Editing the Mayoral Shows
Para1Since their initial printings, there have been only a handful of efforts to edit the
mayoral shows for contemporary readers. Most of those efforts have produced old-spelling
texts, such as Fredson Bowers’ editions of Dekker’s shows (in Vol. 4 of The Dramatic Works of Thomas Dekker 1964). David Bergeron has edited old-spelling texts of Anthony Munday’s civic pageants
and entertainments (Pageants and Entertainments of Anthony Munday 1985) and of Thomas Heywood’s mayoral shows (Thomas Heywood’s Pageants 1986), as well as modern-spelling editions of Thomas Middleton’s shows for Gary Taylor
and John Lavagnino’s Thomas Middleton: The Collected Works (2007). There have been other efforts to compile the shows in recent years, such as David
Carnegie’s edition of John Webster’s show for The Cambridge Webster (Gunby, Carnegie, and Jackson 2007) and J. Caitlin Finlayson’s editions of John Squire’s and John Taylor’s shows for
the Malone Society (Finlayson 2015). There are other individual editions (see MoMS Sources), but the only substantial effort to assemble all the mayoral shows together was
Fairholt’s nineteenth-century volume for the Percy Society; Fairholt was unaware at
the time of the existence of several shows and the collection was necessarily incomplete
(Lord Mayors’ Pageants 1843).
Para2This anthology therefore represents the first full anthology of mayoral shows published
in 180 years. In many cases, the MoMS edition will offer the first ever modern-spelling
edition of the pageant book. The modern-spelling editions in the MoMS anthology are
complemented by the old-spelling diplomatic transcriptions on the Map of Early Modern London (MoEML), which are in turn complemented by links to facsimiles from EEBO or to open-access
facsimiles kindly donated by libraries. The MoMS editions offer up-to-date critical
and textual introductions to each show, with new perspectives based upon current research
in early modern studies. The general editors have assembled leading and new voices
in civic pageantry and mayoral shows to edit and advise on the production of these
texts. The MoMS Editorial Guidelines (informally known as
The Triumphs of Editing) are available under the Resources menu of this site.
Para3By offering scholars a centralized location to research these texts and by offering
teachers texts suitable for upper-level undergraduate course reading lists, we hope
that this resource will usher in a new understanding of mayoral shows. With a recent
volume on civic pageantry, a special issue of The London Journal on London civic drama, and regular articles appearing on the subject, now is the
time to provide this comprehensive and collective editorial venture that like the
shows themselves is built through collaboration as much as possible.
Prosopography
Janelle Jenstad
Janelle Jenstad is a Professor of English at the University of
Victoria, Director of The Map
of Early Modern London, and Director of Linked Early Modern Drama
Online. With Jennifer Roberts-Smith and Mark Kaethler, she
co-edited Shakespeare’s Language in Digital Media: Old
Words, New Tools (Routledge). She has edited John Stow’s
A Survey of London (1598 text) for MoEML
and is currently editing The Merchant of Venice
(with Stephen Wittek) and Heywood’s 2 If You Know Not
Me You Know Nobody for DRE. Her articles have appeared in
Digital Humanities Quarterly, Elizabethan Theatre, Early Modern
Literary Studies, Shakespeare
Bulletin, Renaissance and
Reformation, and The Journal of Medieval
and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives
(MLA); Institutional Culture in Early Modern
England (Brill); Shakespeare, Language, and
the Stage (Arden); Performing Maternity in
Early Modern England (Ashgate); New
Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter);
Placing Names: Enriching and Integrating
Gazetteers (Indiana); Making Things and
Drawing Boundaries (Minnesota); Rethinking
Shakespeare Source Study: Audiences, Authors, and Digital
Technologies (Routledge); and Civic
Performance: Pageantry and Entertainments in Early Modern
London (Routledge). For more details, see janellejenstad.com.
Mark Kaethler
Mark Kaethler is Department Chair, Arts, at Medicine Hat College; Assistant Director,
Mayoral Shows, with MoEML; and Assistant Director for LEMDO. They are the author of
Thomas Middleton and the Plural Politics of Jacobean Drama (De Gruyter, 2021) and a co-editor with Jennifer Roberts-Smith and Janelle Jenstad
of Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge, 2018). Their work has appeared in The London Journal, Early Theatre, Literature Compass, Digital Studies/Le Champe Numérique, and Journal of the Text Encoding Initiative, as well as in several edited collections.
Mark’s research interests include early modern literature’s intersections with politics;
digital media and humanities; textual editing; game studies; cognitive science; and
ecocriticism.
Molly Rothwell
MoEML Project Manager, 2022-present. Research Assistant, 2020-2022. Molly Rothwell
was an undergraduate student at the University of Victoria, with a double major in
English and History. During her time at LEMDO, Molly primarily worked on encoding
the MoEML Mayoral Shows.
Navarra Houldin
Project manager 2022-present. Textual remediator 2021-present. Navarra Houldin completed
their BA in History and Spanish at the University of Victoria in 2022. During their
degree, they worked as a teaching assistant with the University of Victoriaʼs Department
of Hispanic and Italian Studies. Their primary research was on gender and sexuality
in early modern Europe and Latin America.
Bibliography
Bergeron, David M.
Pageants and Entertainments of Anthony
Munday: A Critical Edition. New
York: Garland,
1985.
Bergeron, David M.
Thomas Heywoodʼs Pageants: A Critical
Edition. New York:
Garland,
1986.
Bowers, Fredson, ed.
London’s Tempe.The Dramatic Works of Thomas Dekker. Cambridge: Cambridge University Press, 1961. 4.97–113.
Fairholt, Frederick W., ed.
Lord Mayorsʼ Pageants: Being
Collections Towards a History of These Annual
Celebrations. 2 vols. Percy
Society, 1843.
Finlayson, J. Caitlin, ed.
Two London Lord Mayorʼs Shows by
John Squire (1620) and John Taylor (1634).
Collections XVII.
Oxford: Malone
Society, 2015.
75-110.
Gunby, David, David
Carnegie, and MacDonald P.
Jackson, eds. The Works of
John Webster: An Old-Spelling Critical
Edition. 3 vols.
Cambridge: Cambridge
University Press, 2007.
Taylor, Gary and John
Lavagnino, eds. Thomas
Middleton: The Collected Works.
Oxford: Oxford
University Press, 2007.
Orgography
LEMDO Team (LEMD1)
The LEMDO Team is based at the University of Victoria and normally comprises the project
director, the lead developer, project manager, junior developers(s), remediators,
encoders, and remediating editors.
MoEML Mayoral Shows (MOMS1)
The MoMS General Editors are Mark Kaethler and Janelle Jenstad. The team includes
SSHRC-funded research assistants. Peer review is coordinated by the General Editors
but conducted by other editors and external scholars.
Metadata
Authority title | Editing the Mayoral Shows |
Type of text | About |
Short title | Editing |
Publisher | The Map of Early Modern London on the Linked Early Modern Drama Online Platform |
Series | MoEML Mayoral Shows anthology |
Source |
Page written by Janelle Jenstad and Mark Kaethler
|
Editorial declaration | n/a |
Edition | Released with MoEML Mayoral Shows 1.0 |
Encoding description | Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines |
Document status | published |
Licence/availability | This file is licensed under a CC BY-NC_ND 4.0 license, which means that it is freely downloadable without permission under the following conditions: (1) credit must be given to the author, MoMS, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except for quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of MoMS, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom. |