London’s Tempe: Bibliography

Copies and Editions Collated

Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: British Library; Shelfmark: C.34.g.11.
Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: National Library of Scotland; Shelfmark: Bute.143.
Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: Huntington Library; Shelfmark: Rare Books 59055.
Fairholt, Frederick W., ed. Lord Mayors’ Pageants: Parts I. and II. Early English Poetry, Ballads, and Popular Literature of the Middle Ages. Vol. 10. London: Percy Society, 1844.
Bowers, Fredson, ed. London’s Tempe. The Dramatic Works of Thomas Dekker. Cambridge: Cambridge University Press, 1961. 4.97–113.

Secondary Sources

Annual Events in Venice. https://www.veniceprestige.com/. Web. 10 December 2010.
Bachiler, Samuel. The Campe. London: M. Flesher, 1629. STC 1107.
Bentley, Gerald Eades The Jacobean and Caroline Stage. Vol 2. Oxford: Clarendon Press, 1941. Print.
Bergeron, David M. English Civic Pageantry, 1558-1642. Tucson, AZ: Medieval and Renaissance Texts and Studies, 2003.
Bergeron, David M. Stuart Civic Pageants and Textual Performance. Renaissance Quarterly 51.1 (1998): 163-183.
Bevington, David. Modern Spelling: The Hard Choices. Textual Performances: The Modern Reproduction of Shakespeareʼs Drama. Ed. Lukas Erne and Margaret Jane Kidnie. Cambridge: Cambridge University Press, 2004. 143-157.
Blayney, Peter W.M. The Texts of King Lear and their Origins: Volume 1 Nicholas Okes and the First Quarto. Cambridge: Cambridge University Press, 1982.
Booth, Abram. Journal. Ed. A. Merens. Een Dienaer der Oost-Indische Compagnie te London in 1629. The Hague, 1942. 131-4. Print. Berkeley and London: University of California Press, 1998. WSB aw936.
Bourne, Claire M.L. Typographies of Performance in Early Modern London. Oxford: Oxford University Press, 2020.
Bourne, William. Inventions or Devices Very Necessary for All Generals and Captains or Leaders of Men. London: T. Orwin, 1590. STC 3421. ESTC S106199.
Bowers, Fredson. Bibliography and Textual Criticism. Oxford: Oxford University Press, 1964.
Bowers, Fredson, ed. London’s Tempe. The Dramatic Works of Thomas Dekker. Cambridge: Cambridge University Press, 1961. 4.97–113.
Bowers, Fredson, ed. The Noble Spanish Soldier. The Dramatic Works of Thomas Dekker. Cambridge: Cambridge University Press, 1961. 4.242–297.
Bowers, Fredson, ed. Troia Nova Triumphans. The Dramatic Works of Thomas Dekker. Cambridge: Cambridge University Press, 1961. 3.225–249.
Bradford, Alina. Ostrich Facts: The World’s Largest Bird. Livescience.Com https://www.livescience.com/27433-ostriches.html.
Briest, Sarah. Married to the City: The Early Modern Lord Major’s [Sic] Show Between Emblematics and Ritual. Heidelberg: Universitätsverlag, 2019.
Brown, John Russsell Review of The Dramatic Works of Thomas Dekker, Vol. IV by Fredson Bowers; Thomas Dekker. The Review of English Studies 14.53 (1963): 81–86.
Davis, Ralph. English Merchant Shipping and Anglo-Dutch Rivalry in the Seventeenth Century. London: National Maritime Museum, 1975.
Dekker, Thomas. Britannia’s Honor. The Dramatic Works of Thomas Dekker. Vol. 4. Ed. Fredson Bowers. Cambridge: Cambridge University Press, 1961. Print.
Dekker, Thomas. The gul’s horne-booke. London: Nicholas Okes. 1609. STC 6500.
Dekker, Thomas. Londons Tempe. Ed. Frederick William Fairholt. London’s Mayors’ Pageants. London: The Percy Society, 1844. 33-55.
Dekker, Thomas. Troia Nova Triumphans. Ed. Fredson Bowers. Thomas Dekker: Dramatic Works Vol. III. Cambridge: Cambridge University Press, 1961. 225-250.
Dekker, Thomas. The magnificent entertainment giuen to King Iames, Queene Anne his wife, and Henry Frederick the Prince, vpon the day of his Maiesties tryumphant passage (from the Tower) through his honourable citie (and chamber) of London, being the 15. of March. 1603. As well by the English as by the strangers: vvith the speeches and songes, deliuered in the seuerall pageants. London: Thomas Creede, Humphrey Lownes, Edward Allde and others for Tho. Man the yonger, 1604. STC 6510
Dekker, Thomas. The gul’s horne-booke. London: Nicholas Okes. 1609. STC 6500.
Dekker, Thomas. The seuen deadly sinus of London drawne in seuen seuerall coaches, through the seuen seuerall gates of the citie bringing the plague with them. London: Edward Allde, 1606. STC 6522
Donovan, Fiona. Paul Alfred Ruben. Oxford Dictionary of National Biography. Oxford University Press, 2006-05-23. doi: 10.1093/ref:odnb/63010.
Edmundson, George. Anglo-Dutch Rivalry During the First Half of the Seventeenth Century. Oxford: Clarendon Press, 1911.
Fairholt, Frederick W., ed. Lord Mayors’ Pageants: Parts I. and II. Early English Poetry, Ballads, and Popular Literature of the Middle Ages. Vol. 10. London: Percy Society, 1844.
Finlayson, J. Caitlin and Amrita Sen. Introduction Civic Performance: Pageantry and Entertainments in Early Modern London. Ed. J. Caitlin Finlayson and Amrita Sen. New York: Routledge, 2020. 1-10.
Gasper, Julia. The Dragon and the Dove: the Plays of Thomas Dekker. Oxford: Oxford University Press, 1990.
Greg, W.W., ed. A Bibliography of the English Printed Drama to the Restoration. 5 vols. London: Bibliographical Society, 1939-1959; rpt. 1962.
Greg, W.W., ed. English Literary Autographs, 1550-1650. Oxford: Oxford University Press, 1932.
Habib, Imtiaz. Black Lives in the English Archives, 1500-1677: Imprints of the Invisible. Routledge, 2008.
Hall, Kim F. Things of Darkness: Economies of Race and Gender in Early Modern England. Ithaca: Cornell University Press, 1995. WSB ai359.
Hill, Tracey. Pageantry and Power. Manchester: Manchester University Press, 2010.
Hill, Tracey. Anthony Munday and Civic Culture: Theatre, History, and Power in Early Modern London, 1580- 1633. Manchester: Manchester University Press, 2004.
Hill, Tracey. Owners and Collectors of the Printed Books of the Early Modern Lord Mayorsʼ Shows. Library and Information History 30.3 (2014): 151-171. doi: 10.1179/1758348914Z.
Hill, Tracey. “To the Honour of our Nation abroad”: The Merchant as Adventurer in Civic Pageantry. Civic Performance: Pageantry and Entertainments in Early Modern London. Ed. J. Caitlin Finlayson and Amrita Sen. New York: Routledge, 2020. 13-31.
Howard-Hill, T.H. The Bibliographical Way: Bowers’s Dekker. Text 16 (2006): 143–156.
Hoy, Cyrus. Introductions, Notes, and Commentaries to texts in The Dramatic Works of Thomas Dekker. Ed. Fredson Bowers. Vol. 1. Cambridge: Cambridge University Press, 1980.
Hoy, Cyrus. Introductions, Notes, and Commentaries to texts in The Dramatic Works of Thomas Dekker. Ed. Fredson Bowers. Vol. 2. Cambridge: Cambridge University Press, 1980.
Hoy, Cyrus. Introductions, Notes, and Commentaries to texts in The Dramatic Works of Thomas Dekker. Ed. Fredson Bowers. Vol. 3. Cambridge: Cambridge University Press, 1980.
Hoy, Cyrus. Introductions, Notes, and Commentaries to texts in The Dramatic Works of Thomas Dekker. Ed. Fredson Bowers. Vol. 4. Cambridge: Cambridge University Press, 1980.
Jones-Davies, M.T. . Un Peintre de la Vie Londonienne: Thomas Dekker (Circa 1572-1632) Vol. 1. Paris: Didier, 1958.
Kaethler, Mark. The Triumphs of Repetition: Living Places in Early Modern Mayoral Shows. The London Journal 47.1 (2022): 68-84. doi: 10.1080/03058034.2021.1991605.
Kellett, Edward. A Returne From Argier. London, 1628. STC 14905
Kersey, John. A New English Dictionary. London: Henry Bonwicke and Robert Knaplock, 1702. LEME 834.
Krantz, Susan E. Thomas Dekker’s Political Commentary in The Whore of Babylon. Studies in English Literature, 1500-1900 35.2 (1995): 271-291.
Lancashire, Anne. London Civic Theatre: City Drama and Pageantry from Roman Times to 1558. Cambridge: Cambridge University Press, 2002. Print.
Leach, Marjorie. Guide to the Gods. Ed. Michael Owen Jones and Frances Cattermole-Tally. Santa Barbara: ABC CLIO, 1992.
Lee, Henry. History of the Campbell Family. Dalcassian Publishing Company, 1920.
Lee, Sidney. Cambell, Sir James (c. 1570–1642), Merchant. Oxford Dictionary of National Biography. Oxford: Oxford University Press, 2008. doi: 10.1093/ref:odnb/4429.
Lerer, Seth. Inventing English: A Portable History of the Language.New York: Columbia University Press, 2007.
Loomba, Ania. Introduction to The Triumphs of Honour and Virtue. Thomas Middleton: The Collected Works. Ed. Gary Taylor and John Lavagnino. Oxford: Oxford University Press, 2007. 1714-1718.
Lusardi, James P., and Henk Gras. Abram Booth’s Eyewitness Account of the 1629 Lord Mayor’s Show. Shakespeare Bulletin 11.3 (1993): 19-23.
Mainwaring, Henry. Nomenclator Navalis.British Library Sloane MS 207, 1620-1623. LEME 333.
Malcolm, James Peller. Londinium Redivivum, or, an Ancient History and Modern Description of London. Vol. 2. London: John Nichols, 1803.
Manley, Lawrence. Literature and Culture in Early Modern London. New York: Cambridge University Press, 1995.
Martial, Marcus Valerius. Epigrammata. Leizpig: Printed by O. Holtze, 1867.
McMillin, Scott, and Sally-Beth MacLean. The Queen’s Men and Their Plays. Cambridge: Cambridge University Press, 1998. WSB aw359.
Munday, Anthony. Sidero-Thriambos.London: Nicholas Okes, 1618. STC 18278.
Nicholl, John. Some Account of the Worshipful Company of Ironmongers. London: J.B. Nichols and Son, 1851.
Northway, Kara. “To Kindle an Industrious Desire”: The Poetry of Work in Lord Mayors’ Shows. Comparative Drama 41.2 (2007): 167–192. doi: 10.1353/cdr.2007.0021.
Ovid. Trista. Ex Ponto. Trans. A.L. Wheeler. 1924. Revised G.P. Goold. Cambridge: Harvard University Press, 2014.
Ovid. Metamorphosis. Trans. A.D. Melville. Oxford: Clarendon Press, 2008.
OED: The Oxford English Dictionary. 2nd ed. Oxford: Oxford UP, 1989.
Oxford English Dictionary Online. Oxford: Oxford University Press, 2013. http://www.oed.com.
Paster, Gail Kern. The Idea of the City in the Age of Shakespeare. Athens: University of Georgia Press, 1986.
The Petition and Remonstrance of the Governor and Company of Merchants of London, Trading to the East Indies. London: John Dawson, 1628. STC 7449.
Poole, Joshua. The English Parnassus. London: Thomas Johnson, 1657. LEME 494.
Price, George R., Thomas Dekker. New York: Twayne, 1969.
Rambaran-Olm, Mary. A Wrinkle in Medieval Time: Ironing out Issues Regarding Race, Temporality, and the Early English. New Literary History. 52 (2021): 385-406. doi: 10.1353/nlh.2021.0019.
Rich, E.E. Mayors of the Staples. Cambridge Historical Journal 4.2 (1933): 120-142.
Rider, John. Bibliotheca Scholastica.Oxford: Joseph Barnes, 1589. LEME 333.
Ringler, William A. Jr. The Poems of Sir Philip Sidney. Oxford: Clarendon Press, 1962.
Robertson, Jean, and D.J. Gordon, eds. Collections, Vol. III: A Calendar of Dramatic Records in the Books of the Livery Companies of London, 1485–1640. Oxford: Malone Society, 1954.
Robertson, Jean, and D.J. Gordon, eds. Collections, Vol. V: A Calendar of Dramatic Records in the Books of the London Clothworkers’ Company (Addenda to Collections III). Oxford: Malone Society, 1959-1960.
Schleck, Julia and Amrita Sen. Introduction: Alternative Histories of the East India Company. Journal for Early Modern Cultural Studies 17.3 (2017): 1-9.
Sen, Amrita. Locating the Rhinoceros and the Indian: Strangers, Trade, and the East India Company in Thomas Heywood’s Porta Pietatis. Civic Performance: Pageantry and Entertainments in Early Modern London. Ed. J. Caitlin Finlayson and Amrita Sen. New York: Routledge, 2020. 32-49.
Shakespeare, William. Titus Andronicus. Ed. Jonathan Bate. New York: Arden, 2009.
Sidney, Sir Philip. The Poems of Sir Philip Sidney. William A. Ringler, Jr. Oxford: Clarendon Press, 1962.
Simpson, J. and S. Roud. Oxford Dictionary of English Folklore. Oxford University Press, 2000.
Smith, Ian. Managing Fear: The Commerce in Blackness and the London Lord Mayors’ Shows. Historical Affects and the Early Modern Theater. Ed. Ronda Arab, Michelle M. Dowd, and Adam Zucker. Routledge, 2015. 211-219.
Stern, Tiffany. Documents of Performance in Early Modern England. Cambridge: Cambridge University Press, 2009.
Straznicky, Marta. The End(s) of Discord in The Shoemaker’s Holiday. Studies in English Literature, 1500-1900 36.2 (1996): 357-372.
Stow, John, The survey of London contayning the originall, increase, moderne estate, and government of that city, methodically set downe. With a memoriall of those famouser acts of charity, which for publicke and pious vses have beene bestowed by many worshipfull citizens and benefactors. As also all the ancient and moderne monuments erected in the churches, not onely of those two famous cities, London and Westminster, but (now newly added) foure miles compasse. Begunne first by the paines and industry of Iohn Stovv, in the yeere 1598. Afterwards inlarged by the care and diligence of A.M. in the yeere 1618. And now completely finished by the study and labour of A.M.H.D. and others, this present yeere 1633. Whereunto, besides many additions (as appeares by the contents) are annexed divers alphabeticall tables; especially two: the first, an index of things. The second, a concordance of names. London: Printed by Elizabeth Purslovv [i.e., Purslow] for Nicholas Bourne, 1633. STC 23345.
Sugden, Edward Holdsworth. A Topographical Dictionary to the Works of Shakespeare and His Fellow Dramatists. New York: Georg Olms, 1969.
Tanselle, G. Thomas. Editing Without a Copy-Text. Studies in Bibliography 47 (1994): 1-22.
Taylor, Gary. Thomas Middleton, The Spanish Gypsy, and Collaborative Authorship. Words that Count: Essays on Early Modern Authorship in Honor of MacDonald P. Jackson. Ed. Brian Boyd. Newark: University of Delaware Press, 2004. 241-273.
Thomson, Peter. Shakespeare’s Theatre. London: Routledge, 1983.
The treasurie of auncient and moderne times, Containing the learned collections, iudicious readings, and memorable obseruations: not onely diuine, morall and phylosophicall, But also poeticall, martiall, politicall, historicall, astrologicall, &c. London: William Jaggard, 1613. STC 17936
The three English brothers. London: Adam Islip, 1607. STC 18592
Wells, Stanley. Modernizing Shakespeare’s Spelling. Oxford: Clarendon Press, 1979. WSB as264.
White, Adam. Christmas, Gerard. Oxford Dictionary of National Biography. Oxford University Press, 2004-09-23. doi: 10.1093/ref:odnb/5371.
Williams, Gordon. A Dictionary of Sexual Language and Imagery in Shakespearean and Stuart Literature. 3 vols. London and Atlantic Highlands, NJ: Athlone Press, 1994. WSB a261.
Williams, Ann Edgar. Oxford Dictionary of National Biography. Oxford University Press, 2010-12-10. doi: 10.1093/ref:odnb/8463.
Wood, Jennifer Linhart. Arion’s Harp, Apollo’s Lute: The Instrumental Sounds of London’s Lord Mayor’s Shows. Civic Performance: Pageantry and Entertainments in Early Modern London. Ed. J. Caitlin Finlayson and Amrita Sen. New York: Routledge, 2020. 116-137.

Prosopography

Janelle Jenstad

Janelle Jenstad is a Professor of English at the University of Victoria, Director of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge). She has edited John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Elizabethan Theatre, Early Modern Literary Studies, Shakespeare Bulletin, Renaissance and Reformation, and The Journal of Medieval and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives (MLA); Institutional Culture in Early Modern England (Brill); Shakespeare, Language, and the Stage (Arden); Performing Maternity in Early Modern England (Ashgate); New Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter); Placing Names: Enriching and Integrating Gazetteers (Indiana); Making Things and Drawing Boundaries (Minnesota); Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (Routledge); and Civic Performance: Pageantry and Entertainments in Early Modern London (Routledge). For more details, see janellejenstad.com.

Kate LeBere

Project Manager, 2020-2021. Assistant Project Manager, 2019-2020. Textual Remediator and Encoder, 2019-2021. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. During her degree she published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.

Mark Kaethler

Mark Kaethler is Department Chair, Arts, at Medicine Hat College; Assistant Director, Mayoral Shows, with MoEML; and Assistant Director for LEMDO. They are the author of Thomas Middleton and the Plural Politics of Jacobean Drama (De Gruyter, 2021) and a co-editor with Jennifer Roberts-Smith and Janelle Jenstad of Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge, 2018). Their work has appeared in The London Journal, Early Theatre, Literature Compass, Digital Studies/Le Champe Numérique, and Journal of the Text Encoding Initiative, as well as in several edited collections. Mark’s research interests include early modern literature’s intersections with politics; digital media and humanities; textual editing; game studies; cognitive science; and ecocriticism.

Martin Holmes

Martin Holmes has worked as a developer in the UVicʼs Humanities Computing and Media Centre for over two decades, and has been involved with dozens of Digital Humanities projects. He has served on the TEI Technical Council and as Managing Editor of the Journal of the TEI. He took over from Joey Takeda as lead developer on LEMDO in 2020. He is a collaborator on the SSHRC Partnership Grant led by Janelle Jenstad.

Molly Rothwell

MoEML Project Manager, 2022-present. Research Assistant, 2020-2022. Molly Rothwell was an undergraduate student at the University of Victoria, with a double major in English and History. During her time at LEMDO, Molly primarily worked on encoding the MoEML Mayoral Shows.

Navarra Houldin

Project manager 2022-present. Textual remediator 2021-present. Navarra Houldin completed their BA in History and Spanish at the University of Victoria in 2022. During their degree, they worked as a teaching assistant with the University of Victoriaʼs Department of Hispanic and Italian Studies. Their primary research was on gender and sexuality in early modern Europe and Latin America.

Thomas Dekker

Playwright, poet, and author.

Bibliography

Annual Events in Venice. https://www.veniceprestige.com/. Web. 10 December 2010.
Bachiler, Samuel. The Campe. London: M. Flesher, 1629. STC 1107.
Bentley, Gerald Eades The Jacobean and Caroline Stage. Vol 2. Oxford: Clarendon Press, 1941. Print.
Bergeron, David M. English Civic Pageantry, 1558-1642. Tucson, AZ: Medieval and Renaissance Texts and Studies, 2003.
Bergeron, David M. Stuart Civic Pageants and Textual Performance. Renaissance Quarterly 51.1 (1998): 163-183.
Bevington, David. Modern Spelling: The Hard Choices. Textual Performances: The Modern Reproduction of Shakespeareʼs Drama. Ed. Lukas Erne and Margaret Jane Kidnie. Cambridge: Cambridge University Press, 2004. 143-157.
Blayney, Peter W.M. The Texts of King Lear and their Origins: Volume 1 Nicholas Okes and the First Quarto. Cambridge: Cambridge University Press, 1982.
Booth, Abram. Journal. Ed. A. Merens. Een Dienaer der Oost-Indische Compagnie te London in 1629. The Hague, 1942. 131-4. Print. Berkeley and London: University of California Press, 1998. WSB aw936.
Bourne, Claire M.L. Typographies of Performance in Early Modern London. Oxford: Oxford University Press, 2020.
Bourne, William. Inventions or Devices Very Necessary for All Generals and Captains or Leaders of Men. London: T. Orwin, 1590. STC 3421. ESTC S106199.
Bowers, Fredson, ed. London’s Tempe. The Dramatic Works of Thomas Dekker. Cambridge: Cambridge University Press, 1961. 4.97–113.
Bowers, Fredson, ed. The Noble Spanish Soldier. The Dramatic Works of Thomas Dekker. Cambridge: Cambridge University Press, 1961. 4.242–297.
Bowers, Fredson, ed. Troia Nova Triumphans. The Dramatic Works of Thomas Dekker. Cambridge: Cambridge University Press, 1961. 3.225–249.
Bowers, Fredson. Bibliography and Textual Criticism. Oxford: Oxford University Press, 1964.
Bradford, Alina. Ostrich Facts: The World’s Largest Bird. Livescience.Com https://www.livescience.com/27433-ostriches.html.
Briest, Sarah. Married to the City: The Early Modern Lord Major’s [Sic] Show Between Emblematics and Ritual. Heidelberg: Universitätsverlag, 2019.
Brown, John Russsell Review of The Dramatic Works of Thomas Dekker, Vol. IV by Fredson Bowers; Thomas Dekker. The Review of English Studies 14.53 (1963): 81–86.
Davis, Ralph. English Merchant Shipping and Anglo-Dutch Rivalry in the Seventeenth Century. London: National Maritime Museum, 1975.
Dekker, Thomas. Britannia’s Honor. The Dramatic Works of Thomas Dekker. Vol. 4. Ed. Fredson Bowers. Cambridge: Cambridge University Press, 1961. Print.
Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: British Library; Shelfmark: C.34.g.11.
Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: Huntington Library; Shelfmark: Rare Books 59055.
Dekker, Thomas. Londons Tempe, or The Feild of Happines. London: Nicholas Okes, 1629. STC 6509. DEEP 736. Greg 421a. Copy: National Library of Scotland; Shelfmark: Bute.143.
Dekker, Thomas. Londons Tempe. Ed. Frederick William Fairholt. London’s Mayors’ Pageants. London: The Percy Society, 1844. 33-55.
Dekker, Thomas. The gul’s horne-booke. London: Nicholas Okes. 1609. STC 6500.
Dekker, Thomas. The magnificent entertainment giuen to King Iames, Queene Anne his wife, and Henry Frederick the Prince, vpon the day of his Maiesties tryumphant passage (from the Tower) through his honourable citie (and chamber) of London, being the 15. of March. 1603. As well by the English as by the strangers: vvith the speeches and songes, deliuered in the seuerall pageants. London: Thomas Creede, Humphrey Lownes, Edward Allde and others for Tho. Man the yonger, 1604. STC 6510
Dekker, Thomas. The seuen deadly sinus of London drawne in seuen seuerall coaches, through the seuen seuerall gates of the citie bringing the plague with them. London: Edward Allde, 1606. STC 6522
Dekker, Thomas. Troia Nova Triumphans. Ed. Fredson Bowers. Thomas Dekker: Dramatic Works Vol. III. Cambridge: Cambridge University Press, 1961. 225-250.
Donovan, Fiona. Paul Alfred Ruben. Oxford Dictionary of National Biography. Oxford University Press, 2006-05-23. doi: 10.1093/ref:odnb/63010.
Edmundson, George. Anglo-Dutch Rivalry During the First Half of the Seventeenth Century. Oxford: Clarendon Press, 1911.
Fairholt, Frederick W., ed. Lord Mayors’ Pageants: Parts I. and II. Early English Poetry, Ballads, and Popular Literature of the Middle Ages. Vol. 10. London: Percy Society, 1844.
Finlayson, J. Caitlin and Amrita Sen. Introduction Civic Performance: Pageantry and Entertainments in Early Modern London. Ed. J. Caitlin Finlayson and Amrita Sen. New York: Routledge, 2020. 1-10.
Gasper, Julia. The Dragon and the Dove: the Plays of Thomas Dekker. Oxford: Oxford University Press, 1990.
Greg, W.W., ed. A Bibliography of the English Printed Drama to the Restoration. 5 vols. London: Bibliographical Society, 1939-1959; rpt. 1962.
Greg, W.W., ed. English Literary Autographs, 1550-1650. Oxford: Oxford University Press, 1932.
Habib, Imtiaz. Black Lives in the English Archives, 1500-1677: Imprints of the Invisible. Routledge, 2008.
Hall, Kim F. Things of Darkness: Economies of Race and Gender in Early Modern England. Ithaca: Cornell University Press, 1995. WSB ai359.
Hill, Tracey. Anthony Munday and Civic Culture: Theatre, History, and Power in Early Modern London, 1580- 1633. Manchester: Manchester University Press, 2004.
Hill, Tracey. Owners and Collectors of the Printed Books of the Early Modern Lord Mayorsʼ Shows. Library and Information History 30.3 (2014): 151-171. doi: 10.1179/1758348914Z.
Hill, Tracey. Pageantry and Power. Manchester: Manchester University Press, 2010.
Hill, Tracey. “To the Honour of our Nation abroad”: The Merchant as Adventurer in Civic Pageantry. Civic Performance: Pageantry and Entertainments in Early Modern London. Ed. J. Caitlin Finlayson and Amrita Sen. New York: Routledge, 2020. 13-31.
Howard-Hill, T.H. The Bibliographical Way: Bowers’s Dekker. Text 16 (2006): 143–156.
Hoy, Cyrus. Introductions, Notes, and Commentaries to texts in The Dramatic Works of Thomas Dekker. Ed. Fredson Bowers. Vol. 1. Cambridge: Cambridge University Press, 1980.
Hoy, Cyrus. Introductions, Notes, and Commentaries to texts in The Dramatic Works of Thomas Dekker. Ed. Fredson Bowers. Vol. 2. Cambridge: Cambridge University Press, 1980.
Hoy, Cyrus. Introductions, Notes, and Commentaries to texts in The Dramatic Works of Thomas Dekker. Ed. Fredson Bowers. Vol. 3. Cambridge: Cambridge University Press, 1980.
Hoy, Cyrus. Introductions, Notes, and Commentaries to texts in The Dramatic Works of Thomas Dekker. Ed. Fredson Bowers. Vol. 4. Cambridge: Cambridge University Press, 1980.
Jones-Davies, M.T. . Un Peintre de la Vie Londonienne: Thomas Dekker (Circa 1572-1632) Vol. 1. Paris: Didier, 1958.
Kaethler, Mark. The Triumphs of Repetition: Living Places in Early Modern Mayoral Shows. The London Journal 47.1 (2022): 68-84. doi: 10.1080/03058034.2021.1991605.
Kellett, Edward. A Returne From Argier. London, 1628. STC 14905
Kersey, John. A New English Dictionary. London: Henry Bonwicke and Robert Knaplock, 1702. LEME 834.
Krantz, Susan E. Thomas Dekker’s Political Commentary in The Whore of Babylon. Studies in English Literature, 1500-1900 35.2 (1995): 271-291.
Lancashire, Anne. London Civic Theatre: City Drama and Pageantry from Roman Times to 1558. Cambridge: Cambridge University Press, 2002. Print.
Leach, Marjorie. Guide to the Gods. Ed. Michael Owen Jones and Frances Cattermole-Tally. Santa Barbara: ABC CLIO, 1992.
Lee, Henry. History of the Campbell Family. Dalcassian Publishing Company, 1920.
Lee, Sidney. Cambell, Sir James (c. 1570–1642), Merchant. Oxford Dictionary of National Biography. Oxford: Oxford University Press, 2008. doi: 10.1093/ref:odnb/4429.
Lerer, Seth. Inventing English: A Portable History of the Language.New York: Columbia University Press, 2007.
Loomba, Ania. Introduction to The Triumphs of Honour and Virtue. Thomas Middleton: The Collected Works. Ed. Gary Taylor and John Lavagnino. Oxford: Oxford University Press, 2007. 1714-1718.
Lusardi, James P., and Henk Gras. Abram Booth’s Eyewitness Account of the 1629 Lord Mayor’s Show. Shakespeare Bulletin 11.3 (1993): 19-23.
Mainwaring, Henry. Nomenclator Navalis.British Library Sloane MS 207, 1620-1623. LEME 333.
Malcolm, James Peller. Londinium Redivivum, or, an Ancient History and Modern Description of London. Vol. 2. London: John Nichols, 1803.
Manley, Lawrence. Literature and Culture in Early Modern London. New York: Cambridge University Press, 1995.
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Metadata

Authority title London’s Tempe: Bibliography
Type of text Bibliography
Short title TEMP3: Biblio
Publisher The Map of Early Modern London on the Linked Early Modern Drama Online platform
Series MoEML Mayoral Shows anthology
Source
Editorial declaration n/a
Edition Released with MoEML Mayoral Shows 1.0
Encoding description Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines
Document status published, peer-reviewed
Licence/availability Intellectual copyright in this edition is held by the editor, Mark Kaethler. The critical paratexts, including the bibliography, are licensed under a CC BY-NC_ND 4.0 license, which means that they are freely downloadable without permission under the following conditions: (1) credit must be given to the editor, MoMS, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except for quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of MoMS, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom.