Device of the Pageant: Collations
Fishmongers for
Q:
Fishmongers, for
Sabbath
Q:
sabboth
shape,
Q:
shape
Allott,
Q:
Allott:
Mayor
Mayor
Q:
Maior
Although Bullough appears to replicate old spelling, here he offers
Mayorwhereas Q reads
Maior.
London
Q:
London
Mayor
Q:
Maior
1590
Q:
1590.
Nelson
Q:
Nelson.
London, 1590
Q:
London. 1590.
merman:
Q:
Merman, viz.
Attend,
Q:
Attend
strange,
Q:
strange
commonwealth
Q:
cōmon wealth
Commonwealth
that
Q:
yt
and
Q:
&
law.
Q:
law:
Yea,
Q:
Yea
the
Q:
ye
too,
Q:
too
naught.
Q:
naught
dear
Q:
dear,
year.
Q:
year,
cheese,
Q:
cheese
and
Q:
&
relief
reliefe
Q:
releef
and
Q:
&
from
Q:
fro
flesh
Q:
flesh,
commonwealth
Q:
cōmon wealth
in such wise
Q:
in such wise,
unicorn:
Q:
unicorn.
City,
Q:
City
blessed.
Q:
blessed
He
Q:
Hee
magistrates
Q:
magistrate,
not,
Q:
not
England’s Peace
Q:
England’s Peace,
throne.
Q:
throne,
sunshine
Q:
Sunne shine
last
Q:
last,
And
Q:
and
long
Q:
lo ng
Truth
Q:
Truth,
God’s
Q:
Gods
land
Q:
land,
now,
Q:
now
same.
Q:
same,
eternized
Q:
eternizde
ay
Q:
ay,
Goldsmiths’
Goldsmith’s
Q:
Goldsmiths
harms
Q:
harms,
Fame, sounding a trumpet, saith:
Q:
Fame sounding a trumpet saith.
thirty-two
Q:
thirtie two
space,
Q:
space.
I, Fame,
Q:
I Fame
trumpet’s
Q:
trumpets
place,
Q:
place.
wish,
Q:
wish
royal
royall
Q:
roiall
England:
Q:
England.
defence.
Q:
defence,
royal
royall
Q:
roiall
pure
Q:
pure,
pretence:
Q:
pretence,
lives,
Q:
lives
Wisdom,
Q:
Wisedome
saith:
Q:
saith.
state.
State.
Q:
state,
Policy, … state, saith:
Policy, … state, saith:
Q:
Pollicie … State, saith.
Yea,
Q:
Yea
fact
Q:
fact,
act.
Q:
act,
cease
Q:
cease,
Peace
Q:
peace
God’s Truth:
Q:
Gods Truth,
God’s Truth.
God’s
Q:
GOds
Gods
truth, lo,
Q:
truth loe here
Peace
Q:
peace
place.
Q:
place,
soul’s
Q:
soules
Q:
content,
content.
England’s
Q:
Englands
embrace.
Q:
embrace:
sake,
Q:
sake
life
Q:
life,
content.
Q:
content,
Peace
Q:
peace
Lord,
Q:
Lord
Plenty:
Q:
Plentie.
understand
Q:
understand,
Q:
For
for
beer,
Q:
beer
Upon
Q:
upon
wool pack
Q:
wooll packe
wooll-packe
Peace’s
Q:
Peaces
feet.
Q:
feet,
Allott,
Q:
Allott
meet,
Q:
meet.
meet:
Mayor
Q:
Maior.
too
Q:
too,
Concord:
Q:
Concord.
Concord.
bands.
Q:
bands,
Q:
to
in
queen
Q:
queen,
hands.
Q:
hands,
agree
Q:
agree,
be.
Q:
be,
Ambition,
Q:
Ambition
fall.
Q:
fall,
rests
Q:
rests,
tide
Q:
tide,
thrall
Q:
thrall.
commonwealth
Common wealth
Q:
common wealth
broils
Q:
broils,
Q:
spoils.
spoils
Commonwealth:
Q:
Common wealth.
senateʼs
Q:
Senates
magistrates
Q:
magistrates,
Peace
Q:
Peace,
gates
Q:
gates,
cease.
Q:
cease:
Yea,
Q:
Yea
advanced
Q:
advanst
be
Q:
be,
Q:
me.
me
Labour:
Q:
Labour.
Science
Q:
SCience
fish.
Q:
fish,
Yea,
Q:
Yea
day
Q:
day,
decay.
Q:
decay,
manʼs
Q:
mans
health
Q:
health,
Commonwealth.
Q:
common wealth.
commonwealth
Richard the Second:
Q:
Richard the second.
Help, Walworth, now,
Q:
Help Walworth now
rebelʼs
Q:
rebels
pride.
Q:
pride,
wilt,
Q:
wilt
Jack Straw:
Q:
Jacke Straw.
Jacke Strawe:
Jack Straw
Q:
JAcke Straw
Q:
rebel
rebel,
too;
Q:
too,
too
afraid
Q:
afraid,
Q:
sovereign
Sovereign
tamed.
Q:
tamed,
Mayor
Q:
Maior
pride.
Q:
pride,
Commonwealth:
Q:
Common wealth.
represent
Q:
Represent
Sir
Q:
sir
Fishmonger
Q:
fishmonger,
Mayor
Q:
Maior
twice.
Q:
twice,
Jack Straw
Jacke Strawe
Q:
Jacke Straw
kingʼs
Kingʼs
Q:
kings
price.
Q:
price,
London,
Q:
London
Mayor
Q:
Maior
Yea,
Q:
Yea
gain
Q:
gain,
given,
Q:
given
see.
Q:
see,
myself
Q:
my selfe
adore
Q:
adore,
herself
Q:
her selfe
Sir
Q:
sir
sir
Q:
king
King
placed
Q:
pla-ced
Q:
about
above
London
Q:
Lon-don
Q:
crown
Crown
Walworth
Q:
Wal-worth
forever
Q:
for ever
Sir
Q:
sir
impossible
Q:
unpossible,
between
Q:
be-tweene
Time:
Q:
Time.
things;
Q:
things,
fast.
Q:
fast,
FINIS
Q:
FINIS.
Let them be still:
Q:
Let them be still,
Prosopography
Janelle Jenstad
Janelle Jenstad is a Professor of English at the University of
Victoria, Director of The Map
of Early Modern London, and Director of Linked Early Modern Drama
Online. With Jennifer Roberts-Smith and Mark Kaethler, she
co-edited Shakespeare’s Language in Digital Media: Old
Words, New Tools (Routledge). She has edited John Stow’s
A Survey of London (1598 text) for MoEML
and is currently editing The Merchant of Venice
(with Stephen Wittek) and Heywood’s 2 If You Know Not
Me You Know Nobody for DRE. Her articles have appeared in
Digital Humanities Quarterly, Elizabethan Theatre, Early Modern
Literary Studies, Shakespeare
Bulletin, Renaissance and
Reformation, and The Journal of Medieval
and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives
(MLA); Institutional Culture in Early Modern
England (Brill); Shakespeare, Language, and
the Stage (Arden); Performing Maternity in
Early Modern England (Ashgate); New
Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter);
Placing Names: Enriching and Integrating
Gazetteers (Indiana); Making Things and
Drawing Boundaries (Minnesota); Rethinking
Shakespeare Source Study: Audiences, Authors, and Digital
Technologies (Routledge); and Civic
Performance: Pageantry and Entertainments in Early Modern
London (Routledge). For more details, see janellejenstad.com.
Laurie Ellinghausen
Laurie Ellinghausen is Professor of English at the University of
Missouri—Kansas City, where she teaches courses on early modern English
literature and drama. She is the author of Pirates,
Traitors, and Apostates: Renegade Identities in Early Modern English
Writing (U of Toronto P, 2018) and Labor
and Writing in Early Modern England, 1567-1667 (Ashgate,
2008). She is also the editor of Approaches to Teaching
Shakespeareʼs Early Modern English History Plays (MLA
Publications, 2017). Her current project is a monograph on
representations of seafaring labour in proto-imperial British writing.
Mark Kaethler
Mark Kaethler is Department Chair, Arts, at Medicine Hat College; Assistant Director,
Mayoral Shows, with MoEML; and Assistant Director for LEMDO. They are the author of
Thomas Middleton and the Plural Politics of Jacobean Drama (De Gruyter, 2021) and a co-editor with Jennifer Roberts-Smith and Janelle Jenstad
of Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge, 2018). Their work has appeared in The London Journal, Early Theatre, Literature Compass, Digital Studies/Le Champe Numérique, and Journal of the Text Encoding Initiative, as well as in several edited collections.
Mark’s research interests include early modern literature’s intersections with politics;
digital media and humanities; textual editing; game studies; cognitive science; and
ecocriticism.
Molly Rothwell
MoEML Project Manager, 2022-present. Research Assistant, 2020-2022. Molly Rothwell
was an undergraduate student at the University of Victoria, with a double major in
English and History. During her time at LEMDO, Molly primarily worked on encoding
the MoEML Mayoral Shows.
Navarra Houldin
Project manager 2022-present. Textual remediator 2021-present. Navarra Houldin completed
their BA in History and Spanish at the University of Victoria in 2022. During their
degree, they worked as a teaching assistant with the University of Victoriaʼs Department
of Hispanic and Italian Studies. Their primary research was on gender and sexuality
in early modern Europe and Latin America.
Thomas Nelson
Bookseller and ballad-writer. See ODNB.
Orgography
LEMDO Team (LEMD1)
The LEMDO Team is based at the University of Victoria and normally comprises the project
director, the lead developer, project manager, junior developers(s), remediators,
encoders, and remediating editors.
MoEML Mayoral Shows (MOMS1)
The MoMS General Editors are Mark Kaethler and Janelle Jenstad. The team includes
SSHRC-funded research assistants. Peer review is coordinated by the General Editors
but conducted by other editors and external scholars.
University of Victoria (UVIC1)
http://www.uvic.ca/Witnesses
1590 quarto.
Bullough, Geoffrey, ed. Narrative and Dramatic Sources of
Shakespeare. Volume III: Earlier English History
Plays: Henry VI, Richard III, Richard II.
London: Routledge
and Kegan Paul; New
York: Columbia University Press,
1960.
Meagher, John C.
The London Lord Mayor’s Show of 1590.English Literary Renaissance 3.1 (1973): 94-104.
This edition, edited
by Laurie Ellinghausen.
Metadata
Authority title | Device of the Pageant: Collations |
Type of text | Apparatus |
Short title | DEVI3: Collations |
Publisher | The Map of Early Modern London on the Linked Early Modern Drama Online platform |
Series | MoEML Mayoral Shows anthology |
Source |
Collated against Q, Bullough, and Meagher.
|
Editorial declaration | Prepared according to the MoMS Editorial Guidelines |
Edition | Released with MoEML Mayoral Shows 1.0 |
Encoding description | Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines |
Document status | published, peer-reviewed |
Licence/availability | Intellectual copyright in this edition is held by the editor, Laurie Ellinghausen. The critical paratexts, including the collations, are licensed under a CC BY-NC_ND 4.0 license, which means that they are freely downloadable without permission under the following conditions: (1) credit must be given to the editor, MoMS, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except for quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of MoMS, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom. |