Selimus: Bibliography
Editions Collated
Anonymous. The first part of the tragicall raigne of Selimus,
sometime Emperour of the Turkes, and grandfather to
him that now raigneth.
London: Thomas
Creede, 1594. STC 12310a. ESTC S124196. DEEP 203.
Allott, Robert. Englands Parnassus: or the choysest
flowers of our moderne poets.
London: Nicholas
Ling, Cuthbert Burby, and Thomas Hayes,
1600. STC 379.
ESTC S1431.
Grosart, A.B., ed., The First Part of the Tragical Reign of
Selimus. The Life and
Complete Works in Prose and Verse of Robert
Greene. Vol. 14. New
York: Russell &
Russell, 1881–1886. 189–291.
Grosart, A.B., ed., The Tragical Reign of Selimus.
London: J.M.
Dent, 1898.
Bang, Willy. The Tragical Reign of Selimus 1594.
London: Malone
Society Reprints,
1908.
Hopkinson, A.F., ed. The Tragical Reign of Selimus Sometime
Emperor of the Turks.
London: M.E. Sims
& Co., 1916.
Jacquot, Jean.
RaleghʼsModern Language Review 48:1 (1953): 1–9.Hellish Versesand theTragicall Raigne of Selimus.
Riad, Nadia Mohamed.
A Critical Old-Spelling Edition of The Tragicall Raigne of Selimus.Queen’s University. PhD dissertation, 1994.
Vitkus, Daniel J., ed. Three Turk Plays from Early Modern
England. New York,
Chichester: Columbia
University Press,
2000.
Works Cited
Allott, Robert. Englands Parnassus: or the choysest
flowers of our moderne poets.
London: Nicholas
Ling, Cuthbert Burby, and Thomas Hayes,
1600. STC 379.
ESTC S1431.
Anonymous. The famous victories of Henry the fifth.
Thomas Creede,
1598. STC 13072. Queen’s Men Editions. ESTC
S106379. DEEP 252.
Anonymous. The first part of the tragicall raigne of Selimus,
sometime Emperour of the Turkes, and grandfather to
him that now raigneth.
London: Thomas
Creede, 1594. STC 12310a. ESTC S124196. DEEP 203.
Anonymous. The lamentable and true tragedie of M. Arden of
Feuersham in Kent.
London: Edward
White, 1592. STC 733. ESTC S106279. DEEP 142.
Anonymous. The lamentable tragedie of Locrine.
London: Thomas
Creede, 1595. STC 21528. ESTC S106301. DEEP 210.
Anonymous. The life and death of Iacke Straw, a notable rebell
in England. London:
Thomas Pavier,
1604. STC 23357. ESTC S111291. DEEP
167.
Anonymous. A
most pleasant comedie of Mucedorus.
London: William
Jones, 1598. STC 18230. ESTC S106305. DEEP 258.
Anonymous. The True Tragedie of Richard the third: Wherein is
showne the death of Edward the fourth, with the
smothering of the two yoong Princes in the Tower:
With a lamentable ende of Shoreʼs wife, an example
for all wicked women. And lastly, the coniunction
and ioyning of the two noble Houses, Lancaster and
Yorke. As it was playd by the Queenes Maiesties
Players. London:
Thomas Creede,
1594. STC 21009. ESTC S111104.
Ashton,
Peter. A shorte treatise
vpon the Turkes chronicles.
London: Edward
Whitechurch, 1546. STC
11899. ESTC S103126.
Baldwin, William,
George Ferrers, and Thomas
Chaloner. A myrrour for
magistrates. London:
Edward Whitchurch,
1563. STC 1248.
ESTC S100551.
Barbour, Richmond. Before Orientalism: London’s Theatre of
the East, 1576–1626. 1959.
Cambridge: Cambridge
University Press, 2003. WSB
aal241.
Berek, Peter.
Locrine Revised, Selimus, and Early Responses to Tamburlaine.Research Opportunities in Renaissance Drama 23 (1980): 33–54.
Berek, Peter.
Tamburlaine’s Weak Sons: Imitation as Interpretation Before 1593.Renaissance Drama 13 (1982): 55–82.
Blayney, Peter W.M.
The Publication of Playbooks.A New History of English Drama. Ed. John D. Cox and David Scott Kastan. New York: Columbia University Press, 1997.
Brooke, C.F. Tucker. The Shakespeare Apocrypha.
Oxford: Clarendon
Press, 1908.
Budra, Paul. A Mirror for Magistrates
and the De Casibus
Tradition. Toronto:
Toronto University Press,
2000. WSB aab1485.
Cambini, Andrea. Tvvo very notable commentaries the one of
the originall of the Turcks and Empire of the house
of Ottomanno. Trans. John Shute.
London: Humphrey
Toye, 1562. STC 4470. ESTC S107293.
Chambers, E.K.
The Elizabethan Stage. 4 vols.
Oxford: Clarendon
Press, 1923; rpt.
1967.
Chapman, George. The tragedy of Alphonsus Emperour of
Germany. London:
Humphrey Moseley,
1654. Wing C1952. ESTC R19355.
DEEP 1086.
Çipa, H. Erdem. The Making of Selim: Succession,
Legitimacy, and Memory in the Early Modern Ottoman
World. Bloomington, IN:
Indiana University Press,
2017.
Crawford, Charles.
Edmund Spenser,Notes & Queries. Series VII (1919): 61–63, 101–103, 142–144, 203–205, 261–263, 324–325, 384–386.Locrine, andSelimus.
Degenhardt, Jane Hwang. Islamic Conversion and Christian
Resistance on the Early Modern Stage.
Edinburgh: Edinburgh
University Press, 2010. WSB
aaz406.
Dessen, Alan C., and
Leslie Thompson. A
Dictionary of Stage Directions in English Drama,
1580–1642. Cambridge:
Cambridge University Press,
1999. WSB aaa585.
Dimmock, Matthew. New Turkes: Dramatizing Islam and the
Ottomans in Early Modern England.
London:
Routledge, 2005.
WSB aaq206.
Ferguson, W. Craig.
Thomas Creede’s Pica Roman.Studies in Bibliography: Papers of the Bibliographical Society of the University of Virginia 23 (1970): 148–153.
Finkel, Caroline. Osman’s Dream: The Story of the Ottoman
Empire 1300–1923. New
York: Basic Books,
2005.
Foakes, R.A., ed. Henslowe’s Diary, 2nd ed.
Cambridge: Cambridge
University Press, 2002. WSB
aah397.
Freedbury-Jones, Darren.
Reading Robert Greene: Recovering
Shakespeareʼs Rival. New
York: Routledge,
2022.
G., T.
The tragedy of Selimus Emperour of the
Turkes. London:
John Crooke and Richard
Sergier, 1638. STC 12310b. ESTC S103417. DEEP 204.
Gants, David.
Creede, Thomas (b. in or before 1554, d. 1616), printer.Oxford Dictionary of National Biography. Oxford University Press, 2004.
Goldie, M.
Crooke, Andrew (c. 1605–1674), bookseller.Oxford Dictionary of National Biography. Oxford University Press, 2004.
Greene, Robert. The comicall historie of Alphonsus, King
of Aragon. London:
Thomas Creede,
1599. STC 12233. ESTC S105900. DEEP
275.
Greene, Robert. The historie of Orlando Furioso.
London: Cuthbert
Burby, 1594. STC 12265. ESTC S105966. DEEP 189.
Greene, Robert. The honorable historie of frier Bacon, and
frier Bongay. London:
Edward White,
1594. STC 12267. ESTC S105968. DEEP
185. Queen’s Men Editions.
Greene, Robert. The Scottish historie of Iames the
fourth. London:
Thomas Creede,
1598. STC 12308. ESTC S105810. DEEP
255.
Greene, Robert, and
Thomas Lodge. A
looking glasse for London and England.
London: Thomas
Creede, 1594. STC 16679. ESTC S109578. DEEP 174.
Greg, W.W.
The Shakespeare First Folio: Its
Bibliographical and Textual History.
Oxford: Clarendon
Press, 1955.
Grogan, Jane.
ʼA warre commodiousʼ: Dramatizing Islamic Schism in and after Tamburlaine.Texas Studies in Literature and Language 54.1 (2012): 45–78.
Grosart, A.B., ed.
General Index.The Life and Complete Works in Prose and Verse of Robert Greene. Vol. 15. New York: Russell & Russell, 1881–1886. 1–185.
Gurr, Andrew. The Shakespearean Stage, 1574–1642. 4th ed.
Cambridge: Cambridge
University Press, 2009. WSB
aay77.
Hopkinson, A.F., ed. The Tragical Reign of Selimus Sometime
Emperor of the Turks.
London: M.E. Sims
& Co., 1916.
Ingram, Anders. Writing the Ottomans: Turkish History in
Early Modern England.
Basingstoke:
Palgrave Macmillan,
2015.
Jacquot, Jean.
RaleghʼsModern Language Review 48:1 (1953): 1–9.Hellish Versesand theTragicall Raigne of Selimus.
Kyd, Thomas. Cornelia. London:
Nicholas Ling and John Busby,
1549. STC 11622. ESTC S105698. DEEP
169.
Lesser, Zachary, and
Peter Stallybrass.
The First Literary Hamlet and the Commonplacing of Professional Plays.Shakespeare Quarterly 59.4 (2008): 371–420. WSB bbw741.
Lodge, Thomas. VVits miserie, and the vvorlds madnesse:
discouering the deuils incarnat of this age.
London: Cuthbert
Burby, 1596. STC 16677. ESTC S109635.
MacLean, Gerald M., and
Nabil I. Matar. Britain and the Islamic World, 1558–1713.
Oxford: Oxford
University Press,
2011.
Marlowe, Christopher. The famous tragedy of the rich Ievv of
Malta. London:
Nicholas Vavasour,
1633. STC 17412. ESTC S109853. DEEP
812.
Marlowe, Christopher. The Massacre at Paris.
London: Edward
White, 1594. STC 17423. ESTC S109865. DEEP 207.
Marlowe, Christopher. Tamburlaine the Great.
London: Richard
Jones, 1590. STC 17425. ESTC S122101. DEEP 5017.
Marlowe, Christopher. The tragedie of Dido Queene of
Carthage. London:
Thomas Woodcocke,
1594. STC 17441. ESTC S109880. DEEP
196.
Marlowe, Christopher. The tragicall history of D.
Faustus. London:
Valentine Simmes,
1604. STC 17429. ESTC S120173. DEEP
369.
Marlowe, Christopher. The troublesome raigne and lamentable
death of Edward the second.
London: Robert
Robinson, 1594. STC 17437. ESTC S120996. DEEP 197.
Matar, Nabil I.
Turks, Moors, & Englishmen in the Age
of Discovery. New York:
Columbia University Press,
1999.
Maxwell, Baldwin. Studies in the Shakespeare
Apocrypha. New York:
King’s Crown Press,
1956.
McMillin, Scott.
The Queen’s Men in 1594: A Study ofELR 14.1 (1984): 55–69. WSB bm216.GoodandBadQuartos.
McMillin, Scott, and
Sally-Beth MacLean. The Queen’s Men and Their Plays.
Cambridge: Cambridge
University Press, 1998. WSB
aw359.
Melnikoff, Kirk.
Jones’s Pen and Marlowe’s Socks: Richard Jones, Print Culture, and the Beginnings of English Dramatic Literature.Studies in Philology 102.2 (2005): 184–209.
Muir, Kenneth.
Who wrote Selimus?Proceedings of the Leeds Philosophical and Literary Society 2.6 (1949): 375–376.
Murphy, Donna N.
Locrine, Selimus, Robert Greene, and Thomas Lodge.Notes & Queries 56.4 (2009): 559–563.
Murphy, John Leo.
Some Problems in the Anonymous Drama of the Elizabethan Stage.University of Oklahoma. PhD dissertation, 1963.
Ostovich, Helen,
Holger Schott Syme, and
Andrew Griffin, eds. Locating the Queen’s Men, 1583–1603:
Material Practices and Conditions of
Playing. Surrey:
Ashgate, 2009.
WSB aay90.
Pálosfalvi, Tamás. From Nicopolis to Mohács: A History of
Ottoman-Hungarian Warfare, 1389–1526.
Leiden:
Brill,
2018.
Peele, George. The loue of King Dauid and fair
Bethsabe. London:
Adam Islip,
1599. STC 19540. ESTC
S110364. DEEP 280.
Pinciss, Gerald.
Thomas Creede and the Repertory of the Queen’s Men 1583–1592.Modern Philology 67.4 (1970): 321–330.
Riad, Nadia Mohamed.
A Critical Old-Spelling Edition of The Tragicall Raigne of Selimus.Queen’s University. PhD dissertation, 1994.
Ribner, Irving.
Greene’s Attack on Marlowe: Some Light on Alphonsus and Selimus.Studies in Philology 52 (1955): 162–171.
Robertson, John MacKinnon.
An Introduction to the Study of the
Shakespeare Canon. New
York: Books for Libraries
Press, 1924.
Rutter, Tom.
Allusions to Marlowe in Printed Plays, 1594.Christopher Marlowe, Theatrical Commerce, and the Book Trade. Ed. Kirk Melnikoff and Roslyn L. Knutson. Cambridge: Cambridge University Press, 2018. 199–213. WSB aaai758.
Salterne, George. Tomumbeius. Ed. Roberta
Barker. Trans. Christopher McKelvie.
Birmingham: The
Philological Museum, 2011,
http://www.philological.bham.ac.uk/.
Shakespeare, William. The First part of the Contention betwixt
the two famous Houses of Yorke and
Lancaster. London:
Thomas Millington,
1594. STC 26099. ESTC S105347. DEEP
179.
Shakespeare, William. The most excellent and lamentable
tragedie, of Romeo and Iuliet. Newly corrected,
augmented, and amended.
London: Thomas
Creede, 1599. STC 22323. ESTC S111179. DEEP 234.
Shakespeare, William. The most lamentable Romaine tragedie of
Titus Andronicus.
London: John
Danter, 1594. STC 22328. ESTC S106004. DEEP 171.
Shakespeare, William. Mr VVilliam Shakespeares comedies,
histories & tragedies: Published according to
the true originall copies.
London: William
Jaggard, 1623. STC 22273. ESTC S111228. DEEP 5081.
Shakespeare, William. The true Tragedie of Richard Duke of
Yorke, and the death of good King Henrie the Sixt,
with the whole contention betweene the two Houses
Lancaster and Yorke.
London: Thomas
Millington, 1595. STC 21006. ESTC S102944. DEEP 212.
Shapiro, James. Shakespeare and the Jews.
New York: Columbia
University Press,
1996.
Shaw, Stanford J.
The Jews of the Ottoman Empire and the
Turkish Republic.
Houndmills:
Macmillan Press,
1991; rpt. New
York: Springer,
2016.
Shoulson, Jeffrey S.
Fictions of Conversion: Christians and
Cultures of Change in Early Modern England.
Philadelphia: University of
Pennsylvania Press,
2013.
Syme, Holger S.
Thomas Creede, William Barley, and the Venture of Printing Plays.Shakespeare’s Stationers: Studies in Cultural Bibliography. Ed. Marta Straznicky. Philadelphia: University of Pennsylvania Press, 2013. 28–46. WSB aaac1.
Vitkus, Daniel J., ed. Three Turk Plays from Early Modern
England. New York,
Chichester: Columbia
University Press,
2000.
Vitkus, Daniel. Turning Turk: English Theater and the
Multicultural Mediterranean, 1570–1630.
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aay460.
Werstine, Paul. Early Modern Playhouse Manuscripts and the
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aaac5.
Whetstone, George. The English myrror. A regard wherein al
estates may behold the conquests of enuy.
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Seton, 1586. STC 25336. ESTC S126805.
Wiggins, Martin, and
Catherine Richardson. British Drama 1533–1642: A
Catalogue. Volume 3, 1590–1597.
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aaac69.
Wiles, David. Shakespeare’s Clown: Actor and Text in the
Elizabethan Playhouse.
Cambridge: Cambridge
University Press, 1987. WSB
ah160.
Wilson, Robert. A right excellent and famous comoedy
called the three ladies of London.
London: Roger
Ward, 1584. STC 25784. ESTC S111805. DEEP 119.
Yamada, Akihiro. Thomas Creede: Printer to Shakespeare and
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a763.
Prosopography
Andrew Griffin
Andrew Griffin is an associate professor in the department of English and an affiliate
professor in the department of Theater and Dance at the University of California,
Santa Barbara. He is general editor (text) of Queen’s Men Editions. He studies early
modern drama and early modern historiography while serving as the lead editor at the
EMC Imprint. He has co-edited with Helen Ostovich and Holger Schott Syme Locating the Queen’s Men (2009) and has co-edited The Making of a Broadside Ballad (2016) with Patricia Fumerton and Carl Stahmer. His monograph, Untimely Deaths in Renaissance Drama: Biography, History, Catastrophe, was published with the University of Toronto Press in 2019. He is editor of the
anonymous The Chronicle History of King Leir (Queen’s Men Editions, 2011). He can be contacted at griffin@english.ucsb.edu.
Helen Ostovich
Helen Ostovich, professor emerita of English at McMaster University, is the founder
and general editor of Queen’s Men Editions. She is a general editor of The Revels Plays (Manchester University Press); Series
Editor of Studies in Performance and Early Modern Drama (Ashgate, now Routledge),
and series co-editor of Late Tudor and Stuart Drama (MIP); play-editor of several
works by Ben Jonson, in Four Comedies: Ben Jonson (1997); Every Man Out of his Humour (Revels 2001); and The Magnetic Lady (Cambridge 2012). She has also edited the Norton Shakespeare 3 The Merry Wives of Windsor Q1602 and F1623 (2015); The Late Lancashire Witches and A Jovial Crew for Richard Brome Online, revised for a 4-volume set from OUP 2021; The Ball, for the Oxford Complete Works of James Shirley (2021); The Merry Wives of Windsor for Internet Shakespeare Editions, and The Dutch Courtesan (with Erin Julian) for the Complete Works of John Marston, OUP 2022. She has published
many articles and book chapters on Jonson, Shakespeare, and others, and several book
collections, most recently Magical Transformations of the Early Modern English Stage with Lisa Hopkins (2014), and the equivalent to book website, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context containing scripts, glossary, almost fifty conference papers edited and updated to
essays; video; link to Queenʼs Mens Ediitons and YouTube: http://threeladiesoflondon.mcmaster.ca/contexts/index.htm, 2015. Recently, she was guest editor of Strangers and Aliens in London ca 1605,
Special Issue on Marston, Early Theatre 23.1 (June 2020). She can be contacted at ostovich@mcmaster.ca.
Janelle Jenstad
Janelle Jenstad is a Professor of English at the University of
Victoria, Director of The Map
of Early Modern London, and Director of Linked Early Modern Drama
Online. With Jennifer Roberts-Smith and Mark Kaethler, she
co-edited Shakespeare’s Language in Digital Media: Old
Words, New Tools (Routledge). She has edited John Stow’s
A Survey of London (1598 text) for MoEML
and is currently editing The Merchant of Venice
(with Stephen Wittek) and Heywood’s 2 If You Know Not
Me You Know Nobody for DRE. Her articles have appeared in
Digital Humanities Quarterly, Elizabethan Theatre, Early Modern
Literary Studies, Shakespeare
Bulletin, Renaissance and
Reformation, and The Journal of Medieval
and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives
(MLA); Institutional Culture in Early Modern
England (Brill); Shakespeare, Language, and
the Stage (Arden); Performing Maternity in
Early Modern England (Ashgate); New
Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter);
Placing Names: Enriching and Integrating
Gazetteers (Indiana); Making Things and
Drawing Boundaries (Minnesota); Rethinking
Shakespeare Source Study: Audiences, Authors, and Digital
Technologies (Routledge); and Civic
Performance: Pageantry and Entertainments in Early Modern
London (Routledge). For more details, see janellejenstad.com.
Kirk Melnikoff
Kirk Melnikoff is Professor of English at UNC Charlotte and a past president of the
Marlowe Society of America. His research interests range from sixteenth-century British
Literature and Culture, to Shakespeare in Performance, to Book History. His essays
have appeared in a number of journals and books, and he is the author of Elizabethan Book Trade Publishing and the Makings of Literary Culture (U Toronto P, 2018). He has also edited four essay collections, most recently Christopher Marlowe, Theatrical Commerce, and the Book Trade (Cambridge UP, 2018), and published an edition of Robert Greene’s James IV in 2020. He is currently co-editing a collection of early modern book-trade wills
which will be published by Manchester UP, editing Marlowe’s Edward II for the Oxford Marlowe: Collected Works project, and working on a monograph on bookselling in early modern England.
Martin Holmes
Martin Holmes has worked as a developer in the
UVicʼs Humanities Computing and Media Centre for
over two decades, and has been involved with dozens
of Digital Humanities projects. He has served on
the TEI Technical Council and as Managing Editor of
the Journal of the TEI. He took over from Joey Takeda as
lead developer on LEMDO in 2020. He is a collaborator on
the SSHRC Partnership Grant led by Janelle Jenstad.
Navarra Houldin
Project manager 2022-present. Textual remediator 2021-present. Navarra Houldin (they/them)
completed their BA in History and Spanish at the University of Victoria in 2022. During
their degree, they worked as a teaching assistant with the University of Victoriaʼs
Department of Hispanic and Italian Studies. Their primary research was on gender and
sexuality in early modern Europe and Latin America.
Nicole Vatcher
Technical Documentation Writer, 2020-present. Nicole Vatcher completed her BA (Hons.)
in English at the University of Victoria in 2021. Her primary research focus was womenʼs
writing in the modernist period.
Peter Cockett
Peter Cockett is an associate professor in the Theatre and Film Studies at McMaster
University. He is the general editor (performance), and technical co-ordinating editor
of Queen’s Men Editions. He was the stage director for the Shakespeare and the Queen’s Men project (SQM),
directing King Leir, The Famous Victories of Henry V, and Friar Bacon and Friar Bungay (2006) and he is the performance editor for our editions of those plays. The process
behind those productions is documented in depth on his website Performing the Queen’s Men. Also featured on this site are his PAR productions of Clyomon and Clamydes (2009) and Three Ladies of London (2014). For the PLS, the University of Toronto’s Medieval and Renaissance Players,
he has directed the Digby Mary Magdalene (2003) and the double bill of George Peele’s The Old Wives Tale and the Chester Antichrist (2004). He also directed An Experiment in Elizabethan Comedy (2005) for the SQM project and Inside Out: The Persistence of Allegory (2008) in collaboration with Alan Dessen. Peter is a professional actor and director
with numerous stage and screen credits. He can be contacted at cockett@mcmaster.ca.
Bibliography
Allott, Robert. Englands Parnassus: or the choysest
flowers of our moderne poets.
London: Nicholas
Ling, Cuthbert Burby, and Thomas Hayes,
1600. STC 379.
ESTC S1431.
Anonymous. A
most pleasant comedie of Mucedorus.
London: William
Jones, 1598. STC 18230. ESTC S106305. DEEP 258.
Anonymous. The famous victories of Henry the fifth.
Thomas Creede,
1598. STC 13072. Queen’s Men Editions. ESTC
S106379. DEEP 252.
Anonymous. The first part of the tragicall raigne of Selimus,
sometime Emperour of the Turkes, and grandfather to
him that now raigneth.
London: Thomas
Creede, 1594. STC 12310a. ESTC S124196. DEEP 203.
Anonymous. The lamentable and true tragedie of M. Arden of
Feuersham in Kent.
London: Edward
White, 1592. STC 733. ESTC S106279. DEEP 142.
Anonymous. The lamentable tragedie of Locrine.
London: Thomas
Creede, 1595. STC 21528. ESTC S106301. DEEP 210.
Anonymous. The life and death of Iacke Straw, a notable rebell
in England. London:
Thomas Pavier,
1604. STC 23357. ESTC S111291. DEEP
167.
Anonymous. The True Tragedie of Richard the third: Wherein is
showne the death of Edward the fourth, with the
smothering of the two yoong Princes in the Tower:
With a lamentable ende of Shoreʼs wife, an example
for all wicked women. And lastly, the coniunction
and ioyning of the two noble Houses, Lancaster and
Yorke. As it was playd by the Queenes Maiesties
Players. London:
Thomas Creede,
1594. STC 21009. ESTC S111104.
Ashton,
Peter. A shorte treatise
vpon the Turkes chronicles.
London: Edward
Whitechurch, 1546. STC
11899. ESTC S103126.
Baldwin, William,
George Ferrers, and Thomas
Chaloner. A myrrour for
magistrates. London:
Edward Whitchurch,
1563. STC 1248.
ESTC S100551.
Bang, Willy. The Tragical Reign of Selimus 1594.
London: Malone
Society Reprints,
1908.
Barbour, Richmond. Before Orientalism: London’s Theatre of
the East, 1576–1626. 1959.
Cambridge: Cambridge
University Press, 2003. WSB
aal241.
Berek, Peter.
Locrine Revised, Selimus, and Early Responses to Tamburlaine.Research Opportunities in Renaissance Drama 23 (1980): 33–54.
Berek, Peter.
Tamburlaine’s Weak Sons: Imitation as Interpretation Before 1593.Renaissance Drama 13 (1982): 55–82.
Blayney, Peter W.M.
The Publication of Playbooks.A New History of English Drama. Ed. John D. Cox and David Scott Kastan. New York: Columbia University Press, 1997.
Brooke, C.F. Tucker. The Shakespeare Apocrypha.
Oxford: Clarendon
Press, 1908.
Budra, Paul. A Mirror for Magistrates
and the De Casibus
Tradition. Toronto:
Toronto University Press,
2000. WSB aab1485.
Cambini, Andrea. Tvvo very notable commentaries the one of
the originall of the Turcks and Empire of the house
of Ottomanno. Trans. John Shute.
London: Humphrey
Toye, 1562. STC 4470. ESTC S107293.
Chambers, E.K.
The Elizabethan Stage. 4 vols.
Oxford: Clarendon
Press, 1923; rpt.
1967.
Chapman, George. The tragedy of Alphonsus Emperour of
Germany. London:
Humphrey Moseley,
1654. Wing C1952. ESTC R19355.
DEEP 1086.
Crawford, Charles.
Edmund Spenser,Notes & Queries. Series VII (1919): 61–63, 101–103, 142–144, 203–205, 261–263, 324–325, 384–386.Locrine, andSelimus.
Degenhardt, Jane Hwang. Islamic Conversion and Christian
Resistance on the Early Modern Stage.
Edinburgh: Edinburgh
University Press, 2010. WSB
aaz406.
Dessen, Alan C., and
Leslie Thompson. A
Dictionary of Stage Directions in English Drama,
1580–1642. Cambridge:
Cambridge University Press,
1999. WSB aaa585.
Dimmock, Matthew. New Turkes: Dramatizing Islam and the
Ottomans in Early Modern England.
London:
Routledge, 2005.
WSB aaq206.
Ferguson, W. Craig.
Thomas Creede’s Pica Roman.Studies in Bibliography: Papers of the Bibliographical Society of the University of Virginia 23 (1970): 148–153.
Finkel, Caroline. Osman’s Dream: The Story of the Ottoman
Empire 1300–1923. New
York: Basic Books,
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https://www.uvic.ca/Metadata
| Authority title | Selimus: Bibliography |
| Type of text | Bibliography |
| Short title | Sel: Biblio |
| Publisher | University of Victoria on the Linked Early Modern Drama Online Platform |
| Series | Queenʼs Men Editions |
| Source |
Born digital file created by Janelle Jenstad for Kirk Melnikoff
|
| Editorial declaration | n/a |
| Edition | Released with Queenʼs Men Editions 2.0 |
| Sponsor(s) |
Queenʼs Men EditionsThe Queen’s Men Editions anthology is led by Helen Ostovich, General Editor; Peter
Cockett, General Editor (Performance); and Andrew Griffin, General Editor (Text).
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| Encoding description | Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines |
| Document status | published, peer-reviewed |
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