Device of the Pageant: Bibliography
Editions Collated
Nelson, Thomas. Device of the Pageant: Set Forth by the
Worshipfull Companie of the Fishmongers.
London, 1590.
Bullough, Geoffrey, ed. Narrative and Dramatic Sources of
Shakespeare. Volume III: Earlier English History
Plays: Henry VI, Richard III, Richard II.
London: Routledge
and Kegan Paul; New
York: Columbia University Press,
1960.
Meagher, John C.
The London Lord Mayor’s Show of 1590.English Literary Renaissance 3.1 (1973): 94-104.
Secondary Sources
Anderson, Susan L.
The Politics of Personification in the Jacobean Lord Mayors’ Shows.Personification: Embodying Meaning and Emotion. Ed. Walter Melion and Bart Ramakers. Leiden: Brill, 2016. 354–367.
Beaven, Alfred P.
The Aldermen of the City of London - Temp.
Henry III - 1912.
London, 1908. Remediated by British History
Online.
Bergeron, David M.
Anthony Munday: Pageant Poet to the City of London.Huntington Library Quarterly 30.4 (1967): 345–368. doi: 10.2307/3816959.
Bergeron, David.
The Elizabethan Lord Mayor’s Show.Studies in English Literature, 1500-1900 10.2 (1970): 269–285. doi: 10.2307/449917.
Bergeron, David.
Jack Straw in Drama and Pageant.Guildhall Miscellany 2.1 (1968): 459-463.
Bergeron, David M.
Stuart Civic Pageants and Textual Performance.Renaissance Quarterly 51.1 (1998): 163-183.
Berlin, Michael.
Civic Ceremony in Early Modern London.Urban History Yearbook 13 (1986): 15-27.
Bevington, David, ed. The Complete Works of Shakespeare.
5th ed. New York:
Longman,
2003.
Billington, Sandra.
Butchers and Fishmongers: Their Historical Contribution to London’s Festivity.Folklore 101.1 (1990): 97-103.
Bradbrook, M.C..
The Politics of Pageantry (London).Shakespeare in His Context: The Constellated Globe. The Collected Papers of Muriel Bradbrook. Vol 4. Barnes and Noble, 1989. 95-109.
Cell, Gillian T.
English Enterprise in Newfoundland,
1577-1660. Toronto: University of Toronto
Press, 1969.
Clark, Peter, ed. The European Crisis of the 1590s: Essays in Comparative History. London:
G. Allen & Unwin,
1985.
Corti, Claudia.
Civic Disorder and Theatrical Order: Representations of Popular Rebellions in London at the End of the Sixteenth Century.English Renaissance Scenes: From Canon to Margins. Ed. Paola Pugliatti and Alessandro Serpieri. Lausanne: Peter Lang, 2008. 81-102.
Ellinghausen, Laurie.
Comparative Drama. 51.2. (2017): 134-156.Their labour doth returne rich golden gaine: Fishmongers’ Pageants and the Fisherman’s Labor in Early Modern London.
Fairholt, Frederick W., ed.
Lord Mayorsʼ Pageants: Being
Collections Towards a History of These Annual
Celebrations. 2 vols. Percy
Society, 1843.
Griffin, Eric.
Shakespeare, Marlowe, and the Stranger Crisis of the 1590s.Shakespeare and Immigration. Ed. Ruben Espinosa and David Ruiter. New York: Routledge, 2014. 13-36.
Herbert, William. The
History of the Twelve Great Livery Companies of
London. 2 vols. London,
1836.
Hill, Tracey.
Owners and Collectors of the Printed Books of the Early Modern Lord Mayorsʼ Shows.Library and Information History 30.3 (2014): 151-171. doi: 10.1179/1758348914Z.
Hill, Tracey. Pageantry and Power.
Manchester:
Manchester University Press,
2010.
Kiefer, Frederick.
The Iconography of Time in The Winter’s Tale.Renaissance and Reformation/Renaissance et Réforme. 23.3. (1999): 49-64.
Kipling, Gordon.
Triumphal Drama: Form in English Civic Pageantry.Renaissance Drama, New Series 8 (1977): 37-56.
Klein, Bernhard.
London Journal 17.1 (1992): 18-26.Between the Bums and Bellies of the Multitude: Civic Pageantry and the Problem of the Audience in Late Stuart London.
Knowles, James.
The Spectacle of the Realm: Civic Consciousness, Rhetoric and Ritual in Early Modern London.Theatre and Government Under the Early Stuarts. Ed. J.R. Mulyne and Margaret Shewring. Cambridge: Cambridge University Press, 1993. 157–189. Print.
Lancashire, Anne.
The Comedy of Love and the London Lord Mayor’s Show.Shakespeare’s Comedies of Love: Essays in Honour of Alexander Leggatt. Ed. Karen Bamford and Ric Knowles. Toronto: University of Toronto Press, 1998. 3–29. Print.
Lancashire, Anne. Mayors
and Sheriffs of London. University of
Toronto. https://masl.library.utoronto.ca/. [We cite
this resource parenthetically by the acronym MASL.]
Leinwand, Theodore B.
London’s Triumphing: The Jacobean Lord Mayor’s Show.Clio 11.2 (1982): 137–153.
Lobanov-Rostovsky, Sergei.
The Triumphs of Golde: Economic Authority in the Jacobean Lord Mayor’s Show.ELH 60.4 (1993): 879–898. doi: 10.1353/elh.1993.0006.
Manley, Lawrence.
Fictions of Settlement: London 1590.Studies in Philology 88.2 (1991): 201-224.
Manley, Lawrence. Literature and Culture in Early Modern
London. New York:
Cambridge University Press,
1995.
Martin, Randall.
Elizabethan Civic Pageantry in Henry VI.University of Toronto Quarterly 60.2 (1990/1991): 244-264.
Meagher, John C.
The London Lord Mayor’s Show of 1590.English Literary Renaissance 3.1 (1973): 94-104.
Munday, Anthony. Chrysanaleia: The Golden Fishing: Or,
Honour of Fishmongers. Applauding the Aduancement of
Mr. Iohn Leman, Alderman, to the Dignitie of Lord
Maior of London. Taking His Oath in the Same
Authority at Westminster, on Tuesday, Being the 29.
Day of October. 1616. Performed in Hearty Loue to
Him, and at the Charges of His Worthy Brethren, the
Ancient, and Right Worshipfull Company of
Fishmongers. London: George
Purslowe, 1616. STC 18266. DEEP 641. ESTC S112982.
Nichols, J.G.
On an Amity Formed Between the Companies of Fishmongers and Goldsmiths of London.Archaeologia 30 (1844): 499-513.
Northway, Kara.
“To Kindle an Industrious Desire”: The Poetry of Work in Lord Mayors’ Shows.Comparative Drama 41.2 (2007): 167–192. doi: 10.1353/cdr.2007.0021.
Peele, George. Descensus astraeae the device of a
l’ageant [sic] borne before M. William Web, lord
maior of the citie of London.
London, 1591.
Peele, George. The device of the pageant borne before the
Woolstone Dixi Lord Maior of the citie of
London. London, 1585.
Power, M.J.
ALondon Journal 12.2 (1986): 135-145.CrisisReconsidered: Social and Demographic Dislocation in London of the 1590s.
Power, M.J.
London and the Control of theHistory 70 (1985): 371-385.Crisisof the 1590s.
Rich, E.E.
Mayors of the Staples.Cambridge Historical Journal 4.2 (1933): 120-142.
Robertson, Jean, and
D.J. Gordon, eds. Collections, Vol. III: A Calendar of Dramatic
Records in the Books of the Livery Companies of
London, 1485–1640.
Oxford: Malone
Society, 1954.
Sgroi, R.C.L.
Piscatorial Politics Revisited: The Language of Economic Debate and the Evolution of Fishing Policy in Elizabethan England.Albion: A Quarterly Journal Concerned with British Studies 35.1 (2003): 1-24.
Shakespeare, William. A Midsummer Night’s Dream,
1600.
Shapiro, James.
Revisiting Tamburlaine: Henry V as Shakespeare’s Belated Armada Play.Criticism 31.4 (1989): 351-366. WSB bf552.
Walter, John.
London Journal 44.1 (2019): 17-36.A Foolish Commotion of Youth? Crowds and theCrisis of the 1590sin London.
Wickham, Glynne. Early English Stages 1300 to 1660.
3 vols. London: Routledge
and Kegan Paul; rpt. New
York: Columbia University Press,
1959-1981.
Wiggins, Martin, and
Catherine Richardson. British Drama 1533-1642: A
Catalogue. Volume 3, 1590-1597. Oxford:
Oxford University Press,
2012. WSB aaac69.
Williams, Sheila.
The Lord Mayor’s Show in Tudor and Stuart Times.Guildhall Miscellany 1.1O. (1959): 3-18.
Withington, Robert.
The Lord Mayor’s Show for 1590.Modern Language Notes 33.1 (1918): 8–18. doi: 10.2307/2915358.
Withington, Robert. English Pageantry: An Historical Outline.
Vol. 2. 1926; rpt. New
York: Benjamin
Blom, 1963. Print.
Worshipful Company of Fishmongers.British Museum. Trustees of the British Museum, 2022. https://www.britishmuseum.org/collection/term/BIOG137851.
Prosopography
Janelle Jenstad
Janelle Jenstad is a Professor of English at the University of
Victoria, Director of The Map
of Early Modern London, and Director of Linked Early Modern Drama
Online. With Jennifer Roberts-Smith and Mark Kaethler, she
co-edited Shakespeare’s Language in Digital Media: Old
Words, New Tools (Routledge). She has edited John Stow’s
A Survey of London (1598 text) for MoEML
and is currently editing The Merchant of Venice
(with Stephen Wittek) and Heywood’s 2 If You Know Not
Me You Know Nobody for DRE. Her articles have appeared in
Digital Humanities Quarterly, Elizabethan Theatre, Early Modern
Literary Studies, Shakespeare
Bulletin, Renaissance and
Reformation, and The Journal of Medieval
and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives
(MLA); Institutional Culture in Early Modern
England (Brill); Shakespeare, Language, and
the Stage (Arden); Performing Maternity in
Early Modern England (Ashgate); New
Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter);
Placing Names: Enriching and Integrating
Gazetteers (Indiana); Making Things and
Drawing Boundaries (Minnesota); Rethinking
Shakespeare Source Study: Audiences, Authors, and Digital
Technologies (Routledge); and Civic
Performance: Pageantry and Entertainments in Early Modern
London (Routledge). For more details, see janellejenstad.com.
Laurie Ellinghausen
Laurie Ellinghausen is Professor of English at the University of
Missouri—Kansas City, where she teaches courses on early modern English
literature and drama. She is the author of Pirates,
Traitors, and Apostates: Renegade Identities in Early Modern English
Writing (U of Toronto P, 2018) and Labor
and Writing in Early Modern England, 1567-1667 (Ashgate,
2008). She is also the editor of Approaches to Teaching
Shakespeareʼs Early Modern English History Plays (MLA
Publications, 2017). Her current project is a monograph on
representations of seafaring labour in proto-imperial British writing.
Mark Kaethler
Mark Kaethler is Department Chair, Arts, at Medicine Hat College; Assistant Director,
Mayoral Shows, with MoEML; and Assistant Director for LEMDO. They are the author of
Thomas Middleton and the Plural Politics of Jacobean Drama (De Gruyter, 2021) and a co-editor with Jennifer Roberts-Smith and Janelle Jenstad
of Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge, 2018). Their work has appeared in The London Journal, Early Theatre, Literature Compass, Digital Studies/Le Champe Numérique, and Journal of the Text Encoding Initiative, as well as in several edited collections.
Mark’s research interests include early modern literature’s intersections with politics;
digital media and humanities; textual editing; game studies; cognitive science; and
ecocriticism.
Molly Rothwell
MoEML Project Manager, 2022-present. Research Assistant, 2020-2022. Molly Rothwell
was an undergraduate student at the University of Victoria, with a double major in
English and History. During her time at LEMDO, Molly primarily worked on encoding
the MoEML Mayoral Shows.
Navarra Houldin
Project manager 2022-present. Textual remediator 2021-present. Navarra Houldin completed
their BA in History and Spanish at the University of Victoria in 2022. During their
degree, they worked as a teaching assistant with the University of Victoriaʼs Department
of Hispanic and Italian Studies. Their primary research was on gender and sexuality
in early modern Europe and Latin America.
Thomas Nelson
Bookseller and ballad-writer. See ODNB.
Bibliography
Anderson, Susan L.
The Politics of Personification in the Jacobean Lord Mayors’ Shows.Personification: Embodying Meaning and Emotion. Ed. Walter Melion and Bart Ramakers. Leiden: Brill, 2016. 354–367.
Beaven, Alfred P.
The Aldermen of the City of London - Temp.
Henry III - 1912.
London, 1908. Remediated by British History
Online.
Bergeron, David M.
Anthony Munday: Pageant Poet to the City of London.Huntington Library Quarterly 30.4 (1967): 345–368. doi: 10.2307/3816959.
Bergeron, David M.
Stuart Civic Pageants and Textual Performance.Renaissance Quarterly 51.1 (1998): 163-183.
Bergeron, David.
Jack Straw in Drama and Pageant.Guildhall Miscellany 2.1 (1968): 459-463.
Bergeron, David.
The Elizabethan Lord Mayor’s Show.Studies in English Literature, 1500-1900 10.2 (1970): 269–285. doi: 10.2307/449917.
Berlin, Michael.
Civic Ceremony in Early Modern London.Urban History Yearbook 13 (1986): 15-27.
Bevington, David, ed. The Complete Works of Shakespeare.
5th ed. New York:
Longman,
2003.
Billington, Sandra.
Butchers and Fishmongers: Their Historical Contribution to London’s Festivity.Folklore 101.1 (1990): 97-103.
Bradbrook, M.C..
The Politics of Pageantry (London).Shakespeare in His Context: The Constellated Globe. The Collected Papers of Muriel Bradbrook. Vol 4. Barnes and Noble, 1989. 95-109.
Bullough, Geoffrey, ed. Narrative and Dramatic Sources of
Shakespeare. Volume III: Earlier English History
Plays: Henry VI, Richard III, Richard II.
London: Routledge
and Kegan Paul; New
York: Columbia University Press,
1960.
Cell, Gillian T.
English Enterprise in Newfoundland,
1577-1660. Toronto: University of Toronto
Press, 1969.
Clark, Peter, ed. The European Crisis of the 1590s: Essays in Comparative History. London:
G. Allen & Unwin,
1985.
Corti, Claudia.
Civic Disorder and Theatrical Order: Representations of Popular Rebellions in London at the End of the Sixteenth Century.English Renaissance Scenes: From Canon to Margins. Ed. Paola Pugliatti and Alessandro Serpieri. Lausanne: Peter Lang, 2008. 81-102.
Ellinghausen, Laurie.
Comparative Drama. 51.2. (2017): 134-156.Their labour doth returne rich golden gaine: Fishmongers’ Pageants and the Fisherman’s Labor in Early Modern London.
Fairholt, Frederick W., ed.
Lord Mayorsʼ Pageants: Being
Collections Towards a History of These Annual
Celebrations. 2 vols. Percy
Society, 1843.
Griffin, Eric.
Shakespeare, Marlowe, and the Stranger Crisis of the 1590s.Shakespeare and Immigration. Ed. Ruben Espinosa and David Ruiter. New York: Routledge, 2014. 13-36.
Herbert, William. The
History of the Twelve Great Livery Companies of
London. 2 vols. London,
1836.
Hill, Tracey.
Owners and Collectors of the Printed Books of the Early Modern Lord Mayorsʼ Shows.Library and Information History 30.3 (2014): 151-171. doi: 10.1179/1758348914Z.
Hill, Tracey. Pageantry and Power.
Manchester:
Manchester University Press,
2010.
Kiefer, Frederick.
The Iconography of Time in The Winter’s Tale.Renaissance and Reformation/Renaissance et Réforme. 23.3. (1999): 49-64.
Kipling, Gordon.
Triumphal Drama: Form in English Civic Pageantry.Renaissance Drama, New Series 8 (1977): 37-56.
Klein, Bernhard.
London Journal 17.1 (1992): 18-26.Between the Bums and Bellies of the Multitude: Civic Pageantry and the Problem of the Audience in Late Stuart London.
Knowles, James.
The Spectacle of the Realm: Civic Consciousness, Rhetoric and Ritual in Early Modern London.Theatre and Government Under the Early Stuarts. Ed. J.R. Mulyne and Margaret Shewring. Cambridge: Cambridge University Press, 1993. 157–189. Print.
Lancashire, Anne. Mayors
and Sheriffs of London. University of
Toronto. https://masl.library.utoronto.ca/. [We cite
this resource parenthetically by the acronym MASL.]
Lancashire, Anne.
The Comedy of Love and the London Lord Mayor’s Show.Shakespeare’s Comedies of Love: Essays in Honour of Alexander Leggatt. Ed. Karen Bamford and Ric Knowles. Toronto: University of Toronto Press, 1998. 3–29. Print.
Leinwand, Theodore B.
London’s Triumphing: The Jacobean Lord Mayor’s Show.Clio 11.2 (1982): 137–153.
Lobanov-Rostovsky, Sergei.
The Triumphs of Golde: Economic Authority in the Jacobean Lord Mayor’s Show.ELH 60.4 (1993): 879–898. doi: 10.1353/elh.1993.0006.
Manley, Lawrence.
Fictions of Settlement: London 1590.Studies in Philology 88.2 (1991): 201-224.
Manley, Lawrence. Literature and Culture in Early Modern
London. New York:
Cambridge University Press,
1995.
Martin, Randall.
Elizabethan Civic Pageantry in Henry VI.University of Toronto Quarterly 60.2 (1990/1991): 244-264.
Meagher, John C.
The London Lord Mayor’s Show of 1590.English Literary Renaissance 3.1 (1973): 94-104.
Munday, Anthony. Chrysanaleia: The Golden Fishing: Or,
Honour of Fishmongers. Applauding the Aduancement of
Mr. Iohn Leman, Alderman, to the Dignitie of Lord
Maior of London. Taking His Oath in the Same
Authority at Westminster, on Tuesday, Being the 29.
Day of October. 1616. Performed in Hearty Loue to
Him, and at the Charges of His Worthy Brethren, the
Ancient, and Right Worshipfull Company of
Fishmongers. London: George
Purslowe, 1616. STC 18266. DEEP 641. ESTC S112982.
Nelson, Thomas. Device of the Pageant: Set Forth by the
Worshipfull Companie of the Fishmongers.
London, 1590.
Nichols, J.G.
On an Amity Formed Between the Companies of Fishmongers and Goldsmiths of London.Archaeologia 30 (1844): 499-513.
Northway, Kara.
“To Kindle an Industrious Desire”: The Poetry of Work in Lord Mayors’ Shows.Comparative Drama 41.2 (2007): 167–192. doi: 10.1353/cdr.2007.0021.
Peele, George. Descensus astraeae the device of a
l’ageant [sic] borne before M. William Web, lord
maior of the citie of London.
London, 1591.
Peele, George. The device of the pageant borne before the
Woolstone Dixi Lord Maior of the citie of
London. London, 1585.
Power, M.J.
ALondon Journal 12.2 (1986): 135-145.CrisisReconsidered: Social and Demographic Dislocation in London of the 1590s.
Power, M.J.
London and the Control of theHistory 70 (1985): 371-385.Crisisof the 1590s.
Rich, E.E.
Mayors of the Staples.Cambridge Historical Journal 4.2 (1933): 120-142.
Robertson, Jean, and
D.J. Gordon, eds. Collections, Vol. III: A Calendar of Dramatic
Records in the Books of the Livery Companies of
London, 1485–1640.
Oxford: Malone
Society, 1954.
Sgroi, R.C.L.
Piscatorial Politics Revisited: The Language of Economic Debate and the Evolution of Fishing Policy in Elizabethan England.Albion: A Quarterly Journal Concerned with British Studies 35.1 (2003): 1-24.
Shakespeare, William. A Midsummer Night’s Dream,
1600.
Shapiro, James.
Revisiting Tamburlaine: Henry V as Shakespeare’s Belated Armada Play.Criticism 31.4 (1989): 351-366. WSB bf552.
Walter, John.
London Journal 44.1 (2019): 17-36.A Foolish Commotion of Youth? Crowds and theCrisis of the 1590sin London.
Wickham, Glynne. Early English Stages 1300 to 1660.
3 vols. London: Routledge
and Kegan Paul; rpt. New
York: Columbia University Press,
1959-1981.
Wiggins, Martin, and
Catherine Richardson. British Drama 1533-1642: A
Catalogue. Volume 3, 1590-1597. Oxford:
Oxford University Press,
2012. WSB aaac69.
Williams, Sheila.
The Lord Mayor’s Show in Tudor and Stuart Times.Guildhall Miscellany 1.1O. (1959): 3-18.
Withington, Robert. English Pageantry: An Historical Outline.
Vol. 2. 1926; rpt. New
York: Benjamin
Blom, 1963. Print.
Withington, Robert.
The Lord Mayor’s Show for 1590.Modern Language Notes 33.1 (1918): 8–18. doi: 10.2307/2915358.
Worshipful Company of Fishmongers.British Museum. Trustees of the British Museum, 2022. https://www.britishmuseum.org/collection/term/BIOG137851.
Orgography
LEMDO Team (LEMD1)
The LEMDO Team is based at the University of Victoria and normally comprises the project
director, the lead developer, project manager, junior developers(s), remediators,
encoders, and remediating editors.
MoEML Mayoral Shows (MOMS1)
The MoMS General Editors are Mark Kaethler and Janelle Jenstad. The team includes
SSHRC-funded research assistants. Peer review is coordinated by the General Editors
but conducted by other editors and external scholars.
University of Victoria (UVIC1)
http://www.uvic.ca/Metadata
Authority title | Device of the Pageant: Bibliography |
Type of text | Bibliography |
Short title | DEVI3: Biblio |
Publisher | The Map of Early Modern London on the Linked Early Modern Drama Online Platform |
Series | MoEML Mayoral Shows anthology |
Source |
Compiled by Laurie Ellinghausen
|
Editorial declaration | n/a |
Edition | Released with MoEML Mayoral Shows 1.0 |
Encoding description | Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines |
Document status | published, peer-reviewed |
Licence/availability | Intellectual copyright in this edition is held by the editor, Laurie Ellinghausen. The critical paratexts, including the bibliography, are licensed under a CC BY-NC_ND 4.0 license, which means that it is freely downloadable without permission under the following conditions: (1) credit must be given to the editor, MoMS, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except for quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of MoMS, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom. |