Kitchens and Cooking

Kitchen Activities

Para1In smaller homes in early modern England, the kitchen was typically one of two main rooms on the ground floor. Sharing a central chimney with the parlor in larger homes, the kitchen was often secluded from the rest of the household and had external entrances to facilitate access to wood/coal sheds, cisterns, gardens and yards (Pennell 204) to make cooking easier. Like today, the kitchen was a key room in any home, used for cooking and eating, but it was also a place for conversation, discussion, and family disputes. The kitchen usually included:
A chimney, with hooks for hanging meats to be smoked
An oven, for baking bread, pies, and pastries
A cooking hearth, including a spit for roasting meat
Cooking implements such as hooks, tongs, and spoons of iron and wood
Cookware of metals such iron, copper, brass, and tin
Dishes, bowls, sppons, ladels, and platters of pottery, wood, and pewter for serving and eating
Vessels like mugs, cups, and tankards of pottery, wood, pewter, horn, and leather for drinking
A table for food preparation and eating
A chair or stool for sitting by the hearth

The Complexities of the Early Modern Kitchen

Para2In small households, the wife was often the cook of the house, whereas in bigger households, a male cook or cooking staff might be employed as servants. Housewives had the responsibility to provide food for the family, especially over winter when carefully allocating resources was necessary. Therefore, the family would need to trust the cook with managing quantities of ingredients for daily and longer-term use. Before refrigerators, food preservation was naturally very important. A cook in a household needed to know a variety of techniques to preserve food. Some of the foods preserved commonly included
Fruit
Nuts
Meat
Vegetables
And even candied flowers

Women in the Kitchen

Para3The housewife or cook would need to understand how to effectively preserve food and adapt for differences in recipes. In terms of gender roles, being the cook of the house provided many women with a purpose considering the kitchen was, at its core, a domestic and feminine space. Historian Sara Pennell notes that, for married women, the kitchen was perceived as the public locus in which that virtuous persona was made visible and accountable (212).
Para4The 1594 book The Good Huswifes Handmaid for the Kitchen has the following very lengthy subtitle that indicates how crucial the role of women was in making food and preserving the household’s health, noted here in modern spelling and punctuation:
Containing many principal points of cookery, as well how to dress meats, after sundry after many of the best fashions used in England and other Countries, with their apt and proper sauces, both for flesh and fish, as also the orderly serving of the same to the table. Hereunto are annexed, sundry necessary conceits for the preservation of health. Very meet suitable to be adjoined to the good housewife’s closet private chamber for of provision for her household.

Recipes and Recipe Books in Early Modern England

Para5Both handwritten and printed recipe books offer evidence of the kinds of domestic knowledge that the people of early modern England had or needed. Within the books, household tips as well as helpful recipes appeared. Recipes were integral to early modern households, and many women made recipe books for themselves and their families. Recipe books were used for record keeping and as a way to move the verbal culture of recipe creation and knowledge to written form. The Folger Shakespeare Library holds the world’s largest collection of manuscript recipe books from the early modern period, with 125 catalogued manuscripts.
Para6Recipe books contained many useful facts. For example, one shared how to salt and dry meat; animals were often slaughtered at the start of winter, so the meat had to be preserved through drying, salting, or smoking. Recipes like this one were often edited over a lifetime and reflected the social context of the time in which they were created.
Para7Printed books of recipes, as opposed to handwritten ones, began appearing in the mid-16th century, with dozens of printed texts of recipes for food and medicines, as well as household management appearing before 1700.
Para8An example of how to Bake Red Deere is demonstrated in the 1656 The Compleat Cook, Expertly Prescribing The Most Ready Wayes, Whether Italian, Spanish Or French, For Dressing Of Flesh And Fish, Ordering Of Sauces Or Making Of Pastry. This recipe for a venison pie shows the different techniques and seasonings used in early modern kitchens.
Parboyl it, and then sauce it in Vinegar then Lard it very thick, and season it with Pepper, Ginger and Nutmegs, put it into a deep Pye with good store of sweet butter, and let it bake, when it is baked, take a pint of Hippocras spiced wine, halfe a pound of sweet butter, two or three Nutmeg, little Vinegar, poure it into the Pye in the Oven and let it lye and soake an hour, then take it out, and when it is cold stop the vent hole.
No alternative text available.
English Cookery and Medicine Book, c. 1677–1711. Courtesy of Folger Shakespeare Library.

Key Print Sources

Orlin, Lena Cowen. Elizabethan Households: An Anthology. Folger Shakespeare Library, 1995.
Pennell, Sara. Pots and Pans History: The Material Culture of the Kitchen in Early Modern England. Journal of Design History, vol. 11, no. 3, 1998, pp. 201–216.
Tigner, A. L., and D. B. Goldstein. Culinary Shakespeare: Staging Food and Drink in Early Modern England. Duquesne University Press, 2016.

Key Online Soures

A Good Huswife’s Handmaide for the Kitchin. 1594. Internet Archive, https://archive.org/details/bim_early-english-books-1475–1640_the-good-huswifes-handma_book_1594. Accessed 10 Oct. 2023.
Best, Michael. Of women and kitchens. Shakespeare’s Life and Times.Internet Shakespeare Editions. University of Victoria. https://internetshakespeare.uvic.ca/Library/SLT/society/huswifery/women&kitchen.html. Accessed 13 Feb. 2023.
Best, Michael. Cooks. Shakespeare’s Life and Times.Internet Shakespeare Editions. University of Victoria. https://internetshakespeare.uvic.ca/Library/SLT/society/city%20life/trades/cooks.html. Accessed 13 Feb. 2023.
Caton, Mary Ellen. Fooles and Fricasses: Food in Shakespeare’s England. Folger Shakespre Library Exhibition, 10 Sep.–30 Dec., 1999. https://folgerpedia.folger.edu/Fooles_and_Fricassees:_Food_in_Shakespeare%27s_England.
Early Modern Recipes Online Collective, Hypotheses. 4 Oct 2023. https://emroc.hypotheses.org/about.
Havard, Lucy J. “Preserve or Perish”: Food Preservation Practices in the Early Modern Kitchen. The Royal Society Journal of the History of Science, vol. 74, no. 1, 20 Mar. 2020, pp. 5–33. http://doi.org/10.1098/rsnr.2019.0004.
Martha Carlin. (n.d.). Medieval and Early Modern Cookery. https://sites.uwm.edu/carlin/medieval-and-early-modern-cookery/. Accessed 10 Oct. 2023.
Recipe books at the Folger Shakespeare Library. Folgerpedia. The Folger Shakespeare Library. 21 Jul. 2020. hhttps://folgerpedia.folger.edu/_mw/index.php?title=Recipe_books_at_the_Folger_Shakespeare_Library.

Image Source

English Cookery and Medicine Book. c. 1677–1711. MS. Pg. 4. Folger Shakespeare Library. LUNA: Folger Digital Image Collection. Call number V.b.380. https://digitalcollections.folger.edu/img142914.

Prosopography

Kate McPherson

Kate McPherson is Professor of English and Honors Program Director at Utah Valley University (Orem, UT, USA). In 2015, she began working to redevelop Shakespeare’s Life and Times, created by Michael Best, into the Early Modern England Encyclopedia. Her other publications include commentary on Pericles and The Comedy of Errors for the New Oxford Shakespeare (2016); the co-edited volumes Stages of Engagement: Drama and Religion in Post-Reformation England with James Mardock (Duquesne University Press, 2014) and Shakespeare Expressed: Page, Stage, and Classroom in Shakespeare and His Contemporaries, with Kathryn M. Moncrief and Sarah Enloe (Fairleigh Dickinson University Press, 2013). With Kathryn M. Moncrief, Kate has also two edited collections, Performing Pedagogy in Early Modern England: Gender, Instruction, and Performance (Ashgate, 2011) and Performing Maternity in Early Modern England (Ashgate 2008). She has also published numerous articles on early modern maternity in scholarly journals. Kate participated in the 2008 National Endowment for the Humanities Institute, Shakespeare’s Blackfriars: The Study, the Stage, the Classroom, at the American Shakespeare Center. She also served as Play Seminar Director, a public humanities position, for the Utah Shakespeare Festival in 2017 and 2018.

Leah Hamby

Leah Hamby is the primary encoder for the Early Modern England Encyclopedia. Aside from encoding, she also works as an editor for the project and contributed several articles of her own. She has been working on the EMEE since February 2023. As of February 2026, she is soon to graduate with honours from Utah Valley University with a major in history and a minor in creative writing. Her other work with the LEMDO program includes remediating William Kemp’s Kemp’s Nine Day’s Wonder for the Digital Renaissance Editions.

Mackenzie Krahn

Mackenzie Krahn was a student at the University of Fraser Valley.

Melissa Walter

Melissa Walter is Associate Professor of English at the University of the Fraser Valley. Her research focuses on early modern English drama and English and European prose fiction. She is the author of The Italian Novella and Shakespeare’s Comic Heroines (U of Toronto, 2019), and co-editor, with Dennis Britton, of Rethinking Shakespeare Source Study: Authors, Audiences, Digital Technologies (Routledge, 2018). Her work on English theatre and the European novella has appeared in several edited collections, including Transnational Exchange in Early Modern Theater (Ashgate, 2008), and Transnational Mobility in Early Modern Theater (Ashgate, 2012). She has also written about Translation and Identity in the Dialogues in English and Malaiane Languages (Indographies, ed. Jonathan Gil Harris. Palgrave 2012). At the University of the Fraser Valley, she is a lead coordinator of UFV’s Shakespeare and Reconciliation Garden.

Michael Best

Michael Best is Professor Emeritus at the University of Victoria, BC. He founded the Internet Shakespeare Editions in 1996, and was Coordinating Editor until 2017, contributing two editions to the ISE: King John and King Lear (the latter also available in print from Broadview Press). In print, he has published editions of works of Elizabethan magic and huswifery, a collection of letters from the Australian goldfields, and Shakespeare on the Art of Love (2008). He contributed regular columns for the Shakespeare Newsletter on Electronic Shakespeares, and has written many articles and chapters for both print and online books and journals, principally on questions raised by the new medium in the editing and publication of texts. He has delivered papers and plenary lectures on electronic media and the Internet Shakespeare Editions at conferences in Canada, the USA, the UK, Spain, Australia, and Japan.

Navarra Houldin

Training and Documentation Lead 2025–present. LEMDO project manager 2022–2025. Textual remediator 2021–present. Navarra Houldin (they/them) completed their BA with a major in history and minor in Spanish at the University of Victoria in 2022. Their primary research was on gender and sexuality in early modern Europe and Latin America. They are continuing their education through an MA program in Gender and Social Justice Studies at the University of Alberta where they will specialize in Digital Humanities.

Orgography

LEMDO Team (LEMD1)

The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors.

University of Victoria (UVIC1)

https://www.uvic.ca/

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