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            <title type="main">Our Platform and Publisher</title>
            <title type="short">Platform</title>
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               <resp ref="#aut">Author<date when="2023"/>
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               <persName ref="#JENS1">Janelle Jenstad</persName>
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                  <reg>LEMDO Team</reg>
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               <note>The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors.</note>
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               <orgName>
                  <reg>Queen’s Men Editions</reg>
                  <abbr>QME</abbr>
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               <note>
                  <p>The Queen’s Men Editions anthology is led by Helen Ostovich, General Editor; Peter Cockett, General Editor (Performance); Andrew Griffin, General Editor (Text; until 2026); and Janelle Jenstad, General Editor (Text; 2026–)</p>
               </note>
            </sponsor>
            <funder>Social Sciences and Humanities Research Council of Canada</funder>
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         <editionStmt>
            <p>Released with Queen’s Men Editions 2.0</p>
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         <publicationStmt>
            <publisher>University of Victoria on the Linked Early Modern Drama Online Platform</publisher>
            <availability>
               <licence from="2023-09-01" resp="#JENS1" corresp="qme.xml"/>
               <p>This file is licensed under a <ref target="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC_ND 4.0 license</ref>, which means that it is freely downloadable without permission under the following conditions: (1) credit must be given to the author, Queen’s Men Editions, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except in quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of Queen’s Men Editions, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom. Neither the content nor the code in this file is licensed for training large language models (LLMs), ingestion into an LLM, or any use in any artificial intelligence applications; such uses are considered to be commercial uses and are strictly prohibited.</p>
               <p>Production photographs and videos on this site may not be downloaded. They appear freely on this site with the permission of the actors and the ACTRA union. They may be used within the context of university courses, within the classroom, and for reference within research contexts, including conferences, when credit is given to the producing company and to the actors. Commercial use of videos and photographs is forbidden.</p>
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                     <gloss type="marc">MARC Code List for Relators definition: A person, family, or
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                        content, regardless of media type (e.g., printed text, spoken word,
                        electronic text, tactile text) or genre (e.g., poems, novels, screenplays,
                        blogs). Use also for persons, etc., creating a new work by paraphrasing,
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                        has substantially changed the nature and content of the original or changed
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                     <gloss type="emd">LEMDO uses the term author in two contexts: (1) to indicate
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               <forename>Janelle</forename>
               <surname>Jenstad</surname>
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            <note>
               <p>Janelle Jenstad is a Professor of English at the University of Victoria, Director of <ref target="https://mapoflondon.uvic.ca">The Map of Early Modern London</ref>, and Director of <ref target="https://lemdo.uvic.ca">Linked Early Modern Drama Online</ref>. With Jennifer Roberts-Smith and Mark Beatrice Kaethler, she co-edited <title level="m">Shakespeare’s Language in Digital Media: Old Words, New Tools</title> (Routledge). She has edited John Stow’s <title level="m">A Survey of London</title> (1598 text) for MoEML and is currently editing <title level="m">The Merchant of Venice</title> (with Stephen Wittek) and Heywood’s <title level="m">2 If You Know Not Me You Know Nobody</title> for DRE. Her articles have appeared in <title level="j">Digital Humanities Quarterly</title>, <title level="j">Elizabethan Theatre</title>, <title level="j">Early Modern Literary Studies</title>, <title level="j">Shakespeare Bulletin</title>, <title level="j">Renaissance and Reformation</title>, and <title level="j">The Journal of Medieval and Early Modern Studies</title>. She contributed chapters to <title level="m">Approaches to Teaching Othello</title> (MLA); <title level="m">Teaching Early Modern Literature from the Archives</title> (MLA); <title level="m">Institutional Culture in Early Modern England</title> (Brill); <title level="m">Shakespeare, Language, and the Stage</title> (Arden); <title level="m">Performing Maternity in Early Modern England</title> (Ashgate); <title level="m">New Directions in the Geohumanities</title> (Routledge); <title level="m">Early Modern Studies and the Digital Turn</title> (Iter); <title level="m">Placing Names: Enriching and Integrating Gazetteers</title> (Indiana); <title level="m">Making Things and Drawing Boundaries</title> (Minnesota); <title level="m">Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies</title> (Routledge); and <title level="m">Civic Performance: Pageantry and Entertainments in Early Modern London</title> (Routledge). For more details, see <ref target="https://janellejenstad.com/">janellejenstad.com</ref>.</p>
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            <note>The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors.</note>
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            <head>LEMDO Platform</head>
            <p xml:id="qme_platform_p1">The Queen’s Men Editions (QME) anthology has been encoded on and built by the Linked Early Modern Drama Online (LEMDO) platform, hosted by the Humanities Computing and Media Centre at the University of Victoria in British Columbia, Canada. LEMDO editions are encoded in the XML encoding language of the Text Encoding Initiative (TEI). LEMDO’s customization of TEI P5 is designed for editing early modern dramatic texts and editorial paratexts. LEMDO uses a Subversion repository to keep files under version control, and a Jenkins Continuous Integration Server to produce anthologies in the form of static, <ref target="https://endings.uvic.ca/principles.html">Endings-compliant</ref> websites. QME has adopted the periodic static release model, whereby new versions (editions) of the anthology are released as new content is ready for publication.</p>
            <p xml:id="qme_platform_p2">LEMDO anthologies have no server-side dependencies. A release of the QME anthology—a bundle of self-contained HTML pages—can be downloaded onto your device and read on a browser even without an internet connection. Contact the <ref target="mailto:lemdo@uvic.ca">LEMDO Team</ref> for more information if you want to download a static version of the QME site.</p>
         </div>
         
         <div xml:id="qme_platform_publisher">
         <head>Our Publisher</head>
            <p xml:id="qme_platform_p3">The digital version of the Queen’s Men Editions anthology is published by the University of Victoria.</p></div>
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