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            <title type="main">Performance Editions</title>
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               <orgName ref="#UVIC1">University of Victoria</orgName>
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                  <reg>Queen’s Men Editions</reg>
                  <abbr>QME</abbr>
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               <note>
                  <p>The Queen’s Men Editions anthology is led by Helen Ostovich, General Editor; Peter Cockett, General Editor (Performance); Andrew Griffin, General Editor (Text; until 2026); and Janelle Jenstad, General Editor (Text; 2026–)</p>
               </note>
            </sponsor>
            <funder>
               <ref target="https://sshrc-crsh.canada.ca/en.aspx">Social Sciences and Humanities Research Council of Canada</ref>
            </funder>
            <funder>
               <ref target="https://www.mcmaster.ca/">McMaster University</ref>
            </funder>
            <funder>
               <ref target="https://pls.artsci.utoronto.ca/">Poculi Ludique Societas</ref>
            </funder>
            <funder>
               <ref target="https://uwaterloo.ca/">University of Waterloo</ref>
            </funder>
            <funder>
               <ref target="https://www.cdtps.utoronto.ca/">University of Toronto Centre for Drama, Theatre &amp; Performance Studies</ref>
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            <funder>
               <ref target="https://www.uvic.ca/">University of Victoria</ref>
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            <funder>
               <ref target="https://internetshakespeare.uvic.ca/Foyer/makingwaves/friends/">Friends of the ISE</ref>
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            <p>Released with Queen’s Men Editions 2.1</p>
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            <publisher>University of Victoria on the Linked Early Modern Drama Online Platform</publisher>
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               <p>This file is licensed under a <ref target="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC_ND 4.0 license</ref>, which means that it is freely downloadable without permission under the following conditions: (1) credit must be given to the author, Queen’s Men Editions, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except in quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of Queen’s Men Editions, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom. Neither the content nor the code in this file is licensed for training large language models (LLMs), ingestion into an LLM, or any use in any artificial intelligence applications; such uses are considered to be commercial uses and are strictly prohibited.</p>
               <p>Production photographs and videos on this site may not be downloaded. They appear freely on this site with the permission of the actors and the ACTRA union. They may be used within the context of university courses, within the classroom, and for reference within research contexts, including conferences, when credit is given to the producing company and to the actors. Commercial use of videos and photographs is forbidden.</p>
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            <p>Page written by the <orgName ref="#QME1">QME Anthology Leads</orgName>. First published in the QME 1.0 anthology on the ISE platform. Converted to TEI-XML and remediated by the <orgName ref="#LEMD1">LEMDO Team</orgName> for republication in the QME 2.0 anthology on the LEMDO platform. Revised and re-released in the QME 2.1 anthology.</p>
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                     <term>Original Source: XWiki</term>
                     <gloss>This TEI file was created based on one or more supplementary files from
                        the Internet Shakespeare Editions anthology, originally encoded in HTML and
                        stored in the ISE’s XWiki system.</gloss>
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                     <gloss type="marc">MARC Code List for Relators definition: A person or
                        organization performing the coding of SGML, HTML, or XML markup of metadata,
                        text, etc.</gloss>
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                     <gloss type="emd">Normally the editor is the copyright holder for an LEMDO
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         <change who="#LEMD1" when="2026-07-09" status="published">Published new version of file.</change>
         <change who="#JENS1" when="2026-07-06">Rewrote the content to reflect current status of editions.</change>
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         <change who="#QMEB1" notAfter="2018" status="peerReviewed">Peer review arranged by QME Editorial Board</change>
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            <persName>
               <reg>Martin Holmes</reg>
               <forename>Martin</forename>
               <surname>Holmes</surname>
            </persName>
            <note>
               <p>Martin Holmes has worked as a developer in the UVic’s Humanities Computing and Media Centre for over two decades, and has been involved with dozens of Digital Humanities projects. He has served on the TEI Technical Council and as Managing Editor of the Journal of the TEI. He took over from Joey Takeda as lead developer on LEMDO in 2020. He is a collaborator on the SSHRC Partnership Grant led by Janelle Jenstad.</p>
            </note>
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         <person xml:id="HOUL3" copyOf="PERS1.xml#HOUL3">
            <persName>
               <reg>Navarra Houldin</reg>
               <forename>Navarra</forename>
               <surname>Houldin</surname>
            </persName>
            <note>
               <p>Training and Documentation Lead 2025–present. LEMDO project manager 2022–2025. Textual remediator 2021–present. Navarra Houldin (they/them) completed their BA with a major in history and minor in Spanish at the University of Victoria in 2022. Their primary research was on gender and sexuality in early modern Europe and Latin America. They are continuing their education through an MA program in Gender and Social Justice Studies at the University of Alberta where they will specialize in Digital Humanities.</p>
            </note>
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            <persName>
               <reg>Janelle Jenstad</reg>
               <forename>Janelle</forename>
               <surname>Jenstad</surname>
            </persName>
            <note>
               <p>Janelle Jenstad is a Professor of English at the University of Victoria, Director of <ref target="https://mapoflondon.uvic.ca">The Map of Early Modern London</ref>, and Director of <ref target="https://lemdo.uvic.ca">Linked Early Modern Drama Online</ref>. With Jennifer Roberts-Smith and Mark Beatrice Kaethler, she co-edited <title level="m">Shakespeare’s Language in Digital Media: Old Words, New Tools</title> (Routledge). She has edited John Stow’s <title level="m">A Survey of London</title> (1598 text) for MoEML and is currently editing <title level="m">The Merchant of Venice</title> (with Stephen Wittek) and Heywood’s <title level="m">2 If You Know Not Me You Know Nobody</title> for DRE. Her articles have appeared in <title level="j">Digital Humanities Quarterly</title>, <title level="j">Elizabethan Theatre</title>, <title level="j">Early Modern Literary Studies</title>, <title level="j">Shakespeare Bulletin</title>, <title level="j">Renaissance and Reformation</title>, and <title level="j">The Journal of Medieval and Early Modern Studies</title>. She contributed chapters to <title level="m">Approaches to Teaching Othello</title> (MLA); <title level="m">Teaching Early Modern Literature from the Archives</title> (MLA); <title level="m">Institutional Culture in Early Modern England</title> (Brill); <title level="m">Shakespeare, Language, and the Stage</title> (Arden); <title level="m">Performing Maternity in Early Modern England</title> (Ashgate); <title level="m">New Directions in the Geohumanities</title> (Routledge); <title level="m">Early Modern Studies and the Digital Turn</title> (Iter); <title level="m">Placing Names: Enriching and Integrating Gazetteers</title> (Indiana); <title level="m">Making Things and Drawing Boundaries</title> (Minnesota); <title level="m">Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies</title> (Routledge); and <title level="m">Civic Performance: Pageantry and Entertainments in Early Modern London</title> (Routledge). For more details, see <ref target="https://janellejenstad.com/">janellejenstad.com</ref>.</p>
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            <persName>
               <reg>Joey Takeda</reg>
               <forename>Joey</forename>
               <surname>Takeda</surname>
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            <note>
               <p>Joey Takeda is LEMDO’s Consulting Programmer and Designer, a role he assumed in 2020 after three years as the Lead Developer on LEMDO.</p>
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               <reg>LEMDO Team</reg>
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            <note>The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors.</note>
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         <org xml:id="UVIC1" copyOf="ORGS1.xml#UVIC1">
            <orgName>
               <reg>University of Victoria</reg>
            </orgName>
            <idno type="URI">https://www.uvic.ca/</idno>
         </org>
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            <orgName>
               <reg>QME Editorial Board</reg>
            </orgName>
            <note>
               <p>The QME Editorial Board consists of <persName ref="PERS1.xml#OSTO1">Helen Ostovich</persName>, General Editor; <persName ref="PERS1.xml#COCK1">Peter Cockett</persName>, General Editor (Performance); <persName ref="PERS1.xml#GRIF1">Andrew Griffin</persName>, General Editor (Text); and <persName ref="#JENS1">Janelle Jenstad</persName>  General Editor (Text).</p>
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            <orgName>
               <reg>Queen’s Men Editions</reg>
               <abbr>QME</abbr>
            </orgName>
            <note>
               <p>The Queen’s Men Editions anthology is led by Helen Ostovich, General Editor; Peter Cockett, General Editor (Performance); Andrew Griffin, General Editor (Text; until 2026); and Janelle Jenstad, General Editor (Text; 2026–)</p>
            </note>
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      <body>
         <div xml:id="qme_editions_playtexts">
            <head>The Playtexts</head>
            <p xml:id="qme_editions_p1">The aim of <title level="m">QME</title> is to have full performance editions of all Queen’s Men plays and <title level="m">Three Ladies of London</title>. Our performance editions integrate textual scholarship with video records of productions of the plays. But this is a long-term project, and the texts will appear in a variety of forms as the project develops. The current state of development is indicated below.</p>
            
            <p xml:id="qme_editions_p2">QME was originally published on the now-defunct ISE platform at <idno type="oldURI">qme.uvic.ca</idno>. As of November 2023, most pre-2018 QME content had been carefully remediated by the <orgName ref="#LEMD1">LEMDO Team</orgName> and republished in the new QME anthology on the LEMDO platform at <idno type="URI">https://lemdo.uvic.ca/qme</idno>. All material prepared after 2018 has been or will be first published on the LEMDO platform.</p></div>
            
            
            <div xml:id="qme_editions_perfeds">
               <head>Full Performance Editions</head>
               <list rend="bulleted">
                  <item>
                     <title level="m"><ref target="emdFV_edition.xml">Famous Victories of Henry V</ref></title> (peer reviewed; fully remediated for LEMDO)</item>
                  <item>
                     <ref target="emdLeir_edition.xml">
                        <title level="m">King Leir</title>
                     </ref> (peer reviewed; fully remediated for LEMDO)</item>
                  <item><ref target="emdFBFB_edition.xml">
                           <title level="m">Friar Bacon and Friar Bungay</title>
                  </ref> (peer reviewed; fully remediated for LEMDO)</item>
               </list>
            </div>
            
            <div xml:id="qme_editions_partial">
               <head>Partial Editions</head>
               <list rend="bulleted">
                  <item>
                     <ref target="emdSel_edition.xml">
                        <title level="m">Selimus</title>: Full Critical Edition</ref> (peer reviewed; performance pending)
                  </item>
                  
                  <item>
                     <ref target="emdTTR3_edition.xml">
                        <title level="m">True Tragedy of Richard III</title>: Full Critical Edition</ref> (peer reviewed; performance notes and performance introduction forthcoming)
                  </item>
                  
                 
               </list>
            </div>
            <div xml:id="qme_editions_review">
               <head>Under Review</head>
               <list rend="bulleted">
                  
                  <item>
                     <title level="m"><ref target="emdOWT_edition.xml">The Old Wives Tale</ref></title></item>
                  
                  <item>
                     <title level="m"><ref target="emd3LL_edition.xml">Three Ladies of London</ref></title></item>
               </list></div>
         
         <div>
            <head>Old-Spelling Transcriptions</head>
            <p xml:id="qme_editions_os">These old-spelling transcriptions will be published in the next release of QME. For advance access, please email QME’s publisher, Linked Early Modern Drama Online (LEMDO) at the University of Victoria, at the following email address: <ref target="mailto:lemdo@uvic.ca">lemdo@uvic.ca</ref>.</p>
            
            <list>
               <item>
                  <title level="m"><ref target="emdOWT_edition.xml">The Old Wives Tale</ref></title></item>
               
               <item>
                  <title level="m"><ref target="emd3LL_edition.xml">Three Ladies of London</ref></title></item>
               
               <item>
                  <title level="m"><ref target="emd3L3LL_edition.xml">Three Lords and Three Ladies of London</ref></title>
               </item>
               
               <item>
                  <ref target="emdTRKJ_edition.xml">
                     <title level="m">Troublesome Reign of King John</title>
                  </ref>
               </item>
               
               <item>
                  <ref target="emdCnC_edition.xml">
                     <title level="m">Clyomon and Clamydes</title>
                  </ref></item>
            </list>
         </div>
         
         <div>
            <head>Critical Editions In Progress</head>
            <list>
                  <item>
                     <title level="m"><ref target="emd3L3LL_edition.xml">Three Lords and Three Ladies of London</ref></title>
                  </item>
               
                  <item>
                     <ref target="emdTRKJ_edition.xml">
                        <title level="m">Troublesome Reign of King John</title>
                     </ref>
                  </item>
                 
                  <item>
                     <ref target="emdCnC_edition.xml">
                        <title level="m">Clyomon and Clamydes</title>
                     </ref></item>
               </list>
            </div>

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