Name Files Following LEMDO Naming Conventions
Disambiguation
This document explains LEMDO’s naming conventions. Note that the principles set out
in this document apply only to TEI/XML documents and related source materials; other
naming conventions are covered in LEMDO Programming Principles
Introduction
All LEMDO files must have descriptive file names. LEMDO has established a set of naming
conventions to ensure that file names are both unique and descriptive. This documentation
will guide you through the conventions for our three different naming groups:
Principles
While we have specific naming conventions for different groups, there are some principles
that are true across the LEMDO project:
Give all files that you create for the project, even word-processor files with notes
in them, descriptive file names.
All file names must be unique. Check for uniqueness against the A–Z list of xml:ids
used in the LEMDO project by clicking the
Resourcesbutton in the top navigation bar of the LEMDO-dev website and then selecting
All xml:ids (.txt version).In the A–Z list, search for the ID that you wish to use to ensure it has not already been used.
Never use spaces in file names.
Never use punctuation other than underscores in file names.
Note that while SVN can handle punctuation characters in file and folder names, files
with punctuation and spaces in their names can still cause problems. To avoid any
problems, always follow the above principles. For example, rather than naming a file
Fred’s notes on documentation.odt, use Fred_notes_on_documentation.odt.
Texts and Anthologies
Our practice for naming edition files follows scholarly conventions for play naming.
IDs for Shakespeare plays have long been standardized; they are even listed in the
Chicago Manual of Style and the MLA Handbook. The Digital Renaissance Editions anthology has extended the implied principles for naming Shakespeare plays to all
other plays. We use those IDs for editions.
When giving edition files a name, consult
DRE Play IDsto find the ID for the play that you are adding. You can search for the play’s title using Ctrl+F (Cmd+F on Mac). If you cannot find the title you are looking for, contact the LEMDO team, who will in turn consult with the DRE coordinating editors.
Once you have the ID for your play, you will format the file name as emd followed by the play ID followed by an underscore and a descriptive identifier (e.g.,
genIntro or annotation). For example, the semi-diplomatic transcription for the first quarto of An Humorous Day’s Mirth (ID “AHDM”) is emdAHDM_Q1.xml.
Infrastructure IDs
Infrastructure IDs refer to IDs belonging to sitewide databases (i.e., PERS1, PROS1,
ORGS1, BIBL1, PROD1, HAND1, and GLOSS1), including the database files themselves.
IDs for sitewide databases must be structured as follows: XXXX#, where X is an uppercase
letter and # is a number consisting of one or more digits.
The letters and numbers used for infrastructure IDs are not arbitrary: use the first
four meaningful letters of the title of the file. If the file you are naming uses
a particular 4-letter combination for the first time in our database, the number will
be 1. Otherwise, find the next available number in the A–Z Index for this particular
4-letter combination. For example, when you create a personography file, the first
four letters are “PERS”. Given that our sitewide personography file was the first
instance of this letter combination, the number was 1: PERS1.xml.
Always check your ID against the A–Z Index, before finalizing it and committing.
Facsimiles and Performance
The conventions for facsimiles and performances include the ID of the text to which
they are connected. When you name a facsimile, follow this pattern:
facs,followed by an underscore (_), followed by the document ID (xml:id), followed by an underscore (_), followed by the library acronym from which the facsimile is taken. If you are not sure about the latter, consult with the LEMDO Director. For example, the facsimile corresponding to The Honest Whore, Part 1, Quarto 1 is named facs_1HWQ_Q1_Folger.
When you name a performance file, follow this pattern: perf, followed by an underscore (_),followed by the document ID (xml:id) of the text to
which the performance belongs, followed by an underscore (_), followed by the ID of
the anthology to which the performance belongs. For example, the files pertaining
to the QME production of Friar Bacon and Friar Bungay all begin with perf_FBFB_QME.
Prosopography
Janelle Jenstad
Janelle Jenstad is a Professor of English at the University of Victoria, Director
of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Beatrice Kaethler, she co-edited Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge). She has edited John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Elizabethan Theatre, Early Modern Literary Studies, Shakespeare Bulletin, Renaissance and Reformation, and The Journal of Medieval and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives (MLA); Institutional Culture in Early Modern England (Brill); Shakespeare, Language, and the Stage (Arden); Performing Maternity in Early Modern England (Ashgate); New Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter); Placing Names: Enriching and Integrating Gazetteers (Indiana); Making Things and Drawing Boundaries (Minnesota); Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (Routledge); and Civic Performance: Pageantry and Entertainments in Early Modern London (Routledge). For more details, see janellejenstad.com.
Joey Takeda
Joey Takeda is LEMDO’s Consulting Programmer and Designer, a role he assumed in 2020
after three years as the Lead Developer on LEMDO.
Mahayla Galliford
Project manager, 2025-present; research assistant, 2021-present. Mahayla Galliford
(she/her) graduated with a BA (Hons with distinction) from the University of Victoria
in 2024. Mahayla’s undergraduate research explored early modern stage directions and
civic water pageantry. Mahayla continues her studies through UVic’s English MA program
and her SSHRC-funded thesis project focuses on editing and encoding girls’ manuscripts,
specifically Lady Rachel Fane’s dramatic entertainments, in collaboration with LEMDO.
Martin Holmes
Martin Holmes has worked as a developer in the UVic’s Humanities Computing and Media
Centre for over two decades, and has been involved with dozens of Digital Humanities
projects. He has served on the TEI Technical Council and as Managing Editor of the
Journal of the TEI. He took over from Joey Takeda as lead developer on LEMDO in 2020.
He is a collaborator on the SSHRC Partnership Grant led by Janelle Jenstad.
Navarra Houldin
Training and Documentation Lead 2025–present. LEMDO project manager 2022–2025. Textual
remediator 2021–present. Navarra Houldin (they/them) completed their BA with a major
in history and minor in Spanish at the University of Victoria in 2022. Their primary
research was on gender and sexuality in early modern Europe and Latin America. They
are continuing their education through an MA program in Gender and Social Justice
Studies at the University of Alberta where they will specialize in Digital Humanities.
Tracey El Hajj
Junior Programmer 2019–2020. Research Associate 2020–2021. Tracey received her PhD
from the Department of English at the University of Victoria in the field of Science
and Technology Studies. Her research focuses on the algorhythmics of networked communications. She was a 2019–2020 President’s Fellow in Research-Enriched
Teaching at UVic, where she taught an advanced course on
Artificial Intelligence and Everyday Life.Tracey was also a member of the Map of Early Modern London team, between 2018 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.
Orgography
LEMDO Team (LEMD1)
The LEMDO Team is based at the University of Victoria and normally comprises the project
director, the lead developer, project manager, junior developers(s), remediators,
encoders, and remediating editors.
Metadata
| Authority title | Name Files Following LEMDO Naming Conventions |
| Type of text | Documentation |
| Publisher | University of Victoria on the Linked Early Modern Drama Online Platform |
| Series | Linked Early Modern Drama Online |
| Source |
TEI Customization created by Martin Holmes, Joey Takeda, and Janelle Jenstad; documentation written by members of the LEMDO Team
|
| Editorial declaration | n/a |
| Edition | Released with Linked Early Modern Drama Online 1.0 |
| Encoding description | Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines |
| Document status | prgGenerated |
| Funder(s) | Social Sciences and Humanities Research Council of Canada |
| License/availability |
This file is licensed under a CC BY-NC_ND 4.0 license, which means that it is freely downloadable without permission under the following
conditions: (1) credit must be given to the author and LEMDO in any subsequent use
of the files and/or data; (2) the content cannot be adapted or repurposed (except
in quotations for the purposes of academic review and citation); and (3) commercial
uses are not permitted without the knowledge and consent of the editor and LEMDO.
This license allows for pedagogical use of the documentation in the classroom.
|