Encode Block Quotations
Rationale
Use your own judgement about when a quotation is too long to be embedded in your own
running prose and needs to be offset as a block inside the paragraph. Block quotations
must be contained inside paragraphs. They cannot float between paragraphs. The rationale
for this rule is that block quotations need to be introduced and (normally) discussed.
Practice
The basic encoding pattern is as follows:
<cit>
<quote>Block quotation goes here.</quote>
<bibl>(Parenthetical citation goes here)</bibl>
</cit>
The entire block quotation and citation is wrapped in the <quote>Block quotation goes here.</quote>
<bibl>(Parenthetical citation goes here)</bibl>
</cit>
<cit>
element.
<cit>
contains two child elements:
<quote>
for the quotation and
<bibl>
for the citation. Omissions from the quotation may be indicated with the self-closing
<gap>
.Because the block quotation must always be inside a paragraph
<p>
element, the full encoding pattern for the block quotation is as follows:
<p>Running prose. Introduction to the quotation:
<cit>
<quote>Block quotation goes here.</quote>
<bibl>(Parenthetical citation goes here)</bibl>
</cit> Running prose continues. </p>
<quote>Block quotation goes here.</quote>
<bibl>(Parenthetical citation goes here)</bibl>
</cit> Running prose continues. </p>
The parenthetical citation is encoded like any other citation, with the
<ref>
element wrapped around the entire citation (except for the parentheses). The
<ref>
element has two attributes:
@type (for which the value is always "bibl") and
@target. The
@target attribute begins with a prefix (normally "bibl:"
) followed by the xml:id of the bibliographic entity.
<bibl>(<ref type="bibl" target="bibl:BBBB1">Lastname 11-22</ref>)</bibl>
Examples
<cit>
<quote>Shakespeare, who is accountable both to the eyes and to the ears, and to convince the very heart of an audience, shows that Desdemona was won by hearing Othello talk <gap reason="sampling"/> This was the charm, this was the philtre, the love powder that took the daughter of this noble Venetian i.e., Brabantio. This was sufficient to make the blackamoor white and reconcile all, though there had been a cloven foot into the bargain.</quote>
<bibl>(<ref type="bibl" target="bibl:RYME1">Rymer 89-90</ref>)</bibl>
</cit>
<quote>Shakespeare, who is accountable both to the eyes and to the ears, and to convince the very heart of an audience, shows that Desdemona was won by hearing Othello talk <gap reason="sampling"/> This was the charm, this was the philtre, the love powder that took the daughter of this noble Venetian i.e., Brabantio. This was sufficient to make the blackamoor white and reconcile all, though there had been a cloven foot into the bargain.</quote>
<bibl>(<ref type="bibl" target="bibl:RYME1">Rymer 89-90</ref>)</bibl>
</cit>
Prosopography
Isabella Seales
Isabella Seales is a fourth year undergraduate completing her Bachelor of Arts in
English at the University of Victoria. She has a special interest in Renaissance and
Metaphysical Literature. She is assisting Dr. Jenstad with the MoEML Mayoral Shows
anthology as part of the Undergraduate Student Research Award program.
Janelle Jenstad
Janelle Jenstad is a Professor of English at the University of Victoria, Director
of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge). She has edited John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Elizabethan Theatre, Early Modern Literary Studies, Shakespeare Bulletin, Renaissance and Reformation, and The Journal of Medieval and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives (MLA); Institutional Culture in Early Modern England (Brill); Shakespeare, Language, and the Stage (Arden); Performing Maternity in Early Modern England (Ashgate); New Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter); Placing Names: Enriching and Integrating Gazetteers (Indiana); Making Things and Drawing Boundaries (Minnesota); Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (Routledge); and Civic Performance: Pageantry and Entertainments in Early Modern London (Routledge). For more details, see janellejenstad.com.
Joey Takeda
Joey Takeda is LEMDO’s Consulting Programmer and Designer, a role he assumed in 2020
after three years as the Lead Developer on LEMDO.
Mahayla Galliford
Project manager, 2025-present; research assistant, 2021-present. Mahayla Galliford
(she/her) graduated with a BA (Hons with distinction) from the University of Victoria
in 2024. Mahayla’s undergraduate research explored early modern stage directions and
civic water pageantry. Mahayla continues her studies through UVic’s English MA program
and her SSHRC-funded thesis project focuses on editing and encoding girls’ manuscripts,
specifically Lady Rachel Fane’s dramatic entertainments, in collaboration with LEMDO.
Martin Holmes
Martin Holmes has worked as a developer in the UVic’s Humanities Computing and Media
Centre for over two decades, and has been involved with dozens of Digital Humanities
projects. He has served on the TEI Technical Council and as Managing Editor of the
Journal of the TEI. He took over from Joey Takeda as lead developer on LEMDO in 2020.
He is a collaborator on the SSHRC Partnership Grant led by Janelle Jenstad.
Navarra Houldin
Training and Documentation Lead 2025–present. LEMDO project manager 2022–2025. Textual
remediator 2021–present. Navarra Houldin (they/them) completed their BA with a major
in history and minor in Spanish at the University of Victoria in 2022. Their primary
research was on gender and sexuality in early modern Europe and Latin America. They
are continuing their education through an MA program in Gender and Social Justice
Studies at the University of Alberta where they will specialize in Digital Humanities.
Nicole Vatcher
Technical Documentation Writer, 2020–2022. Nicole Vatcher completed her BA (Hons.)
in English at the University of Victoria in 2021. Her primary research focus was women’s
writing in the modernist period.
Tracey El Hajj
Junior Programmer 2019–2020. Research Associate 2020–2021. Tracey received her PhD
from the Department of English at the University of Victoria in the field of Science
and Technology Studies. Her research focuses on the algorhythmics of networked communications. She was a 2019–2020 President’s Fellow in Research-Enriched
Teaching at UVic, where she taught an advanced course on
Artificial Intelligence and Everyday Life.Tracey was also a member of the Map of Early Modern London team, between 2018 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.
Bibliography
PLACEHOLDER BIBLIOGRAPHY ITEM. Placeholder bibliography item. The purpose of this item is to allow encoders to link to a bibliography item when
they do not have access to BIBL1 or cannot add a new entry. When linking to this item,
please include a comment explaining the details of the item the link should really
point to.
Orgography
LEMDO Team (LEMD1)
The LEMDO Team is based at the University of Victoria and normally comprises the project
director, the lead developer, project manager, junior developers(s), remediators,
encoders, and remediating editors.
Metadata
| Authority title | Encode Block Quotations |
| Type of text | Documentation |
| Publisher | University of Victoria on the Linked Early Modern Drama Online Platform |
| Series | Linked Early Modern Drama Online |
| Source |
TEI Customization created by Martin Holmes, Joey Takeda, and Janelle Jenstad; documentation written by members of the LEMDO Team
|
| Editorial declaration | n/a |
| Edition | Released with Linked Early Modern Drama Online 1.0 |
| Encoding description | Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines |
| Document status | prgGenerated |
| Funder(s) | Social Sciences and Humanities Research Council of Canada |
| License/availability |
This file is licensed under a CC BY-NC_ND 4.0 license, which means that it is freely downloadable without permission under the following
conditions: (1) credit must be given to the author and LEMDO in any subsequent use
of the files and/or data; (2) the content cannot be adapted or repurposed (except
in quotations for the purposes of academic review and citation); and (3) commercial
uses are not permitted without the knowledge and consent of the editor and LEMDO.
This license allows for pedagogical use of the documentation in the classroom.
|