Style Guidelines for Anthologies
As anthology lead, you may choose to follow the LEMDO Style Guide or the DRE Style
Guide for their own
Aboutpages, spelling choices, content of critical paratexts, and content of apparatus. You may also choose to write your style guide. However, there are a few matters that must be consistent across all the anthologies using the LEMDO platform.
¶ Page Numbers
Where page ranges have been abbreviated (e.g., 191–92), spell out the first and last
page numbers in full (e.g., 191–192). Note that LEMDO follows Chicago 17th ed and
uses the en dash. However, we diverge from MLA and Chicago in that we give all the
digits in ranges. The computer is better at processing full numbers, and we can write
a script to remove digits before the text goes to print, if necessary.
¶ Citations
It is good practice in the digital environment to list the name of the author in your
parenthetical citation even if you have already mentioned the name of the author in
your running prose.
¶ Quotation Marks
Do not use quotation marks in your tagging. Instead, see
Introduction to Quotations, Terms, Expressions, Glosses, Emphasis, and Foreign Languages.If you are preparing a manuscript for someone else to tag, use double quotations first, followed by single quotation marks for embedded quotations. Add a note indicating why the material is in quotation marks so that your encoder may encode it with the right element. The most common reason for enclosing text in quotation marks is that one is quoting, in which case your encoder will want to use the
<quote>
element. Other possibilities are
<soCalled>
,
<term>
,
<mentioned>
, and
<gloss>
.For punctuation around quotations, remember that the LEMDO processor will put punctuation
in the right place for LEMDO practice. Unlike most style guides, we ask you to put
commas and periods inside the
<quote>
element only if the punctuation belongs to the quotation. If the punctuation does not belong to the quotation, put it outside the
<quote>
element.¶ Ellipsis
The ellipsis character must be used instead of three spaced dots. See
Practice: Insert an Ellipsis Character.
¶ Brackets
Square brackets are not allowed in LEMDO prose. Instead, use the
<supplied>
element to indicate that you have supplied material. Avoid nested parentheses.¶ Abbreviation
If you use acronyms when referring to play titles (i.e.,
AYL
), use the standardized play ids in the DRE Editorial Guidelines. See the complete list of works.
¶ OED Citations
To aid our student users, LEMDO would like all anthologies to quote from the OED in the same way.
Current practice is to consult the 2nd edition of the OED that is available online.
Optional but recommended: You may choose to add links to your parenthetical citations
of the OED. See
Cite OEDto learn how to tag citations of the OED.
Prosopography
Isabella Seales
Isabella Seales is a fourth year undergraduate completing her Bachelor of Arts in
English at the University of Victoria. She has a special interest in Renaissance and
Metaphysical Literature. She is assisting Dr. Jenstad with the MoEML Mayoral Shows
anthology as part of the Undergraduate Student Research Award program.
Janelle Jenstad
Janelle Jenstad is a Professor of English at the University of
Victoria, Director of The Map
of Early Modern London, and Director of Linked Early Modern Drama
Online. With Jennifer Roberts-Smith and Mark Kaethler, she
co-edited Shakespeare’s Language in Digital Media: Old
Words, New Tools (Routledge). She has edited John Stow’s
A Survey of London (1598 text) for MoEML
and is currently editing The Merchant of Venice
(with Stephen Wittek) and Heywood’s 2 If You Know Not
Me You Know Nobody for DRE. Her articles have appeared in
Digital Humanities Quarterly, Elizabethan Theatre, Early Modern
Literary Studies, Shakespeare
Bulletin, Renaissance and
Reformation, and The Journal of Medieval
and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives
(MLA); Institutional Culture in Early Modern
England (Brill); Shakespeare, Language, and
the Stage (Arden); Performing Maternity in
Early Modern England (Ashgate); New
Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter);
Placing Names: Enriching and Integrating
Gazetteers (Indiana); Making Things and
Drawing Boundaries (Minnesota); Rethinking
Shakespeare Source Study: Audiences, Authors, and Digital
Technologies (Routledge); and Civic
Performance: Pageantry and Entertainments in Early Modern
London (Routledge). For more details, see janellejenstad.com.
Joey Takeda
Joey Takeda is LEMDO’s Consulting Programmer and Designer, a role he
assumed in 2020 after three years as the Lead Developer on
LEMDO.
Martin Holmes
Martin Holmes has worked as a developer in the
UVicʼs Humanities Computing and Media Centre for
over two decades, and has been involved with dozens
of Digital Humanities projects. He has served on
the TEI Technical Council and as Managing Editor of
the Journal of the TEI. He took over from Joey Takeda as
lead developer on LEMDO in 2020. He is a collaborator on
the SSHRC Partnership Grant led by Janelle Jenstad.
Navarra Houldin
Project manager 2022–present. Textual remediator 2021–present. Navarra Houldin (they/them)
completed their BA in History and Spanish at the University of Victoria in 2022. During
their degree, they worked as a teaching assistant with the University of Victoriaʼs
Department of Hispanic and Italian Studies. Their primary research was on gender and
sexuality in early modern Europe and Latin America.
Tracey El Hajj
Junior Programmer 2019–2020. Research Associate 2020–2021. Tracey received her PhD
from the Department of English at the University of Victoria in the field of Science
and Technology Studies. Her research focuses on the algorhythmics of networked communications. She was a 2019–2020 President’s Fellow in Research-Enriched
Teaching at UVic, where she taught an advanced course on
Artificial Intelligence and Everyday Life.Tracey was also a member of the Map of Early Modern London team, between 2018 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.
Orgography
LEMDO Team (LEMD1)
The LEMDO Team is based at the University of Victoria and normally comprises the project
director, the lead developer, project manager, junior developers(s), remediators,
encoders, and remediating editors.
Metadata
Authority title | Style Guidelines for Anthologies |
Type of text | Documentation |
Short title | |
Publisher | University of Victoria on the Linked Early Modern Drama Online Platform |
Series | Linked Early Modern Drama Online |
Source |
TEI Customization created by Martin Holmes, Joey Takeda, and Janelle Jenstad; documentation written by members of the LEMDO Team
|
Editorial declaration | n/a |
Edition | Released with Linked Early Modern Drama Online 1.0 |
Encoding description | Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines |
Document status | prgGenerated |
Funder(s) | Social Sciences and Humanities Research Council of Canada |
License/availability | This file is licensed under a CC BY-NC_ND 4.0 license, which means that it is freely downloadable without permission under the following conditions: (1) credit must be given to the author and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except in quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of the editor and LEMDO. This license allows for pedagogical use of the documentation in the classroom. |