London’s Tempe: Acknowledgements
Para1This edition has had quite a journey that warrants several acknowledgements. It began
as part of a directed reading course at the University of Guelph with Paul Mulholland,
who kindly offered to train me in editorial practice during the summer months of 2010.
Those days spent in Massey Hall remain some of my most fond memories of grad school,
and I am thankful for the time, patience, and lessons Paul offered me during that
time. Years later, I returned to the work for a course taught by Diane Jakacki at
the Digital Humanities Summer Institute in Victoria, which introduced me to TEI, digital
editing, and my later collaborator and friend Janelle Jenstad, who encouraged that
I pursue this work further. Prior to joining the MoEML and LEMDO teams, I submitted
my edition of this mayoral show to MoEML for their consideration. I am grateful to
the two anonymous reviewers for their feedback, which has helped improve the edition.
I have also benefitted from conversations and feedback from seminar participants in
Zachary Lesser and Brandi Adam’s Shakespeare Association of America online seminar
in 2021, so I thank the seminar leaders and participants for their suggestions. Throughout
the process, I have benefitted from three support networks: my wonderful teams at
the University of Victoria (MoEML and LEMDO) from project leads to research assistants,
all of whom I have learned from in some way; my colleagues and students at Medicine
Hat College and the University of Guelph, especially those who took an interest in
mayoral shows or at the very least took the time to listen to me speak about them;
and my human, feline, and canine family, especially Katie. Any errors that remain
are my own.
Prosopography
Janelle Jenstad
Janelle Jenstad is a Professor of English at the University of
Victoria, Director of The Map
of Early Modern London, and Director of Linked Early Modern Drama
Online. With Jennifer Roberts-Smith and Mark Kaethler, she
co-edited Shakespeare’s Language in Digital Media: Old
Words, New Tools (Routledge). She has edited John Stow’s
A Survey of London (1598 text) for MoEML
and is currently editing The Merchant of Venice
(with Stephen Wittek) and Heywood’s 2 If You Know Not
Me You Know Nobody for DRE. Her articles have appeared in
Digital Humanities Quarterly, Elizabethan Theatre, Early Modern
Literary Studies, Shakespeare
Bulletin, Renaissance and
Reformation, and The Journal of Medieval
and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives
(MLA); Institutional Culture in Early Modern
England (Brill); Shakespeare, Language, and
the Stage (Arden); Performing Maternity in
Early Modern England (Ashgate); New
Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter);
Placing Names: Enriching and Integrating
Gazetteers (Indiana); Making Things and
Drawing Boundaries (Minnesota); Rethinking
Shakespeare Source Study: Audiences, Authors, and Digital
Technologies (Routledge); and Civic
Performance: Pageantry and Entertainments in Early Modern
London (Routledge). For more details, see janellejenstad.com.
Kate LeBere
Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Textual Remediator
and Encoder, 2019-2021. Kate LeBere completed her BA (Hons.) in History and English
at the University of Victoria in 2020. During her degree she published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History
Conference (2020), and the Digital Humanities Summer Institute’s Project Management
in the Humanities Conference (2021). While her primary research focus was sixteenth
and seventeenth century England, she completed her honours thesis on Soviet ballet
during the Russian Cultural Revolution. She is currently a student at the University
of British Columbia’s iSchool, working on her masters in library and information science.
Mark Kaethler
Mark Kaethler is Department Chair, Arts, at Medicine Hat College; Assistant Director,
Mayoral Shows, with MoEML; and Assistant Director for LEMDO. They are the author of
Thomas Middleton and the Plural Politics of Jacobean Drama (De Gruyter, 2021) and a co-editor with Jennifer Roberts-Smith and Janelle Jenstad
of Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge, 2018). Their work has appeared in The London Journal, Early Theatre, Literature Compass, Digital Studies/Le Champe Numérique, and Journal of the Text Encoding Initiative, as well as in several edited collections.
Mark’s research interests include early modern literature’s intersections with politics;
digital media and humanities; textual editing; game studies; cognitive science; and
ecocriticism.
Martin Holmes
Martin Holmes has worked as a developer in the
UVicʼs Humanities Computing and Media Centre for
over two decades, and has been involved with dozens
of Digital Humanities projects. He has served on
the TEI Technical Council and as Managing Editor of
the Journal of the TEI. He took over from Joey Takeda as
lead developer on LEMDO in 2020. He is a collaborator on
the SSHRC Partnership Grant led by Janelle Jenstad.
Navarra Houldin
Project manager 2022-present. Textual remediator 2021-present. Navarra Houldin completed
their BA in History and Spanish at the University of Victoria in 2022. During their
degree, they worked as a teaching assistant with the University of Victoriaʼs Department
of Hispanic and Italian Studies. Their primary research was on gender and sexuality
in early modern Europe and Latin America.
Thomas Dekker
Playwright, poet, and author.
Orgography
LEMDO Team (LEMD1)
The LEMDO Team is based at the University of Victoria and normally comprises the project
director, the lead developer, project manager, junior developers(s), remediators,
encoders, and remediating editors.
MoEML Mayoral Shows (MOMS1)
The MoMS General Editors are Mark Kaethler and Janelle Jenstad. The team includes
SSHRC-funded research assistants. Peer review is coordinated by the General Editors
but conducted by other editors and external scholars.
University of Victoria (UVIC1)
http://www.uvic.ca/Metadata
| Authority title | London’s Tempe: Acknowledgements |
| Type of text | Critical |
| Short title | TEMP3: Acknowledgements |
| Publisher | The Map of Early Modern London on the Linked Early Modern Drama Online platform |
| Series | MoEML Mayoral Shows anthology |
| Source |
Written by Mark Kaethler
|
| Editorial declaration | n/a |
| Edition | Released with MoEML Mayoral Shows 1.0 |
| Encoding description | Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines |
| Document status | published |
| Licence/availability | Intellectual copyright in this edition is held by the editor, Mark Kaethler. The critical paratexts, including the acknowledgements, are licensed under a CC BY-NC_ND 4.0 license, which means that they are freely downloadable without permission under the following conditions: (1) credit must be given to the editor, MoMS, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except for quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of MoMS, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom. |