London’s Tempe: Collations

Q:
OR,
This Edition:
Happiness,
Q:
Happines.
This Edition:
beauty to
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Bewty, to
This Edition:
paper present
Q:
paper, present
This Edition:
albeit
Q:
(Albeit
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day,
Q:
day)
This Edition:
them to
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them, to
This Edition:
society. By
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Society: By
This Edition:
place takes
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place, Takes
This Edition:
scarlet. It
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Scarlet, It
This Edition:
age, to
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age to
This Edition:
welcome; a
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welcome, A
This Edition:
citizens adding
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Citizens, Adding
This Edition:
state; the
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state, The
This Edition:
people ushering
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People, vshering
This Edition:
lordship,
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lordship
This Edition:
man in
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Man, in
This Edition:
day to
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Day, to
This Edition:
behold, as the sun does, all
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behold (as the Sunne does) All
This Edition:
him, that
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him; That
This Edition:
year any
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yeare, Any
This Edition:
city so
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Citty, so
This Edition:
people, as
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People as
This Edition:
with on the first day that
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with, on the first Day, that
This Edition:
takes that
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Takes, That
This Edition:
glories; no
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Glories, No
This Edition:
in Cheapside. Thames
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in Cheape-side: Thames
This Edition:
kings shined
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Kinges, shined
This Edition:
maintenance. These
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Maintenance, These
This Edition:
city. For,
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Citty: For,
This Edition:
portreeve; the
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Portreeue: The
This Edition:
sway. This
Q:
sway: This
This Edition:
mayor and
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Maior, and
This Edition:
Alwin, in
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Alwin in
This Edition:
justice)
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Iustice:)
This Edition:
London had
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London, had
This Edition:
then, as now, over
Q:
then (as Now) ouer
This Edition:
Then,
Q:
Then
This Edition:
mayor should, in
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mayor, should in
This Edition:
justice, and
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Iustice; And
This Edition:
Richard I,
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Richard 1
This Edition:
Henry VII,
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Henry 7
This Edition:
Shaw,
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Shaw
This Edition:
waterside when
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waterside, when
This Edition:
Westminster, where
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Westminster,(where
This Edition:
thither, and
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thither,) and
This Edition:
dine—all
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dine, all
This Edition:
him—since
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Him: since
This Edition:
kept, for
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kept: for
This Edition:
Hall or
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Hall, or
This Edition:
streams to
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streames, to
This Edition:
eye upon
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Eye, vpon
This Edition:
sea, from
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Sea (from
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Ocean.
Q:
Ocean)
This Edition:
honours due
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Honors, due
This Edition:
festival and
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Festiuall, and
This Edition:
vast, but quaint,
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Vast (but Queint)
This Edition:
placed a
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placd, a
This Edition:
bottom is
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Bottome, is
This Edition:
gold. The
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gold; The
This Edition:
that is
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that, is
This Edition:
scallops and
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Scollops, and
This Edition:
hand is a
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hand, a
This Edition:
antic
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Antique
This Edition:
watchet and
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watchet, and
This Edition:
Oceanus, his speech
Q:
Oceanus his Speech.
This Edition:
me, Tethys, whose
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Me (Tethys) whose
This Edition:
height’ning
Q:
heightning
This Edition:
as a path
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(as a Path)
This Edition:
heaven.
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heauen
This Edition:
could, to swell my train,
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could (to swell my trayne)
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(But
This Edition:
vine.
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vine.)
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(But,
This Edition:
employs
Q:
imployes)
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-But
This Edition:
day,
Q:
day
This Edition:
For all his age,
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(For all his age)
This Edition:
his new
Q:
his, new
This Edition:
best
Q:
-Best
This Edition:
where stately
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where (stately)
This Edition:
ring that’s
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Ring, (Thats
This Edition:
sea,
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sea)
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-A
Q:
-And
This Edition:
your
Q:
you
Qa:
your
Qb:
your
Fairholt (emend.), Bowers; (your). Hunt; (you). BL, NLS; (your).
This Edition:
sea on
Q:
Sea, on
This Edition:
creatures are
Q:
creatures, are
This Edition:
employed in regard also
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imployed, In regard also,
This Edition:
lion, which
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Lyon (which
This Edition:
life, rides
Q:
life) rides
This Edition:
Oceanus and
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Oceanus, and
This Edition:
sea, for
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Sea; for
This Edition:
dishevelled. On
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Disheuelled, on
This Edition:
head is an
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head, an
This Edition:
hand supporting
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hand, supporting
This Edition:
lion attend a mermaid and
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Lyon, attend a Mermaid, and
This Edition:
two, having
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two hauing
This Edition:
Turk and a Persian, a
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Turke, and a Persian. A
This Edition:
servants, the Cyclopes,
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seruants (the Cyclopes)
This Edition:
anvil. Their
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Anuile Their
This Edition:
waistcoats and leather aprons; their
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wast coates, and lether approns: their
This Edition:
shaggy in
Q:
shaggy, in
This Edition:
hammer, by
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Hammer: by
This Edition:
which Tubal Cain
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which, Tuballcayne
This Edition:
which shut
Q:
which (shut)
This Edition:
Globe’s case,
Q:
Globes-case,
This Edition:
but we?
Q:
but Wee.
This Edition:
forge: on
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Forge; on
This Edition:
armour; wings
Q:
armour: Wings
This Edition:
it. Golden
Q:
it: Golden
This Edition:
curled, a
Q:
curld: A
This Edition:
Here—reach
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Here, ---reach
This Edition:
Work, my
Q:
Worke my
This Edition:
vices, mountain-like,
Q:
Vices (mountaine-like)
This Edition:
them—idiot
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them:-- Ideot
This Edition:
stilts—ambition,
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stilts,-Ambition,
This Edition:
roars—roarers
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Roares,--Roarers
This Edition:
curses—Avarice
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curses,--Avarice
This Edition:
filled—learning’s
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fild,--Learning’s
This Edition:
hand—peace,
Q:
hand,--Peace,
This Edition:
Jove beat
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Iove, beate
This Edition:
then,
Q:
then
This Edition:
Vulcan,
Q:
(Vulcan)
This Edition:
thee and
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thee, and
This Edition:
anvil—and
Q:
Anuile,--and
This Edition:
Yes, Jove,
Q:
Yes Ioue,
This Edition:
Troy text
Q:
Troy, Text
This Edition:
those,
Q:
Those
This Edition:
Your worthy brotherhood,
Q:
(Your worthy Brotherhood)
This Edition:
iron to
Q:
Iron, to
This Edition:
home—by
Q:
home:--By
This Edition:
bound—war
Q:
bound:--Warre
This Edition:
alarms.
Q:
Allarmes
This Edition:
Iron earthquakes
Q:
Iron; Earthquakes
This Edition:
foes—knits
Q:
Foes:--Knits
This Edition:
love;
Q:
loue,
This Edition:
turn even,
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turne, Euen,
This Edition:
For armies
Q:
For, Armies
This Edition:
iron are
Q:
Iron, are
This Edition:
gold, nor
Q:
gold nor
This Edition:
navigation, which on iron does stand,
Q:
Nauigation (which on Iron does stand)
This Edition:
gates,
Q:
Gates
This Edition:
fellowship was
Q:
Fellowship, was
This Edition:
inferior-yon’s
Q:
inferiour;--Yon’s
This Edition:
Cyclopes,
Q:
Cyclopes
This Edition:
Happiness, thereby
Q:
Happinesse; thereby
This Edition:
fruits, intimating
Q:
fruites: Intimating
This Edition:
Titan, one of the names of the sun,
Q:
Tytan (one of the names of the Sun)
This Edition:
splendour with
Q:
splendor, with
This Edition:
Estas are
Q:
Estas, are
This Edition:
Welcome, great praetor,
Q:
Welcome (great Praetor)
This Edition:
counsel—now
Q:
Counsell:--Now
This Edition:
all to come hereafter
Q:
All (to come hereafter)
This Edition:
me, the sun,
Q:
me (the Sunne)
This Edition:
This, if
Q:
This if
This Edition:
in-from
Q:
in:--From
This Edition:
pluck, being queen of flowers,
Q:
plucke (beeing Queene of Flowers)
This Edition:
Estas, spring and summer,
Q:
Estas (Spring and Sommer)
This Edition:
palace because
Q:
pallace: because
This Edition:
one’s
Q:
one
Qb:
ones
This Edition:
at our four
Q:
at foure
Qb:
at our foure
This Edition:
person:
Q:
person;
This Edition:
Lute;
Q:
lute.
This Edition:
censurer, perhaps,
Q:
Censurer perhaps,
This Edition:
sun?
Q:
Sunne.
This Edition:
Thus, therefore,
Q:
Thus therefore
This Edition:
Apollo’s
Q:
Apoloes
Qb:
Apolloes
Fairholt (emend.), Bowers; (Apolloes). BL, Hunt; (Apoloes).
This Edition:
now;
Q:
now:
This Edition:
removed
Q:
remouen
Qb:
remoued
Fairholt (remouen), Bowers; (remouen). Hunt; (remouen). NLS; (remoued).The NLS correction of remouen to remoued suggests a shift in style, as the passage is delivered as prose rather than verse. Moreover, Dekker highlights a distinction between the character of Titan (on high) and Apollo (on earth), so the change in speech and eloquence can be said to emphasize this transition.
This Edition:
here; here
Q:
here: Here
This Edition:
armours:
Q:
Armors.
This Edition:
gown
Q:
owne
Qb:
Cowne
Fairholt (emend.), Bowers; (Gowne). Hunt; (owne). NLS; (Cowne).
This Edition:
Go on
Q:
Good
Qb:
Go on
Fairholt (emend.), Bowers; (Go on). Hunt; (Good). NLS; (Go on).
This Edition:
glories, whilst Apollo
Q:
glories: whilst Apollo,
This Edition:
sciences waft
Q:
Sciences, waft
This Edition:
taking
Q:
taken
Qb:
taken
Fairholt (taking), Bowers; (taking). Hunt; (taken). NLS; (taken).
This Edition:
Oceanus
Q:
Oceans
Qb:
Oceanus
Fairholt (emend.), Bowers; (Oceanus). Hunt; (Oceans). NLS; (Oceanus).
This Edition:
defends;
Q:
defends,
Q:
or
Qb:
our
Fairholt (emend.), Bowers; (our). Hunt; (or). NLS; (our).
This Edition:
Albeit
Q:
Albeiu
Qb:
Albeit
Fairholt (emend.), Bowers; (Albeit). Hunt; (Albeiu). NLS; (Albeit)
This Edition:
rest.
Q:
rest,
This Edition:
Zodiac
Q:
Zediacke
Qb:
Zodiacke
Fairholt (emend.), Bowers; (Zodiacke). Hunt; (Zediacke). NLS; (Zodiacke).
This Edition:
good men’s
Q:
goodnes
Qb:
good mens
This Edition:
workman, Master Gerard Christmas,
Q:
Work-man (M. Gerard Crismas)
This Edition:
invention:
Q:
Inuention,
This Edition:
exact and
Q:
exact, and
This Edition:
times: that
Q:
times, that
This Edition:
order, this
Q:
order. This

Prosopography

Janelle Jenstad

Janelle Jenstad is a Professor of English at the University of Victoria, Director of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge). She has edited John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Elizabethan Theatre, Early Modern Literary Studies, Shakespeare Bulletin, Renaissance and Reformation, and The Journal of Medieval and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives (MLA); Institutional Culture in Early Modern England (Brill); Shakespeare, Language, and the Stage (Arden); Performing Maternity in Early Modern England (Ashgate); New Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter); Placing Names: Enriching and Integrating Gazetteers (Indiana); Making Things and Drawing Boundaries (Minnesota); Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (Routledge); and Civic Performance: Pageantry and Entertainments in Early Modern London (Routledge). For more details, see janellejenstad.com.

Kate LeBere

Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Textual Remediator and Encoder, 2019-2021. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. During her degree she published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.

Mark Kaethler

Mark Kaethler is Department Chair, Arts, at Medicine Hat College; Assistant Director, Mayoral Shows, with MoEML; and Assistant Director for LEMDO. They are the author of Thomas Middleton and the Plural Politics of Jacobean Drama (De Gruyter, 2021) and a co-editor with Jennifer Roberts-Smith and Janelle Jenstad of Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge, 2018). Their work has appeared in The London Journal, Early Theatre, Literature Compass, Digital Studies/Le Champe Numérique, and Journal of the Text Encoding Initiative, as well as in several edited collections. Mark’s research interests include early modern literature’s intersections with politics; digital media and humanities; textual editing; game studies; cognitive science; and ecocriticism.

Martin Holmes

Martin Holmes has worked as a developer in the UVicʼs Humanities Computing and Media Centre for over two decades, and has been involved with dozens of Digital Humanities projects. He has served on the TEI Technical Council and as Managing Editor of the Journal of the TEI. He took over from Joey Takeda as lead developer on LEMDO in 2020. He is a collaborator on the SSHRC Partnership Grant led by Janelle Jenstad.

Navarra Houldin

Project manager 2022-present. Textual remediator 2021-present. Navarra Houldin completed their BA in History and Spanish at the University of Victoria in 2022. During their degree, they worked as a teaching assistant with the University of Victoriaʼs Department of Hispanic and Italian Studies. Their primary research was on gender and sexuality in early modern Europe and Latin America.

Rylyn Christensen

Rylyn Christensen is an English major at the University of Victoria.

Thomas Dekker

Playwright, poet, and author.

Orgography

LEMDO Team (LEMD1)

The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors.

MoEML Mayoral Shows (MOMS1)

The MoMS General Editors are Mark Kaethler and Janelle Jenstad. The team includes SSHRC-funded research assistants. Peer review is coordinated by the General Editors but conducted by other editors and external scholars.

University of Victoria (UVIC1)

http://www.uvic.ca/

Witnesses

British Library. Sheet C is written in modern hand, likely transcribed by X from the Huntington copy. Leaf B1r includes a correction to the Huntington copy.
Edited by Mark Kaethler.
Huntington Library
National Library of Scotland. Title page is torn so that Ironmongers’ Crest is only partially visible. Sheet C includes several corrections, and the copy includes the same correction on leaf B1r from British Library copy.

Metadata

Authority title London’s Tempe: Collations
Type of text Apparatus
Short title TEMP3: Collations
Publisher Map of Early Modern London on the Linked Early Modern Drama Online platform
Series MoEML Mayoral Shows anthology
Source
Collated against the Huntington, British Library, and National Library of Scotland copies.
Editorial declaration Prepared according to the MoMS Editorial Guidelines
Edition Released with MoEML Mayoral Shows 1.0
Encoding description Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines
Document status published, peer-reviewed
Licence/availability Intellectual copyright in this edition is held by the editor, Mark Kaethler. The critical paratexts, including the collation, are licensed under a CC BY-NC_ND 4.0 license, which means that they are freely downloadable without permission under the following conditions: (1) credit must be given to the editor, MoMS, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except for quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of MoMS, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom.