Principles, Practices, and Caveats of Linking
¶ Rationale
LEMDO prefers a series of densely interlinked pages over a single linear document.
We have established best practices for the many types of linking that you may do during
your work on the LEMDO project: linking within an a single document, linking within
an edition, linking within the LEMDO project, and linking from one edition to an external
source. We follow these best practices in order to create stable links that follow
the principles for Endings compliance.
¶ Principles
Links must be processable for both the digital edition and the print edition. LEMDO
uses single-source publishing, which means that our encoding will be handled by processing
to build HTML digital editions and PDF print editions that are generated using LaTeX,
a standard application in the publishing industry.
Links should help users find what they need within an edition.
In practice, we ask you to use xml:ids and anchors to point to the things you want
to link to in your edition.
In practice, we convert the pointers within your digital edition into canonical reference
citations (A.S.Sp. for modern texts, Sp. for semi-diplomatic transcriptions) and links
at build time. Although the rendered citation gives A.S.Sp. numbers, clicking on the
citation takes a user directly to the cited part of the speech.
In practice, we convert the pointers within your print edition into local reference
citations (A.S.Sp. and page numbers) at build time.
Links must give credit where credit is due in ways that are human-readable.
In practice, you provide the human-readable citation using the
<ref>
element in cases where LEMDO cannot generate a canonical citation.In practice, LEMDO will turn your
<ref>
elements into hyperlinks in the digital editions that will point to the entity or
source you cite.In practice, LEMDO trusts that you will provide adequate information in the text node
of your
<ref>
element to allow readers of the print edition to find the source you are citing.In practice, LEMDO will check to see if all the external links work before every anthology
release.
Links should point from the less stable entity to the more stable entity.
Links must only be to published editions. LEMDO does not cite or link to unpublished
editions, which are by their nature in flux.
In practice, we cite from LEMDO editions only when they are complete, peer-reviewed,
and published.1
In practice, we cite other published editions in those cases where a LEMDO edition
is not yet published.
LEMDO editions are designed to be published in multiple anthologies, and those anthologies
are designed to be independent static sites.
In practice, an edition can only use the
<ptr>
element when linking within its own edition portfolio.In practice, editions treat materials outside their anthology as any other source
on the internet and use the
<ref>
tag and target URL to link to them.¶ Caveats
The digital edition is more capacious than the print edition.
In practice, we must be especially careful in how we encode the components of the
digital edition that will be turned into PDFs.
In practice, we can be more flexible with the components of the digital edition that
will only ever be part of the digital edition.
We cannot render line editions in eiter the print or the digital edition.
In practice, we use the A.S.Sp. canonical reference system for both print and digital
editions.
Only pointers can be converted to precise citations.
In practice, you can use a
<ref>
to point within a portfolio, but it is always safest to use a
<ptr>
to link within your portfolio.In practice, use the
<ptr>
element for anything that needs to have a calculated reference that you cannot know
until the PDF is produced (i.e., page numbers).Notes
1.To be published, a document has to have three things: (1) it must have the value of
publishedfor the
@status
attribute on the
<revisionDesc>
element, (2) it has to be included in an anthology, and (3) it has to have been released
in a static release of that anthology.↑Prosopography
Isabella Seales
Isabella Seales is a fourth year undergraduate completing her Bachelor of Arts in
English at the University of Victoria. She has a special interest in Renaissance and
Metaphysical Literature. She is assisting Dr. Jenstad with the MoEML Mayoral Shows
anthology as part of the Undergraduate Student Research Award program.
Janelle Jenstad
Janelle Jenstad is a Professor of English at the University of
Victoria, Director of The Map
of Early Modern London, and Director of Linked Early Modern Drama
Online. With Jennifer Roberts-Smith and Mark Kaethler, she
co-edited Shakespeare’s Language in Digital Media: Old
Words, New Tools (Routledge). She has edited John Stow’s
A Survey of London (1598 text) for MoEML
and is currently editing The Merchant of Venice
(with Stephen Wittek) and Heywood’s 2 If You Know Not
Me You Know Nobody for DRE. Her articles have appeared in
Digital Humanities Quarterly, Elizabethan Theatre, Early Modern
Literary Studies, Shakespeare
Bulletin, Renaissance and
Reformation, and The Journal of Medieval
and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives
(MLA); Institutional Culture in Early Modern
England (Brill); Shakespeare, Language, and
the Stage (Arden); Performing Maternity in
Early Modern England (Ashgate); New
Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter);
Placing Names: Enriching and Integrating
Gazetteers (Indiana); Making Things and
Drawing Boundaries (Minnesota); Rethinking
Shakespeare Source Study: Audiences, Authors, and Digital
Technologies (Routledge); and Civic
Performance: Pageantry and Entertainments in Early Modern
London (Routledge). For more details, see janellejenstad.com.
Joey Takeda
Joey Takeda is LEMDO’s Consulting Programmer and Designer, a role he
assumed in 2020 after three years as the Lead Developer on
LEMDO.
Kate LeBere
Project Manager, 2020–2021. Assistant Project Manager, 2019–2020. Textual Remediator
and Encoder, 2019–2021. Kate LeBere completed her BA (Hons.) in History and English
at the University of Victoria in 2020. During her degree she published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History
Conference (2020), and the Digital Humanities Summer Institute’s Project Management
in the Humanities Conference (2021). While her primary research focus was sixteenth
and seventeenth century England, she completed her honours thesis on Soviet ballet
during the Russian Cultural Revolution. She is currently a student at the University
of British Columbia’s iSchool, working on her masters in library and information science.
Martin Holmes
Martin Holmes has worked as a developer in the
UVicʼs Humanities Computing and Media Centre for
over two decades, and has been involved with dozens
of Digital Humanities projects. He has served on
the TEI Technical Council and as Managing Editor of
the Journal of the TEI. He took over from Joey Takeda as
lead developer on LEMDO in 2020. He is a collaborator on
the SSHRC Partnership Grant led by Janelle Jenstad.
Navarra Houldin
Project manager 2022–present. Textual remediator 2021–present. Navarra Houldin (they/them)
completed their BA in History and Spanish at the University of Victoria in 2022. During
their degree, they worked as a teaching assistant with the University of Victoriaʼs
Department of Hispanic and Italian Studies. Their primary research was on gender and
sexuality in early modern Europe and Latin America.
Nicole Vatcher
Technical Documentation Writer, 2020–2022. Nicole Vatcher completed her BA (Hons.)
in English at the University of Victoria in 2021. Her primary research focus was womenʼs
writing in the modernist period.
Tracey El Hajj
Junior Programmer 2019–2020. Research Associate 2020–2021. Tracey received her PhD
from the Department of English at the University of Victoria in the field of Science
and Technology Studies. Her research focuses on the algorhythmics of networked communications. She was a 2019–2020 President’s Fellow in Research-Enriched
Teaching at UVic, where she taught an advanced course on
Artificial Intelligence and Everyday Life.Tracey was also a member of the Map of Early Modern London team, between 2018 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.
Orgography
LEMDO Team (LEMD1)
The LEMDO Team is based at the University of Victoria and normally comprises the project
director, the lead developer, project manager, junior developers(s), remediators,
encoders, and remediating editors.
Metadata
Authority title | Principles, Practices, and Caveats of Linking |
Type of text | Documentation |
Short title | |
Publisher | University of Victoria on the Linked Early Modern Drama Online Platform |
Series | Linked Early Modern Drama Online |
Source |
TEI Customization created by Martin Holmes, Joey Takeda, and Janelle Jenstad; documentation written by members of the LEMDO Team
|
Editorial declaration | n/a |
Edition | Released with Linked Early Modern Drama Online 1.0 |
Encoding description | Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines |
Document status | prgGenerated |
Funder(s) | Social Sciences and Humanities Research Council of Canada |
License/availability | This file is licensed under a CC BY-NC_ND 4.0 license, which means that it is freely downloadable without permission under the following conditions: (1) credit must be given to the author and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except in quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of the editor and LEMDO. This license allows for pedagogical use of the documentation in the classroom. |