David Bevington was the Phyllis Fay Horton Distinguished Service Professor Emeritus in the Humanities at the University of Chicago. His books include (1962), (1968), (1985), (2005), (2007), (2008), (2010), and (2011). He was the editor of (1975), , and . The latter was published in a seventh edition in 2014. He was a senior editor of the Revels Student Editions, the Revels Plays, , and (2012). Professor Bevington passed away on August 2, 2019.

Eric Brinkman (, performance editor) is an Instructional Consultant at the Michael V. Drake Institute for Teaching and Learning at The Ohio State University, and holds a Ph.D. in Theatre, History, and Criticism from the Department of Theatre at Ohio State. He has trained extensively with the Royal Shakespeare Company (RSC) in their program, which teaches directors and instructors how to engage students with rehearsal techniques, and in 2017 co-directed a touring production of . His dissertation, (2020), uses a wide range of theoretical and critical approaches, including scholarship across the fields of affect and queer theory and critical race, performance, and transgender studies in order to explore contemporary failures to account for difference in the reading, editing, and performing of Shakespearean drama in its print, theatrical, and film adaptations. He can be contacted at brinkman.10@osu.edu.

Peter Cockett is an associate professor in the iArts (Integrated Arts) program at McMaster University. He is the co-editor, with Melinda Gough, of (University of Toronto Press, 2025) which publishes the findings of their 2018 Performance as Research (PaR) workshop at the Stratford Festival Lab. He is the general editor (performance), and technical co-ordinating editor of . His PaR directing credits include , , and (2006), (2010), and (2015) for the Shakespeare and the Queen’s Men project (SQM). The process behind the 2006 productions is documented in depth on the project website . For the PLS, the University of Toronto’s Medieval and Renaissance Players, he has directed the Digby (2003) and the double bill of George Peele’s and the Chester (2004). He also directed (2005) for the SQM project and (2008) in collaboration with Alan Dessen. Peter is a professional actor and director with numerous stage and screen credits. He can be contacted at cockett@mcmaster.ca.

Jessica Dell (, Q1 1584) defended her doctoral dissertation, in September 2014 at McMaster University. In 2016, she became a full-time instructor at Aurora College (NWT) in the Bachelor of Education program which partners with the University of Saskatchewan and the Indian Teacher Education Program (ITEP). Recent publications include in (2014) and, with David Klausner and Helen Ostovich, co-edited (2012). She can be contacted at Jdell@auroracollege.nt.ca.

Alan C. Dessen is a Peter G. Phialas Professor (Emeritus) at the University of North Carolina, Chapel Hill. He authored eight books, four of them with Cambridge University Press: (1984); (1995); (2002); and, co-authored with Leslie Thomson, , 1580–1642 (1999). Until 2001 he was the director of Actors from the London Stage (formerly ACTER), which brings groups of five British actors for one-week residencies at US college campuses. He served 15 years (to 2009) as editor or co-editor of the section of . His most recent publication is , 20.2 (2017). He can be contacted at acdessen@email.unc.edu.

Richard Dutton is Professor of English at Queen’s University, Belfast, and Humanities Distinguished Professor of English (Emeritus) at The Ohio State University. His scholarly editing includes Ben Jonson’s Revels 2003) and for the Cambridge Works of Ben Jonson (2012); (Keele U.P., 1995) and by Thomas Middleton (OUP, 1999). He is one of the general editors of the Revels Plays series. His most recent monograph is (OUP 2016), to work on which he was awarded an NEH fellowship in 2008/9. His is forthcoming from Wiley-Blackwell in 2018. He is currently working on an edition of for the Oxford Marston and on a revision of his . He can be contacted at dutton.42@osu.edu.

Junior Programmer 2019–2020. Research Associate 2020–2021. Tracey received her PhD from the Department of English at the University of Victoria in the field of Science and Technology Studies. Her research focuses on the algorhythmics of networked communications. She was a 2019–2020 President’s Fellow in Research-Enriched Teaching at UVic, where she taught an advanced course on Tracey was also a member of the team, between 2018 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.

Andrew Griffin is an associate professor in the department of English and an affiliate professor in the department of Theater and Dance at the University of California, Santa Barbara. He is general editor (text) of Queen’s Men Editions. He studies early modern drama and early modern historiography while serving as the lead editor at the EMC Imprint. He has co-edited with Helen Ostovich and Holger Schott Syme (2009) and has co-edited (2016) with Patricia Fumerton and Carl Stahmer. His monograph, , was published with the University of Toronto Press in 2019. He is editor of the anonymous (Queen’s Men Editions, 2011). He can be contacted at griffin@english.ucsb.edu.

Martin Holmes has worked as a developer in the UVic’s Humanities Computing and Media Centre for over two decades, and has been involved with dozens of Digital Humanities projects. He has served on the TEI Technical Council and as Managing Editor of the Journal of the TEI. He took over from Joey Takeda as lead developer on LEMDO in 2020. He is a collaborator on the SSHRC Partnership Grant led by Janelle Jenstad.

Training and Documentation Lead 2025–present. LEMDO project manager 2022–2025. Textual remediator 2021–present. Navarra Houldin (they/them) completed their BA with a major in history and minor in Spanish at the University of Victoria in 2022. Their primary research was on gender and sexuality in early modern Europe and Latin America. They are continuing their education through an MA program in Gender and Social Justice Studies at the University of Alberta where they will specialize in Digital Humanities.

Christine E. Hutchins (she/her) is Associate Professor of English at Hostos Community College of the City University of New York. Her writing on early modern literature appears in , and other publications. Her writing on pedagogy appears in and . She has contributed articles and reviews to , including a brief history of the word misogyny.

Janelle Jenstad is a Professor of English at the University of Victoria, Director of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Beatrice Kaethler, she co-edited (Routledge). She has edited John Stow’s (1598 text) for MoEML and is currently editing (with Stephen Wittek) and Heywood’s for DRE. Her articles have appeared in , , , , , and . She contributed chapters to (MLA); (MLA); (Brill); (Arden); (Ashgate); (Routledge); (Iter); (Indiana); (Minnesota); (Routledge); and (Routledge). For more details, see janellejenstad.com.

Oliver Jones (. performance) is Lecturer in Theatre at the Department of Theatre, Film and Television, University of York. His doctoral thesis combined theatre history, archaeological survey, and performance-as-research methodologies to investigate the Queen’s Men and the guildhall of Stratford-upon-Avon, and created a site-specific performance and video of As Postdoctoral Research Fellow at Shakespeare’s Globe, now a member of the Globe’s Architectural Research Group, he undertook preparations for the Sam Wanamaker Playhouse.With Michael Cordner he has produced stagings of John Marston’s (www.dutchcourtesan.co.uk) and associate-directed James Shirley’s Recent publications appear in and Andrew Gurr and Farah Karim-Cooper(eds), (CUP, 2014). He can be contacted at oliver.jones@york.ac.uk.

Nely Keinanen (, text) teaches at the University of Helsinki, Finland. Most recently she edited a special issue of on Shakespeare in Finland (2016), and was a co-organizer of the conference Shakespeare and Scandinavia (Kingston, 2015). Other edited books include (with Maria Salenius in Finnish, 2010), and (2009). She has translated over 25 Finnish plays into English, and recently completed her first play. She can be contacted at nely.keinanen@helsinki.fi.

Lloyd Edward Kermode is professor of English at California State University, Long Beach and co-director of the Center for Medieval and Renaissance Studies, CSULB. He has published articles on , having edited the play (Revels Companions, 2008) in the context of other usury plays, and has written the most recent assessment of Robert Wilson for , eds G. Sullivan and A. Stewart, 2012. Other works include with J. Dillon (ed.), , Special issue of 43.1 (2013) (introd. L.E. Kermode); , 35.1 (2012), 65–83; , 52.2 (2012), 265–291; and (Cambridge, 2009). He can be contacted at lloyd.kermode@csulb.edu.

Roslyn L. Knutson is emerita professor at the University of Arkansas at Little Rock. She serves on the editorial board for , and the executive committee, . She is a pioneer in the field now called Repertory Studies. Her recent publications include in Repertory, R.A. Logan (ed.), , Arden Early Modern Drama Guides (London, 2013), 79–105; and , S. Gossett (ed.), (Cambridge, 2011), 168–175; , A. Kinney (ed.), (Oxford, 2011), 400–414; , H. Ostovich, H.S. Syme, and A. Griffin (eds), (Farnham, 2009), 99–108. She can be contacted at RLKnutson@ualr.edu.

Project Manager, 2020–2021. Assistant Project Manager, 2019–2020. Textual Remediator and Encoder, 2019–2021. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. During her degree she published papers in (2018), (2019), and (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.

Noam Lior (, performance) is a doctoral student at the University of Toronto, and has dramaturged and directed plays by Shakespeare, Webster, and Marivaux as well as developing productions of new Canadian plays. For the past several years, he has specialized in staging delightfully obscure early modern plays for the Drama Centre and PLS; recently the anonymous , the (differently) anonymous , and Robert Daborne’s (produced in conjunction with the Jackman Humanities conference Early Modern Migrations: Exiles, Expulsion, & Religious Refugees, 1400–1700). He is the co-developer of Shakespeare at Play, an app combining digital editions of Shakespearean plays with embedded video performances which he co-directed, dramaturged, edited, and annotated. His essay on directing (March 2019) : Contagion as Dramaturgy in The Dutch Courtesan, appeared in 23.1 (2000) in the special issue on Marston’s play. He can be contacted at noam.lior@mail.utoronto.ca.

Sally-Beth MacLean, professor emeritus, department of English, University of Toronto, is director of research/general editor of the Records of Early English Drama series and director of the REED and . She is also co-author with Scott McMillin of (CUP, 1998) and with Lawrence Manley of (Yale UP, 2014). She has published widely on patronage, touring, digital initiatives, and festive culture. Her most recent article is , with Tanya Hagen, , Sarah Carpenter, Pamela M. King, Meg Twycross, and Greg Walker (eds), , 38 (Boydell & Brewer, 2016), 232–246. She can be contacted at s.maclean@utoronto.ca.

Toby Malone is an Australian/Canadian academic, dramaturg, and librarian. He is a graduate of the University of Toronto (PhD, 2009) and the University of Western Australia (BA Hons, 2001), and the University of Western Ontario (MLIS, 2023). He has worked as a theatre artist across the world, with companies including the Stratford Festival, Canadian Stage, Soulpepper, Driftwood Theatre Group, the Shaw Festival, Poorboy Theatre Scotland, Pittsburgh Public Theatre, Arizona Theatre Company, CBC, BT/A, and Kill Shakespeare Entertainment. He has published in , , , , , appears in published collections with Routledge, Cambridge, and Oxford. Publications include two monographs: (Palgrave McMillan) and (Routledge), and is currently co-writing an updated version of with Jill L. Levenson for Manchester UP. Toby has previously taught at the University of Waterloo and the State University of New York at Oswego, is currently Research Impact Librarian at Toronto Metropolitan University.

Lawrence Manley is a William R. Kenan Jr Professor of English at Yale University. He is the author of (1995) and (1980), and the editor of (1986) and (2011). He has contributed to , , the , and He is co-author, with Sally-Beth MacLean, of (2014). He can be contacted at lawrence.manley@yale.edu.

Karen Sawyer Marsalek (, early modern text) is an associate professor of English at St. Olaf College. She has edited, directed and performed in several early English plays. Her publications include essays on true resurrections in medieval drama and , false resurrections in the Chester Antichrist and , and theatrical properties of skulls and severed heads. Her current research is on remains and revenants in the King’s Men’s repertory. She can be contacted at marsalek@stolaf.edu.

Dr. Mathew R. Martin is Full Professor at Brock University, Canada. He is the author of (2001), (2015) and (2023), and co-editor, with his colleague James Allard, of (2009). For Broadview Press he has edited Christopher Marlowe’s (2010), (2012), (2013) and (2014), and Robert Greene’s (2022). For Revels Editions he has edited George Peele’s (2018) and Marlowe’s (2021). For Queen’s Men Editions he has edited (2016). He has published two articles of textual criticism on the printed texts of Marlowe’s plays: ( 17.2 [December 2014]), and (on the political inflections of the shifts in punctuation in the early editions of the play) ( 16.1 [June 2013]). His latest editing projects are a double-play Revels edition of Robert Greene’s and and a Digital Renaissance Editions edition of Dido, .

Christopher Matusiak () is an Associate Professor of English at Ithaca College in New York where he teaches courses on Shakespeare and early modern drama. His research on seventeenth-century theatre management at the Drury Lane Cockpit has appeared in and , and in on the use of John Aubrey’s manuscripts in studies of Shakespeare’s life. He is currently writing a book (with Eva Griffith) about Christopher Beeston and the Cockpit playhouse, and researching another on the persistence of illegal stage-playing during the English Civil Wars, . He also prepared : an edited collection of seventeenth-century manuscripts and printed documents illustrating the history of the Cockpit-Phoenix playhouse in Drury Lane (for ). He can be contacted at cmatusiak@ithaca.edu.

Kirk Melnikoff is Professor of English at UNC Charlotte and a past president of the Marlowe Society of America. His research interests range from sixteenth-century British Literature and Culture, to Shakespeare in Performance, to Book History. His essays have appeared in a number of journals and books, and he is the author of (U Toronto P, 2018). He has also edited four essay collections, most recently (Cambridge UP, 2018), and published an edition of Robert Greene’s in 2020. He is currently co-editing a collection of early modern book-trade wills which will be published by Manchester UP, editing Marlowe’s for the project, and working on a monograph on bookselling in early modern England.

Ian Munro is an associate professor of drama at UC Irvine, authored (Palgrave Macmillan, 2005), which explores the relationship between early modern perceptions of the crowd and perceptions of London; and current projects include . As part of his work on jesting, he has edited for Ashgate’s series (2007). Recent essays have discussed the influence of jestbooks on Shakespeare, Jonson, Marston, Middleton, and plays of the Queen’s Men. As a dramaturg he worked with Robert Cohen (), and Phil Thompson (). He can be contacted at imunro@uci.edu.

Karen Oberer (, early modern text) completed her doctoral dissertation on stock types in Shakespeare’s history plays at McGill University, where she also taught courses and participated in the Shakespeare and the Queen’s Men performance research team. She contributed an essay and in Helen Ostovich, Holger Schott Syme, and Andrew Griffin (eds), , (Ashgate, 2009). She currently works as a Sustainability Officer at McGill University, Montreal. She can be contacted at kobererphd@gmail.com.

Helen Ostovich, professor emerita of English at McMaster University, is the founder and general editor of . She is a general editor of The Revels Plays (Manchester University Press); Series Editor of Studies in Performance and Early Modern Drama (Ashgate, now Routledge), and series co-editor of Late Tudor and Stuart Drama (MIP); play-editor of several works by Ben Jonson, in (1997); (Revels 2001); and (Cambridge 2012). She has also edited the Norton Shakespeare 3 Q1602 and F1623 (2015); and for , revised for a 4-volume set from OUP 2021; , for the Oxford Complete Works of James Shirley (2021); for Internet Shakespeare Editions, and (with Erin Julian) for the Complete Works of John Marston, OUP 2022. She has published many articles and book chapters on Jonson, Shakespeare, and others, and several book collections, most recently with Lisa Hopkins (2014), and the equivalent to book website, The Three Ladies of London containing scripts, glossary, almost fifty conference papers edited and updated to essays; video; link to and YouTube: http://threeladiesoflondon.mcmaster.ca/contexts/index.htm, 2015. Recently, she was guest editor of Strangers and Aliens in London ca 1605, Special Issue on Marston, 23.1 (June 2020). She can be contacted at ostovich@mcmaster.ca.

Jennifer Parr holds a Masters degree in European and Renaissance Drama from the University of Warwick. She is an independent scholar and professional director and dramaturge based in Toronto. As an undergraduate at the University of Toronto she became involved as an actor with the P.L.S. Medieval and Renaissance Players’ productions of the Medieval Mystery Cycles returning later to direct an all female company in the York Cycle Fall of the Angels for the international full cycle production in 1998. Her recent productions as director and dramaturge include an all female and an experimental all female adaptation of : . Her ongoing research into the historical Richard III and the various theatrical interpretations led to her joining the company of TTR3 as an observer and historical resource for the cast. She also writes a monthly column on music theatre and dance for magazine.

Arleane Ralph (, text) completed her dissertation, a modern critical edition of the Queen’s Men play , at the University of Toronto in 1996. She works for the Records of Early English Drama as well as running her own business as a copy editor and indexer.

Jennifer Roberts-Smith is an associate professor of theatre and performance at the University of Waterloo. Her interdisciplinary work in early modern performance editing combines textual scholarship, performance as research, archival theatre history, and design in the development of live and virtual renderings of early modern performance texts, venues, and practices. With Janelle Jenstad and Mark Beatrice Kaethler, she is co-editor of (2018). Her most recent work has focused on methods for design research that deepen interdisciplinary understanding and take a relational approach. She is currently managing director of the qCollaborative (the critical feminist design research lab housed in the University of Waterloo’s Games Institute, and leads the SSHRC-funded Theatre for Relationality and Design for Peace projects. She is also creative director and virtual reality development cluster lead for the Digital Oral Histories for Reconciliation (DOHR) project. She can be contacted at jennifer.roberts-smith@uwaterloo.ca.

Dimitry Senyshyn (, text) has current research focusing on Shakespeare’s tragicomic romances and their relation to a native tradition of popular romance. He has co-edited an old-spelling edition of for with Jennifer Robert-Smith. He contributed to the preparation of the REED volume, and he has published in , , and the . He can be contacted at dimitry.senyshyn@gmail.com.

Peter Sirisko, consultant for the QME, is Media Producer at New Motto in Hamilton, Ontario. He has a Bachelor of Arts, Honours, in Theatre and Film from McMaster University (2013), where he was an editor for McMaster Television, a Theatre Technician, and a Media Production Intern. He has been a freelance video producer since 2010.

Tiffany Stern is a professor of early modern drama, Shakespeare Institute (U of Birmingham), specializes in Shakespeare, theatre history from the sixteenth to the eighteenth century, book history, and editing. Her current project is to complete two editions, George Farquhar’s (New Mermaids), and Richard Brome’s (Arden Early Modern Drama), and her edition of Shakespeare’s is forthcoming from Barnes and Noble. She is a general editor of the New Mermaids play series and author of (Cambridge: Cambridge University Press, 2009) and (Oxford, 2000). She can be contacted at T.Stern@bham.ac.uk.

Holger Schott Syme is an associate professor of English and Drama at the University of Toronto Mississauga. He is author of (CUP, 2011) and co-editor with Helen Ostovich and Andrew Griffin of (Ashgate, 2009). His recent work includes , (2011); , (2010); and , 38.1 (2008): 142–171. As textual editor, he has produced (Shakespeare and others) and , by Munday, Chettle, Dekker, Heywood, Shakespeare and others, for ed. Stephen Greenblatt et al. (W.W. Norton, 2015). He can be contacted at holger.syme@utoronto.ca.

Patrick Szpak is a Programmer Consultant and Web Designer in the Humanities Computing and Media Centre at the University of Victoria.

Joey Takeda is LEMDO’s Consulting Programmer and Designer, a role he assumed in 2020 after three years as the Lead Developer on LEMDO.

Chantelle Thauvette (1592 Q2 text) completed her PhD in English and Cultural Studies, 2013, at McMaster, with a Doctoral Diploma in Gender Studies and Feminist Research. She has published a book chapter in (Turnhout: Brepols, 2014), and articles in , , , and has presented papers at interdisciplinary early modern conferences including the Renaissance Society of America, the Canadian Society for Renaissance Studies, Shakespeare Association of America, and the Society for the Study of Early Modern Women. She can be contacted at cthauvette@siena.edu.

Brian Walsh is a visiting Associate Professor of English at Boston University. He is the author of two monographs: (Oxford UP, 2016) and (Cambridge UP, 2009, pb, 2013). Walsh has edited a collection of essays on (Bloomsbury 2016) as part of the Arden Early Modern Drama Guides, and wrote several articles on the drama of Shakespeare and his contemporaries, including , , and , . He is currently researching and writing about Global Shakespeare films. He can be contacted at bgwalsh@bu.edu.

Will West teaches early modern drama, poetry, and prose at Northwestern University. West is the author of (CUP, 2002; pbk. 2006) and, (punctum, 2016). He has written articles or chapters on the life cycles of early modern players across Europe, and on theater as the creation of contexts He is currently a Trustee of the Shakespeare Association of America and chair of the Department of Classics at Northwestern. With Jeffrey Masten, he is the co-editor of the journal and currently at work on a book called He can be contacted at w-west@northwestern.edu.

Paul Whitfield White specializes in Shakespeare, medieval drama, and early modern drama and literature. His publications include recent articles on the Chester Cycle, Elizabethan Arthurian drama, and Robert Wilson’s plays, as well as the books ; ; (edited collection); and , collected and co-edited with Suzanne R. Westfall. He can be contacted at pwhite@purdue.edu.

Matt Williamson ( modern text edn) is Senior Lecturer in British Literature at the Department of Literature, Area Studies and European Languages, University of Oslo. His doctoral thesis is entitled . It argues that issues of plenty and excess were, for an early modern audience, inseparable from problems of scarcity and want, and that as a consequence the dramatic representation of hunger and appetite acquired a unique significance as both subject and medium of political debate. In 2017, he was the Presiding Scholar for a season of staged readings of plays by Philip Massinger, at Shakespeare’s Globe in London. He has forthcoming articles in the journal of the British Shakespeare Association, and , ed. Rachel Herrmann(University of Arkansas Press). He can be contacted at matthew.williamson@ilos.uio.no.