The Queen’s Men Editions: QME Bibliography

QME Bibliography

Para1This bibliography lists all the sources cited in the QME editions published to date, except for specific copies of early publications, which are listed only in the edition bibliographies. It also includes all the sources cited in the anthologyʼs About pages and resources. Note that each edition also has its own bibliography page.

Para2For a curated list of suggested critical and pedagogical readings, see Suggested Readings.

Works Cited in QME About Pages

Bentley, Greg. Coppernose: The Nature of Burden’s Disease in Robert Greene’s Friar Bacon and Friar Bungay. English Language Notes 22.4 (1985): 28–32.

Butler, E.M. The Myth of the Magus. Cambridge: Cambridge University Press, 1948.

Eccles, Mark. Shakespeare in Warwickshire. Madison: University of Wisconsin Press, 1961. WSB aav113.

Greene, Robert. The Honorable History of Friar Bacon and Friar Bungay. English Renaissance Drama: A Norton Anthology. Ed. David Bevington. New York: W.W. Norton. 2002. 134–181.

Knutson, Roslyn L. The Start of Something Big. Locating the Queenʼs Men, 1583–1603. Ed. Helen Ostovich, Holger Schott Syme, and Andrew Griffin. London: Routledge, 2009.

Leggatt, Alexander. Introduction to English Renaissance Comedy. Manchester and New York: Manchester University Press, 1999. WSB aaa426.

Marlowe, Christopher. The tragicall history of D. Faustus. London: Valentine Simmes, 1604. STC 17429. ESTC S120173. DEEP 369.

Maus, Katharine Eisaman. Horns of Dilemma: Jealousy, Gender, and Spectatorship in English Renaissance Drama. ELH 54.1 (1987): 561–583.

McCallum, James Dow. Greene’s Friar Bacon and Friar Bungay. Modern Language Notes 35.4 (1920): 212–217.

McMillin, Scott, and Sally-Beth MacLean. The Queen’s Men and Their Plays. Cambridge: Cambridge University Press, 1998. WSB aw359.

McNeir, Waldo F. Traditional Elements in the Character of Greene’s Friar Bacon. Studies in Philology 45.2 (1948): 172–179.

Reynolds, Bryan and Henry Turner. Performative Transversations: Collaborations Through and Beyond Greeneʼs Friar Bacon and Friar Bungay. Transversal Enterprises in the Drama of Shakespeare and his Contemporaries: Fugitive Explorations. Ed. Bryan Reynolds. New York: Palgrave Macmillan, 2006. 240–250.

Towne, Frank. White Magic in Friar Bacon and Friar Bungay?. Modern Language Notes 67.1 (1952): 9–13.

Williams, Deanne. Friar Bacon and Friar Bungay and the Rhetoric of Temporality. Reading the Medieval in Early Modern England. Ed. Gordon McMullan and David Matthews. Cambridge: Cambridge University Press, 2007. WSB aau522. 31–48.

Works Cited in Actor Biographies

Chambers, E.K. The Elizabethan Stage. Vol. 2. Oxford: Clarendon Press, 1923.

Collier, John Payne. Memoirs of Edward Alleyn, Founder of Dulwich College: Including Some New Particulars Respecting Shakespeare, Ben Jonson, Massinger, Marston, Dekker, &c. London: The Shakespeare Society, 1841.

Eccles, Mark. Elizabethan Actors I: A–D. N&Q 236 (1991): 38–49.

Eccles, Mark. Shakespeare in Warwickshire. Madison: University of Wisconsin Press, 1961. WSB aav113.

Galloway, David, ed. Records of Early English Drama: Norwich, 1540–1642. Toronto: University of Toronto Press, 1984.

Greene, Robert, and Thomas Lodge. A looking glasse, for London and Englande. London: Thomas Creede, 1598.

Gurr, Andrew. Playgoing in Shakespeare’s London. 2nd ed. Cambridge: Cambridge University Press, 1996.

Harvey, Gabriel Four Letters and Certain Sonnets, especially Touching Robert Greene, and other Parties, by Him Abused. London: John Wolfe, 1592. STC 12900. ESTC S103855.

Harvey, Gabriel. Letter-Book of Garbriel Harvey, A.D. 1573–1580. Ed. Edward John Long Scott. Westminster: The Camden Society, 1884.

Heywood, Thomas. Apology for Actors. London: Nicholas Okes, 1612. STC 13309. ESTC S106113.

Honigmann, E.A.J. and Susan Brock. Playhouse Wills, 1558–1642. Manchester: Manchester University Press, 1993.

Jonson, Ben. Bartholmew fayre. London, 1631. STC 14753.5. ESTC S4350.

Lodge, Thomas. A Defence of Poetry, Music, and Stage Plays. London: H. Singleton, 1579. STC 16663. ESTC S105765.

McMillin, Scott. Simon Jewell and the Queen’s Men. Review of English Studies 27 (1976): 174–177.

Meres, Francis. Palladis tamia. London: Cuthbert Burby, 1598. STC 17834. ESTC S110013.

Nashe, Thomas. Pierce Penniless, His Supplication to the Devil. London: Abel Jeffes, 1592.

Nungezar, Edwin. A Dictionary of Actors. New Haven: Yale University Press, 1929.

Peacham, Henry. Thaliaʼs banquet: furnished with an hundred and odde dishes of newly deuised epigrammes, whereunto (beside many worthy friends) are inuited all that loue in offensiue mirth, and the Muses. London: Printed by Nicholas Okes for Francis Constable, 1620. STC 19515. ESTC S110329.

Peacham, Henry. The truth of our times: revealed out of one mans experience, by way of essay. London: Printed by Nicholas Okes for James Becket, 1638. STC 19517. ESTC S114189.

Stow, John and Edmund Howes. Annales, or, A Generall Chronicle of England … unto the End of this Present Yeere, 1631. London: 1631.

Tarlton, Richard. Tarlton’s Jests. London, Thomas Snodam for John Budge, 1613. STC 23683.3. ESTC S106896.

Thomson, Peter. Richard Tarlton. Oxford Dictionary of National Biography.

Wilson, Robert. The Coblers Prophesie. London. Cuthbert Burby, 1594. STC 25781. DEEP 191. ESTC S111809.

Wilson, Robert. The pleasant and Stately Morall, of the three Lordes and three Ladies of London. With the great loy and Pompe, Solempnized at their Mariages: Commically interlaced with much honest Mirth, for pleasure and recreation, among many Morall obseruations and other important matters of due Regard. London. 1590. STC 25783. DEEP 128. ESTC S111813.

Wilson, Robert. A right excellent and famous comoedy called the three ladies of London. London: Roger Ward, 1584. STC 25784. ESTC S111805. DEEP 119.

Shakespeare and the Queen’s Men: Performance Bibliography

Billing, Christian M. Rehearsing Shakespeare: Embodiment, Collaboration, Risk and Play. Shakespeare Bulletin 30.4 (Winter 2012) 383–410. WSB bbbb686.

Bloom, Harold. Shakespeare: the Invention of the Human. New York: Riverhead Books, 1998. WSB aw679.

Carson, Christie and Farim Karim-Cooper. Shakespeare’s Globe: A Theatrical Experiment. Cambridge: Cambridge University Press, 2008. WSB aaw331.

Cockett, Peter. An Experiment in Elizabethan Comedy. The Shakespeare and the Queen’s Men Project. Glen Morris Studio, January 2006.

Cockett, Peter. The Ghost of Dick Tarlton, Gentleman. The Queen’s Men Seminar. Shakespeare Association of America. April 2009.

Cockett, Peter. Incongruity, Humour and Early English Comic Figures: Armin’s Natural Fools, the Vice, and Tarlton the Clown. University of Toronto. PhD dissertation, 2001.

Cockett, Peter. Performing Natural Folly: The Jests of Lean Leanard and the Touchstones of Robert Armin and David Tennant. New Theatre Quarterly. 22.2 (May 2006): 141–154. WSB bbt348a.

Cushman, Robert. The Difficulties of Love Times Three. National Post. 11 February 2015.

Cushman, Robert. Play Descends into Skid Row. National Post. 4 November 2006.

Dessen, Alan C. Elizabethan Stage Conventions and Modern Interpreters. Cambridge: Cambridge University Press, 1984. WSB am38.

Dessen, Alan C. Recovering Shakespeare’s Theatrical Vocabulary. Cambridge, Cambridge University Press, 1995. WSB ai47. doi: 10.1017/CBO9780511627460.

Dessen, Alan C. Shakespeare and the Late Moral Plays. Lincoln: University of Nebraska Press, 1986. WSB aj417.

Dessen, Alan C. Stage Directions as Evidence: The Question of Provenance. Shakespeare: Text and Theater: Essays in Honor of Jay L. Halio. Ed. Lois Potter, Arthur F. Kinney, and Barbara Silverstein. Delaware: University of Delaware P–Associated University Press, 1999. 229–247. WSB bbb564.

Dessen, Alan C. and Peter Cockett. Inside Out: The Persistence of Allegory in Renaissance Performance. Graduate Centre for Study of Drama and Poculi Ludique Societas. University of Toronto. 5–7 February 2010.

Dessen, Alan C., and Leslie Thompson. A Dictionary of Stage Directions in English Drama, 1580–1642. Cambridge: Cambridge University Press, 1999. WSB aaa585.

Eccles, Mark. Shakespeare in Warwickshire. Madison: University of Wisconsin Press, 1961. WSB aav113.

Escolme, Bridget. Talking to the Audience: Shakespeare, Performance, Self. New York: Routledge, 2005. WSB aaq96.

Greenblatt, Stephen. Renaissance Self-Fashioning: From More to Shakespeare. 1980; rpt. Chicago: University of Chicago Press, 2005. WSB ar380.

Howard, Jean E. Crossdressing, The Theatre, and Gender Struggle in Early Modern England. Shakespeare Quarterly 39.4 (Winter 1988): 418–440. WSB bg773.

Kaplan, Jon. Stage Scenes. Now Magazine. 19 January 2006.

King, Pamela. Review of Queen’s Men at McMaster University, 24–29 October, 2006. Early Modern Literary Studies. 13.3 (January 2008): 20.1–20.10.

Lopez, Jeremy. A Partial Theory of Original Practice. Shakespeare Survey 61 (2008): 302–317. WSB bbw622.

McMillin, Scott, and Sally-Beth MacLean. The Queen’s Men and Their Plays. Cambridge: Cambridge University Press, 1998. WSB aw359.

Meagher, John C. Pursuing Shakespeare’s Dramaturgy: Some Contexts, Resources, and Strategies in His Playmaking. London: Associated University Press, 2003. WSB aal216.

Meagher, John C. Shakespeare’s Shakespeare: How the Plays Were Made. New York: Continuum, 1997. WSB av213.

Menzer, Paul. Afterword. Inside Shakespeare: Essays on the Blackfriars Stage. Ed. Paul Menzer. Selinsgrove: Susquehanna University Press, 2006. 223–230. WSB aat277.

Palfrey, Simon and Tiffany Stern. Shakespeare in Parts. Oxford: Oxford University Press, 2007. WSB aau418.

Preston, Thomas. Cambyses: King of Persia. New York: AMS Press, 1970.

Roberts-Smith, Jennifer. The Red Lion and the White Horse: Inns Used by Patronized Performers in Norwich, 1583–1624. Early Theatre. 10.1 (2007): 109–144.

Shakespeare, William. Hamlet. Ed. Harold Jenkins. Arden Shakespeare. London: Routledge, 1982. WSB ap156.

Stern, Tiffany. Rehearsal from Shakespeare to Sheridan. Oxford: Oxford University Press, 2000. WSB aab871.

Thomson, Peter. Richard Tarlton. Oxford Dictionary of National Biography.

Tucker, Patrick. Secrets of Acting Shakespeare: The Original Approach. London: Routledge, 2001. WSB aah195.

White, Paul Whitfield. Theatre and Reformation: Protestantism, Patronage and Playing in Tudor England. New York: Cambridge University Press, 1993.

Works Cited in QME Editions

Adams, Joseph Quincy. Chief Pre-Shakespearean Dramas: A Selection of Plays Illustrating the History of the English Drama from its Origin Down to Shakespeare. Boston: Houghton Mifflin, 1924.

Agrippa, Heinrich Cornelius. Of the Vanity and Uncertainty of Arts and Sciences. Trans. James Standford. London: Henry Wykes, 1569. STC 204. ESTC S100458.

Alford, Steven. The Watchers: A Secret History of the Reign of Elizabeth I. New York: Bloomsbury, 2012.

Allmand, Christopher. The Hundred Years War: England and France at war c. 1300 – c. 1450. Cambridge: Cambridge University Press, 1988.

Allott, Robert. Englands Parnassus: or the choysest flowers of our moderne poets. London: Nicholas Ling, Cuthbert Burby, and Thomas Hayes, 1600. STC 379. ESTC S1431.

Altman, Joel B. The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama. Berkeley and Los Angeles: University of California Press, 1978. WSB at17.

Anonymous. The Chronicle History of King Leir. Ed. Sidney Lee. London: Chatto & Windus, 1909.

Anonymous. A Critical Edition of the True Chronicle History of King Leir and His Three Daughters, Gonorill, Ragan and Cordella. Ed. Donald Michie. New York: Garland, 1991.

Anonymous. The Famous History of Friar Bacon. London: Edward Allde, 1629. STC 1184. ESTC S123071.

Anonymous. The famous victories of Henry the fifth. Thomas Creede, 1598. STC 13072. Queen’s Men Editions. ESTC S106379. DEEP 252.

Anonymous. The first part of the tragicall raigne of Selimus, sometime Emperour of the Turkes, and grandfather to him that now raigneth. London: Thomas Creede, 1594. STC 12310a. ESTC S124196. DEEP 203.

Anonymous. The lamentable and true tragedie of M. Arden of Feuersham in Kent. London: Edward White, 1592. STC 733. ESTC S106279. DEEP 142.

Anonymous. The lamentable tragedie of Locrine. London: Thomas Creede, 1595. STC 21528. ESTC S106301. DEEP 210.

Anonymous. The life and death of Iacke Straw, a notable rebell in England. London: Thomas Pavier, 1604. STC 23357. ESTC S111291. DEEP 167.

Anonymous. A most pleasant comedie of Mucedorus. London: William Jones, 1598. STC 18230. ESTC S106305. DEEP 258.

Anonymous. The Second Tome of Homilies. London: Richard Jugge, 1563. STC 13666.7. ESTC S125416.

Anonymous. The Troublesome Reign of John King of England. London, 1591. STC 14644, 14645. ESTC S106391.

Anonymous. The True Tragedie of Richard the third: Wherein is showne the death of Edward the fourth, with the smothering of the two yoong Princes in the Tower: With a lamentable ende of Shoreʼs wife, an example for all wicked women. And lastly, the coniunction and ioyning of the two noble Houses, Lancaster and Yorke. As it was playd by the Queenes Maiesties Players. London: Thomas Creede, 1594. STC 21009. ESTC S111104.

Arber, Edward, ed. A Transcript of the Registers of the Company of Stationers of London, 1554–1640 A.D. 3 vols. London, 1875.

Archer, I.W. The Pursuit of Stability: Social Relations in Elizabethan London. Cambridge: Cambridge University Press, 1991.

Ardolino, Frank. Greene’s Use of the History of Oxford in The Honourable History of Friar Bacon and Friar Bungay. ANQ 18.2 (2005): 20–25.

Ashton, Peter. A shorte treatise vpon the Turkes chronicles. London: Edward Whitechurch, 1546. STC 11899. ESTC S103126.

Assarsson-Rizzi, Kerstin. Friar Bacon and Friar Bungay: A Structural and Thematic Analysis of Robert Greene’s Play. Lund: C.W.K. Gleerupland, 1972.

Bacon, Roger. Epistola fratris Rogerii Baconus de secretis operibus artis et naturae, et de nullitate magiae. Fr. Rogeri Bacon Opera Quaedem Hactenus Inedita. Ed. J.S. Brewer. London: Longman, Green, and Roberts, 1859. 523–551.

Bailey, Amanda. Flaunting: Style and the Subversive Male Body in Renaissance England. Toronto: University of Toronto Press, 2007. WSB aau227.

Baldwin, William, George Ferrers, and Thomas Chaloner. A myrrour for magistrates. London: Edward Whitchurch, 1563. STC 1248. ESTC S100551.

Bale, John. Illustrium Maioris Britaniae Scriptorum. Gippeswici in Anglia: D. van der Straten, 1548. STC 1295. ESTC S100599.

Barbour, Richmond. Before Orientalism: London’s Theatre of the East, 1576–1626. 1959. Cambridge: Cambridge University Press, 2003. WSB aal241.

Bassett, Margaret. Newgate Prison in the Middle Ages. Speculum 18.2 (April 1943): 233–246.

Bentley, Greg. Coppernose: The Nature of Burden’s Disease in Robert Greene’s Friar Bacon and Friar Bungay. English Language Notes 22.4 (1985): 28–32.

Berek, Peter. Locrine Revised, Selimus, and Early Responses to Tamburlaine. Research Opportunities in Renaissance Drama 23 (1980): 33–54.

Berek, Peter. Tamburlaine’s Weak Sons: Imitation as Interpretation Before 1593. Renaissance Drama 13 (1982): 55–82.

Bergeron, David M. Bogus History and Robert Greene’s Friar Bacon and Friar Bungay. Early Theatre 17.1 (2014): 93–112.

Bevington, David, ed. King Henry IV, Part I. By William Shakespeare. 1987. Rpt. Oxford and New York: Oxford University Press, 1998.

Bevington, David. Tudor Drama and Politics. Cambridge, MA: Harvard University Press, 1968. WSB aaj49.

The Bible. The Geneva Bible. London, 1599. STC 2173

Blayney, Peter W.M. The Publication of Playbooks. A New History of English Drama. Ed. John D. Cox and David Scott Kastan. New York: Columbia University Press, 1997.

Bourne, William. Inventions or Devices Very Necessary for All Generals and Captains or Leaders of Men. London: T. Orwin, 1590. STC 3421. ESTC S106199.

Bowers, Fredson. On Editing Shakespeare and Other Elizabethan Dramatists. Philadelphia: University of Pennsylvania Press, 1955.

Bright, Timothy. A Treatise of Melancholy. London: Thomas Vautrollier, 1586. STC 3747. ESTC S106464.

Brooke, C.F. Tucker. The Shakespeare Apocrypha. Oxford: Clarendon Press, 1908.

Browne, Sir Thomas. Pseudodoxia Epidemica. London: A. Miller, 1650. Wing B5160. ESTC R2160.

Budra, Paul. A Mirror for Magistrates and the De Casibus Tradition. Toronto: Toronto University Press, 2000. WSB aab1485.

Bullough, Geoffrey, ed. The Battle of Agincourt. Narrative and Dramatic Sources of Shakespeare. Vol. 4. London: Routledge and Kegan Paul; rpt. New York: Columbia University Press, 1962. 412–416.

Bullough, Geoffrey, ed. Tarlton’s Jests. Narrative and Dramatic Sources of Shakespeare. Vol. 4. London: Routledge and Kegan Paul; rpt. New York: Columbia University Press, 1962. 289–290.

Burroughs, Jeremiah. The Jewel of Christian Contentment. London, 1649. Wing B6103. ESTC R32016.

Butler, E.M. The Myth of the Magus. Cambridge: Cambridge University Press, 1948.

Butterworth, Philip. Magic on the Early English Stage. Cambridge: Cambridge University Press, 2005.

Butterworth, Philip. Theatre of Fire: Special Effects in Early English and Scottish Theatre. London: Society for Theatre Research, 1998.

Calvin, Jean. The Commentaries of M. John Calvin upon the Acts of the Apostles. London: Thomas Dawson, 1585. STC 4398. ESTC S107377.

Cambini, Andrea. Tvvo very notable commentaries the one of the originall of the Turcks and Empire of the house of Ottomanno. Trans. John Shute. London: Humphrey Toye, 1562. STC 4470. ESTC S107293.

Capell, Edward. The Playʼs of William Shakepeare from the Text of Dr. S. Johnson. Dublin: Thomas Ewing, 1771.

Cartwright, Kent. Theatre and Humanism: English Drama in the Sixteenth Century. Cambridge: Cambridge University Press, 2004.

Cawley A.C., ed. Everyman. Everyman and Medieval Miracle Plays. London: Dent, 1956.

Chambers, E.K. The Elizabethan Stage. 4 vols. Oxford: Clarendon Press, 1923; rpt. 1967.

Champion, Larry S. What prerogatiues meanes: Perspective and Political Ideology in The Famous Victories of Henry V. South Atlantic Review 53 (1988): 1–19. WSB bg957.

Chapman, George. The tragedy of Alphonsus Emperour of Germany. London: Humphrey Moseley, 1654. Wing C1952. ESTC R19355. DEEP 1086.

Chettle, Henry. Kind-Harts Dream. London: William Wright, 1593. STC 5123. ESTC S116845.

Churton Collins, J. The Plays & Poems of Robert Greene. Vol. 2. Oxford: Clarendon Press, 1905.

Çipa, H. Erdem. The Making of Selim: Succession, Legitimacy, and Memory in the Early Modern Ottoman World. Bloomington, IN: Indiana University Press, 2017.

Clare, Janet. Medley History: The Famous Victories of Henry the Fifth to Henry V. Shakespeare Survey 63 (2010): 102–113. WSB bbz1002.

Clark, Stuart. Vanities of the Eye: Vision in Early Modern Europe. Oxford: Oxford University Press, 2007. WSB aau549.

Clarke, Andrew, ed. Register of the University of Oxford, Vol. 2 (1571–1622). Oxford: Clarendon Press, 1887.

Cockett, Peter. The Ghost of Dick Tarlton, Gentleman. The Queen’s Men Seminar. Shakespeare Association of America. April 2009.

Cockett, Peter. Performing the Queen’s Men: A Project in Theatre Historiography. Locating the Queen’s Men, 1583–1603: Material Practices and Conditions of Playing. Ed. Helen Ostovich, Holger Schott Syme, and Andrew Griffin. Ashgate: Farnham, 2009, 229–242. WSB aay90.

Corbin, Peter, and Douglas Sedge, eds. The Oldcastle Controversy. Manchester: Manchester University Press, 1991. WSB ad162.

Coxe, Francis. A Short Treatise Declaring the Detestable Wickedness of Magical Sciences. London: John Allde, 1561. STC 5950. ESTC S105100.

Craik, T.W., ed. King Henry V. By William Shakespeare. Arden Shakespeare. London and New York: Routledge, 1995. WSB ai7.

Crawford, Charles. Edmund Spenser, Locrine, and Selimus. Notes & Queries. Series VII (1919): 61–63, 101–103, 142–144, 203–205, 261–263, 324–325, 384–386.

Crupi, Charles W. Robert Greene. Boston: Twayne, 1986.

Cushman, Robert. 2014 is the Year of King Lear. National Post. 26 May 2014.

Dahlquist, Mark. Love and Technological Iconoclasm in Robert Greene’s Friar Bacon and Friar Bungay. English Literary History 78 (2011): 51–77.

Daniel, P.A. Introduction. The Famous Victories of Henry the Fifth: The Earliest Known Quarto, 1598. London: C. Praetorius, 1887.

De Laurens, Andre. A Discourse of the Preservation of the Sight. London: Felix Kingston, 1599. STC 7304. ESTC S110934.

De Somogyi, Nick, ed. Henry IV, Part 1: The First Part of Henry the Fourth: The First Folio of 1623 and a Parallel Modern Edition. The Shakespeare Folios. London: Nick Hern, 2004. WSB aam463.

De Somogyi, Nick, ed. Henry V: The Life of Henry the Fifth. The Shakespeare Folios. London: Nick Hern, 2001. WSB aaf988.

Dean, Paul. Shakespeare’s Henry VI Trilogy and Elizabethan Romance Histories: The Origins of a Genre. Shakespeare Quarterly 33.1 (1982): 34–48. WSB bp229.

Dedijer, Steven. The Rainbow Scheme: British Secret Service and the Pax Britannica. Clio Goes Spying: Eight Essays on the History of Intelligence. Ed. Wilhelm Agrell and Bo Huldt. Malmö: Lund, 1983. 10–63.

Dee, John. Autobiographical Tracts of Dr. John Dee. Ed. James Crossley. Manchester: Chetham Society, 1851.

Dee, John. Friar Bacon his Discovery of the Miracles of Art, Nature, and Magick. Faithfully Translated out of Dr Dees own Copy by T.M. and Never Before in English. London, 1659. Wing B373. ESTC R10803.

Degenhardt, Jane Hwang. Islamic Conversion and Christian Resistance on the Early Modern Stage. Edinburgh: Edinburgh University Press, 2010. WSB aaz406.

Dessen, Alan C. Robert Greene and the Theatrical Vocabulary of the Early 1590s. Writing Robert Greene: Essays on England’s First Notorious Professional Writer. Ed. Kirk Melnikoff and Edward Geiskes. Farnham, Surrey: Ashgate, 2008. 25–37.

Dessen, Alan C., and Leslie Thompson. A Dictionary of Stage Directions in English Drama, 1580–1642. Cambridge: Cambridge University Press, 1999. WSB aaa585.

Diehl, Huston. Staging Reform, Reforming the Stage: Protestantism and Popular Theater in Early Modern England. Ithaca: Cornell University Press, 1997. WSB av638.

Digges, Leonard. An Arithmetical Warlike Treatise Named Stratioticos. London: Richard Field, 1590. STC 6849. ESTC S109690.

Digges, Leonard and Thomas Digges. An Arithmetical Warlike Treatise Named Stratioticos. London, 1579. STC 6848. ESTC S109689.

Digges, Leonard and Thomas Digges. A Geometrical Practice Named Pantometria. London: Henry Bynneman, 1571. STC 6858. ESTC S111670.

Dimmock, Matthew. New Turkes: Dramatizing Islam and the Ottomans in Early Modern England. London: Routledge, 2005. WSB aaq206.

Dockray, Keith. Warrior King: The Life of Henry V. Stroud, Gloucestershire: Tempus, 2007.

Dutton, Richard. The Famous Victories and the 1600 Quarto of Henry V. Locating the Queen’s Men, 1583–1603: Material Practices and Conditions of Playing. Ed. Helen Ostovich, Holger Schott Syme, and Andrew Griffin. Ashgate: Farnham, 2009. 135–144. WSB bby196.

Eamon, William. Technology as Magic in the Late Middle Ages and the Renaissance. Janus 70 (1983): 171–212.

Eco, Umberto. Travels in Hyper Reality. Trans. William Weaver. New York: Harcourt Brace & Co., 1986.

Egan, Gabriel. As it was, is, or will be played: Title-pages and the Theater Industry to 1610. From Performance to Print in Shakespeare’s England. Ed. Peter Holland and Stephen Orgel. Basingstoke: Palgrave Macmillan, 2006. 92–110. WSB aat505.

Elliott, John R., Alan H. Nelson, Alexandra F. Johnston, and Diana Wyatt eds. Records of Early English Drama: Oxford. 2 vols. Toronto: University of Toronto Library and London: British Library, 2004.

Elyot, Thomas. The Book Named the Governor. London: Thomas Berthelet, 1531. STC 7635. ESTC S105376.

Elyot, Thomas. The Governour. Narrative and Dramatic Sources of Shakespeare. Ed. Geoffrey Bullough. Vol. 4. London: Routledge; rpt. New York: Columbia University Press, 1962. 288.

Empson, William. English Pastoral Poetry. New York: W.W. Norton, 1938.

Estienne, Charles. The Defense of Contraries. Trans. Anthony Munday. London: John Windet, 1593. STC 6467. ESTC S105222.

Ettin, Andrew V. Magic into Art: The Magician’s Renunciation of Magic in English Renaissance Drama. Texas Studies in Literature and Language 19.3 (1977): 268–293. WSB bu1122.

Farmer, John S., ed. The Famous Victories of Henry the Fifth 1598. The Tudor Facsimile Texts. Edinburgh and London, 1912.

Feingold, Mordechai. The Occult Tradition in the English Universities of the Renaissance: A Reassessment. Occult and Scientific Mentalities in the Renaissance. Ed. Brian Vickers. Cambridge: Cambridge University Press, 1984: 73–94.

Ferguson, W. Craig. Thomas Creede’s Pica Roman. Studies in Bibliography: Papers of the Bibliographical Society of the University of Virginia 23 (1970): 148–153.

Finkel, Caroline. Osman’s Dream: The Story of the Ottoman Empire 1300–1923. New York: Basic Books, 2005.

Fitzpatrick, Joan. Food in Shakespeare: Early Modern Dietaries and the Plays. Aldershot: Ashgate, 2007. WSB aau153.

Fitzpatrick, Joan. Irish Demons: English Writings on Ireland, the Irish, and Gender by Spenser and his Contemporaries. Lanham, MD: University Press of America, 2000.

Fleay, F.G. A Biographical Chronicle of the English Drama 1559–1642, 2 vols. London: Reeves and Turner, 1891.

Florio, John. A World of Words. London: Arnold Hatfield, 1598. STC 11098. ESTC S102357.

Foakes, R.A., ed. Henslowe’s Diary, 2nd ed. Cambridge: Cambridge University Press, 2002. WSB aah397.

Forey, A.J. The Order of Mountjoy. Speculum 46.2 (April 1971): 250–266.

Freedbury-Jones, Darren. Reading Robert Greene: Recovering Shakespeareʼs Rival. New York: Routledge, 2022.

Fuller, Thomas. Abel Redevivus, or The Dead Yet Speaking. London: Thomas Brudenell, 1651. Wing F2400. ESTC R177335.

Furness, H.H., ed. King Lear. By Shakespeare, William. London: J.B. Lippincott & Co., 1880.

G., T. The tragedy of Selimus Emperour of the Turkes. London: John Crooke and Richard Sergier, 1638. STC 12310b. ESTC S103417. DEEP 204.

Galloway, David, ed. Records of Early English Drama: Norwich, 1540–1642. Toronto: University of Toronto Press, 1984.

Gants, David. Creede, Thomas (b. in or before 1554, d. 1616), printer. Oxford Dictionary of National Biography. Oxford University Press, 2004.

Gascoigne, George. The Noble Art of Venery or Hunting. London: Henry Bynneman for Christopher Barker, 1575. STC 24328. ESTC S121817.

Geree, John. Atrologo-Mastix or a Discovery of the Vanity and Iniquity of Judicial Astrology, or Divining by the Stars the Success or Miscarriage of Human Affaires. London: Mathew Simmons, 1646. Wing G586. ESTC R200963.

Goldie, M. Crooke, Andrew (c. 1605–1674), bookseller. Oxford Dictionary of National Biography. Oxford University Press, 2004.

Gosson, Stephen. The schoole of abuse. London: Thomas Woodcocke, 1579. STC 12097.5. ESTC S103345.

Gower, John. Jo. Gower de Confessio Amantis. London: Thomas Berthelette, 1554. STC 12144. ESTC S120946.

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Prosopography

Janelle Jenstad

Janelle Jenstad is a Professor of English at the University of Victoria, Director of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge). She has edited John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Elizabethan Theatre, Early Modern Literary Studies, Shakespeare Bulletin, Renaissance and Reformation, and The Journal of Medieval and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives (MLA); Institutional Culture in Early Modern England (Brill); Shakespeare, Language, and the Stage (Arden); Performing Maternity in Early Modern England (Ashgate); New Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter); Placing Names: Enriching and Integrating Gazetteers (Indiana); Making Things and Drawing Boundaries (Minnesota); Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (Routledge); and Civic Performance: Pageantry and Entertainments in Early Modern London (Routledge). For more details, see janellejenstad.com.

Navarra Houldin

Project manager 2022-present. Textual remediator 2021-present. Navarra Houldin (they/them) completed their BA in History and Spanish at the University of Victoria in 2022. During their degree, they worked as a teaching assistant with the University of Victoriaʼs Department of Hispanic and Italian Studies. Their primary research was on gender and sexuality in early modern Europe and Latin America.

Peter Cockett

Peter Cockett is an associate professor in the Theatre and Film Studies at McMaster University. He is the general editor (performance), and technical co-ordinating editor of Queen’s Men Editions. He was the stage director for the Shakespeare and the Queen’s Men project (SQM), directing King Leir, The Famous Victories of Henry V, and Friar Bacon and Friar Bungay (2006) and he is the performance editor for our editions of those plays. The process behind those productions is documented in depth on his website Performing the Queen’s Men. Also featured on this site are his PAR productions of Clyomon and Clamydes (2009) and Three Ladies of London (2014). For the PLS, the University of Toronto’s Medieval and Renaissance Players, he has directed the Digby Mary Magdalene (2003) and the double bill of George Peele’s The Old Wives Tale and the Chester Antichrist (2004). He also directed An Experiment in Elizabethan Comedy (2005) for the SQM project and Inside Out: The Persistence of Allegory (2008) in collaboration with Alan Dessen. Peter is a professional actor and director with numerous stage and screen credits. He can be contacted at cockett@mcmaster.ca.

Bibliography