Encode Sponsors and Funders in Your Metadata
Rationale
We need to give credit to the anthology that commissions an edition and arranges for
peer review. The work of shepherding an edition through the publication process is
significant, as is the subsequent work of peer review. We also need to give credit
to any funding agencies, charitable organizations, and donors who supported the work
financially or materially (e.g., by making it possible to pay encoders, project managers,
and contract programmers; fund performances; and purchase digital scanning services
and image rights from libraries). We use the
<sponsor>
and
<funder>
elements to give credit to sponsoring anthologies and funding agencies. This documentation
page will guide you through the process of giving credit with the
<sponsor>
and
<funder>
elements.Practice: Credit Your Sponsoring Anthology
The
<sponsor>
element is a child of the
<titleStmt>
element and must be placed after the last
<respStmt>
. The
<sponsor>
element is an empty element (i.e., it has no content in the text node).To encode the sponsor anthology for your edition, add a
@ref attribute to the
<sponsor>
element. Give the
@ref attribute a value of "org:" followed by the ID for the anthology that has commissioned your edition and/or peer-reviewed
or arranged for peer review of the edition. Anthology IDs are listed in the LEMDO
orgography (ORGS1). To see the entirety of ORGS1, click the “Resources” button in the top navigation bar of the LEMDO-dev website
and select “Organizations”. Anthology IDs are listed under the heading Editorial Projects Producing Anthologies.
As of 2026-06-17, our current anthology IDs are:
| Anthology | Value |
| Cambridge Edition of the Works of Ben Jonson |
"CWBJ1"
|
| Douai Shakespeare Manuscript Project |
"DOUA1"
|
| Digital Restoration Drama |
"DRDR1"
|
| Digital Renaissance Editions |
"DRE1"
|
| Early Modern Dramatic Paratexts |
"EMDP1"
|
| Early Modern England Encyclopedia |
"EMEE1"
|
| Early Modern Dramatic Paratexts |
"EMDP1"
|
| Internet Shakespeare Editions |
"ISE1"
|
| John Day Project | JDAY1 |
| LEMDO Website | LEMD4 |
| MoEML Mayoral Shows |
"MOMS1"
|
| New Internet Shakespeare Editions |
"NISE1"
|
| Queen’s Men Editions |
"QME1"
|
Practice
Add a
@ref attribute with the appropriate value for the anthology that commissions the edition
and/or peer-reviewed or arranged for peer review of the edition. Anthologies are listed
in the ORGS1 file. Current values for
@ref are:In some cases, commissioning and peer-reviewing has been shared by two anthologies.
In these cases, you can give two
<sponsor>
elements, one for each anthology. The most common case thus far appears in editions
that were begun under the aegis of the Internet Shakespeare Editions and completed under the aegis of the New Internet Shakespeare Editions. It is also possible for an edition to be commissioned by one anthology and peer-reviewed
by another; for example, the MoMS Coordinating Editors cannot review their own MoMS
editions and have asked DRE to handle peer review.Funders
The
<funder>
element appears last in the
<titleStmt>
. Unlike the
<sponsor>
element, it does have a text node with content and it does not bear any attributes.
There is no limit to the number of
<funder>
elements a file can have.Every LEMDO file must have a
<funder>
element for the Social Sciences and Humanities Research Council of Canada,whether or not the editor is in Canada. The LEMDO platform has been built with SSHRC funds, and SSHRC funds have supported every aspect of the documenting, converting, remediating, and encoding processes.
Other sources of funding should be recognized using the preferred wording of the institution,
donor, funding agency, or grantor.
If you wish, you can wrap the name of the funding source in the
<ref>
element and use a
@target attribute to point to the URL of the funding source.Examples
<editionStmt>
<sponsor ref="org:MOMS1"/>
</editionStmt>
<sponsor ref="org:MOMS1"/>
</editionStmt>
<editionStmt>
<sponsor ref="org:DRE1"/>
</editionStmt>
<sponsor ref="org:DRE1"/>
</editionStmt>
<editionStmt>
<funder>Social Sciences and Humanities Research Council of Canada</funder>
</editionStmt>
<funder>Social Sciences and Humanities Research Council of Canada</funder>
</editionStmt>
<editionStmt>
<funder>
<ref target="https://internetshakespeare.uvic.ca/Foyer/makingwaves/friends/index.html">Friends of the ISE</ref>
</funder>
</editionStmt>
<funder>
<ref target="https://internetshakespeare.uvic.ca/Foyer/makingwaves/friends/index.html">Friends of the ISE</ref>
</funder>
</editionStmt>
<editionStmt>
<funder>Poculi Ludique Societas</funder>
</editionStmt>
<funder>Poculi Ludique Societas</funder>
</editionStmt>
Prosopography
Illya
Illya has a BA in English and Sociocultural Anthropology and an MA in English. Prior
to joining the HCMC, he was a PhD candidate in English and Book History at the University
of Toronto and worked on Records of Early English Drama and on the Modernist Archives Publishing Project. His work at the HCMC focuses on creating web-based applications for research projects
led by members of the faculty of Humanities at the University of Victoria. This involves
creating schemas for new and existing datasets, writing XSLT and build files to transform
datasets into structured TEI and HTML formats, implementing staticSearch, and ensuring
that new projects are Endings Principles compliant.
Janelle Jenstad
Janelle Jenstad is a Professor of English at the University of Victoria, Director
of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Beatrice Kaethler, she co-edited Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge). She has edited John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Elizabethan Theatre, Early Modern Literary Studies, Shakespeare Bulletin, Renaissance and Reformation, and The Journal of Medieval and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives (MLA); Institutional Culture in Early Modern England (Brill); Shakespeare, Language, and the Stage (Arden); Performing Maternity in Early Modern England (Ashgate); New Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter); Placing Names: Enriching and Integrating Gazetteers (Indiana); Making Things and Drawing Boundaries (Minnesota); Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (Routledge); and Civic Performance: Pageantry and Entertainments in Early Modern London (Routledge). For more details, see janellejenstad.com.
Joey Takeda
Joey Takeda is LEMDO’s Consulting Programmer and Designer, a role he assumed in 2020
after three years as the Lead Developer on LEMDO.
Mahayla Galliford
Project manager, 2025-present; research assistant, 2021-present. Mahayla Galliford
(she/her) graduated with a BA (Hons with distinction) from the University of Victoria
in 2024. Mahayla’s undergraduate research explored early modern stage directions and
civic water pageantry. Mahayla continues her studies through UVic’s English MA program
and her SSHRC-funded thesis project focuses on editing and encoding girls’ manuscripts,
specifically Lady Rachel Fane’s dramatic entertainments, in collaboration with LEMDO.
Martin Holmes
Martin Holmes has worked as a developer in the UVic’s Humanities Computing and Media
Centre for over two decades, and has been involved with dozens of Digital Humanities
projects. He has served on the TEI Technical Council and as Managing Editor of the
Journal of the TEI. He took over from Joey Takeda as lead developer on LEMDO in 2020.
He is a collaborator on the SSHRC Partnership Grant led by Janelle Jenstad.
Navarra Houldin
Training and Documentation Lead 2025–present. LEMDO project manager 2022–2025. Textual
remediator 2021–present. Navarra Houldin (they/them) completed their BA with a major
in history and minor in Spanish at the University of Victoria in 2022. Their primary
research was on gender and sexuality in early modern Europe and Latin America. They
are continuing their education through an MA program in Gender and Social Justice
Studies at the University of Alberta where they will specialize in Digital Humanities.
Samuel Seaberg
Samuel Seaberg, a University of Victoria English undergrad, enjoys riding his bike.
During the summer of 2025, he began working with LEMDO as a recipient of the Valerie
Kuehne Undergraduate Research Award (VKURA). Unfortunately, due to his summer being
spent primarily in working to establish an edition of Thomas Heywood’s If You Know Not Me, You Know Nobody, Part 2 and consequently working out how to represent multi-text works in a digital space,
his bike has suffered severely of sheltered seclusion from the sun. Note: Samuel now
works for LEMDO as the Assistant Project Manager, much to his bike’s chagrin.
Tracey El Hajj
Junior Programmer 2019–2020. Research Associate 2020–2021. Tracey received her PhD
from the Department of English at the University of Victoria in the field of Science
and Technology Studies. Her research focuses on the algorhythmics of networked communications. She was a 2019–2020 President’s Fellow in Research-Enriched
Teaching at UVic, where she taught an advanced course on
Artificial Intelligence and Everyday Life.Tracey was also a member of the Map of Early Modern London team, between 2018 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.
Orgography
Digital Renaissance Editions (DRE1)
Anthology Leads and Co-Coordinating Editors: Brett Greatley-Hirsch, Janelle Jenstad,
James Mardock, and Sarah Neville.
LEMDO Team (LEMD1)
The LEMDO Team is based at the University of Victoria and normally comprises the project
director, the lead developer, project manager, junior developers(s), remediators,
encoders, and remediating editors.
MoEML Mayoral Shows (MOMS1)
Anthology Leads and General Editors: Mark Kaethler and Janelle Jenstad. The team includes
SSHRC-funded research assistants. Peer review is coordinated by the General Editors
but conducted by other editors and external scholars.
Glossary
empty element
“Empty elements are also called milestoneor
self-closingelements, but LEMDO uses the term
emptyelement. Empty elements do not have child text or element nodes.”
Metadata
| Authority title | Encode Sponsors and Funders in Your Metadata |
| Type of text | Documentation |
| Publisher | University of Victoria on the Linked Early Modern Drama Online Platform |
| Series | Linked Early Modern Drama Online |
| Source |
TEI Customization created by Martin Holmes, Joey Takeda, and Janelle Jenstad; documentation written by members of the LEMDO Team
|
| Editorial declaration | n/a |
| Edition | Released with Linked Early Modern Drama Online 1.0 |
| Encoding description | Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines |
| Document status | prgGenerated |
| Funder(s) | Social Sciences and Humanities Research Council of Canada |
| License/availability |
This file is licensed under a CC BY-NC_ND 4.0 license, which means that it is freely downloadable without permission under the following
conditions: (1) credit must be given to the author and LEMDO in any subsequent use
of the files and/or data; (2) the content cannot be adapted or repurposed (except
in quotations for the purposes of academic review and citation); and (3) commercial
uses are not permitted without the knowledge and consent of the editor and LEMDO.
This license allows for pedagogical use of the documentation in the classroom.
|