Technical Principles

Para1LEMDOʼs technical approach to building collaborative digital critical editions follows these principles:
A digital platform for partnership—which consists of a repository, a work space, a set of rules, and a publishing mechanism—must reflect the relationships and workflows within the partnership.
Data must be secure; the products of the data must be open.
Encoding a text makes critical decisions processable and renderable by a computer; the encoding language must follow an open, widely used standard.
Effective mobilization of historical texts in the classroom and theatre demands critical editions; critical editions facilitate better understanding.
When we edit playbooks, we need to (i) learn about them through performance before and as we edit them, and (ii) ensure that our editions treat text and performance equally.
Teachability is a key strategy for LEMDO’s canon-expansion objectives; classroom-uptake leads to more performances, more scholarship, and more editions, which in turn lead to more teaching opportunities.
Interfaces affect how we read by making implicit arguments about what matters; different readers may need different interfaces.
Truly meaningful links are more than just hyperlinks; we need to spell out how two things are related, in ways that facilitate new links.

Prosopography

Janelle Jenstad

Janelle Jenstad is a Professor of English at the University of Victoria, Director of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge). She has edited John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Elizabethan Theatre, Early Modern Literary Studies, Shakespeare Bulletin, Renaissance and Reformation, and The Journal of Medieval and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives (MLA); Institutional Culture in Early Modern England (Brill); Shakespeare, Language, and the Stage (Arden); Performing Maternity in Early Modern England (Ashgate); New Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter); Placing Names: Enriching and Integrating Gazetteers (Indiana); Making Things and Drawing Boundaries (Minnesota); Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (Routledge); and Civic Performance: Pageantry and Entertainments in Early Modern London (Routledge). For more details, see janellejenstad.com.

Navarra Houldin

Project manager 2022–present. Textual remediator 2021–present. Navarra Houldin (they/them) completed their BA in History and Spanish at the University of Victoria in 2022. During their degree, they worked as a teaching assistant with the University of Victoriaʼs Department of Hispanic and Italian Studies. Their primary research was on gender and sexuality in early modern Europe and Latin America.

Orgography

LEMDO Team (LEMD1)

The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors.

Metadata