16Telusa
Diana’s deerClick to see collations.
2.1.Sp17Galatea
I saw none but mine own dearClick to see collationsClick to see collations.
2.1.Sp18Telusa
( To DianaClick to see collations ) This wag is wanton or a fool! Ask the other, Diana.
2.1.Sp19Galatea
( AsideClick to see collations ) I know not how it cometh to pass, but yonder boy is in mine eye too beautiful. I pray theClick to see collations gods the ladies think him not their dearClick to see collations!Click to see collations
2.1.Sp20Diana
( To PhillidaClick to see collations ) Pretty lad, do your sheep feed in the forest, or are you strayed from your flock, or on purpose come ye to mar Diana’s pastimeClick to see collations?
2.1.Sp21Phillida
I understand not one word you speak.
2.1.Sp22Diana
What, art thou neither lad nor shepherd?
2.1.Sp23Phillida
My mother said I could be no lad till I was twenty year old, nor keep sheep till I could tellClick to see collations them; and therefore, lady, neither lad nor shepherd is here.
2.1.Sp24Telusa
( To DianaClick to see collations ) These boys are both agreedClick to see collations. Either they are very pleasantClick to see collations or too perverse. You were best, lady, make them tusk these woodsClick to see collations, whilst we stand with our bows, and so use them as beagles since they have so good mouthsClick to see collations.
2.1.Sp25Diana
I will.( To PhillidaClick to see collations ) Follow me without delay or excuse, and, if you can do nothingClick to see collations, yet shall you hallooClick to see collations the deerClick to see collationsClick to see collations.
2.1.Sp26Phillida
I am willing to go —( AsideClick to see collations ) not for these ladies’ company, because myself am a virgin, but for that fair boy’s favorClick to see collations, who I think be a god.
2.1.Sp27Diana
( To GalateaClick to see collations ) You, sir boy, shall also go.
2.1.Sp28Galatea
I must if you command —( AsideClick to see collations ) and would ifClick to see collations you had not.
Exeunt.

2.2

Enter Cupid alone in nymph’s apparel, and Neptune listening.
2.2.Sp1Cupid
Now, Cupid, under the shape of a sillyClick to see collations girl show the power of a mighty god. Let Diana and all her coy nymphs know that there is no heart so chaste but thy bow can wound, nor eyes so modest but thy brandsClick to see collations can kindle, nor thoughts so staidClick to see collations but thy shafts can make wavering, weak, and wanton. Cupid, though he be a child, is no baby. I will make their pains my pastimes, and so confound their loves in their own sexClick to see collations that they shall dote in their desires, delight in their affections, and practice only impossibilities. Whilst I truantClick to see collations from my motherClick to see collations, I will use some tyranny in these woods, and so shall their exercise in foolish love be my excuse for running awayClick to see collations. I will see whether fair faces be always chaste, or Diana’s virgins only modest; else will I spendClick to see collations both my shafts and shiftsClick to see collations; and then, ladiesClick to see collations, if you see these dainty dames entrapped in love, say softly to yourselves, we may all love.
Exit.
2.2.Sp2Neptune
Do sillyClick to see collations shepherds go about to deceive great Neptune in putting on man’s attire upon women, and Cupid, to make sport, deceive them all by usingClick to see collations a woman’s apparel upon a godClick to see collations? Then, Neptune, that hast taken sundry shapes to obtain loveClick to see collations, stick notClick to see collations to practice some deceit to show thy deity, and, having often thrust thyself into the shape of beasts to deceive men, be not coy to use the shape of a shepherd to show thyself a god. Neptune cannot be overreachedClick to see collations by swainsClick to see collations. Himself is subtle, and, if Diana be overtaken by craftClick to see collations, Cupid is wise. I will into these woods and mark all, and in the end will mar all.
Exit.

2.3

Enter Rafe alone.
2.3.Sp1Rafe
Call you this seeking of fortunes, when one can find nothing but birds’ nests? Would I were out of these woods! For I shall have but woodenClick to see collations luck. Here’s nothing but the skreekingClick to see collations of owls, croaking of frogs, hissing of adders, barking of foxes, walking of hagsClick to see collations. But what be these? (Enter Fairies, dancing and playing, and so exeunt.) I will follow them, To hell I shall not go, for so fair faces never can have such hard fortunes. What black boyClick to see collations is this?
Enter the Alchemist’s boy, Peter.
2.3.Sp2Peter
( To himselfClick to see collations ) What a life do I lead with my master! Nothing but blowing of bellows, beating of spiritsClick to see collations, and scraping of crossletsClick to see collations. It is a very secret science, for none almost can understand the language of it: sublimation, almigation, calcination, rubification, incorporation, circination, cementation, albification, and fermentationClick to see collations, with as many terms unpossible to be uttered as the art to be compassedClick to see collations.
2.3.Sp3Rafe
( AsideClick to see collations ) Let me cross myself. I never heard so many great devils in a little monkey’s mouth.
2.3.Sp4Peter
Then our instruments: crosslets, sublimatories, cucurbits, limbecks, decensors, vials, manual and mural, for imbibing and conbibing, bellows molificative and indurativeClick to see collations.
2.3.Sp5Rafe
( AsideClick to see collations ) What language is this? Do they speak so?
2.3.Sp6Peter
Then our metals: saltpeter, vitriol, sal tartar, sal preparat, argoll, resagar, sal ammoniac, agrimony, lunaryClick to see collations, brimstone, valerian, tartar alum, breemwort, glass, unslaked lime, chalk, ashes, hair, and what notClick to see collations, to make I know not what.
2.3.Sp7Rafe
( AsideClick to see collations ) My hair beginneth to stand upright. Would the boy would make an end!
2.3.Sp8Peter
And yet such a beggerly science it is, and so strong on multiplicationClick to see collations that the end is to have neither gold, wit, nor honesty.
2.3.Sp9Rafe
( AsideClick to see collations ) Then am I just of thy occupation. ( Coming forwardClick to see collations ) What, fellow, well met!
2.3.Sp10Peter
Fellow? Upon what acquaintance?
2.3.Sp11Rafe
Why, thou say’st the end of thy occupation is to have neither wit, money, nor honesty; and methinks, at a blushClick to see collations, thou shouldst be one of my occupationClick to see collations.
2.3.Sp12Peter
Thou art deceived. My master is an alchemist.
2.3.Sp13Rafe
What’s that? A man?
2.3.Sp14Peter
A little more than a man, and a hair’s breadth less than a god. He can make of thy cap gold, and, by multiplication of one groatClick to see collations, three old angelsClick to see collations. I have known him of the tag of a pointClick to see collations to make a silver bowl of a pintClick to see collations.
2.3.Sp15Rafe
That makes thee have never a point; they be all turned to potsClick to see collations. But if he can do this, he shall be a god altogether.
2.3.Sp16Peter
If thou have any gold to work on, thou art then madeClick to see collations forever, for with one pound of gold he will go near to pave ten acres of ground.
2.3.Sp17Rafe
How might a man serve him and learn his cunningClick to see collations?
2.3.Sp18Peter
Easily. First, seem to understand the terms, and specially mark these points. In our art there are four spiritsClick to see collations.
2.3.Sp19Rafe
Nay, I have doneClick to see collations, if you work with devilsClick to see collations!Click to see collations
2.3.Sp20Peter
Thou art grossClick to see collations. We call those “spirits” that are the grounds of our art, and, as it were, the metals more incorporative for dominationClick to see collations. The first spirit is quicksilverClick to see collations.
2.3.Sp21Rafe
That is my spirit, for my silverClick to see collations is so quickClick to see collations that I have much ado to catch it; and when I have it, it is so nimble that I cannot hold it. I thought there was a devil in it.
2.3.Sp22Peter
The second, orpimentClick to see collations.
2.3.Sp23Rafe
That’s no spirit, but a word to conjure a spiritClick to see collations.
2.3.Sp24Peter
The third, sal ammoniacClick to see collations.
2.3.Sp25Rafe
A proper word.
2.3.Sp26Peter
The fourth, brimstoneClick to see collations.
2.3.Sp27Rafe
That’s a stinking spirit, I thought there was some spirit in it because it burnt so blueClick to see collations. For my mother would often tell me that when the candle burnt blue, there was some ill spirit in the house, and now I perceive it was the spirit brimstone.
2.3.Sp28Peter
Thou canst remember these four spirits?
2.3.Sp29Rafe
Let me aloneClick to see collations to conjure them.
2.3.Sp30Peter
Now are there also seven bodies — but here cometh my master.
Enter the Alchemist.
2.3.Sp31Rafe
This is a beggarClick to see collations.
2.3.Sp32Peter
No, such cunning men must disguise themselves as though there were nothing in them, for otherwise they shall be compelled to work for princes, and so be constrained to bewrayClick to see collations their secrets.
2.3.Sp33Rafe
I like not his attire, but am enamored of his art.
2.3.Sp34Alchemist
( AsideClick to see collations ) An ounce of silver limed, as much of crude mercury, of spirits fourClick to see collations, being temperedClick to see collations with the bodies sevenClick to see collations, by multiplying of it ten times, comes for one pound eight thousand poundsClick to see collations, so that I may have only beechen coalsClick to see collations.
2.3.Sp35Rafe
Is it possible?
2.3.Sp36Peter
It is more certain then certainty.
2.3.Sp37Rafe
I’ll tell thee one secret: I stole a silver thimble. Dost thou think that he will make it a pottleClick to see collations pot?
2.3.Sp38Peter
A pottle pot? Nay, I dare warrant it a whole cupbord of plateClick to see collations. Why, of the quintessence of a leaden plummetClick to see collations he hath framedClick to see collations twentyClick to see collations dozen of silver spoons. Look how he studiesClick to see collations. I durst venture my life he is now casting aboutClick to see collations how of his breath he may make golden bracelets, for oftentimes of smoke he hath made silver drops.
2.3.Sp39Rafe
What do I hearClick to see collations?
2.3.Sp40Peter
Didst thou never hear how Jupiter came in a golden shower to Danae?Click to see collations
2.3.Sp41Rafe
I remember that tale.
2.3.Sp42Peter
That shower did my master make of a spoonful of tartar alum, but with the fire of blood and the corrosive of the air he is able to make nothing infiniteClick to see collations. — But whist!Click to see collations He espieth us.
2.3.Sp43Alchemist
( Coming forwardClick to see collations ) What, Peter, do you loiter, knowing that every minute increaseth our mineClick to see collations?
2.3.Sp44Peter
I was glad to take airClick to see collations, for the metal came so fast that I feared my face would have been turned to silver.
2.3.Sp45Alchemist
( Indicating RafeClick to see collations ) But what stripling is this?
2.3.Sp46Peter
One that is desirous to learn your craft.
2.3.Sp47Alchemist
Craft, sir boy? You must call it mysteryClick to see collations.
2.3.Sp48Rafe
All is one: a crafty mystery, and a mystical craft.
2.3.Sp49Alchemist
Canst thou take painsClick to see collations?
2.3.Sp50Rafe
InfiniteClick to see collations.
2.3.Sp51Alchemist
But thou must be sworn to be secret, and then I will entertainClick to see collations thee
2.3.Sp52Rafe
I can swearClick to see collations, though I be a poor fellow, as well as the best man in the shire. But, sir, I much marvel that you, being so cunning, should be so ragged.
2.3.Sp53Alchemist
O my child, gryphsClick to see collations make their nests of gold, though their coats are feathers, and we feather our nestsClick to see collations with diamonds, though our garments be but friezeClick to see collations. If thou knewest the secret of this scienceClick to see collations, the cunning would make thee so proud that thou wouldst disdain the outward pomp.
2.3.Sp54Peter
( To RafeClick to see collations ) My master is so ravished with his art that we many times go supperless to bed, for he will make gold of his bread, and such is the droughtClick to see collations of his desire that we all wish our very guts were gold.
2.3.Sp55Rafe
I have good fortune to light upon such a master.
2.3.Sp56Alchemist
When in the depth of my skill I determine to try the uttermost of mine art, I am dissuaded by the gods. Otherwise, I durst undertake to make the fire, as it flames, gold; the wind, as it blows, silver; the water, as it runs, lead; the earth, as it stands, iron; the sky, brass; and men’s thoughts, firm metals.
2.3.Sp57Rafe
I must bless myselfClick to see collations, and marvel at you.
2.3.Sp58Alchemist
Come in, and thou shalt see all.
Exit.
2.3.Sp59Rafe
I follow, I run, I fly. They say my father hath a golden thumbClick to see collations. You shall see me have a golden body.
Exit.
2.3.Sp60Peter
I am glad of this, for now I shall have leisure to run away. Such a bald art as never wasClick to see collations! Let him keep his new manClick to see collations, for he shall never see his oldClick to see collations again. God shieldClick to see collations me from blowing gold to nothing, with a strong imagination to make nothing anything!
Exit.

2.4

Enter Galatea alone.
2.4.Sp1Galatea
How now, Galatea? Miserable Galatea, that, having put on the apparel of a boy, thou canst notClick to see collations also put on the mindClick to see collations. O fair MelebeusClick to see collations! Ay, too fair, and therefore, I fear, too proud. Had it not been better for theeClick to see collations to have been a sacrifice to Neptune then a slave to Cupid? To die for thy country than to live in thy fancyClick to see collations? To be a sacrifice than a lover? Oh, would, when I hunted his eye with my heartClick to see collations, he might have seen my heartClick to see collations with his eyes! Why did Nature to him, a boy, give a face so fair, or to me, a virgin, a fortune so hard? I will now use for the distaff the bowClick to see collations, and play at quoitsClick to see collations abroadClick to see collations that was wontClick to see collations to sew in my samplerClick to see collations at home. It may be, Galatea. — Foolish Galatea, what may be? Nothing. Let me follow him into the woods, and thou, sweet Venus, be my guide!
Exit.

2.5

Enter Phillida alone.
2.5.Sp1Phillida
Poor Phillida, curse the time of thy birth and rarenessClick to see collations of thy beauty, the unaptness of thy apparel and the untamedness of thy affections. Art thou no sooner in the habitClick to see collations of a boy but thou must be enamored of a boy? What shalt thou do, when what best liketh theeClick to see collations most discontenteth thee? Go into the woods, watch the good timesClick to see collations, his best moods, and transgress in love a little of thy modesty. I will. — I dare not. Thou must — I cannot. Then pine in thine own peevishness. I will not — I will. Ah, Phillida, do something, nay, anything, rather then live thus! Well, what I will do, myself knows not, but what I ought I know too well. And so I go, resolute either to bewrayClick to see collations my love or suffer shame.
Exit.

3.1

Enter Telusa alone.
3.1.Sp1Telusa
How now? What new conceitsClick to see collations, what strange contraries, breed in thy mind? Is thy Diana become a Venus, thy chaste thoughts turned to wanton looks, thy conquering modestyClick to see collations to a captive imaginationClick to see collations? Beginnest thou with piralis to die in the air and live in the fireClick to see collations, to leave the sweet delight of hunting and to follow the hot desire of love? O Telusa, these words are unfit for thy sex, being a virgin, but apt for thy affections, being a lover. And can there in years so young, in education so preciseClick to see collations, in vows so holy, and in a heart so chaste, enter either a strong desire or a wish or a wavering thought of love? Can Cupid’s brandsClick to see collations quench Vesta’s flamesClick to see collations, and his feeble shafts headed with feathers pierce deeper than Diana’s arrows headed with steel? Break thy bow, Telusa, that seekest to break thy vow, and let those hands that aimed to hit the wild hart scratch out those eyes that have wounded thy tame heartClick to see collationsClick to see collations. O vain andClick to see collations only naked name of chastity, that is madeClick to see collations eternal and perisheth by time; holy, and is infected by fancyClick to see collations; divine, and is made mortal by folly! Virgins’ heartsClick to see collations, I perceive, are not unlike cotton trees, whose fruit is so hard in the bud that it soundeth like steel, and, being ripe, poureth forth nothing but wool; and their thoughts like the leaves of lunaryClick to see collations, which, the further they grow from the sun, the sooner they are scorched with his beams. O MelebeusClick to see collations, because thou art fair, must I be fickle and falseClick to see collationsClick to see collations my vow because I see thy virtue? FondClick to see collations girl that I am, to think of love! Nay, vain professionClick to see collations that I follow, to disdain love! But here cometh Eurota. I must now put on a red mask and blush, lest she perceive my pale face and laugh.
Enter Eurota.
3.1.Sp2Eurota
Telusa, Diana bid me hunt you out, and saith that you care not to hunt with her; but if you follow any other game than she hath roused, your punishment shall be to bend all our bowsClick to see collations and weave all our stringsClick to see collations. Why look ye so pale, so sad, so wildly?
3.1.Sp3Telusa
Eurota, the game I follow is the thing I flyClick to see collations: my strange disease, my chief desire.
3.1.Sp4Eurota
I am no Oedipus to expound riddlesClick to see collations, and I museClick to see collations how thou canst be Sphinx to utter them. But I pray thee, Telusa, tell me what thou ailestClick to see collations. If thou be sick, this ground hath leavesClick to see collations to heal; if melancholy, here are pastimes to use; if peevish, wit must wean it, or time, or counselClick to see collations. If thouClick to see collations be in love (for I have heard of such a beast called Love), it shall be cured. Why blushest thou, Telusa?
3.1.Sp5Telusa
To hear thee in reckoning my pains to recite thine ownClick to see collations. I saw, Eurota, how amorously you glanced your eye on the fair boyClick to see collations in the white coat, and how cunningly, now that you would have some talk of love, you hit me in the teethClick to see collations with love.
3.1.Sp6Eurota
I confess that I am in love, and yet swear that I know not what it is. I feel my thoughts unknit, mine eyes unstayed, my heartClick to see collations I know not how affected or infected, my sleeps broken and full of dreams, my wakenessClick to see collations sad and full of sighs, myself in all things unlike myself. If this be love, I would it had never been devised.
3.1.Sp7Telusa
Thou hast told what I am in uttering what thyself is. These are my passions, Eurota, my unbridled passions, my intolerable passions, which I were as goodClick to see collations acknowledge and crave counsel as to deny and endure peril.
3.1.Sp8Eurota
How did it take you first, Telusa?
3.1.Sp9Telusa
By the eyes, my wanton eyes, which conceived the picture of his face and hanged it on the very strings of my heartClick to see collations. O fair MelibeusClick to see collations! O fondClick to see collations Telusa! But how did it take you, Eurota?
3.1.Sp10Eurota
By the ears, whose sweet words sunk so deep into my head that the remembrance of his wit hath bereaved me of my wisdom. O eloquent TyterusClick to see collations! O credulous Eurota! But softClick to see collations, here cometh Ramia. But let her not hear us talk. We will withdraw ourselves and hear her talk.
They conceal themselves.Click to see collations Enter Ramia.
3.1.Sp11Ramia
I am sent to seek others, thatClick to see collations have lost myself.
3.1.Sp12Eurota
( Aside to Telusa ) You shall see Ramia hath also bitten on a love-leaf.
3.1.Sp13Ramia
(To herself) Can there be no heart so chaste but love can wound? Nor vows so holy but affectionClick to see collations can violate? Vain art thou, virtue, and thou, chastity, but a bywordClick to see collations, when you both are subject to love, of all things the most abject. If Love be a god, why should not lovers be virtuous? Love is a god, and lovers are virtuous.
3.1.Sp14Eurota
( Coming forward with Telusa ) Indeed, Ramia, if lovers were not virtuous, then wert thou viciousClick to see collations.
3.1.Sp15Ramia
What, are you come so near meClick to see collations?
3.1.Sp16Telusa
I think we came near you when we said you loved.
3.1.Sp17Eurota
Tush, Ramia, ’tis too late to recallClick to see collations it; to repent it, a shame. Therefore, I pray thee, tell what is love?
3.1.Sp18Ramia
If myself felt onlyClick to see collations this infection, I would then take upon me the definition, but, being incidentClick to see collations to so many, I dare not myself describe it. But we will all talk of that in the woods. Diana stormeth that, sending oneClick to see collations to seek another, she loseth all. Servia, of all the nymphs the coyest, loveth deadlyClick to see collations, and exclaimeth against Diana, honoreth Venus, detesteth Vesta, and maketh a common scorn of virtueClick to see collations. Clymene, whose statelyClick to see collations looks seemed to amazeClick to see collations the greatest lords, stoopeth, yieldeth, and fawneth on the strange boyClick to see collations in the woods. Myself (with blushing I speak it) am thrall to that boy, that fair boy, that beautiful boy!
3.1.Sp19Telusa
What have we here, all in love? No other food than fancy? No, no, sheClick to see collations shall not have the fair boyClick to see collations.
3.1.Sp20Eurota
Nor you, Telusa.
3.1.Sp21Ramia
Nor you, Eurota.
3.1.Sp22Telusa
I love MelibeusClick to see collations, and my deserts shall be answerable to my desires. I will forsake Diana for him. I will die for him!
3.1.Sp23Ramia
So saith Clymene, and she will haveClick to see collations him. I care not. My sweet TityrusClick to see collations, though he seem proud, I impute it to childishness, who, being yet scarce out of swath-cloutsClick to see collations, cannot understand these deep conceitsClick to see collations. I love him.
3.1.Sp24Eurota
So do I, and I will have him!
3.1.Sp25Telusa
Immodest all that we are, unfortunate all that we are likeClick to see collations to be, shall virgins begin to wrangle for love and become wanton in their thoughts, in their words, in their actions? O divine Love, which art therefore called divine because thou overreachestClick to see collations the wisest, conquerest the chastest, and dost all things both unlikely and impossible, because thou art Love! Thou makest the bashful impudent, the wise fondClick to see collations, the chaste wanton, and workest contraries to our reachClick to see collations, because thyself is beyond reason.
3.1.Sp26Eurota
Talk no more, Telusa; your words wound. Ah, would I were no woman!
3.1.Sp27Ramia
Would TityrusClick to see collations were no boy!
3.1.Sp28Telusa
Would Telusa were nobodyClick to see collations!
Exeunt.

3.2

Enter Phillida and Galatea .
3.2.Sp1Phillida
It is pity that Nature framedClick to see collations you not a woman, having a face so fair, so lovely a countenance, so modest a behavior.
3.2.Sp2Galatea
There is a tree in Tylos whose nuts have shells like fire, and, being cracked, the kernel is but waterClick to see collations.
3.2.Sp3Phillida
What a toyClick to see collations is it to tell me of that tree, being nothing to the purpose? I say it is pity you are not a woman.
3.2.Sp4Galatea
I would not wish to be a woman unless it were because thou art a man.
3.2.Sp5Phillida
Nay, I do not wish to be a woman, for then I should not love thee, for I have sworn never to love a woman.
3.2.Sp6Galatea
A strange humorClick to see collations in so pretty a youth, and according toClick to see collations mine, for myself will never love a woman.
3.2.Sp7Phillida
It were a shame, if a maiden should be a suitor (a thing hated in that sex), that thou shouldst deny to be her servantClick to see collations.
3.2.Sp8Galatea
If it be a shame in me, it can be no commendation in you, for yourself is of that mind.
3.2.Sp9Phillida
Suppose I were a virgin (I blush in supposing myself one), and that under the habitClick to see collations of a boy were the person of a maid: if I should utter my affection with sighs, manifest my sweet love by my salt tears, and prove my loyalty unspotted and my griefs intolerable, would not then that fair faceClick to see collations pity this true heart?
3.2.Sp10Galatea
AdmitClick to see collations that I were as you would have me suppose that you are, and that I should with entreaties, prayers, oaths, bribes, and whatever can be invented in love desire your favor, would you not yield?
3.2.Sp11Phillida
Tush, you come in with “admit.”
3.2.Sp12Galatea
And you with “suppose.”
3.2.Sp13Phillida
( Aside ) What doubtfulClick to see collations speeches be these! I fear me he is as I am, a maiden.
3.2.Sp14Galatea
( Aside ) What dread riseth in my mind! I fear the boy to be as I am, a maiden.
3.2.Sp15Phillida
( Aside ) Tush, it cannot be. His voice shows the contrary.
3.2.Sp16Galatea
( Aside ) Yet I do not think it, for he would then have blushed.
3.2.Sp17Phillida
Have you ever a sister?
3.2.Sp18Galatea
If I had but one, my brother must needs have two. But I pray, have you ever a one?
3.2.Sp19Phillida
My father had but one daughter, and therefore I could have no sister.
3.2.Sp20Galatea
( Aside ) Ay me! He is as I am, for his speeches be as mine are.
3.2.Sp21Phillida
( Aside ) What shall I do? Either he is subtle or my sex simpleClick to see collations.
3.2.Sp22Galatea
( Aside ) I have known divers of Diana’s nymphs enamored of him, yet hath he rejected all, either as too proud to disdainClick to see collations, or too childish not to understandClick to see collations, or for thatClick to see collations he knoweth himself to be a virgin.
3.2.Sp23Phillida
I am in a quandary. Diana’s nymphs have followed him, and he despised them, either knowing too well the beauty of his own face or that himself is of the same moldClick to see collations. I will once again try him. ( To Galatea ) You promised me in the woods that you would love me before all Diana’s nymphs.
3.2.Sp24Galatea
Ay, soClick to see collations you would love me before all Diana’s nymphs.
3.2.Sp25Phillida
Can you prefer a fondClick to see collations boy as I am before so fair ladies as they are?
3.2.Sp26Galatea
Why should not I as well as you?
3.2.Sp27Phillida
Come, let us into the grove, and make much one of another, that cannot tell what to think one of another.
Exeunt.

3.3

Enter the Alchemist and Rafe.
3.3.Sp1Alchemist
Rafe, my boyClick to see collations is run away. I trust thou wilt not run after.
3.3.Sp2Rafe
( Aside ) I would I had a pair of wings that I might fly after!
3.3.Sp3Alchemist
My boy was the veriestClick to see collations thief, the arrantest liar, and the vilest swearer in the world — otherwise the best boy in the world. He hath stolen my apparel, all my money, and forgot nothing but to bid me farewell.
3.3.Sp4Rafe
That will not I forget. Farewell, master!
He turns to go.
3.3.Sp5Alchemist
Why, thou hast not yet seen the endClick to see collations of my art.
3.3.Sp6Rafe
I would I had not known the beginning. Did not you promise me of my silver thimble to make a whole cupboard of plate, and that of a Spanish needle you would build a silver steeple?
3.3.Sp7Alchemist
Ay, Rafe. The fortune of this art consisteth in the measureClick to see collations of the fire, for if there be a coal too much or a spark too little, if it be a little too hot or a thought too soft, all our labor is in vain. Besides, they that blow must beat time with their breaths, as musicians do with their breastsClick to see collations, so asClick to see collations there must be ofClick to see collations the metals, the fire, and workers a very harmony.
3.3.Sp8Rafe
Nay, if you must weigh your fire by ounces, and take measure of a man’s blastClick to see collations, you may then make of a dramClick to see collations of wind a wedge of gold, and of the shadow of one shilling make another, so asClick to see collations you have an organist to tune your temperaturesClick to see collations.
3.3.Sp9Alchemist
So is it, and often doth it happen, that the just proportion of the fire and all things concur.
3.3.Sp10Rafe
Con-cur? Con-dogClick to see collations! I will away.
3.3.Sp11Alchemist
Then away!
Exit Alchemist. Enter Astronomer, gazing up at the sky, with an almanac in his hands. He and Rafe do not notice each other at first.
3.3.Sp12Rafe
An artClick to see collations, quoth youClick to see collations, that one multipliethClick to see collations so much all day that he wantethClick to see collations money to buy meatClick to see collations at night?( Seeing the Astronomer ) But what have we yonder? What devout manClick to see collations? He will never speak till he be urged. I will saluteClick to see collations him. — Sir, there lieth a purse under your feetClick to see collations. If I thought it were not yours, I would take it up.
3.3.Sp13Astronomer
Dost thou not know that I was calculating the nativity of Alexander’s great horse?
3.3.Sp14Rafe
Why, what are you?
3.3.Sp15Astronomer
An astronomerClick to see collations .
3.3.Sp16Rafe
What, one of those that makes almanacs?
3.3.Sp17Astronomer
IpsissimusClick to see collations. I can tell the minute of thy birth, the moment of thy death, and the manner. I can tell thee what weather shall be between this and octgessimus octavus mirabilis annusClick to see collations. When I listClick to see collations I can set a trap for the sun, catch the moon with lime-twigsClick to see collations, and go a-batfowlingClick to see collations for stars. I can tell thee things past and things to come, and with my cunningClick to see collations measure how many yards of clouds are beneath the skyClick to see collations. Nothing can happen which I foresee not; nothing shall.
3.3.Sp18Rafe
I hope, sir, you are no more than a god.
3.3.Sp19Astronomer
I can bring the twelve signsClick to see collations out of their zodiacsClick to see collations and hang them up at tavernsClick to see collations.
3.3.Sp20Rafe
I pray you, sir, tell me what you cannot do? For I perceive there is nothing so easy for you to compassClick to see collations as impossibilities. But what be those signs?
3.3.Sp21Astronomer
As a man should say, signs which govern the body. The ram governeth the head.Click to see collations
3.3.Sp22Rafe
That is the worst sign for the head.
3.3.Sp23Astronomer
Why?
3.3.Sp24Rafe
Because it is a sign of an ill eweClick to see collations.
3.3.Sp25Astronomer
Tush, that sign must be there. Then the BullClick to see collations for the throat, CapricornusClick to see collations for the knees.
3.3.Sp26Rafe
I will hear no more signsClick to see collations, if they be all such desperate signs. But seeing you are — I know not who to term you — shall I serve you? I would fain serve.
3.3.Sp27Astronomer
I accept thee.
3.3.Sp28Rafe
Happy am I! For now shall I reach thoughtsClick to see collations, and tellClick to see collations how many drops of water goes to the greatest shower of rain. You shall see me catch the moon in the ’clipsClick to see collations like a coneyClick to see collations in a purse-netClick to see collations.
3.3.Sp29Astronomer
I will teach thee the golden numberClick to see collations, the epactClick to see collations, and the primeClick to see collations.
3.3.Sp30Rafe
I will meddle no more with numbering of gold, for multiplicationClick to see collations is a miserable action. I pray, sir, what weather shall we have this hour threescore yearClick to see collations?
3.3.Sp31Astronomer
That I must cast by our judicials astronomicalClick to see collations. Therefore come in with me, and thou shall see every wrinkle in my astrological wisdom, and I will make the heavens as plain to thee as the highway. Thy cunning shall sit cheek by jowl with the sun’s chariot. Then shalt thou see what a base thing it is to have others’ thoughts creep on the ground, whenas thine shall be stitched to the stars.
3.3.Sp32Rafe
Then I shall be translated from this mortality.
3.3.Sp33Astronomer
Thy thoughts shall be metamorphosed and made hail-fellowsClick to see collations with the gods.
3.3.Sp34Rafe
O fortune! I feel my very brains moralized, and as it were a certain contempt of earthly actions is crept into my mind by an ethereal contemplation. Come, let us in.
Exeunt.

3.4

Enter Diana, Telusa, Eurota, Ramia, and Larissa.
3.4.Sp1Diana
What news have we here, ladies? Are all in love? Are Diana’s nymphs become Venus’s wantons? Is it a shame to be chaste because you be amiableClick to see collations? Or must you needs be amorous because you are fair? O Venus, if this be thy spite I will requite it with more then hate. Well shalt thou know what it is to dribClick to see collations thine arrows up and down Diana’s leasClick to see collations. There is an unknown nymphClick to see collations that straggleth up and down these woods, which I suspect hath been the weaver of these woes, I saw her slumbering by the brook-side. Go search her and bring her. If you find upon her shoulder a burnClick to see collations, it is Cupid; if any print on her back like a leafClick to see collations, it is MedeaClick to see collations; if any picture on her left breast like a birdClick to see collations, it is CalypsoClick to see collations. Whoever it be, bring her hither, and speedily bring her hither.
3.4.Sp2Telusa
I will go with speed.
3.4.Sp3Diana
Go you, Larissa, and help her.
3.4.Sp4Larissa
I obey.
Exeunt Telusa and Larissa.
3.4.Sp5Diana
Now, ladies, doth not that make your cheeks blush that makes mine ears glow? Or can you remember that without sobs which Diana cannot think on without sighs? What greater dishonor could happen to Diana, or to her nymphs shameClick to see collations, than that there can be any time so idle that should make their heads so addleClick to see collations? Your chaste hearts, my nymphs, should resemble the onyxClick to see collations, which is hottest when it is whitest; and your thoughts, the more they are assaulted with desires, the less they should be affected. You should think love like Homer’s molyClick to see collations: a white leaf and a black root, a fair show and a bitter taste. Of all trees the cedar is greatest and hath the smallest seed; of all affections, love hath the greatest name and the least virtue. Shall it be said, and shall Venus say it — nay, shall it be seen, and shall wantons see it — that Diana, the goddess of chastity, whose thoughts are always answerable to her vows, whose eyes never glanced on desire, and whose heart abatethClick to see collations the point of Cupid’s arrows, shall have her virgins to become unchaste in desires, immoderate in affection, untemperate in love, in foolish love, in base love? Eagles cast their evil feathers in the sunClick to see collations, but you cast your best desires upon a shadowClick to see collations. The birds ibesClick to see collations lose their sweetness when they lose their sightsClick to see collations, and virgins all their virtues with their unchaste thoughts. “Unchaste,” Diana calleth that that hath either any show or suspicion of lightness. O my dear nymphs, if you knew how loving thoughts stain lovely faces, you would be as careful to have the oneClick to see collations as unspotted as the otherClick to see collations beautiful. Cast before your eyesClick to see collations the loves of Venus’s trullsClick to see collations, their fortunes, their fancies, their endsClick to see collations. What are they else but Silenus’s pictures — withoutClick to see collations, lambs and doves; withinClick to see collations, apes and owlsClick to see collations — who, like Ixion, embrace clouds for JunoClick to see collations, the shadows of virtue instead of the substance. The eagle’s feathers consume the feathers of all othersClick to see collations, and love’s desire corrupteth all other virtues. I blush, ladies, that you, having been heretofore patient of laborsClick to see collations, should now become prentices to idleness and use the pen for sonnets, not the needle for samplersClick to see collations. And how is your love placed? Upon peltingClick to see collations boys, perhaps base of birth, without doubt weak of discretion. Ay, but they are fair. O ladies, do your eyes begin to love colorsClick to see collations, whose hearts was wont to loathe them? Is Diana’s chaseClick to see collations become Venus’s court? And are your holy vows turned to hollow thoughts?
3.4.Sp6Ramia
Madam, if love were not a thing beyond reason, we might then give a reason of our doings; but so divine is his force that it worketh effects as contrary to thatClick to see collations we wish as unreasonable against that we ought.
3.4.Sp7Eurota
Lady, so unacquaintedClick to see collations are the passions of love that we can neither describe them nor bearClick to see collations them.
3.4.Sp8Diana
Foolish girls, how willing you are to follow that which you should fly! But here cometh Telusa.
Enter Telusa and others (Larissa and perhaps other nymphs) with Cupid.
3.4.Sp9Telusa
We have brought the disguised nymph, and have found on his shoulder Psyche’s burn, and he confesseth himself to be Cupid.
3.4.Sp10Diana
( To Cupid ) How now, sir, are you caught? Are you Cupid?
3.4.Sp11Cupid
Thou shalt see, Diana, that I dare confess myself to be Cupid.
3.4.Sp12Diana
And thou shalt see, Cupid, that I will show myself to be Diana — that is, conqueror of thy loose and untamed appetites. Did thy mother, Venus, under the color ofClick to see collations a nymph, send thee hither to wound my nymphs? Doth she add craft to her malice, and, mistrusting her deityClick to see collations, practice deceit? Is there no place but my groves, no persons but my nymphs? Cruel and unkind Venus, that spiteth only chastity, thou shalt see that Diana’s power shall revenge thy policyClick to see collations and tame this pride. As for thee, Cupid, I will break thy bow and burn thine arrows, bind thy hands, clip thy wings, and fetter thy feet. Thou that fattest others with hopes shalt be fed thyself with wishesClick to see collations, and thou that bindest others with goldenClick to see collations thoughts shalt be bound thyself with goldenClick to see collations fetters. Venus’s rodsClick to see collations are made of roses, Diana’s of briars. Let Venus, that great goddess, ransom Cupid, that little god. These ladies here, whom thou hast infected with foolish love, shall both tread on thee and triumph over thee. Thine own arrow shall be shot into thine own bosom, and thou shalt be enamored, not on Psyches, but on CircesClick to see collations. I will teach thee what it is to displease Diana, distress her nymphs, or disturb her gameClick to see collations.
3.4.Sp13Cupid
Diana, what I have done cannot be undone, But what you mean to do shallClick to see collations. Venus hath some gods toClick to see collations her friends, Cupid shall have all.
3.4.Sp14Diana
Are you prating? I will bridle thy tongue and thy power, and in spite of mine own thoughtsClick to see collations I will set thee a task every day which, if thou finish not, thou shalt feel the smartClick to see collations. Thou shalt be used as Diana’s slave, not Venus’s son. All the world shall see that I will use thee like a captive, and show myself a conqueror. ( To her nymphs ) Come, haveClick to see collations him in, that we may devise apt punishments for his proud presumptions.
3.4.Sp15Eurota
( To Cupid ) We will plague ye for a little god.
3.4.Sp16Telusa
We will never pity thee, though thou be a god.
3.4.Sp17Ramia
Nor I.
3.4.Sp18Larissa
Nor I.
Exeunt.

4.1

Enter AugurClick to see collations, Melibeus, Tityrus, and PopulusClick to see collations.
4.1.Sp1Augur
This is the day wherein you must satisfy Neptune and save yourselves. Call together your fair daughters, and for a sacrifice take the fairest; for better it is to offer a virgin than suffer ruin. If you think it against nature to sacrifice your children, think it also against sense to destroy your country. If you imagine Neptune pitiless to desire such a prey, confess yourselves perverse to deserve such a punishment. You see this tree, this fatal tree, whose leaves, though they glister like gold, yet it threateneth to fair virgins grief. To this tree must the beautifullest be bound until the monster Agar carry her away, and, if the monster come not, then assure yourselves that the fairest is concealed; and then your country shall be destroyed. Therefore consult with yourselves, not as fathers of children, but as favorers of your country. Let Neptune have his right if you will have your quiet. Thus have I warned you to be careful, and would wish you to be wise, knowing that whoso hath the fairest daughter hath the greatest fortune, in losing one to save all. And so I depart to provide ceremonies for the sacrifice, and command you to bring the sacrificeClick to see collations.
Exit Augur.
4.1.Sp2Melibeus
They say, Tityrus, that you have a fair daughter. If it be so, dissemble not, for you shall be a fortunate father. It is a thing holy to preserve one’s country, and honorable to be the cause.
4.1.Sp3Tityrus
Indeed, Melibeus, I have heard you boast that you had a fair daughter, than the which none was more beautiful. I hope you are not so careful of a child that you will be careless of your country, or add so much to natureClick to see collations that you will detract from wisdom.
4.1.Sp4Melibeus
I must confess that I had a daughter, and I know you have; but alas! My child’s cradle was her grave and her swath-cloutClick to see collations her winding sheetClick to see collations. I would she had lived till now. She should willingly have died now; for what could have happened to poor Melibeus more comfortableClick to see collations than to be the father of a fair child and sweet country?
4.1.Sp5Tityrus
Oh, Melibeus, dissemble you may with men; deceive the gods you cannot. Did not I see (and very lately see) your daughter in your arms, whenas you gave her infinite kisses with affection I fear me more then fatherly? You have conveyed her away that you might cast us all away, bereaving her the honor of her beauty and us the benefit, preferring a common inconvenienceClick to see collations before a private mischiefClick to see collations.
4.1.Sp6Melibeus
It is a bad cloth, Tityrus, that will take no colorClick to see collations, and a simpleClick to see collations father that can use no cunning. You make the people believe that you wish well when you practice nothing but ill, wishing to be thought religious towards the gods when I know you deceitful towards men. You cannot overreachClick to see collations me, Tityrus; overshoot yourself you may. It is a wily mouse that willClick to see collations breed in the cat’s earClick to see collations, and heClick to see collations must halt cunninglyClick to see collations that will deceive a cripple. Did you ever see me kiss my daughter? You are deceived; it was my wife. And if you thought so young a pieceClick to see collations unfit for so old a person, and therefore imagined it to be my child, not my spouse, you must know that silver hairsClick to see collations delight in golden locks, and the old fancies crave young nurses, and frosty years must be thawed by youthful fires. But this matter set aside, you have a fair daughter, Tityrus, and it is pity you are so fondClick to see collations a father.
4.1.Sp7PopulusClick to see collations
You are both either too fond or too frowardClick to see collations, for, whilst you dispute to save your daughters, we neglect to prevent our destruction.
4.1.Sp8AlterClick to see collations
Come, let us away and seek out a sacrifice. We must sift out theirClick to see collations cunning, and let them shift for themselves.
Exeunt.

4.2

Enter Cupid. Telusa, Eurota, and Larissa enter singing, with Ramia.
4.2.Sp1Telusa
OyezClick to see collations, Oyez! If any maid
Whom leering Cupid has betrayed
To frowns of spite, to eyes of scorn,
And would in madness now see torn
The boy in pieces —
4.2.Sp2All Three
Let her come
Hither and lay on him her doomClick to see collations.
4.2.Sp3Eurota
Oyez, Oyez! Has any lost
A heart which many a sigh hath cost?
Is any cozenedClick to see collations of a tear,
Which, as a pearlClick to see collations, Disdain does wear?
Here stands the thief.
4.2.Sp4All Three
Let her but come
Hither, and lay on him her doom.
4.2.Sp5Larissa
Is any one undone by fireClick to see collations,
And turned to ashes through desire?
Did ever any lady weep,
Being cheated of her golden sleep?
Stol’n by sick thoughts?
4.2.Sp6All Three
The pirate’sClick to see collations found,
And in her tears he shall be drowned.
Read his indictment; let him hear
What he’s to trust toClick to see collations.
Boy, give ear!
4.2.Sp7Telusa
Come, Cupid, to your task. First you must undo all these lovers’ knotsClick to see collations, because you tied them.
4.2.Sp8Cupid
If they be true love-knots, ’tis unpossible to unknit them; if false, I never tied them.
4.2.Sp9Eurota
Make no excuse, but to itClick to see collations.
4.2.Sp10Cupid
Love-knots are tied with eyes and cannot be undone with hands, made fast with thoughts and cannot be unlosed with fingers. Had Diana no task to set Cupid to but things impossible?
They threaten him.
4.2.Sp11
I will to it.
He sets to work, unwillingly, on a love-knot.
4.2.Sp12Ramia
Why how now? You tie the knots faster.
4.2.Sp13Cupid
I cannot choose. It goeth against my mind to make them loose.
4.2.Sp14Eurota
Let me see, now. ( She tries. ) ’Tis unpossible to be undone.
4.2.Sp15Cupid
. It is the true love knot of a woman’s heart, therefore cannot be undone.
He tries another.
4.2.Sp16Ramia
ThatClick to see collations falls in sunder of itself.
4.2.Sp17Cupid
It was made of a man’s thought, which will never hang together.
4.2.Sp18Larissa
You have undone that well.
4.2.Sp19Cupid
Ay, because it was never tied well.
4.2.Sp20Telusa
To the rest, for sheClick to see collations will give you no rest. ( Cupid resumes his task. ) These two knots are finely untied!
4.2.Sp21Cupid
It was because I never tied them. The one was knit by PlutoClick to see collations, not Cupid, by money, not love; the other by force, not faith, by appointment, not affection.
He gives up on another love-knot.
4.2.Sp22Ramia
Why do you lay that knot aside?
4.2.Sp23Cupid
For death.
4.2.Sp24Telusa
Why?
4.2.Sp25Cupid
Because the knot was knit by faith, and must only be unknit ofClick to see collations death.
He takes up another, and laughs.
4.2.Sp26Eurota
Why laugh you?
4.2.Sp27Cupid
Because it is the fairest and the falsest, done with greatest art and least truth, with best colorsClick to see collations and worst conceitsClick to see collations.
4.2.Sp28Telusa
Who tied it?
4.2.Sp29Cupid
A man’s tongue.
He bestows it on Larissa.
4.2.Sp30Larissa
Why do you put that in my bosom?
4.2.Sp31Cupid
Because it is only for a woman’s bosom.
4.2.Sp32Larissa
. Why, what is it?
4.2.Sp33Cupid
A woman’s heart.
4.2.Sp34Telusa
Come, let us go in and tell that Cupid hath done his task. Stay you behind, Larissa, and seeClick to see collations he sleep not, for love will be idle. And take heed you surfeit not, for love will be wanton.
4.2.Sp35Larissa
Let me aloneClick to see collations. I will find him somewhat to do.
Exit Telusa with Ramia and Eurota.
4.2.Sp36Cupid
Lady, can you for pity see Cupid thus punished?
4.2.Sp37Larissa
Why did Cupid punish us without pity?
4.2.Sp38Cupid
Is love a punishment?
4.2.Sp39Larissa
It is no pastime.
4.2.Sp40Cupid
( To the absent Venus ) O Venus, if thou sawest Cupid as a captive, bound to obey that was wont to command, fearing ladies’ threats that once pierced their hearts, I cannot tell whether thou wouldst revenge it for despite or laugh at it for disport. (To the absent Diana) The time may come, Diana, and the time shall come, that thou that settest Cupid to undo knots shalt entreat Cupid to tie knots. (To the ladies in the audience, perhaps also to the absent nymphs) And you ladies that with solace have beheld my pains shall with sighs intreat my pity.
He offereth and starts to go to sleep.
4.2.Sp41Larissa
How now, Cupid, begin you to nod?
Enter Ramia and Telusa, and perhaps Eurota.
4.2.Sp42Ramia
Come, Cupid, Diana hath devised new labors for you that are god of loves. You shall weave samplersClick to see collations all night, and lackey after DianaClick to see collations all day. You shall shortly shoot at beasts forClick to see collations men because you have made beasts of men, and waitClick to see collations on ladies’ trainsClick to see collations because thou entrappest ladies by trainsClick to see collations. All the stories that are in Diana’s arrasClick to see collations which are of love you must pick out with your needle, and in that place sew VestaClick to see collations with her nuns and Diana with her nymphs. How like you this, Cupid?
4.2.Sp43Cupid
I say I will prick as well with my needle as ever I did with mine arrows.
4.2.Sp44Telusa
Diana cannot yield. She conquers affection.
4.2.Sp45Cupid
Diana shall yield. She cannot conquer destiny.
4.2.Sp46Larissa
Come, Cupid, you must to your business.
4.2.Sp47Cupid
You shall find me so busy in your heads that you shall wish I had been idle with your hearts.
Exeunt.

4.3

Enter Neptune alone.
4.3.Sp1Neptune
This day is the solemn sacrifice at this tree, wherein the fairest virgin (were not the inhabitants faithless) should be offered unto me. But so over-careful are fathers to their children that they forget the safety of their country, and, fearing to become unnatural, become unreasonable. Their sleights may blear menClick to see collations; deceive me they cannot. I will be here at the hour, and show as great cruelty as they have done craft, and well shall they know that Neptune should have been entreated, not cozenedClick to see collations.
Exit.

4.4

Enter Galatea and Phillida.
4.4.Sp1Phillida
I marvel what virgin the people will present. It is happyClick to see collations you are none, for then it would have fallen to your lot, because you are so fairClick to see collations.
4.4.Sp2Galatea
If you had been a maiden too, I need not to have feared, because you are fairer.
4.4.Sp3Phillida
I pray thee, sweet boy, flatter not me. Speak truth of thyself, for in mine eye of all the world thou art fairest.
4.4.Sp4Galatea
These be fair words, but far from thy true thoughts. I know mine own face in a true glassClick to see collations, and desire not to see it in a flattering mouth.
4.4.Sp5Phillida
Oh, would I did flatter theeClick to see collations, and that fortune would not flatter meClick to see collations! I love thee as a brother, but love not me soClick to see collations.
4.4.Sp6Galatea
No I will not, but love thee better, because I cannot love as a brother.
4.4.Sp7Phillida
Seeing we are both boys, and both lovers, that our affection may have some show and seem as it were love, let me call thee mistressClick to see collations.
4.4.Sp8Galatea
I accept that name, for divers before have called me mistressClick to see collations.
4.4.Sp9Phillida
For what cause?
4.4.Sp10Galatea
Nay, there lie the mysteriesClick to see collations.
4.4.Sp11Phillida
Will not you be at the sacrifice?
4.4.Sp12Galatea
No.
4.4.Sp13Phillida
Why?
4.4.Sp14Galatea
Because I dreamt that if I were there I should be turned to a virgin, and then being so fair (as thou say’st I am) I should be offered, as thou knowest one must. But will not you be there?
4.4.Sp15Phillida
Not unless I were sure that a boy might be sacrificed, and not a maiden.
4.4.Sp16Galatea
Why, then you are in danger.
4.4.Sp17Phillida
But I would escape it by deceit. But seeing we are resolved to be both absent, let us wander into these groves till the hour be past.
4.4.Sp18Galatea
I am agreed, for then my fear will be past.
4.4.Sp19Phillida
Why, what dost thou fear?
4.4.Sp20Galatea
Nothing but that you love me not.
Exit.
4.4.Sp21Phillida
I willClick to see collations. — Poor Phillida, what shouldst thou think of thyself, that lovest one that, I fear me, is as thyself is? And may it not be that her father practiced the same deceit with her that my father hath with me, and, knowing her to be fair, feared she should be unfortunate? If it be so, Phillida, how desperate is thy case! If it be not, how doubtful! For if she be a maiden, there is no hope of my love; if a boy, a hazard. I will after him or her, and lead a melancholy life, that look for a miserable death.
Exit.

5.1

Enter Rafe alone.
5.1.Sp1Rafe
No more masters now, but a mistress, if I can light on her. An astronomer! Of all occupations that’s the worst. Yet well fareClick to see collations the Alchemist, for he keeps good fires though he gets no gold; the otherClick to see collations stands warming himself by staring on the stars, which I think he can as soon number as know their virtuesClick to see collations. He told me a long tale of octogessimus octavusClick to see collations, and the meeting of the conjunctions and planets, and in the meantime he fell backward himself into a pond. I asked him why he foresaw not that by the stars. He said he knew it but contemned itClick to see collations. But soft, is not this my brother Robin?
Enter Robin.
5.1.Sp2Robin
Yes, as sure as thou art Rafe.
5.1.Sp3Rafe
What, Robin? What news? What fortune?
5.1.Sp4Robin
Faith, I have had but bad fortune, but I prithee tell me thine.
5.1.Sp5Rafe
I have had two masters, not by art but by nature. One said that by multiplyingClick to see collations he would make of a penny ten pound.
5.1.Sp6Robin
Ay, but could he do it?
5.1.Sp7Rafe
Could he do it, quoth you? Why, man, I saw a pretty wench come to his shop, where with puffing, blowing, and sweatingClick to see collations, he so plied her that he multipled herClick to see collations.
5.1.Sp8Robin
How?
5.1.Sp9Rafe
Why he made her of one, two.
5.1.Sp10Robin
What, by fire?
5.1.Sp11Rafe
No, by the philosopher’s stoneClick to see collations.
5.1.Sp12Robin
Why, have philosopher’s such stones?
5.1.Sp13Rafe
Ay, but they lie in a privy cupboardClick to see collations.
5.1.Sp14Robin
Why then thou art rich if thou have learned this cunning.
5.1.Sp15Rafe
Tush, this was nothing. He would of a little fasting spittleClick to see collations make a hose and doublet of cloth of silver.
5.1.Sp16Robin
Would I had been with him! For I have had almost no meatClick to see collations but spittle since I came to the woods.
5.1.Sp17Rafe
How then didst thou live?
5.1.Sp18Robin
Why, man, I served a fortune-teller, who said I should live to see my father hanged and both my brothers beg. So I conclude the millClick to see collations shall be mine, and I live by imaginationClick to see collations still.
5.1.Sp19Rafe
Thy master was an ass, and looked on the lines of thy handsClick to see collations. But my other master was an astronomer, which could pick my nativity out of the stars. I should have half a dozen stars in my pocket if I have not lost them, but here they be: SolClick to see collations, Saturn, Jupiter, Mars, Venus.
He shows Robin a list of astrological names
5.1.Sp20Robin
Why, these be but names.
5.1.Sp21Rafe
Ay, but by these he gathereth that I was a Jovalist born of a ThursdayClick to see collations, and that I should be a brave VenerianClick to see collations and get all my good luck on a FridayClick to see collations.
5.1.Sp22Robin
’Tis strange that a fish day should be a flesh-dayClick to see collations.
5.1.Sp23Rafe
Robin, Venus orta mari: Venus was born of the sea, the sea will have fish, fish must have wine, wine will have flesh, for caro carnis genus est muliebreClick to see collations. But soft, here cometh that notable villain that once preferred meClick to see collations to the Alchemist.
Enter Peter, not seeing the other two at first.
5.1.Sp24Peter
( To himself ) So I hadClick to see collations a master, I would not care what became of me.
5.1.Sp25Rafe
( Aside to Robin ) Robin, thou shalt see me fit him. So I had a servant, I care neither for his conditions, his qualitiesClick to see collations, nor his person.
5.1.Sp26Peter
( Seeing them ) What, Rafe? well met. No doubt you had a warmClick to see collations service of my master the alchemist?
5.1.Sp27Rafe
’Twas warm indeed, for the fire had almost burnt out mine eyes, and yet my teeth still wateredClick to see collations with hunger, so that my service was both too hot and too cold. I melted all my meatClick to see collations and made only my slumber thoughtsClick to see collations, and so had a full head and an empty belly. But where hast thou been since?
5.1.Sp28Peter
With a brother of thine, I think, for he hath such a coatClick to see collations, and two brothers (as he saith) seeking of fortunes.
5.1.Sp29Robin
’Tis my brother Dick. I prithee, let’s go to him.
5.1.Sp30Rafe
Sirrah, what was he doing that he came not with thee?
5.1.Sp31Peter
He hath gotten a master now, that will teach him to make you both his younger brothers.Click to see collations
5.1.Sp32Rafe
Ay, thou passestClick to see collations for devising impossibilities. That’s as true as thy master could make silver pots of tags of points.Click to see collations
5.1.Sp33Peter
Nay, heClick to see collations will teach himClick to see collations to cozenClick to see collations you both, and so get the mill to himself.
5.1.Sp34Rafe
Nay, if he be both our cozensClick to see collations, I will be his great grandfather, and Robin shall be his uncleClick to see collations. But, I pray thee, bring us to him quickly, for I am great-bellied with conceitClick to see collations till I see him.
5.1.Sp35Peter
Come then and go with me, and I will bring ye to him straightClick to see collations.
Exeunt.

5.2

Enter Augur and Ericthinis.
5.2.Sp1Augur
Bring forth the virgin, the fatalClick to see collations virgin, the fairest virgin, if you mean to appease Neptune and preserve your country.
5.2.Sp2EricthinisClick to see collations
Here she cometh, accompanied only with men, because it is a sight unseemly (as all virgins say) to see the misfortune of a maiden, and terrible to behold the fierceness of Agar the monster.
Enter Hebe, with otherClick to see collations, to the sacrifice. She is bound to the tree.
5.2.Sp3Hebe
Miserable and accursed Hebe, that, being neither fair nor fortunate, thou shouldst be thought most happy and beautiful! Curse thy birth, thy life, thy death, being born to live in danger and, having lived, to die by deceit. Art thou the sacrifice to appease Neptune and satisfy the custom, the bloody custom, ordained for the safety of thy country? Ay, Hebe, poor Hebe: men will have it so, whose forces command our weak natures. Nay, the gods will have it so, whose powers dally with our purposes. The Egyptians never cut their dates from the tree, because they are so fresh and green; it is thought wickedness to pull roses from the stalks in the garden of Palestine, for that they have so lively a red; and whoso cutteth the incense tree in Arabia before it fall committeth sacrilege.Click to see collations Shall it only be lawful amongst us in the prime of youth and pride of beauty to destroy both youth and beauty, and what was honored in fruits and flowers as a virtue to violate in a virgin as a vice? But alas! Destiny alloweth no dispute. Die, Hebe, Hebe, die! Woeful Hebe, and onlyClick to see collations accursed Hebe! Farewell the sweet delights of life, and welcome now the bitter pangs of death! Farewell, you chaste virgins, whose thoughts are divineClick to see collations, whose faces fair, whose fortunes are agreeableClick to see collations to your affectionsClick to see collations! Enjoy, and long enjoy, the pleasure of your curled locks, the amiableness of your wished looksClick to see collations, the sweetness of your tunedClick to see collations voices, the content of your inward thoughts, the pomp of your outward shows. Only Hebe biddeth farewell to all the joys that she conceived and you hope for, that she possessed and you shall. Farewell, the pomp of princes’ courts, whose roofs are embossed with gold and whose pavements are decked with fair ladies; where the days are spent in sweet delights, the nights in pleasant dreams; where chastity honoreth affections and commandeth, yieldeth to desire and conquerethClick to see collations!
5.2.Sp4
Farewell, the sovereign of all virtue and goddess of all virgins, Diana, whose perfections are impossible to be numbered and therefore infinite, never to be matched and therefore immortal! Farewell, sweet parents, yet, to be mineClick to see collations, unfortunate parents! How blessed had you been in barrenness! How happy had I been if I had not beenClick to see collations! Farewell, life, vain life, wretched life, whose sorrows are long, whose end doubtful, whose miseries certain, whose hopes innumerable, whose fears intolerable! Come, Death, and welcome, Death, whom nature cannot resist, because necessity ruleth, nor defer because destiny hasteth! Come, Agar, thou unsatiable monster of maidens’ blood and devourer of beauty’s bowels. Glut thyself till thou surfeit, and let my life end thineClick to see collations. Tear these tender joints with thy greedy jaws, these yellow locks with thy black feet, this fair face with thy foul teeth. Why abatest thou thy wonted swiftness? I am fair; I am a virgin; I am ready. Come, Agar, thou horrible monster, and farewell, world, thou viler monster!
They wait, but no monster comes.
5.2.Sp5Augur
The monster is not come, and therefore I see Neptune is abusedClick to see collations, whose rage will, I fear me, be both infinite and intolerable. Take in this virgin, whose wantClick to see collations of beauty hath saved her own life and destroyed all yours.
5.2.Sp6Ericthinis
We could not find any fairer.
5.2.Sp7Augur
Neptune will. Go deliver her to her father.
Hebe is unbound.
5.2.Sp8Hebe
Fortunate Hebe, how shalt thou express thy joys? Nay, unhappy girl, that art not the fairest. Had it not been better for thee to have died with fame than to live with dishonor, to have preferred the safety of thy country and rareness of thy beauty before sweetness of life and vanity of the world? But alas! Destiny would not have it so. Destiny could not, for it asketh the beautifullest. I would, Hebe, thou hadst been beautifullest.
5.2.Sp9Ericthinis
Come, Hebe, here is no time for us to reason. It had been best for us thou hadst been most beautiful.
Exeunt.

5.3

Enter Phillida and Galatea.
5.3.Sp1Phillida
We met the virgin that should have been offered to Neptune. Belike either the custom is pardoned or she not thought fairest.
5.3.Sp2Galatea
I cannot conjecture the cause, but I fear the eventClick to see collations.
5.3.Sp3Phillida
Why should you fear? The god requireth no boy.
5.3.Sp4Galatea
I would he did. Then should I have no fearClick to see collations.
5.3.Sp5Phillida
I am glad he doth notClick to see collations, though, because if he did I should have also cause to fearClick to see collations. But soft, what man or god is this? Let us closely withdraw ourselves into the thickets.(Exeunt amboClick to see collations. ) (Enter Neptune alone.)
5.3.Sp6Neptune
And do men begin to be equal with gods, seeking by craft to overreach them that by power oversee them? Do they dote so much on their daughters that they stickClick to see collations not to dally with our deities? Well shall the inhabitants see that destiny cannot be prevented by craft nor my anger be appeased by submission. I will make havoc of Diana’s nymphs. My temple shall be dyed with maidens’ blood, and there shall be nothing more vile then to be a virgin. To be young and fair shall be accounted shame and punishment, insomuch as it shall be thought as dishonorable to be honestClick to see collations as fortunate to be deformed.
Enter Diana with her nymphs.
5.3.Sp7Diana
O Neptune, hast thou forgotten thyself, or wilt thou clean forsake me? Hath Diana therefore brought danger to her nymphs because they be chaste? Shall virtue suffer both pain and shame, which always deserveth praise and honor?
Enter Venus.
5.3.Sp8Venus
Praise and honorClick to see collations, Neptune; nothing less, exceptClick to see collations it be commendable to be coy and honorable to be peevish. Sweet Neptune, if Venus can do anything, let her try it in this one thing: that Diana may find as small comfort at thy hands as LoveClick to see collations hath found courtesy at hers. This is she that hateth sweet delights, envieth loving desires, masketh wanton eyes, stoppeth amorous ears, bridleth youthful mouths, and, under a name or a word “constancy,” entertainethClick to see collations all kind of cruelty. She hath taken my son Cupid — Cupid, my lovely son — using him like a prentice, whipping him like a slave, scorning him like a beast. Therefore, Neptune, I entreat thee by no other god than the god of love that thou evil entreatClick to see collations this goddess of hate.
5.3.Sp9Neptune
I museClick to see collations not a little to see you two in this place, at this time, and about this matter. But what say you, Diana, have you Cupid captive?
5.3.Sp10Diana
I say there is nothing more vain than to dispute with Venus, whose untamed affections have bred more brawls in heaven than is fit to repeat in earth or possible to recount in number. I have Cupid, and will keep him — not to dandle in my lap, whom I abhor in my heart, but to laugh him to scorn that hath made in my virgins’ hearts such deep scars.
5.3.Sp11Venus
Scars, Diana, call you them that I know to be bleeding wounds? Alas, weak deity! It stretcheth not so far, both to abate the sharpness of his arrows and to heal the hurts. No, love’s wounds, when they seem greenClick to see collations, rankle, and, having a smooth skin withoutClick to see collations, fester to the death within. Therefore, Neptune, if ever Venus stood thee in steadClick to see collations, furthered thy fanciesClick to see collations, or shall at all times be at thy command, let either Diana bring her virgins to a continual massacre or release Cupid of his martyrdomClick to see collations .
5.3.Sp12Diana
It is known, Venus, that your tongue is as unruly as your thoughts, and your thoughts as unstayed as your eyes. Diana cannot chatter; Venus cannot chooseClick to see collations.
5.3.Sp13Venus
It is an honor for Diana to have Venus mean ill, when she so speaketh well.Click to see collations But you shall see I come not to trifle. Therefore once again, Neptune, if that be not buried which can never die — fancyClick to see collations — or that quenched which must ever burn — affectionClick to see collations — show thyself the same Neptune that I knew thee to be when thou wast a shepherd, and let not Venus’s words be vain in thine ears, since thine were imprinted in my heart.
5.3.Sp14Neptune
It were unfit that goddesses should strive, and it were unreasonable that I should not yield. And therefore to please both, both attend. Diana I must honor; her virtue deserveth no less. But Venus I must love; I must confess so much. Diana, restore Cupid to Venus, and I will forever release the sacrifice of virgins. If therefore you love your nymphs as she doth her son, or prefer not a private grudge before a commonClick to see collations grief, answer what you will do.
5.3.Sp15Diana
I account not the choice hard, for, had I twenty Cupids, I would deliver them all to save one virgin, knowing love to be a thing of all the vainest, virginity to be a virtue of all the noblest. I yield. — Larissa, bring out Cupid.( Exit Larissa. ) And now shall it be said that Cupid savedClick to see collations those he thought to spoil.
5.3.Sp16Venus
I agree to this willingly, for I will be wary how my son wander again. But Diana cannot forbid him to wound.
5.3.Sp17Diana
YesClick to see collations. Chastity is not within the levelClick to see collations of his bow.
5.3.Sp18Venus
But beauty is a fair mark to hit.
5.3.Sp19Neptune
Well, I am glad you are agreed, and sayClick to see collations that Neptune hath dealt well with beauty and chastity.
Enter Larissa with Cupid.
5.3.Sp20Diana
( To Venus ) Here, take your son.
5.3.Sp21Venus
( To Cupid ) Sir boy, where have you been? Always taken, first by SapphoClick to see collations, now by Diana. How happeneth it, you I unhappy elf?
5.3.Sp22Cupid
Coming through Diana’s woods, and seeing so many fair faces with fond hearts, I thought for my sport to make them smart, and so was taken by Diana.
5.3.Sp23Venus
I am glad I have you.
5.3.Sp24Diana
And I am glad I am rid of him.
5.3.Sp25Venus
Alas, poor boy! Thy wings clipped? Thy brandsClick to see collations quenched? Thy bow burnt? And thy arrows broke?Click to see collations
5.3.Sp26Cupid
Ay, but it skilleth notClick to see collations. I bear now mine arrows in my eyes, my wings on my thoughts, my brands in mine ears, my bow in my mouth, so asClick to see collations I can wound with looking, fly with thinking, burn with hearing, shoot with speaking.
5.3.Sp27Venus
Well, you shall up to heaven with me, for on earth thou wilt lose me.
Enter Tityrus and Melibeus. Enter Galatea and Phillida, who follow at a distance, unseen at first by the characters on stage.
5.3.Sp28Neptune
But soft, what be these?
5.3.Sp29Tityrus
Those that have offended thee to save their daughters.
5.3.Sp30Neptune
( To Tityrus ) Why, had you a fair daughter?
5.3.Sp31Tityrus
Ay, and Melibeus a fair daughter.
5.3.Sp32Neptune
Where be they?
5.3.Sp33Melibeus
In yonder woods; and methinks I see them coming.
5.3.Sp34Neptune
Well, your deserts have not gotten pardon, but these goddesses’ jars.Click to see collations
5.3.Sp35Melibeus
This is my daughter, my sweet Phillida.
5.3.Sp36Tityrus
And this is my fair Galatea.
5.3.Sp37Galatea
Unfortunate Galatea, if this be Phillida!
5.3.Sp38Phillida
Accursed Phillida, if that be Galatea!
5.3.Sp39Galatea
( To herself ) And wast thou all this while enamored of Phillida, that sweet Phillida?
5.3.Sp40Phillida
( To herself ) And couldst thou doat upon the face of a maiden, thyself being one, on the face of fair Galatea?
5.3.Sp41Neptune
Do you both, being maidens, love one another?
5.3.Sp42Galatea
I had thought the habit agreeable with the sexClick to see collations, and so burned in the fire of mine own fancies.
5.3.Sp43Phillida
I had thought that in the attire of a boy there could not have lodged the body of a virgin, and so was inflamed with a sweet desire which now I find a sour deceit.
5.3.Sp44Diana
Now things falling out as they do, you must leave these fond-foundClick to see collations affections. Nature will have it so; necessity must.
5.3.Sp45Galatea
I will never love any but Phillida. Her love is engraven in my heart with her eyes.
5.3.Sp46Phillida
Nor I any but Galatea, whose faith is imprinted in my thoughts by her words.
5.3.Sp47Neptune
An idle choice, strange and foolish, for one virgin to dote on another, and to imagine a constant faith where there can be no cause of affection. — How like you this, Venus?
5.3.Sp48Venus
I like well and allow it. They shall both be possessed of their wishes, for never shall it be said that Nature or Fortune shall overthrow Love and Faith.(To Galatea and Phillida) Is your love unspotted, begun with truth, continued with constancy, and not to be altered till death?
5.3.Sp49Galatea
Die, Galatea, if thy love be not so!
5.3.Sp50Phillida
Accursed be thou, Phillida, if thy love be not so!
5.3.Sp51Diana
Suppose all this, Venus, what then?
5.3.Sp52Venus
Then shall it be seen that I can turn one of them to be a man, and that I will.
5.3.Sp53Diana
Is it possible?
5.3.Sp54Venus
What is to LoveClick to see collations or the mistress of loveClick to see collations unpossible? Was it not Venus that did the like to Iphis and Ianthes?Click to see collations( To Galatea and Phillida ) How say ye? Are ye agreed? One to be a boy presently?
5.3.Sp55Phillida
I am content, so I may embrace Galatea.
5.3.Sp56Galatea
I wish it, so I may enjoy Phillida.
5.3.Sp57Melibeus
( To Phillida ) Soft, daughter, you must know whether I will have you a son.
5.3.Sp58Tityrus
( To Galatea ) Take me with youClick to see collations, Galatea: I will keep you as I begat you, a daughter.
5.3.Sp59Melibeus
Tityrus, let yours be a boy, and, if you will, mine shall not.
5.3.Sp60Tityrus
Nay, mine shall not, for by that means my young son shall lose his inheritance.
5.3.Sp61Melibeus
Why then, get him to be made a maiden, and then there is nothing lost.
5.3.Sp62Tityrus
If there be such changing, I would Venus could make my wife a man.
5.3.Sp63Melibeus
Why?
5.3.Sp64Tityrus
Because she loves always to playClick to see collations with men.
5.3.Sp65Venus
Well, you are both fondClick to see collations. Therefore agree to this changing, or suffer your daughters to endure hard chanceClick to see collations.
5.3.Sp66Melibeus
How say you, Tityrus, shall we refer itClick to see collations to Venus?
5.3.Sp67Tityrus
I am content, because she is a goddess.
5.3.Sp68Venus
Neptune, you will not dislike it?
5.3.Sp69Neptune
Not I.
5.3.Sp70Venus
Nor you, Diana?
5.3.Sp71Diana
Not I.
5.3.Sp72Venus
Cupid shall not.
5.3.Sp73Cupid
I will not.
5.3.Sp74Venus
Then let us depart. Neither of them shall know whose lot it shall be till they come to the church door.Click to see collations One shall be. Doth it suffice?
5.3.Sp75Phillida
And satisfy us both. Doth it not, Galatea?
5.3.Sp76Galatea
Yes, Phillida.
Enter Rafe, Robin, and Dick.
5.3.Sp77Rafe
Come, Robin, I am glad I have met with thee, for now we will make our father laugh at these tales.
5.3.Sp78Diana
What are these that so malepartlyClick to see collations thrust themselves into our companies?
5.3.Sp79Robin
Forsooth, madam, we are fortune tellers.
5.3.Sp80Venus
Fortune-tellers? Tell me my fortune.
5.3.Sp81Rafe
We do not mean fortune-tellers, we mean fortune tellers. We can tell what fortune we have had these twelve months in the woods.
5.3.Sp82Diana
Let them alone. They be but peevish.
5.3.Sp83Venus
Yet they will be as good as minstrels at the marriage, to make us all merry.
5.3.Sp84Dick
Ay, ladies, we bear a very good consortClick to see collations.
5.3.Sp85Venus
( To Rafe ) Can you sing?
5.3.Sp86Rafe
BaselyClick to see collations.
5.3.Sp87Venus
( To Dick ) And you?
5.3.Sp88Dick
MeanlyClick to see collations.
5.3.Sp89Venus
( To Robin ) And what can you do?
5.3.Sp90Robin
If they double it, I will treble it.Click to see collations
5.3.Sp91Venus
Then shall ye go with us, and sing HymenClick to see collations before the marriage. Are you content?
5.3.Sp92Rafe
Content? Never better content! For there we shall be sure to fill our bellies with capons’ rumps, or some such dainty dishes.
5.3.Sp93Venus
Then follow us.
Exeunt.

The Epilogue

Galatea comes forward as the rest leave.
Epi.Sp1Galatea
Go all, ’tis I only that conclude all. You ladiesClick to see collations may see that Venus can make constancy fickleness, courage cowardice, modesty lightness, working things impossible in your sex and tempering hardest hearts like softest wool. Yield, ladies, yield to love, ladies, which lurketh under your eyelids whilst you sleep and playeth with your heartstrings whilst you wake; whose sweetness never breedeth satiety, labor weariness, nor grief bitterness.Click to see collations Cupid was begotten in a mist, nursed in clouds, and sucking only upon conceitsClick to see collations. Confess him a conqueror, whom ye ought to regard, sithClick to see collations it is unpossible to resist; for this is infallible, that love conquereth all things but itself, and ladies all hearts but their own.
Exit.
FINIS.

Annotations

of
after
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one
Smyrna
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other
Ios
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other
favor
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wonted
accustomed
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We
the actors
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breath
being allowed by your judgment to perform this play
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latter
being protected by your favor
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wink
shut the eyes
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curious
careful
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lawn
fine linen
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Minerva
a statue of Athene, goddess of wisdom
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syllable
neither in spectacle nor dialogue
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groweth
is found
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plain
open
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floods
waters
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attend
listen
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right
rightly so
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traffic
commerce
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merchandise
engage in trade
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copy
her character
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as
as did
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earth
right down to the ground
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skies
having previously reached nearly to the sky
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earth
Aeolus, god of the winds and servant to Neptune
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sith
since
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husbandmen
farmers
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corn
grain
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throw
shed
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quills
i.e. in the nests where young birds grow feathers
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froth
sea foam
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weeds
seaweed
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for
instead of
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monstrous
unnatural
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mermaids
The quarto spelling of maremaides preserves the rhyme with fair maids later in the line (Scragg), and emphasizes the nightmare-ish qualities of Tityrus’ tale.
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fair
exceedingly beautiful
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would
wish
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wroth
wrath
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wary
reluctant
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day
on a fixed day every five years
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integrity
whom neither honorable family name nor personal virtue shall exempt from candidacy
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that
I don’t know whether I agree with that
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he
Neptune
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against
in anticipation of
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cattle
livestock
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bound
tied up
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bound
obligated
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him
the Agar
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honor
chastity
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constellation
star-crossed destiny
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vexing
vexatious
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drawn
dragged
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all
above all other young women
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as
that
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light
alight
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fear
frighten
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virtue
virtue has given me
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virtue
virtue must give me
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Suffer
Allow
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born
since all mortals must eventually die
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it
since life is meaningless without honor
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fortunate
you are fortunate in having a father to find out and anticipate those perils for you
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beasts
as, for example, Zeus or Jupiter taking the guise of a swan to win Leda, as a bull to run off with Europa, etc.
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Diana
goddess of the hunt and of chastity, often emblematic of Queen Elizabeth
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stray
lose my way
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though
even though
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train
retinue
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train
lead astray
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hearts
makes hearts to have
The beginning of the wordplay on hart (deer) and heart (organ).
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ears
in order to keep jealous watch and listen for every threatening sound
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bow
hunter’s bow
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hart
deer
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bow
Cupid’s bow
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Diana
goddess of chastity and the hunt
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her
Diana’s
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kind
in their inherently chaste natures
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kind
too amorously inclined
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practice
devise schemes
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both
we both know
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have
because of the consequent danger of your being chosen for the sacrifice
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affection
i.e. disfigure my appearance through grief
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suffering
allowing
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desire
i.e. a foolish desire to avoid wearing male attire
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become
suit
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becometh
is suitable to my sex
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hose
trousers
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coat
doublet
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pleased
satiated
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up
fished up out of the sea
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rafter
raft
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haled
tossed about
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marvel
wonder
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master
the ship captain
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speeds
fares
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wetshod
i.e. drowned, as opposed to dryshod, with dry boots
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want
lack
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land
i.e. seek opportunities for robbing or begging
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speed
succeed
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not
cannot stomach
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teeth
i.e. sharpen the teeth when they’ve been worn dull by chewing on hard-tack
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powdered
salted as a preservative
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pinned
penned, confined
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bottomless
i.e. with only the thin ship’s hull separating you from the bottomless sea
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reason
a rational creature
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lie
dwell
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upwards
i.e. totally deficient in wisdom
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sun
i.e. keep track of the heavenly bodies that control the tides
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card
compass card, divided into 32 points, as the Mariner demonstrates in the following speeches
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pair
i.e. a whole pack of cards
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loadstone
magnetic needle
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his
its
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cards
compass cards; playing cards
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cozenage
cheating
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masters
i.e. we are unemployed
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fain
gladly
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points
i.e. good features; also, tags to fasten our garments together
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clout
sail
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card
compass card
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points
tags to fasten my clothes; also the instructions I need to succeed by cheating
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East
These are 8 points of the compass, in order clockwise, from North to East
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ill
Very poorly done
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living
livelihood; also, lifetime
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cozening
cheating
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made
made into
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twelvemonth
on this day a year from now
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not
It doesn’t matter
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so
provided that
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Omnes … feather.
This song is omitted from the 1592 edition of Gallathea, as are the others in this play. Blount includes all the songs mentioned in the play except one in the 1632 edition. The omission from the early edition is typical of the songs in Lyly’s plays (Scragg 54n87-105).
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Omnes
All
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drunk
drunkenly
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healths
i.e. drinking down waves
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slaves
i.e. sea and wind
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Milk
Extort money from
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blind
hidden
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brave
excellent
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manned
provided with companions
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Stand!
i.e. Hands up!
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pursing
stealing purses
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sail!
i.e. Down you go from the ladder with a noose over your head, like a sail that is let fall
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feather
i.e. We’re destined to hang and dance at a rope’s end, like a feather in the wind
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alone
still in man’s attire
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habit
shape your inner feelings to conform to your male appearance and apparel
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immodest
behave in a way that seems immodest in a young woman
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be
i.e. had really made me a youth
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not
i.e. a young woman
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fond
infatuated
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jealous
apprehensive
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whist
silence
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myself
i.e. act the part of a youth
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gate
manner of walking
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untoward
clumsy
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unfit
inappropriate and ill-fitting
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one
stands a young man
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person
not really a youth
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color
pretext
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salute
greet
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leg
a male bow
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habit
garments
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pastime
have some sport
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second
inferior
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face
causing me to blush
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Are you a maid?
Are you a virgin — a question that Galatea would interpret as “Of what sex are you?” (JJ questions this DB’s reading here.)
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train
handsome retinue
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spill
interrupt
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fair
handsome
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deer
This is the beginning of the auditory pun on dear/deer in this scene. Recent editors have modernized the spelling and selected the spelling of dear that best suits the sense of the sentence in their interpretation (Lancashire, Hunter, Scragg). However, in both the 1592 and 1632 editions of Gallathea, the word is spelled Deare.
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wind
ran downwind so that its scent would not be detected by the hunters and their dogs
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him
headed the deer back in the direction from which it came
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dear
with a familiar pun on dear/deer
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pastime
interrupt her hunting
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tell
count
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agreed
in accord in hesitating to admit they are boys
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pleasant
jocular
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woods
beat the bushes with tusks to rouse the game
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mouths
bay like hunting dogs; talk volubly
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nothing
nothing else
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deer
rouse the deer from cover by shouting
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favor
approval, favorable regard
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if
even if
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silly
frail
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brands
torches
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staid
unmovable
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sex
in falling in love with a person of their own sex
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truant
play the truant
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mother
Venus
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away
excuse my truancy in being absent from my mother Venus
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spend
I will have spent in vain
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shifts
stratagems
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ladies
i.e. ladies in the audience
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silly
simple
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using
wearing
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god
i.e. on Cupid’s own person
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love
as when Neptune took the shape of a horse to make love to Ceres and a ram to seduce Theophane
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not
do not scruple
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overreached
tricked
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swains
farmers
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craft
i.e. by Cupid’s disguising himself as a young woman
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wooden
inferior; sylvan
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skreeking
shrieking or screeching
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hags
evil spirits that prowl by night
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boy
black with soot and smoke
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spirits
stirring of distilled substances
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crosslets
crucibles
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fermentation
These terms describe the heating and fusing of substances until they are vaporized, then reduced to powder and reheated until red hot, combined with other substances, stirred until white, fermented, etc.
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compassed
mastered
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indurative
These alchemical instruments include various vessels used in vaporizing and distillation, both hand-held and affixed to a wall, in order to produce absorption, softening, and hardening.
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not
The substances here include potassium nitrate, sulfuric acid, potassium carbonate, prepared salts, tartars, disulphide of arsenic, ammonium chloride, and various herbs and yeasts, along with lime, chalk, ashes, and hair.
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multiplication
transmutation of baser metals into precious ones
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blush
at first glance
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occupation
i.e. an unemployed beggar or thief
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groat
four-penny piece
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angels
gold coins worth 6s. 8d., featuring the archangel Michael slaying the dragon
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point
the metal sheath enclosing the tip of a lace used to fasten clothes
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pint
of pint-sized capacity
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pots
i.e. All you do is pointless because you drink away all your profits
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made
assured of success
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cunning
craft
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spirits
i.e. basic substances
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done
I want no part of this
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devils
i.e. with spirits
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gross
dull
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domination
i.e. most useful in alchemy
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quicksilver
mercury
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silver
i.e. my money in silver coins
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quick
i.e. easy come, easy go
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orpiment
yellow arsenic
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a word … spirit
i.e. it sounds like mumbo-jumbo or abracadabra to me
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ammoniac
ammonium chloride
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brimstone
sulfur
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blue
sulfur burns blue
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alone
Leave it to me
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beggar
i.e. he is shabbily dressed
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bewray
reveal
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four
mercury, sulfur, sulfate of arsenic, and sal ammoniac
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tempered
mixed
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seven
gold, silver, mercury, copper, iron, tin, and lead
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pounds
would turn an investment of £1 into £8000
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coals
if only I can obtain some beech charcoal, the best fuel for an alchemical furnace
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pottle
two-quart
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plate
silver serving dishes
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plummet
ball of lead
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framed
fashioned
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studies
meditates
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about
speculating
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hear
Can I believe my ears
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Danae?
When Danae was confined by her father, King Acrisius of Argos, to a brazen tower, Jupiter or Zeus visited her in a shower of gold, conceiving Perseus as their son.
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infinite
make infinite substances out of nothing
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whist!
silence!
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mine
i.e. time is money
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air
i.e. get away from the furnace
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mystery
a trade; also, a spiritual mystery
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pains
work hard
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Infinite
i.e. lots of work and lots of pain
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entertain
employ
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swear
solemnly promise; also, swear blasphemous oaths
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gryphs
griffins
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nests
i.e. line our pockets
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frieze
coarse woolen cloth
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science
learning
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drought
thirstiness
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myself
to ward off evil suggestion
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thumb.
Proverbially, an honest miller was said to have a golden thumb — a rare occurrence, since honest millers were rare. The miller would teste the quality of the meal by rubbing it between his thumb and forefinger.
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was
Alchemy is such a shabby occupation
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man
servant
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old
i.e., me, his former apprentice
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shield
protect
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mind
the mind of a boy
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Melebeus
i.e. Phillida, disguised as a boy and bearing her father’s name
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thee
i.e., me (Galatea speaks to herself in the third person)
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fancy
in a fanciful dream
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bow
use the male hunter’s bow instead of the woman’s spinning tool
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quoits
the throwing of a heavy plate or ring requiring manly strength
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abroad
away from home
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wont
I who was accusomed
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sampler
needlework
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rareness
excellence
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habit
garb
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thee
when the maleness that you so love in Tityrus (i.e. Galatea) is displeasing to you in yourself
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times
i.e. look to see when he is most likely to be susceptible to love
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bewray
declare
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conceits
fanciful thoughts
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modesty
modesty able to conquer desire
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imagination
an imagination that is captive to desire
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fire
like the insect piralis that was fabled to live thus
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precise
strict, conforming with conventional morality
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brands
torches
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flames
the eternal flame guarded by the Vestal Virgins in the temple of Vesta, Roman goddess of the hearth
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heart
punning on hart
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made
said to be
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and
and yet
This meaning of “and”persists through the next clauses, as Galatea muses on the contradictions of chastity.
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fancy
love
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lunary
moonwort
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Melebeus
i.e. Phillida
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false
falsify, betray
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Fond
Foolish and infatuated
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profession
i.e. worship of Diana
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bows
bend the bows in order to attach the bowstrings
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strings
bowstrings
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fly
the thing I should shun
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riddles
Oedipus solved the riddle posed to him by the Sphinx
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muse
wonder
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ailest
what ails you
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leaves
herbal medicines
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counsel
advice
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own
I blush to hear you, as you recount my sufferings in love, to describe your own
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boy
i.e. the disguised Galatea
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teeth
reproach me
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wakeness
wakefulness
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good
might as well
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Melibeus
i.e. the disguised Phillida
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fond
foolish
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Tyterus
i.e. the disguised Galatea
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soft
wait a minute
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that
I who
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affection
desire
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byword
trick of speech
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vicious
i.e. you outdo other lovers in betrayal of your vows
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near me
Pun on “physically near” and “near the truth”
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recall
unsay
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only
If I were the only one to feel
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incident
it being liable to happen
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one
one nymph
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deadly
extremely
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virtue
scorns chastity as common and vulgar
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stately
imposingly dignified
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amaze
daunt
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boy
Tityrus or Galatea
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she
Ramia
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boy
Melibeus or Phillida
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Melibeus
i.e. the disguised Phillida
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have
insists on having
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Tityrus
i.e. the disguised Galatea
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swath-clouts
swaddling clothes
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conceits
ideas
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like
likely
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overreachest
you overpower
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fond
foolish
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reach
things contrary to what we hope for
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Tityrus
the disguised Galatea
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nobody
not among the living
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framed
made
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water
i.e. the external appearance does not represent the inner substance
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toy
foolish trifle
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humor
obsession
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to
resembling
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servant
a man who is devoted to the service of a lady
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habit
garb
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face
i.e., you
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Admit
Suppose
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doubtful
ambiguous and doubt-inspiring
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simple
or I am too simpleminded, being a girl, to understand
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disdain
disdainfully too proud
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understand
in not understanding
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that
because
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mold
or knowing him/herself to be in fact a woman like them
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so
provided that
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fond
foolish; devoted
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boy
Peter
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veriest
most utter
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end
fulfillment
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measure
steady temperature
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breasts
voices
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so as
so that
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of
among
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blast
i.e. impossible tasks
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dram
small amount
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as
provided that
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temperatures
temperament
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Con-dog
since a cur is a dog
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art
i.e. alchemy
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you
as the saying goes
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multiplieth
transmutes metals
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wanteth
lacks
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meat
food
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man
i.e. intent on his book, as though it contained religious instruction
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salute
greet
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feet
like the proverbial absent-minded philosopher, so intently contemplating the heavens that he is unaware of what lies at his feet
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astronomer
i.e. astrologer
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Ipsissimus
the very same
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annus
i.e. 1588, the year of the Spanish Armada
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list
wish
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lime-twigs
twigs coated with sticky substance to snare birds
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a-batfowling
beat down birds at roost with a bat or club
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cunning
cleverness
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sky
below the upper limit of the sky
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signs
constellations
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zodiacs
the ecliptic or pathway in the stars that contains the twelve signs of the zodiac and through which the sun and planets move
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taverns
where tavern signboards might feature such zodiacal signs as Aries the Ram, Taurus the Bull, Cancer the Crab, Leo the Lion, etc.
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compass
encompass, achieve
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head.
These asssociations of the twelve zodiacal constellations with various parts of the body were a central part of astrological lore.
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ewe
i.e. an unfaithful female who makes her husband a cuckold, with horns like those of the ram
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Bull
Taurus
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Capricornus
the Goat
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signs
signs of horned animals, suggesting cuckoldry
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thoughts
aspire to wisdom
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tell
count
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’clips
eclipse
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coney
rabbit
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purse-net
a net that can be drawn tight at the mouth by a draw-string
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number
the year in which the sun and the moon return to the relationship from which they began
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epact
the age in days of the moon on the first day of the year, beginning March 22
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prime
the date of the first new moon in the year
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multiplication
transmuting metals
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year
sixty years from now
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astronomical
judicial astrology, used to predict momentous events like the deaths of monarchs
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hail-fellows
close companions
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amiable
lovable
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drib
dribble, shoot feebly
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leas
meadows
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nymph
i.e. Cupid, disguised as a young woman
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burn
caused by Psyche’s accidentally spilling hot oil on her beloved Cupid’s shoulder
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leaf
an invented myth
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Medea
a sorceress who was deserted by Jason and then killed their two children
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bird
another invented detail
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Calypso
goddess who detained Odysseus for years (Odyssey, Book 1)
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shame
or bring shame to her nymphs
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addle
i.e. confused, empty
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onyx
a precious stone; the characteristics ascribed to it here are fanciful
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moly
a magical herb given by Hermes or Mercury to Odysseus to protect him against Circe’s powers of enchantment (Odyssey, Book 10)
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abateth
blunts or beats back
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sun
a legend telling how the old eagle finds renewal by exposing itself to excessive heat of the sun, then plunging into cold water in order to shed its old plumage
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shadow
i.e. the ephemeral pursuit of amorous love
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ibes
ibises
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sights
i.e. grow old and blind
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one
your thoughts
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other
your faces
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eyes
Just imagine
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trulls
strumpets
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ends
their unhappy endings as a result of amorous dalliance
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without
in outward appearance
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within
in reality
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owls
According to one legendary account, when the jolly satyr Silenus ascended to the skies, the ass on which he rode was placed among the stars and his pictures of apes and owls were covered over by embroidered representations of lions and eagles.
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Juno
For attempting to win the love of Hera or Juno, Ixion was tricked by Zeus or Jupiter into making love to a cloud, Nephele, that resembled Juno. By this cloud Ixion fathered the centaurs.
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others
a popular legend about the eagle
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labors
patient workers in the cause of chaste virtue
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samplers
fancy needlework
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pelting
paltry
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colors
pretty complexions and deceptive appearances
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chase
hunting ground
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that
what
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unacquainted
unfamiliar, strange
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bear
tolerate
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the color of
pretext of your being
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deity
her power as a goddess
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policy
stratagems
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wishes
vain hopes
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golden
glorious
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golden
gilded
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rods
for discipline and chastisement
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Circes
i.e.you will be infatuated not with an ennobling and spiritual love but with base enchantment
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game
her hunting, and her nymphs whom you have hunted
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shall
will be prevented
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to
as
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thoughts
i.e. despite my inclination to exercise a godlike mercy, or to have nothing to do with you, or, conversely, to revenge myself on you more harshly
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smart
the sting of the whip
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have
take
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Populus
the people
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Augur
Prognosticating priest
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sacrifice
sacrificial victim
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nature
the natural affection of a father for his daughter
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swath-clout
swaddling clothes
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sheet
sheet in which a dead body is wrapped
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comfortable
comforting
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inconvenience
public misfortune
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mischief
harm
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color
refuse to take the dye
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simple
simpleminded
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overreach
outwit
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ear
i.e., only a wily mouse would dare make its home near the cat
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he
anyone
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cunningly
limp persuasively
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will
wishes to
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piece
woman
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hairs
i.e., old men
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fond
loving; foolish
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Populus
Representing the people
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froward
willful
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Alter
A second representative of the people
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their
get to the bottom of the fathers’
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Oyez
Hear ye!
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doom
sentence
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cozened
cheated
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pearl
i.e. as a sign of conquest
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fire
the flames of passion
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pirate’s
i.e. Cupid is
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to trust to
expect
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knots
ribbons tied in bows as love tokens
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it
get to work
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That
That one
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she
Diana
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Pluto
representing money, and confused thus with Plutus, god of riches
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of
by
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colors
deceptive appearances
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conceits
thoughts
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see
see to it
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alone
Leave him to me
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samplers
fancy needlework
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Diana
serve Diana as a footman
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for
instead of
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wait
attend
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trains
retinues
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trains
deceptions
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arras
tapestries
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Vesta
goddess of the hearth and of chastity
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men
Their tricks may blear the eyes of ordinary mortals
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cozened
cheated
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happy
fortunate
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fair
beautiful
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glass
mirror
Go to this point in the text
thee
I only wish that my praise of your beauty were a flattering deception
Go to this point in the text
me
mislead me with false hopes
Go to this point in the text
so
do not love me merely in brotherly love
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mistress
the woman I adore and serve
Go to this point in the text
mistress
i.e. have noted my almost feminine-like beauty
Go to this point in the text
mysteries
with a play on Mistrisse, the Quarto spelling
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will
I will love you
Go to this point in the text
fare
good luck to
Go to this point in the text
other
the Astronomer
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virtues
astrological powers
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octavus
i.e. 1588, the year of the Spanish Armada, as in 3.3
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it
scorned it as merely the vicissitudes of this world
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multiplying
transmuting base metals
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sweating
in sexual intercourse
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her
i.e. gave her a child, thereby making two persons of one
Go to this point in the text
stone
the magical substance vainly sought by alchemists that could convert all metals into gold; also, the testicles
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cupboard
in the private sexual anatomy
Go to this point in the text
spittle
the spittle one produces on waking up, thought to have curative properties
Go to this point in the text
meat
food
Go to this point in the text
mill
the mill operated by the three brothers’ father, which Robin now hopes will now descend to him
Go to this point in the text
imagination
hoping to inherit
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hands
using the art of palmistry
Go to this point in the text
Sol
the sun
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Thursday
born on Jove’s day and hence jovial
Go to this point in the text
Venerian
a fine worshiper of Venus
Go to this point in the text
Friday
Venus’s day, and also an ecclesiastical fast-day when fish was eaten instead of flesh
Go to this point in the text
flesh-day
i.e. dedicated to Venus, goddess of love
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muliebre
flesh is feminine in gender (in Latin)
Go to this point in the text
me
recommended me as an assistant
Go to this point in the text
had
If only I had
Go to this point in the text
qualities
skills
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warm
invigorating, strenuous
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watered
salivated
Go to this point in the text
meat
flesh
Go to this point in the text
thoughts
and thought incessantly about sleep and food
Go to this point in the text
coat
a doublet like the one you are wearing
Go to this point in the text
brothers.
This master, evidently a shystering lawyer, will devise a way to give Dick the means to claim the right of the oldest brother and thereby inherit all their father’s estate, the mill.
Go to this point in the text
passest
you are well known
Go to this point in the text
points.
That’s as likely as if your (Peter’s) former master, the Alchemist, could transmute the metal tag-tips for fastening clothes into silver tankards.
Go to this point in the text
he
the lawyer
Go to this point in the text
him
Dick
Go to this point in the text
cozen
cheat
Go to this point in the text
cozens
the cozener or cheater of us both; also, our sibling treating us legally as mere cousins
Go to this point in the text
uncle
i.e. we can invent genealogies for ourselves to cheat Dick in turn
Go to this point in the text
conceit
pregnant with expectations
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straight
at once
Go to this point in the text
Ericthinis
a citizen
Go to this point in the text
fatal
doomed
Go to this point in the text
other
a crowd of men
Go to this point in the text
sacrilege.
These legends are imaginary.
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only
uniquely
Go to this point in the text
divine
dwell on divine matters
Go to this point in the text
agreeable
well suited
Go to this point in the text
affections
temperaments
Go to this point in the text
looks
the looks you wish for
Go to this point in the text
tuned
well-tuned
Go to this point in the text
conquereth
i.e. where chaste love is held in honor and yields to desire in such a way as to command and control affection in virtuous marriage
Go to this point in the text
mine
because they are mine
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been
been born
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thine
through your gluttonous surfeiting
Go to this point in the text
abused
wronged
Go to this point in the text
want
lack
Go to this point in the text
event
the sacrifice and its consequences
Go to this point in the text
fear
since I am not a boy
Go to this point in the text
not
doesn’t require a boy
Go to this point in the text
fear
i.e. the fear that Tityrus (really Galatea) would be chosen as the most beautiful boy
Go to this point in the text
ambo
both
Go to this point in the text
stick
scruple
Go to this point in the text
honest
chaste
Go to this point in the text
honor
i.e. Virtue deserves praise and honor
Go to this point in the text
except
unless
Go to this point in the text
Love
Cupid
Go to this point in the text
entertaineth
admits
Go to this point in the text
entreat
treat harshly
Go to this point in the text
muse
wonder
Go to this point in the text
green
raw, fresh
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without
on the surface
Go to this point in the text
stead
came to your aid
Go to this point in the text
fancies
love-longings
Go to this point in the text
martyrdom
i.e. unless Cupid is released, Diana’s nymphs will suffer continual and violent reprisal from Venus
Go to this point in the text
choose
cannot choose but chatter, being compulsively loose of tongue
Go to this point in the text
well.
I, Venus, are honored to be spoken off harshly by Diana in such elegant language.
Go to this point in the text
fancy
love
Go to this point in the text
affection
desire
Go to this point in the text
common
shared, general
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saved
is the means of saving
Go to this point in the text
Yes
Yes I can
Go to this point in the text
level
aim
Go to this point in the text
say
I am glad you say
Go to this point in the text
Sappho
as in Lyly’s Sappho and Phao, 1584, where Cupid leaves Venus to dwell with Sappho
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brands
torches
Go to this point in the text
broke?
These observations may offer clues for staging.
Go to this point in the text
not
it doesn’t matter
Go to this point in the text
as
so that
Go to this point in the text
jars.
Their pardon has been obtained not by any merit on your part, but as a consequence of the enmity between Diana and Venus.
Go to this point in the text
sex
I thought Phillida’s male attire assured a male identity
Go to this point in the text
fond-found
now found to be foolish
Go to this point in the text
Love
Cupid
Go to this point in the text
love
Venus
Go to this point in the text
Ianthes?
When a young woman was given the male name of Iphis to spare her life but was then engaged against her will to marry the beautiful Ianthe, Iphis and her mother prevailed on the goddess Isis to change Iphis’s sex to that of a male, whereupon he and Ianthe were able to marry happily.
Go to this point in the text
Take me with you
Understand what I have to say to you
Go to this point in the text
play
sport amorously
Go to this point in the text
fond
foolish
Go to this point in the text
chance
bad luck
Go to this point in the text
it
the decision
Go to this point in the text
door.
(The audience is also left to guess, though Galatea, disguised as a boy already as the play begins, is perhaps a logical choice to be the designated male.)
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malepartly
saucily
Go to this point in the text
consort
we sing well as a trio
Go to this point in the text
Basely
Poorly; singing the bass part
Go to this point in the text
Meanly
(1) In mediocre fashion; (2) singing the middle part
Go to this point in the text
it.
To their two voices I’ll add a third, singing the treble part (in a song with which the original presumably concluded).
Go to this point in the text
Hymen
i.e. sing as invocation, in classical tradition, Io Hymen
Go to this point in the text
ladies
in the audience
Go to this point in the text
bitterness.
Love’s sweet joys are never cloying, her labors are never wearying, and the melancholy sadness she induces is never bitter.
Go to this point in the text
conceits
imaginary thoughts
Go to this point in the text
sith
since
Go to this point in the text

Collations

Enter … tree.
Q:
Tyterus. Gallathea.
D:
Tyterus, Gallathea.
Go to this point in the text
D:
prey
Q:
pray
Go to this point in the text
mermaids
Q, D:
Maremaides
Go to this point in the text
Dear
Q, D:
Deere
Go to this point in the text
Q, D:
,
Go to this point in the text
Enter … Diana.
Q:
Cupid, Nimph of Diana.
D:
Cupid, Nymph of Diana.
Go to this point in the text
D:
hearts
Q:
harts
Go to this point in the text
D:
heart
Q:
hart
Go to this point in the text
Enter … Phillida.
Q, D:
Melebeus. Phillida.
Go to this point in the text
D:
Dear (substantively)
Q:
Deere
Go to this point in the text
D:
Q:
me
Go to this point in the text
wreck
Q, D:
wracke
Go to this point in the text
To the Mariner
Q, D:
Go to this point in the text
He … leave.
Q, D:
Go to this point in the text
To … Mariner.
Q, D:
Go to this point in the text
Q, D:
I
Go to this point in the text
!
Bevington changes periods to exclamation marks at comparable moments in the text. This change here has been collated as an example.
Q, D:
.
Go to this point in the text
To Rafe
Q, D:
Go to this point in the text
D:
Exit. (substantively)
Q:
Go to this point in the text
D:
Exeunt.
Go to this point in the text
D:
SONG … feather. (substantively)
Q:
Go to this point in the text
Q:
Exeunt.
D:
Go to this point in the text
Enter … alone.
Q, D:
Gallathea alone.
Go to this point in the text
Q, D:
.
Go to this point in the text
Q, D:
.
Go to this point in the text
heart
Q, D:
hart
Go to this point in the text
Q, D:
,
Go to this point in the text
She … aside.
Q, D:
Go to this point in the text
To herself
Q, D:
Go to this point in the text
Q, D:
,
Go to this point in the text
Q, D:
.
Go to this point in the text
Aside … Phillida
Q, D:
Go to this point in the text
Aside
Q, D:
Go to this point in the text
Aside
Q, D:
Go to this point in the text
Aside
Q, D:
Go to this point in the text
Aside
Q, D:
Go to this point in the text
Aside
Q, D:
Go to this point in the text
To Galatea
Q, D:
Go to this point in the text
deer
Q, D:
Deare
Go to this point in the text
deer
Q, D:
Deare
Go to this point in the text
deer
Q, D:
Deare
Go to this point in the text
dear
Q, D:
Deare
Go to this point in the text
To Diana
Q, D:
Go to this point in the text
Aside
Q, D:
Go to this point in the text
the
Q:
Go to this point in the text
dear
Q, D:
Deare
Go to this point in the text
Q, D:
.
Go to this point in the text
To Phillida
Q, D:
Go to this point in the text
To Diana
Q, D:
Go to this point in the text
To Phillida
Q, D:
Go to this point in the text
deer
Q, D:
Deare
Go to this point in the text
halloo
Q, D:
hallow
Go to this point in the text
Aside
Q, D:
Go to this point in the text
To Galatea
Q, D:
Go to this point in the text
Aside
Q, D:
Go to this point in the text
To himself
Q, D:
Go to this point in the text
Aside
Q, D:
Go to this point in the text
Aside
Q, D:
Go to this point in the text
lunary
Q, D:
lumany
Go to this point in the text
Aside
Q, D:
Go to this point in the text
Aside
Q, D:
Go to this point in the text
Coming forward
Q, D:
Go to this point in the text
Q, D:
.
Go to this point in the text
Aside
Q, D:
Go to this point in the text
twenty
Q, D:
xx
Go to this point in the text
Coming forward
Q, D:
Go to this point in the text
Indicating Rafe
Q, D:
Go to this point in the text
To Rafe
Q, D:
Go to this point in the text
Q, D:
Go to this point in the text
D:
heart
Q:
harte
Go to this point in the text
D:
heart
Q:
hart
Go to this point in the text
heart
Q, D:
hart
Go to this point in the text
hearts
Q:
Harts
D:
harts
Go to this point in the text
Q:
false
D:
falsifie
Go to this point in the text
Q:
thou
D:
you
Go to this point in the text
D:
heart
Q:
hart
Go to this point in the text
D:
heart
Q:
hart
Go to this point in the text
They … themselves.
Q, D:
Go to this point in the text

Characters

Prologue

Tityrus, father of Galatea

Galatea

Cupid

Nymph

Melibeus, father of Phillida

Phillida

Robin, brother of Rafe and Dick

Mariner

Rafe, brother of Robin and Dick

Dick, brother of Robin and Rafe

Diana

Telusa

Neptune

Peter, servant to the Alchemist

Alchemist

Eurota

Ramia

Astronomer

Larissa

Augur

Populus

Alter

Ericthinis, a citizen

Hebe

Venus, goddess of love

Prosopography

David Bevington

David Bevington was the Phyllis Fay Horton Distinguished Service Professor Emeritus in the Humanities at the University of Chicago. His books include From Mankind to Marlowe (1962), Tudor Drama and Politics (1968), Action Is Eloquence (1985), Shakespeare: The Seven Ages of Human Experience (2005), This Wide and Universal Theater: Shakespeare in Performance, Then and Now (2007), Shakespeare’s Ideas (2008), Shakespeare and Biography (2010), and Murder Most Foul: Hamlet Through the Ages (2011). He was the editor of Medieval Drama (1975), The Bantam Shakespeare, and The Complete Works of Shakespeare. The latter was published in a seventh edition in 2014. He was a senior editor of the Revels Student Editions, the Revels Plays, The Norton Anthology of Renaissance Drama, and The Cambridge Edition of the Works of Ben Jonson (2012). Professor Bevington passed away on August 2, 2019.

Donald Bailey

Eric Rasmussen

Eric Rasmussen is Regents Teaching Professor and Foundation Professor of English at the University of Nevada. He is co-editor with Sir Jonathan Bate of the RSC William Shakespeare Complete Works and general editor, with Paul Werstine, of the New Variorum Shakespeare. He has received the Falstaff Award from PlayShakespeare.com for Best Shakespearean Book of the Year in 2007, 2012, and 2013.

Janelle Jenstad

Janelle Jenstad is a Professor of English at the University of Victoria, Director of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge). She has edited John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Elizabethan Theatre, Early Modern Literary Studies, Shakespeare Bulletin, Renaissance and Reformation, and The Journal of Medieval and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives (MLA); Institutional Culture in Early Modern England (Brill); Shakespeare, Language, and the Stage (Arden); Performing Maternity in Early Modern England (Ashgate); New Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter); Placing Names: Enriching and Integrating Gazetteers (Indiana); Making Things and Drawing Boundaries (Minnesota); Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (Routledge); and Civic Performance: Pageantry and Entertainments in Early Modern London (Routledge). For more details, see janellejenstad.com.

John Lyly

Kate LeBere

Project Manager, 2020–2021. Assistant Project Manager, 2019–2020. Textual Remediator and Encoder, 2019–2021. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. During her degree she published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.

Martin Holmes

Martin Holmes has worked as a developer in the UVicʼs Humanities Computing and Media Centre for over two decades, and has been involved with dozens of Digital Humanities projects. He has served on the TEI Technical Council and as Managing Editor of the Journal of the TEI. He took over from Joey Takeda as lead developer on LEMDO in 2020. He is a collaborator on the SSHRC Partnership Grant led by Janelle Jenstad.

Michael Best

Michael Best is Professor Emeritus at the University of Victoria, BC. He is the Founding Editor of the Internet Shakespeare Editions, of which he was the Coordinating Editor until 2017. In print, he has published editions of works of Elizabethan magic and huswifery, a collection of letters from the Australian goldfields, and Shakespeare on the Art of Love (2008). He contributed regular columns for the Shakespeare Newsletter on Electronic Shakespeares, and has written many articles and chapters for both print and online books and journals, principally on questions raised by the new medium in the editing and publication of texts. He has delivered papers and plenary lectures on electronic media and the Internet Shakespeare Editions at conferences in Canada, the USA, the UK, Spain, Australia, and Japan.

Nicole Vatcher

Technical Documentation Writer, 2020–2022. Nicole Vatcher completed her BA (Hons.) in English at the University of Victoria in 2021. Her primary research focus was womenʼs writing in the modernist period.

Sarah Fowler

Sarah Fowler is a fourth-year undergraduate student in the English Honours program at the University of Victoria. She is encoding the early editions of Gallathea as a part of her work for the Jamie Cassels Undergraduate Research Project under Janelle Jenstad.

Tracey El Hajj

Junior Programmer 2019–2020. Research Associate 2020–2021. Tracey received her PhD from the Department of English at the University of Victoria in the field of Science and Technology Studies. Her research focuses on the algorhythmics of networked communications. She was a 2019–2020 President’s Fellow in Research-Enriched Teaching at UVic, where she taught an advanced course on Artificial Intelligence and Everyday Life. Tracey was also a member of the Map of Early Modern London team, between 2018 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.

William Shakespeare

Bibliography

Hunter, G.K., ed. Galatea, by John Lyly. In Galatea and Midas, by John Lyly. Revels Plays. Manchester: Manchester University Press, 2000.
Lancashire, Anne Begor, ed. Gallathea and Midas, by John Lyly. Regents Renaissance Drama. Lincoln: University of Nebraska Press, 1969.
Scragg, Leah, ed. Galatea. By John Lyly. Manchester: Manchester University Press, 2012.

Orgography

LEMDO Team (LEMD1)

The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors.

University of Victoria (UVIC1)

https://www.uvic.ca/

Witnesses

1592 quarto text printed by Broome
1632 duodecimo text printed by Stansby
This edition, edited by Janelle Jenstad, David Bevington, and Sarah Fowler..

Metadata