Anne Boleyn

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Pencil drawing of a woman presumed to be Anne Boleyn, although it was likely drawn well after her death, attributed to portraitist Hans Holbein the Younger © The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.
Para1Anne Boleyn, King Henry VIII’s second wife, was arguably the most controversial and famous of Henry’s six wives. Her impact on English politics and religion makes her a notable figure in England’s history, particularly in the person of her daughter, who would become Elizabeth I. Anne Boleyn (sometimes spelled Bullen) also appears as a character in the historical play Henry VIII, co-written by William Shakespeare and John Fletcher in 1613.

Early Life

Para2Anne Boleyn was born in 1501 in Norfolk to Sir Thomas and Lady Elizabeth Boleyn, a prominent aristocratic family. Anne had two siblings, Mary and George, and grew up in Hever Castle in Kent. She may have received a humanist education alongside her siblings, one stressing languages and literature.
Para3Anne began her more formal education in the court of Margaret of Austria, Duchess of Savoy in Mechelen, Belgium in 1513. Margaret was daughter of Maximilian I, the Holy Roman Emperor who ruled much of central Europe, and she maintained a sophisticated court, one rich with literature, art, and humanist ideals.
Para4In 1514, Anne was selected to accompany Henry Tudor’s sister, Mary, as a maid of honor when Mary went to the French court to wed King Louis XII. When Louis died a few months later, Mary Tudor returned home to England, and Anne began to serve in the court of Queen Claude, where she spent the next six years. Anne’s years in France were fruitful, and she learned its language, art, and fashion. Anne learned the subtle arts required to interact at the court, as well as association with many powerful and influential European nobles and rulers, possibly meeting Henry VIII when he visited France for the Field of the Cloth of Gold ceremonies in 1518. In 1522, Anne returned home to England and became a maid of honor for King Henry VIII’s first wife, Catherine of Aragon.

Relationship with Henry VIII

Para5After a couple of failed betrothals, Anne entered into an affair with King Henry VIII in about 1526, although he had already been involved in an affair with Anne’s married sister, Mary. Anne famously resisted his desire to consummate their affair until they were married. She and King Henry VIII were eventually married in secret in January 1533 while he was still married to Catherine. King Henry VIII’s marriage to Catherine was one he deemed improper, even incestuous, because she was initially married to Henry’s brother, Prince Arthur, before he died. That argument of an improper marriage was the basis for King Henry VIII’s appeal to the pope for a divorce.
Para6The king’s desire to marry Anne and divorce Catherine was a major driver in the English Reformation because Pope Clement VII wouldn’t grant him a divorce. When Archbishop of Canterbury, Thomas Cranmer, declared the marriage of King Henry VIII and Catherine as null and void, subsequently validating the secret marriage of King Henry VIII and Anne Boleyn, the split from the Catholic Church accelerated. The tides of religious reform in England led to the formation of The Church of England, which was made official in 1535 with the Act of Supremacy.

Anne Bolelyn’s Legacy

Para7Anne and King Henry VIII had one child in September 1533 and named her Elizabeth; she would later become Queen Elizabeth I. After Anne experienced several failed pregnancies over the next two years, King Henry VIII began to believe that Anne would not be able to bear him a proper male heir, and so he became restless and desired to be rid of Anne.
Para8King Henry VIII may already have been courting his next wife, Jane Seymour, when he initiated the legal investigation and prosecution of Anne. Anne was put on trial for charges, brought by the king, for the crimes of high treason, adultery, and incest. Anne was found guilty and sentenced to death. At her execution, Anne protested her innocence and praised Henry:
I am come hither to die, for according to the law and by the law I am judged to die, and therefore I will speak nothing against it […] \ I pray God save the King […] for a gentler nor a more merciful prince was there never.
On May 19, 1536, Anne became the first English queen to be executed when she was beheaded at the Tower of London. She is buried in the Chapel of St. Peter ad Vincula inside the Tower’s grounds. Many historians speculate that Anne’s difficult marriage and tragic end influenced her daughter Elizabeth’s decision to remain single.

Key Print Sources

Ives, Eric. The Life and Death of Anne Boleyn. Blackwell Publishing, 2005.
Shakespeare, William. King Henry the Eighth. Edited by and J. C. Maxwell. Cambridge University Press, 1969.
Warnicke, Retha M. The Rise and Fall of Anne Boleyn: Family Politics at the Court of Henry VIII. Cambridge University Press, 1989.

Key Online Sources

Anne Boleyn. Historical Royal Palaces. https://www.hrp.org.uk/tower-of-london/history-and-stories/anne-boleyn/. Accessed 6 Feb. 2023.
Bevan, Richard. Anne Boleyn and the Downfall of her Family. BBC History. https://www.bbc.co.uk/history/british/tudors/anne_boleyn_01.shtml. Accessed 18 Sep. 2018.
Editors of Encyclopaedia Britannica. Anne Boleyn. Encyclopedia Britannica. 17 May 2018. https://www.britannica.com/biography/Anne-Boleyn. Accessed 16 Sep. 2018.
Grueninger, Natalie. On The Tudor Trail. https://onthetudortrail.com/Blog/. Accessed 18 Sep. 2018.

Image Sources

Holbein the Younger, Hans. Portrait of a lady, formerly thought to be Anne Boleyn... 1532–1535. Chalk on paper. The British Museum. https://www.britishmuseum.org/collection/object/P_1975-0621-22.

Prosopography

Janelle Jenstad

Janelle Jenstad is a Professor of English at the University of Victoria, Director of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Beatrice Kaethler, she co-edited Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge). She has edited John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Elizabethan Theatre, Early Modern Literary Studies, Shakespeare Bulletin, Renaissance and Reformation, and The Journal of Medieval and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives (MLA); Institutional Culture in Early Modern England (Brill); Shakespeare, Language, and the Stage (Arden); Performing Maternity in Early Modern England (Ashgate); New Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter); Placing Names: Enriching and Integrating Gazetteers (Indiana); Making Things and Drawing Boundaries (Minnesota); Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (Routledge); and Civic Performance: Pageantry and Entertainments in Early Modern London (Routledge). For more details, see janellejenstad.com.

Kate McPherson

Kate McPherson is Professor of English and Honors Program Director at Utah Valley University (Orem, UT, USA). In 2015, she began working to redevelop Shakespeare’s Life and Times, created by Michael Best, into the Early Modern England Encyclopedia. Her other publications include commentary on Pericles and The Comedy of Errors for the New Oxford Shakespeare (2016); the co-edited volumes Stages of Engagement: Drama and Religion in Post-Reformation England with James Mardock (Duquesne University Press, 2014) and Shakespeare Expressed: Page, Stage, and Classroom in Shakespeare and His Contemporaries, with Kathryn M. Moncrief and Sarah Enloe (Fairleigh Dickinson University Press, 2013). With Kathryn M. Moncrief, Kate has also two edited collections, Performing Pedagogy in Early Modern England: Gender, Instruction, and Performance (Ashgate, 2011) and Performing Maternity in Early Modern England (Ashgate 2008). She has also published numerous articles on early modern maternity in scholarly journals. Kate participated in the 2008 National Endowment for the Humanities Institute, Shakespeare’s Blackfriars: The Study, the Stage, the Classroom, at the American Shakespeare Center. She also served as Play Seminar Director, a public humanities position, for the Utah Shakespeare Festival in 2017 and 2018.

Leah Hamby

Leah Hamby is the primary encoder for the Early Modern England Encyclopedia. Aside from encoding, she also works as an editor for the project and contributed several articles of her own. She has been working on the EMEE since February 2023. As of February 2026, she is soon to graduate with honours from Utah Valley University with a major in history and a minor in creative writing. Her other work with the LEMDO program includes remediating William Kemp’s Kemp’s Nine Day’s Wonder for the Digital Renaissance Editions.

Melanee Raynes

Melanee Raynes was a student at Utah Valley University.

Navarra Houldin

Training and Documentation Lead 2025–present. LEMDO project manager 2022–2025. Textual remediator 2021–present. Navarra Houldin (they/them) completed their BA with a major in history and minor in Spanish at the University of Victoria in 2022. Their primary research was on gender and sexuality in early modern Europe and Latin America. They are continuing their education through an MA program in Gender and Social Justice Studies at the University of Alberta where they will specialize in Digital Humanities.

Orgography

LEMDO Team (LEMD1)

The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors.

University of Victoria (UVIC1)

https://www.uvic.ca/

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