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               <persName ref="#JENS1">Janelle Jenstad</persName>
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                  <reg>Queen’s Men Editions</reg>
                  <abbr>QME</abbr>
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               <note>
                  <p>The Queen’s Men Editions anthology is led by Helen Ostovich, General Editor; Peter Cockett, General Editor (Performance); Andrew Griffin, General Editor (Text; until 2026); and Janelle Jenstad, General Editor (Text; 2026–)</p>
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               <ref target="http://www.sshrc-crsh.gc.ca/">Social Sciences and Humanities Research Council of Canada</ref>
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            <funder>
               <ref target="https://www.mcmaster.ca/">McMaster University</ref>
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            <funder>
               <ref target="https://pls.artsci.utoronto.ca/">Poculi Ludique Societas</ref>
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               <ref target="https://pls.artsci.utoronto.ca/">University of Waterloo</ref>
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            <funder>
               <ref target="https://pls.artsci.utoronto.ca/">University of Toronto Centre for Drama, Theatre &amp; Performance Studies</ref>
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            <funder>
               <ref target="https://www.uvic.ca/">University of Victoria</ref>
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            <funder>
               <ref target="https://internetshakespeare.uvic.ca/Foyer/makingwaves/friends/">Friends of the ISE</ref>
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            <p>Released with Queen’s Men Editions 2.0</p>
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            <publisher>University of Victoria on the Linked Early Modern Drama Online Platform</publisher>
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               <p>This file is licensed under a <ref target="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC_ND 4.0 license</ref>, which means that it is freely downloadable without permission under the following conditions: (1) credit must be given to the author, Queen’s Men Editions, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except in quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of Queen’s Men Editions, the author, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom. Neither the content nor the code in this file is licensed for training large language models (LLMs), ingestion into an LLM, or any use in any artificial intelligence applications; such uses are considered to be commercial uses and are strictly prohibited.</p>
               <p>Production photographs and videos on this site may not be downloaded. They appear freely on this site with the permission of the actors and the ACTRA union. They may be used within the context of university courses, within the classroom, and for reference within research contexts, including conferences, when credit is given to the producing company and to the actors. Commercial use of videos and photographs is forbidden.</p>
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            <p>Queen’s Men Editions</p>
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         <change who="#JENS1" when="2023-08-25">Proofread metadata. Made notes for a rewrite of the page.</change>
         
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            <persName>
               <reg>Martin Holmes</reg>
               <forename>Martin</forename>
               <surname>Holmes</surname>
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            <note>
               <p>Martin Holmes has worked as a developer in the UVic’s Humanities Computing and Media Centre for over two decades, and has been involved with dozens of Digital Humanities projects. He has served on the TEI Technical Council and as Managing Editor of the Journal of the TEI. He took over from Joey Takeda as lead developer on LEMDO in 2020. He is a collaborator on the SSHRC Partnership Grant led by Janelle Jenstad.</p>
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               <reg>Janelle Jenstad</reg>
               <forename>Janelle</forename>
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            <note>
               <p>Janelle Jenstad is a Professor of English at the University of Victoria, Director of <ref target="https://mapoflondon.uvic.ca">The Map of Early Modern London</ref>, and Director of <ref target="https://lemdo.uvic.ca">Linked Early Modern Drama Online</ref>. With Jennifer Roberts-Smith and Mark Beatrice Kaethler, she co-edited <title level="m">Shakespeare’s Language in Digital Media: Old Words, New Tools</title> (Routledge). She has edited John Stow’s <title level="m">A Survey of London</title> (1598 text) for MoEML and is currently editing <title level="m">The Merchant of Venice</title> (with Stephen Wittek) and Heywood’s <title level="m">2 If You Know Not Me You Know Nobody</title> for DRE. Her articles have appeared in <title level="j">Digital Humanities Quarterly</title>, <title level="j">Elizabethan Theatre</title>, <title level="j">Early Modern Literary Studies</title>, <title level="j">Shakespeare Bulletin</title>, <title level="j">Renaissance and Reformation</title>, and <title level="j">The Journal of Medieval and Early Modern Studies</title>. She contributed chapters to <title level="m">Approaches to Teaching Othello</title> (MLA); <title level="m">Teaching Early Modern Literature from the Archives</title> (MLA); <title level="m">Institutional Culture in Early Modern England</title> (Brill); <title level="m">Shakespeare, Language, and the Stage</title> (Arden); <title level="m">Performing Maternity in Early Modern England</title> (Ashgate); <title level="m">New Directions in the Geohumanities</title> (Routledge); <title level="m">Early Modern Studies and the Digital Turn</title> (Iter); <title level="m">Placing Names: Enriching and Integrating Gazetteers</title> (Indiana); <title level="m">Making Things and Drawing Boundaries</title> (Minnesota); <title level="m">Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies</title> (Routledge); and <title level="m">Civic Performance: Pageantry and Entertainments in Early Modern London</title> (Routledge). For more details, see <ref target="https://janellejenstad.com/">janellejenstad.com</ref>.</p>
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            <note>The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors.</note>
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            <div xml:id="qme_citing_peerReview">
               <head>Peer Review Statement</head>
               <p xml:id="qme_citing_p1">All content on this site is peer-reviewed and suitable for citing in academic work.</p></div>
         
         <div xml:id="qme_citing_principlesPractice">
            <head>Principles</head>
            <p xml:id="qme_citing_p2">Whatever style guide you follow, you must:
            <list rend="bulleted">
               <item>Give credit where credit is due.</item>
               <item>Make it possible for other people to find the material you have cited.</item>
               <item>Be consistent in the mechanics of your citations.</item>
            </list>
               See <ref target="https://janellejenstad.com/teaching/three-rules-of-citation/">Janelle Jenstad, <title level="a">Three Rules of Citation</title></ref>.</p>
         </div>
         <div>
            <head>Practices</head>
            <p xml:id="qme_citing_p3">QME follows LEMDO’s citation guidelines, which are similar to the guidelines for citing digital publications set out in the <title level="m">MLA Handbook for Writers of Research Papers</title>, 9th ed. </p>
         
         
            <p xml:id="qme_citing_p4">LEMDO recommends that you give the following information when you cite QME pages:
            <list rend="numbered">
               <item>Author(s): the name(s) will be indicated in the metadata of each page.</item>
               <item>Title of the page or text: longer texts such as plays should be italicized; shorter works such as poems or single pages should be in quotation marks.</item>
               <item>Editor, if there is one in addition to the author.</item>
               <item>Name of the website, italicized: <title level="m">Queen’s Men Editions</title>.</item>
              <item>Version number of the site: QME is released periodically with new and revised material; each release is given a release number, which you will find in the footer of any page.</item>
               <item>Place of publication: Victoria, Canada. (There are multiple cities named <mentioned>Victoria</mentioned> in the world. It is generally good practice to give the country to disambiguate cities.)</item>
               <item>Publisher or sponsor of the site: Linked Early Modern Drama Online.</item>
               <item>Year of the version you are citing in YYYY format: see the footer of the page for the date of the version.</item>
               <item>The url of the page: be sure to give the complete address including <quote>https://</quote> .
               </item>
            </list>
            </p></div>
            <div xml:id="qme_citing_examples">
               <head>Examples</head>
                              
                <p xml:id="qme_citing_p5">To cite a play:
                   <cit>
                  <quote>
                     <p>Anon. <title level="m">King Leir (Modern)</title>. Ed. Andrew Griffin (Text) and Peter Cockett (Performance). <title level="m">Queen’s Men Editions</title>. v.2.0. Victoria, Canada: Linked Early Modern Drama Online, 2023. https://lemdo.uvic.ca/qme/emdLeir_M.html.</p>
                  </quote>
               </cit></p>
               
               <p xml:id="qme_citing_p6">To cite a play by its editor, in cases where you want to emphasize the editorial labour:
                 <cit>
                    <quote>
                       <p>Melnikoff, Kirk, ed. <title level="m">Selimus</title>. <title level="m">Queen’s Men Editions</title>. v.2.0. Victoria, Canada: Linked Early Modern Drama Online, 2023. https://lemdo.uvic.ca/qme/emdSel_edition.html.</p>
                    </quote>
                 </cit>
               </p>
               <p xml:id="qme_citing_p7">To cite a critical paratext in an edition:
                  <cit>
                     <quote>
                        <p>Melnikoff, Kirk. <title level="a">General Introduction</title>. <title level="m">Selimus</title>. <title level="m">Queen’s Men Editions</title>. v.2.0. Victoria, Canada: Linked Early Modern Drama Online, 2023. https://lemdo.uvic.ca/qme/emdSel_genIntro.html.</p>
                     </quote>
                  </cit></p>
               
               <p xml:id="qme_citing_p8">To cite a page with a named author:
                  <cit>
                  <quote>
                     <p>Ostovich, Helen. <title level="a">Teaching <title level="m">Friar Bacon and Friar Bungay</title> in a second-year History of Early Drama course</title>. <title level="m">Queen’s Men Editions</title> v.2.0. Victoria, Canada: Linked Early Modern Drama Online, 2023. https://lemdo.uvic.ca/qme/teachingFBFB.html.</p>
                  </quote>
               </cit>
               </p>
               
               <p xml:id="qme_citing_p9">To cite a page with a corporate author
               <cit>
                  <quote>
                     <p>QME Anthology Leads. <title level="a">Performance as Research</title>. <title level="m">Queen’s Men Editions</title> v.2.0. Victoria, Canada: Linked Early Modern Drama Online, 2023. https://lemdo.uvic.ca/qme/PAR.html.</p>
                  </quote>
               </cit></p>
              
              
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