Lady Anne Clifford

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The Great Picture, attributed to Jan van Belcamp, 1646. The left panel shows Anne Clifford, age 13, the central panel shows her parents and two brothers, while the right panel shows the widowed Anne Clifford at about age 56. Courtesy of Abbot Hall Gallery. CC-BY.4.0.

Biography and Legal Battle

Para1Lady Anne Clifford (1590–1676) was the only surviving child of Baron George Clifford and Lady Margaret Russell. At age 15, she was the heir to an extensive barony in the north-west of England when her father died. Her unusual inheritance occurred because the original documents, issued during the reign of Edward II, stated that the oldest child would inherit, no matter the gender. Clifford’s father, however, willed his estate to his brother and his male line, with the condition that it would revert to his daughter only if there were no male heirs. His will left his daughter £15,000—a huge fortune at the time, but not the title as long as her male cousins survived. This led to many years of lawsuits because of legal skepticism about a female heir to a title. Her mother, the noted intellectual Lady Margaret Russell, was the only one to support her daughter’s cause. Clifford’s mother even went so far as to publicly contest her husband’s will. Anne Clifford’s male cousin in line for the title died in 1643. After the English Civil Wars concluded, Anne Clifford took possession of her properties and the title in 1649. She went on to lead the barony for 27 years. She acted much like a lord by rebuilding churches, convening courts, and establishing an almshouse for the local poor. She wrote several versions of her personal and family history, including The Diary of Anne Clifford.

Clifford’s Marriages

Para2Anne Clifford was twice married, first in 1609 to Richard Sackville, 3rd Earl of Dorset. They were not well-matched, as he was notorious in his extravagance and infidelities. Her first husband pushed Clifford to give up the fight for her inheritance and accept a cash payment, but she refused. Clifford was told by Dorset and all her male relatives, as well as the Archbishop of Canterbury, that she was foolish to keep fighting for her inheritance instead of accepting the money. Her husband needed the money and threated to separate from her and go off to the court of James I to indulge himself. He also threatened to leave her alone in one of their houses and take their child with him.
Para3Dorset died in 1624, and Clifford wed her second husband, Philip Herbert, 4th Earl of Pembroke and Montgomery in 1630. He took her side and helped her to pursue her rightful inheritance. Yet they, too, did not get along well, and she eventually lived separately from him, in part due to their political and religious differences. As England moved towards Civil War, she sided with Charles I and he sided with the Parliamentarians who later executed Charles in 1649. Pembroke died in 1650.

Clifford the Writer

Para4Anne Clifford wrote at least four autobiographies at different stages of her life, all of which were intended, at least in part, to justify her legal and moral claim on her inheritance. Her diary contains significant detail about everyday life that is missing from many other women’s diaries of the time. The diary opens with the 13-year-old Clifford remembering the funeral of Queen Elizabeth and the surrounding events in 1603, situating Clifford at an important historical moment.
Para5Because of the disapproval that Clifford faced from almost everyone, including her first husband, the king, and the court, she used the Bible to justify her rebellious actions. She was a moderate Calvinist but friends with both Catholics and Puritans during a religiously divided era.
Para6Clifford’s household growing up was mostly women, because her father was often away at sea or court. This woman-centered household, Queen Elizabeth’s influence, and the fact that Clifford was well-educated by a personal tutor, may have been the reason she was able to rebel consistently and push against both law and custom. She is reported to have smoked a pipe, worn short hair, and established a specific retirement home for her female servants. Anne Clifford lived to be 86, although her diary was not published until 1923 and not edited fully until 1990.

Key Print Sources

Seelig, Sharon Cadman. Autobiography and Gender in Early Modern Literature: Reading Women’s Lives, 1600–1680. Cambridge University Press, 2005.
Sackville-West, Vitan. The Diary of the Lady Anne Clifford. george Doran and Company, 1923.
Zlatar, Antoinina Bevan. Anne Clifford and Her Bible. Studies in English Literature, 1500–1900, vol. 57, no. 1, 2017, pp. 157–180. doi: 10.1353/sel.2017.0007
Spence, Richard T. Clifford, Anne Known as Lady Anne Clifford, Countess of Pembroke, Dorset, and Montgomery. Oxford Dictionary of National Biography, 25 Sep. 2014, doi: 10.1093/ref:odnb/5641.

Key Online Sources

Anne Clifford Biography. Encyclopedia of World Biography, https://www.notablebiographies.com/supp/Supplement-Ca-Fi/Clifford-Anne.html. Accessed 18 Feb. 2023.
Best, Michael. Lady Anne Clifford. Shakespeare’s Life and Times. Internet Shakespeare Editions, 4 Jan. 2011, https://internetshakespeare.uvic.ca/Library/SLT/literature/women%20writers/clifford.html.
Great Picture Triptych. Abbot Hall Gallery, 23 Nov. 2012, https://lakelandarts.org.uk/the-great-picture-5/.
Lady Anne Clifford. English Heritage, https://www.english-heritage.org.uk/learn/histories/women-in-history/anne-clifford/. Accessed 18 Feb. 2023.
Nicolson, Adam. A World on the Verge of Collapse: Anthony van Dyck’s 4th Earl of Pembroke and His Family. Tate ETC, 1 Jan. 2009, https://www.tate.org.uk/tate-etc/issue-15-spring-2009/world-on-verge-collapse.

Image Sources

Belcamp, Jan van. The Great Picture. 1646. Oil on canvas. Abbot Hall Gallery.

Prosopography

Janelle Jenstad

Janelle Jenstad is a Professor of English at the University of Victoria, Director of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Beatrice Kaethler, she co-edited Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge). She has edited John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Elizabethan Theatre, Early Modern Literary Studies, Shakespeare Bulletin, Renaissance and Reformation, and The Journal of Medieval and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives (MLA); Institutional Culture in Early Modern England (Brill); Shakespeare, Language, and the Stage (Arden); Performing Maternity in Early Modern England (Ashgate); New Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter); Placing Names: Enriching and Integrating Gazetteers (Indiana); Making Things and Drawing Boundaries (Minnesota); Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (Routledge); and Civic Performance: Pageantry and Entertainments in Early Modern London (Routledge). For more details, see janellejenstad.com.

Kate McPherson

Kate McPherson is Professor of English and Honors Program Director at Utah Valley University (Orem, UT, USA). In 2015, she began working to redevelop Shakespeare’s Life and Times, created by Michael Best, into the Early Modern England Encyclopedia. Her other publications include commentary on Pericles and The Comedy of Errors for the New Oxford Shakespeare (2016); the co-edited volumes Stages of Engagement: Drama and Religion in Post-Reformation England with James Mardock (Duquesne University Press, 2014) and Shakespeare Expressed: Page, Stage, and Classroom in Shakespeare and His Contemporaries, with Kathryn M. Moncrief and Sarah Enloe (Fairleigh Dickinson University Press, 2013). With Kathryn M. Moncrief, Kate has also two edited collections, Performing Pedagogy in Early Modern England: Gender, Instruction, and Performance (Ashgate, 2011) and Performing Maternity in Early Modern England (Ashgate 2008). She has also published numerous articles on early modern maternity in scholarly journals. Kate participated in the 2008 National Endowment for the Humanities Institute, Shakespeare’s Blackfriars: The Study, the Stage, the Classroom, at the American Shakespeare Center. She also served as Play Seminar Director, a public humanities position, for the Utah Shakespeare Festival in 2017 and 2018.

Leah Hamby

Leah Hamby is the primary encoder for the Early Modern England Encyclopedia. Aside from encoding, she also works as an editor for the project and contributed several articles of her own. She has been working on the EMEE since February 2023. As of February 2026, she is soon to graduate with honours from Utah Valley University with a major in history and a minor in creative writing. Her other work with the LEMDO program includes remediating William Kemp’s Kemp’s Nine Day’s Wonder for the Digital Renaissance Editions.

Navarra Houldin

Training and Documentation Lead 2025–present. LEMDO project manager 2022–2025. Textual remediator 2021–present. Navarra Houldin (they/them) completed their BA with a major in history and minor in Spanish at the University of Victoria in 2022. Their primary research was on gender and sexuality in early modern Europe and Latin America. They are continuing their education through an MA program in Gender and Social Justice Studies at the University of Alberta where they will specialize in Digital Humanities.

Orgography

LEMDO Team (LEMD1)

The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors.

University of Victoria (UVIC1)

https://www.uvic.ca/

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