QME Bibliography Biblio Compiler LEMDO Team Queen’s Men Editions QME

The Queen’s Men Editions anthology is led by Helen Ostovich, General Editor; Peter Cockett, General Editor (Performance); Andrew Griffin, General Editor (Text; until 2026); and Janelle Jenstad, General Editor (Text; 2026–)

 Social Sciences and Humanities Research Council of Canada McMaster University Poculi Ludique Societas University of Waterloo University of Toronto Centre for Drama, Theatre & Performance Studies University of Victoria Friends of the ISE

Released with Queen’s Men Editions 2.0

 University of Victoria on the Linked Early Modern Drama Online Platform

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Queen’s Men Editions

Anthology bibliography complied by the LEMDO Team from the edition bibliographies and other QME sources. First published in the QME 2.0 anthology on the LEMDO platform.

Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines

This document follows Canadian spelling conventions.

 Document Types All documents in LEMDO are either born-digital documents or primary documents. Within those two general categories, LEMDO offers additional ways to categorize a file. Born-digital Born-digital documents are anything other than primary texts Bibliography Bibliographies and reference lists. Responsibilities Responsibilities Compiler MARC Code List for Relators definition: A person, family, or organization responsible for creating a new work (e.g., a bibliography, a directory) through the act of compilation, e.g., selecting, arranging, aggregating, and editing data, information, etc. LEMDO uses the term compiler for the person who chooses and aggregates the resources included in an edition, if those resources are not all by the editor of the edition. The compiler and the editor may be the same person; in that case, the person needs two responsibility statements. Published file. Added ROBE13. Changed one div heading. Corrected order in a few places. Added sources from Leir, Sel, SQMPerfBibl, and about pages Created file. Added a brief scoping statement. Moved bibl entries that HOUL3 had added to qme_reading.xml over to this file. Peter Cockett Peter Cockett

Peter Cockett is an associate professor in the iArts (Integrated Arts) program at McMaster University. He is the co-editor, with Melinda Gough, of Engendering the Stage in the Age of Shakespeare and Beyond (University of Toronto Press, 2025) which publishes the findings of their 2018 Performance as Research (PaR) workshop at the Stratford Festival Lab. He is the general editor (performance), and technical co-ordinating editor of Queen’s Men Editions. His PaR directing credits include King Leir, The Famous Victories of Henry V, and Friar Bacon and Friar Bungay (2006), Clyomon and Clamydes (2010), and Three Ladies of London (2015) for the Shakespeare and the Queen’s Men project (SQM). The process behind the 2006 productions is documented in depth on the project website Performing the Queen’s Men. For the PLS, the University of Toronto’s Medieval and Renaissance Players, he has directed the Digby Mary Magdalene (2003) and the double bill of George Peele’s The Old Wives Tale and the Chester Antichrist (2004). He also directed An Experiment in Elizabethan Comedy (2005) for the SQM project and Inside Out: The Persistence of Allegory (2008) in collaboration with Alan Dessen. Peter is a professional actor and director with numerous stage and screen credits. He can be contacted at cockett@mcmaster.ca.

 Navarra Houldin Navarra Houldin

Training and Documentation Lead 2025–present. LEMDO project manager 2022–2025. Textual remediator 2021–present. Navarra Houldin (they/them) completed their BA with a major in history and minor in Spanish at the University of Victoria in 2022. Their primary research was on gender and sexuality in early modern Europe and Latin America. They are continuing their education through an MA program in Gender and Social Justice Studies at the University of Alberta where they will specialize in Digital Humanities.

 Janelle Jenstad Janelle Jenstad

Janelle Jenstad is a Professor of English at the University of Victoria, Director of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Beatrice Kaethler, she co-edited Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge). She has edited John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Elizabethan Theatre, Early Modern Literary Studies, Shakespeare Bulletin, Renaissance and Reformation, and The Journal of Medieval and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives (MLA); Institutional Culture in Early Modern England (Brill); Shakespeare, Language, and the Stage (Arden); Performing Maternity in Early Modern England (Ashgate); New Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter); Placing Names: Enriching and Integrating Gazetteers (Indiana); Making Things and Drawing Boundaries (Minnesota); Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (Routledge); and Civic Performance: Pageantry and Entertainments in Early Modern London (Routledge). For more details, see janellejenstad.com.

 Agrippa, Heinrich Cornelius. Of the Vanity and Uncertainty of Arts and Sciences. Trans. James Standford. London: Henry Wykes, 1569. STC 204. ESTC S100458. Alford, Steven. The Watchers: A Secret History of the Reign of Elizabeth I. Bloomsbury, 2012. Allmand, Christopher. The Hundred Years War: England and France at war c. 1300 – c. 1450. Cambridge University Press, 1988. Allott, Robert. Englands Parnassus: or the choysest flowers of our moderne poets. London: Nicholas Ling, Cuthbert Burby, and Thomas Hayes, 1600. STC 379. ESTC S1431. Altman, Joel B. The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama. University of California Press, 1978. WSB at17. The lamentable tragedie of Locrine. London: Thomas Creede, 1595. STC 21528. ESTC S106301. DEEP 210. The lamentable and true tragedie of M. Arden of Feuersham in Kent. London: Edward White, 1592. STC 733. ESTC S106279. DEEP 142. The life and death of Iacke Straw, a notable rebell in England. London: Thomas Pavier, 1604. STC 23357. ESTC S111291. DEEP 167. A most pleasant comedie of Mucedorus. London: William Jones, 1598. STC 18230. ESTC S106305. DEEP 258. G., T. The tragedy of Selimus Emperour of the Turkes. London: John Crooke and Richard Sergier, 1638. STC 12310b. ESTC S103417. DEEP 204. The Famous History of Friar Bacon. London: Edward Allde, 1629. STC 1184. ESTC S123071. The famous victories of Henry the fifth. Thomas Creede, 1598. STC 13072. Queen’s Men Editions. ESTC S106379. DEEP 252. The first part of the tragicall raigne of Selimus, sometime Emperour of the Turkes, and grandfather to him that now raigneth. London: Thomas Creede, 1594. STC 12310a. ESTC S124196. DEEP 203. Greene, Robert. The honorable historie of frier Bacon, and frier Bongay. London: Edward White, 1594. STC 12267. ESTC S105968. DEEP 185. Queen’s Men Editions. The Second Tome of Homilies. London: Richard Jugge, 1563. STC 13666.7. ESTC S125416. The Troublesome Reign of John King of England. London, 1591. STC 14644, 14645. ESTC S106391. The True Tragedie of Richard the third: Wherein is showne the death of Edward the fourth, with the smothering of the two yoong Princes in the Tower: With a lamentable ende of Shore’s wife, an example for all wicked women. And lastly, the coniunction and ioyning of the two noble Houses, Lancaster and Yorke. As it was playd by the Queenes Maiesties Players. London: Thomas Creede, 1594. STC 21009. ESTC S111104. The Chronicle History of King Leir. Ed. Sidney Lee. Chatto & Windus, 1909. A Critical Edition of the True Chronicle History of King Leir and His Three Daughters, Gonorill, Ragan and Cordella. Ed. Donald Michie. Garland, 1991. Arber, Edward, ed. A Transcript of the Registers of the Company of Stationers of London, 1554–1640 A.D. 3 vols. London, 1875. Archer, I.W. The Pursuit of Stability: Social Relations in Elizabethan London. Cambridge University Press, 1991. Ardolino, Frank. Greene’s Use of the History of Oxford in <title level="m">The Honourable History of Friar Bacon and Friar Bungay. ANQ 18.2 (2005): 20–25. Ashton, Peter. A shorte treatise vpon the Turkes chronicles. London: Edward Whitechurch, 1546. STC 11899. ESTC S103126. Assarsson-Rizzi, Kerstin. Friar Bacon and Friar Bungay: A Structural and Thematic Analysis of Robert Greene’s Play. C.W.K. Gleerupland, 1972. Bacon, Roger. <title level="m">Epistola fratris Rogerii Baconus de secretis operibus artis et naturae, et de nullitate magiae. Fr. Rogeri Bacon Opera Quaedem Hactenus Inedita. Ed. J.S. Brewer. London: Longman, Green, and Roberts, 1859. 523–551. Bailey, Amanda. Flaunting: Style and the Subversive Male Body in Renaissance England. University of Toronto Press, 2007. WSB aau227. Baldwin, William, George Ferrers, and Thomas Chaloner. A myrrour for magistrates. London: Edward Whitchurch, 1563. STC 1248. ESTC S100551. Bale, John. Illustrium Maioris Britaniae Scriptorum. Gippeswici in Anglia: D. van der Straten, 1548. STC 1295. ESTC S100599. Barbour, Richmond. Before Orientalism: London’s Theatre of the East, 1576–1626. Cambridge University Press, 2003. WSB aal241. Bassett, Margaret. Newgate Prison in the Middle Ages. Speculum 18.2 (April 1943): 233–246. Bentley, Greg. Coppernose: The Nature of Burden’s Disease in Robert Greene’s <title level="m">Friar Bacon and Friar Bungay. English Language Notes 22.4 (1985): 28–32. Berek, Peter. <title level="m">Locrine Revised, Selimus, and Early Responses to Tamburlaine. Research Opportunities in Renaissance Drama 23 (1980): 33–54. Berek, Peter. <title level="m">Tamburlaine’s Weak Sons: Imitation as Interpretation Before 1593. Renaissance Drama 13 (1982): 55–82. Bergeron, David M. <soCalled>Bogus History</soCalled> and Robert Greene’s <title level="m">Friar Bacon and Friar Bungay. Early Theatre 17.1 (2014): 93–112. Bevington, David, ed. King Henry IV, Part I. By William Shakespeare. 1987. Rpt. Oxford University Press, 1998. Bevington, David. Tudor Drama and Politics. Harvard University Press, 1968. WSB aaj49. Billing, Christian M. Rehearsing Shakespeare: Embodiment, Collaboration, Risk and Play. Shakespeare Bulletin 30.4 (Winter 2012) 383–410. WSB bbbb686. Blayney, Peter W.M. The Publication of Playbooks. A New History of English Drama. Ed. John D. Cox and David Scott Kastan. Columbia University Press, 1997. Bloom, Harold. Shakespeare: the Invention of the Human. Riverhead Books, 1998. WSB aw679. Bourne, William. Inventions or Devices Very Necessary for All Generals and Captains or Leaders of Men. London: T. Orwin, 1590. STC 3421. ESTC S106199. Bowers, Fredson. On Editing Shakespeare and Other Elizabethan Dramatists. University of Pennsylvania Press, 1955. Bright, Timothy. A Treatise of Melancholy. London: Thomas Vautrollier, 1586. STC 3747. ESTC S106464. Tucker Brooke, C.F. The Shakespeare Apocrypha. Clarendon Press, 1908. Browne, Sir Thomas. Pseudodoxia Epidemica. London: A. Miller, 1650. Wing B5160. ESTC R2160. Budra, Paul. <title level="m">A Mirror for Magistrates and the De Casibus Tradition. Toronto University Press, 2000. WSB aab1485. Bullough, Geoffrey, ed. The Battle of Agincourt. Narrative and Dramatic Sources of Shakespeare. Vol. 4. Routledge and Kegan Paul; rpt. Columbia University Press, 1962. 412–416. Bullough, Geoffrey, ed. Tarlton’s Jests. Narrative and Dramatic Sources of Shakespeare. Vol. 4. Routledge and Kegan Paul; rpt. Columbia University Press, 1962. 289–290. Burroughs, Jeremiah. The Jewel of Christian Contentment. London, 1649. Wing B6103. ESTC R32016. Butler, E.M. The Myth of the Magus. Cambridge University Press, 1948. Butterworth, Philip. Theatre of Fire: Special Effects in Early English and Scottish Theatre. Society for Theatre Research, 1998. Butterworth, Philip. Magic on the Early English Stage. Cambridge University Press, 2005. Calvin, Jean. The Commentaries of M. John Calvin upon the Acts of the Apostles. London: Thomas Dawson, 1585. STC 4398. ESTC S107377. Cambini, Andrea. Two very notable commentaries the one of the originall of the Turcks and Empire of the house of Ottomanno. Trans. John Shute. London: Humphrey Toye, 1562. STC 4470. ESTC S107293. Capell, Edward. The Play’s of William Shakepeare from the Text of Dr. S. Johnson. Dublin: Thomas Ewing, 1771. Carson, Christie, and Farim Karim-Cooper. Shakespeare’s Globe: A Theatrical Experiment. Cambridge University Press, 2008. WSB aaw331. Cartwright, Kent. Theatre and Humanism: English Drama in the Sixteenth Century. Cambridge University Press, 2004. Cawley A.C., ed. Everyman. Everyman and Medieval Miracle Plays. Dent, 1956. Chambers, E.K. The Elizabethan Stage. 4 vols. Clarendon Press, 1923; rpt. 1967. Chambers, E.K. The Elizabethan Stage. Vol. 2. Oxford: Clarendon Press, 1923. Champion, Larry S. <quote>What prerogatiues meanes</quote>: Perspective and Political Ideology in <title level="m">The Famous Victories of Henry V. South Atlantic Review 53 (1988): 1–19. WSB bg957. Chapman, George. The tragedy of Alphonsus Emperour of Germany. London: Humphrey Moseley, 1654. Wing C1952. ESTC R19355. DEEP 1086. Chettle, Henry. Kind-Harts Dream. London: William Wright, 1593. STC 5123. ESTC S116845. Churton Collins, J. The Plays & Poems of Robert Greene. Vol. 2. Clarendon Press, 1905. Çipa, H. Erdem. The Making of Selim: Succession, Legitimacy, and Memory in the Early Modern Ottoman World. Bloomington, IN: Indiana University Press, 2017. Clare, Janet. Medley History: <title level="m">The Famous Victories of Henry the Fifth to Henry V. Shakespeare Survey 63 (2010): 102–113. WSB bbz1002. Clarke, Andrew, ed. Register of the University of Oxford, Vol. 2 (1571–1622). Oxford: Clarendon Press, 1887. Clark, Stuart. Vanities of the Eye: Vision in Early Modern Europe. Oxford: Oxford University Press, 2007. WSB aau549. Cockett, Peter. Performing the Queen’s Men: A Project in Theatre Historiography. Locating the Queen’s Men, 1583–1603: Material Practices and Conditions of Playing. Ed. Helen Ostovich, Holger Schott Syme, and Andrew Griffin. Ashgate: Farnham, 2009, 229–242. WSB aay90. Cockett, Peter. An Experiment in Elizabethan Comedy. The Shakespeare and the Queen’s Men Project. Glen Morris Studio, January 2006. Cockett, Peter. The Ghost of Dick Tarlton, Gentleman. The Queen’s Men Seminar. Shakespeare Association of America. April 2009. Cockett, Peter. Incongruity, Humour and Early English Comic Figures: Armin’s Natural Fools, the Vice, and Tarlton the Clown. University of Toronto. PhD dissertation, 2001. Cockett, Peter. Performing Natural Folly: The Jests of Lean Leanard and the Touchstones of Robert Armin and David Tennant. New Theatre Quarterly. 22.2 (May 2006): 141–154. WSB bbt348a. Collier, John Payne. Memoirs of Edward Alleyn, Founder of Dulwich College: Including Some New Particulars Respecting Shakespeare, Ben Jonson, Massinger, Marston, Dekker, &c. London: The Shakespeare Society, 1841. Corbin, Peter, and Douglas Sedge, eds. The Oldcastle Controversy. Manchester: Manchester University Press, 1991. WSB ad162. Coxe, Francis. A Short Treatise Declaring the Detestable Wickedness of Magical Sciences. London: John Allde, 1561. STC 5950. ESTC S105100. Craik, T.W., ed. King Henry V. By William Shakespeare. Arden Shakespeare. Routledge, 1995. WSB ai7. Crawford, Charles. Edmund Spenser, <title level="a">Locrine, and Selimus. Notes & Queries. Series VII (1919): 61–63, 101–103, 142–144, 203–205, 261–263, 324–325, 384–386. Crupi, Charles W. Robert Greene. Twayne, 1986. Cushman, Robert. Play Descends into Skid Row. National Post. 4 November 2006. Cushman, Robert. 2014 is the Year of King Lear. National Post. 26 May 2014. Cushman, Robert. The Difficulties of Love Times Three. National Post. 11 February 2015. Dahlquist, Mark. Love and Technological Iconoclasm in Robert Greene’s <title level="m">Friar Bacon and Friar Bungay. English Literary History 78 (2011): 51–77. Daniel, P.A. Introduction. The Famous Victories of Henry the Fifth: The Earliest Known Quarto, 1598. London: C. Praetorius, 1887. Dean, Paul. Shakespeare’s <title level="m">Henry VI Trilogy and Elizabethan Romance Histories: The Origins of a Genre. Shakespeare Quarterly 33.1 (1982): 34–48. WSB bp229. Dedijer, Steven. The Rainbow Scheme: British Secret Service and the Pax Britannica. Clio Goes Spying: Eight Essays on the History of Intelligence. Ed. Wilhelm Agrell and Bo Huldt. Malmö: Lund, 1983. 10–63. Dee, John. Friar Bacon his Discovery of the Miracles of Art, Nature, and Magick. Faithfully Translated out of Dr Dees own Copy by T.M. and Never Before in English. London, 1659. Wing B373. ESTC R10803. Dee, John. Autobiographical Tracts of Dr. John Dee. Ed. James Crossley. Manchester: Chetham Society, 1851. Degenhardt, Jane Hwang. Islamic Conversion and Christian Resistance on the Early Modern Stage. Edinburgh: Edinburgh University Press, 2010. WSB aaz406. De Laurens, Andre. A Discourse of the Preservation of the Sight. London: Felix Kingston, 1599. STC 7304. ESTC S110934. De Somogyi, Nick, ed. <title level="m">Henry IV, Part 1: The First Part of Henry the Fourth: The First Folio of 1623 and a Parallel Modern Edition. The Shakespeare Folios. London: Nick Hern, 2004. WSB aam463. De Somogyi, Nick, ed. <title level="m">Henry V: The Life of Henry the Fifth. The Shakespeare Folios. London: Nick Hern, 2001. WSB aaf988. Dessen, Alan C. Recovering Shakespeare’s Theatrical Vocabulary. Cambridge: Cambridge University Press, 1995. WSB ai47. DOI: 10.1017/CBO9780511627460. Dessen, Alan C. and Peter Cockett. Inside Out: The Persistence of Allegory in Renaissance Performance. Graduate Centre for Study of Drama and <foreign xml:lang="la">Poculi Ludique Societas</foreign>. University of Toronto, 5–7 February 2010. Dessen, Alan C., and Leslie Thomson. A Dictionary of Stage Directions in English Drama, 1580–1642. Cambridge University Press, 1999. WSB aaa585. Dessen, Alan C. Elizabethan Stage Conventions and Modern Interpreters. Cambridge University Press, 1984. WSB am38. Dessen, Alan C. Robert Greene and the Theatrical Vocabulary of the Early 1590s. Writing Robert Greene: Essays on England’s First Notorious Professional Writer. Ed. Kirk Melnikoff and Edward Geiskes. Farnham, Surrey: Ashgate, 2008. 25–37. Dessen, Alan C. Shakespeare and the Late Moral Plays. Lincoln: University of Nebraska Press, 1986. WSB aj417. Dessen, Alan C. Stage Directions as Evidence: The Question of Provenance. Shakespeare: Text and Theater: Essays in Honor of Jay L. Halio. Ed. Lois Potter, Arthur F. Kinney, and Barbara Silverstein. Delaware: University of Delaware P–Associated University Press, 1999. 229–247. WSB bbb564. Diehl, Huston. Staging Reform, Reforming the Stage: Protestantism and Popular Theater in Early Modern England. Ithaca: Cornell University Press, 1997. WSB av638. Digges, Leonard, and Thomas Digges. An Arithmetical Warlike Treatise Named Stratioticos. London, 1579. STC 6848. ESTC S109689. Digges, Leonard. An Arithmetical Warlike Treatise Named Stratioticos. London: Richard Field, 1590. STC 6849. ESTC S109690. Digges, Leonard, and Thomas Digges. A Geometrical Practice Named Pantometria. London: Henry Bynneman, 1571. STC 6858. ESTC S111670. Dimmock, Matthew. New Turkes: Dramatizing Islam and the Ottomans in Early Modern England. London: Routledge, 2005. WSB aaq206. Dockray, Keith. Warrior King: The Life of Henry V. Stroud, Gloucestershire: Tempus, 2007. Dutton, Richard. <title level="m">The Famous Victories and the 1600 Quarto of Henry V. Locating the Queen’s Men, 1583–1603: Material Practices and Conditions of Playing. Ed. Helen Ostovich, Holger Schott Syme, and Andrew Griffin. Ashgate: Farnham, 2009. 135–144. WSB bby196. Eamon, William. Technology as Magic in the Late Middle Ages and the Renaissance. Janus 70 (1983): 171–212. Eccles, Mark. Shakespeare in Warwickshire. Madison: University of Wisconsin Press, 1961. WSB aav113. Eccles, Mark. Elizabethan Actors I: A–D. N&Q 236 (1991): 38–49. Eco, Umberto. Travels in Hyper Reality. Trans. William Weaver. New York: Harcourt Brace & Co., 1986. Egan, Gabriel. <quote>As it was, is, or will be played</quote>: Title-pages and the Theater Industry to 1610. From Performance to Print in Shakespeare’s England. Ed. Peter Holland and Stephen Orgel. Basingstoke: Palgrave Macmillan, 2006. 92–110. WSB aat505. Elliott, John R., Alan H. Nelson, Alexandra F. Johnston, and Diana Wyatt eds. Records of Early English Drama: Oxford. 2 vols. Toronto: University of Toronto Library and London: British Library, 2004. Elyot, Thomas. The Book Named the Governor. London: Thomas Berthelet, 1531. STC 7635. ESTC S105376. Elyot, Thomas. The Governour. Narrative and Dramatic Sources of Shakespeare. Ed. Geoffrey Bullough. Vol. 4. London: Routledge; rpt. New York: Columbia University Press, 1962. 288. Empson, William. English Pastoral Poetry. New York: W.W. Norton, 1938. Escolme, Bridget. Talking to the Audience: Shakespeare, Performance, Self. New York: Routledge, 2005. WSB aaq96. Estienne, Charles. The Defense of Contraries. Trans. Anthony Munday. London: John Windet, 1593. STC 6467. ESTC S105222. Ettin, Andrew V. Magic into Art: The Magician’s Renunciation of Magic in English Renaissance Drama. Texas Studies in Literature and Language 19.3 (1977): 268–293. WSB bu1122. Farmer, John S., ed. The Famous Victories of Henry the Fifth 1598. The Tudor Facsimile Texts, 1912. Feingold, Mordechai. The Occult Tradition in the English Universities of the Renaissance: A Reassessment. Occult and Scientific Mentalities in the Renaissance. Ed. Brian Vickers. Cambridge University Press, 1984: 73–94. Ferguson, W. Craig. Thomas Creede’s Pica Roman. Studies in Bibliography: Papers of the Bibliographical Society of the University of Virginia 23 (1970): 148–153. Finkel, Caroline. Osman’s Dream: The Story of the Ottoman Empire 1300–1923. Basic Books, 2005. Fitzpatrick, Joan. Food in Shakespeare: Early Modern Dietaries and the Plays. Ashgate, 2007. WSB aau153. Fitzpatrick, Joan. Irish Demons: English Writings on Ireland, the Irish, and Gender by Spenser and his Contemporaries. University Press of America, 2000. Fleay, F.G. A Biographical Chronicle of the English Drama 1559–1642, 2 vols. London: Reeves and Turner, 1891. Florio, John. A World of Words. London: Arnold Hatfield, 1598. STC 11098. ESTC S102357. Foakes, R.A., ed. Henslowe’s Diary, 2nd ed. Cambridge University Press, 2002. WSB aah397. Forey, A.J. The Order of Mountjoy. Speculum 46.2 (April 1971): 250–266. Freedbury-Jones, Darren. Reading Robert Greene: Recovering Shakespeare’s Rival. Routledge, 2022. Fuller, Thomas. Abel Redevivus, or The Dead Yet Speaking. London: Thomas Brudenell, 1651. Wing F2400. ESTC R177335. Furness, H.H., ed. King Lear. By Shakespeare, William. London: J.B. Lippincott & Co., 1880. Galloway, David, ed. Records of Early English Drama: Norwich, 1540–1642. Toronto: University of Toronto Press, 1984. Gants, David. Creede, Thomas (b. in or before 1554, d. 1616), printer. Oxford Dictionary of National Biography. Oxford University Press, 2004. Gascoigne, George. The Noble Art of Venery or Hunting. London: Henry Bynneman for Christopher Barker, 1575. STC 24328. ESTC S121817. Geree, John. Atrologo-Mastix or a Discovery of the Vanity and Iniquity of Judicial Astrology, or Divining by the Stars the Success or Miscarriage of Human Affaires. London: Mathew Simmons, 1646. Wing G586. ESTC R200963. Goldie, M. Crooke, Andrew (c. 1605–1674), bookseller. Oxford Dictionary of National Biography. Oxford University Press, 2004. Gosson, Stephen. The schoole of abuse. London: Thomas Woodcocke, 1579. STC 12097.5. ESTC S103345. Gower, John. Jo. Gower de Confessio Amantis. London: Thomas Berthelette, 1554. STC 12144. ESTC S120946. Greene, Robert. Menaphon. London: Thomas Orwin, 1589. STC 12272. ESTC S105808. Greene, Robert. The Spanish Masquerado. London: Roger Ward, 1589. STC 12309. ESTC S118460. Greene, Robert. Greenes Farewell to Folly. London: Thomas Scarlet, 1591. STC 12241. ESTC S105962. Greene, Robert. A Notable Discovery of Cozenage. London: John Wolfe for T.N., 1591. STC 12279. ESTC S92748. Greene, Robert. Greenes Groats-worth of Wit, Bought with a Million of Repentance. London, 1592. STC 12245. ESTC S117579. Greene, Robert. A Quip for an Upstart Courtier. London: John Wolfe, 1592. STC 12301a.5. ESTC S125236. Greene, Robert. Philomela, The Lady Fitzwater’s Nightingale. London: R. Bourne and Edward Allde, 1592. STC 12296. ESTC S105870. Greene, Robert. The Honorable History of Friar Bacon and Friar Bungay. London: Adam Islip, 1594. STC 12267. ESTC S105968. Greene, Robert. The Scottish historie of Iames the fourth. London: Thomas Creede, 1598. STC 12308. ESTC S105810. DEEP 255. Greene, Robert. 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Shenk, Linda. Gown Before Crown: Scholarly Abjection and Academic Entertainment under Queen Elizabeth I. Early Modern Academic Drama. Ed. Jonathan Walker and Paul D. Streufer. Ashgate, 2008. 19–44. Shickman, Alan. The <soCalled>Perspective Glass</soCalled> in Shakespeare’s <title level="m">Richard III. Studies in English Literature 18.2 (1978): 217–228. Shoulson, Jeffrey S. Fictions of Conversion: Christians and Cultures of Change in Early Modern England. University of Pennsylvania Press, 2013. Shuger, Debora, Habits of Thought in the English Renaissance: Religion, Politics, and the Dominant Culture. University of California Press, 1990. Shumaker, Wayne. The Occult Sciences in the Renaissance. University of California Press, 1972. Skelton, John. Pithy Pleasant and Profitable Works of Master Skelton, Poet Laureate. London: Thomas Marshe, 1568. STC 22608. ESTC S111019. Slack, Paul. Poverty and Policy in Tudor and Stuart England. Longman, 1988. Smith, Robert A.H. Thomas Creede, <title level="m">Henry V Q1, and The Famous Victories of Henrie the Fifth. Review of English Studies 49 (1998): 60–64. WSB bw63. Spenser, Edmund. The Shepheardes Calender. London: Hugh Singleton, 1579. STC 23089. ESTC S111264. Spenser, Edmund. The Fairie Queene. London, 1590. STC 23080. ESTC S125541. Stafford, Barbara Maria, and Frances Terpak. Devices of Wonder: From the World in a Box to Images on a Screen. Getty Research Institute, 2001. Stern, Tiffany. Rehearsal from Shakespeare to Sheridan. Oxford University Press, 2000. WSB aab871. Stewart, Alan. Shakespeare and the Carriers. Shakespeare Quarterly 58 (2007): 431–464. WSB bbu767. Stow, John. The Chronicles of England, from Brute vnto this present yeare of Christ, 1580. London: Ralphe Newberie, 1580. STC 23333. ESTC S117590. Stow, John. The Survey of London. Ed. H.B. Wheatley. Dent, 1987. Stow, John. The Abridgement of the English Chronicle … unto the Beginning of the Year 1618. London, 1618. STC 23332. ESTC S117863. Stow, John, and Edmund Howes. Annales, or, A Generall Chronicle of England … unto the End of this Present Yeere, 1631. London: 1631. Strong, Roy. The Cult of Elizabeth: Elizabethan Portraiture and Pageantry. Thames and Hudson, 1977. Sugden, Edward Holdsworth. A Topographical Dictionary to the Works of Shakespeare and His Fellow Dramatists. Manchester University Press, 1925. Syme, Holger S. Thomas Creede, William Barley, and the Venture of Printing Plays. Shakespeare’s Stationers: Studies in Cultural Bibliography. Ed. Marta Straznicky. University of Pennsylvania Press, 2013. 28–46. WSB aaac1. Symonds, John Addington. Shakespeare’s Predecessors in the English Drama. London: Smith, Elder, and Co., 1884. Tachau, Katherine H. Seeing as Action and Passion in the Thirteenth and Fourteenth Centuries. The Mind’s Eye: Art and Theological Argument in the Middle Ages. Ed. Jeffrey F. Hamburger and Anne-Marie Bouché. Princeton, NJ: Princeton University Press, 2006. 336–359. Tarlton, Richard. Tarlton’s Jests. London, Thomas Snodam for John Budge, 1613. STC 23683.3. ESTC S106896. Taylor, Gary, ed. Henry V. The Oxford Shakespeare. Oxford: Oxford University Press, 1982. WSB ap267. The Bible. The Geneva Bible. London, 1599. STC 2173. Thomson, Peter. The True Physiognomy of a Man: Richard Tarlton and His Legend. Shakespeare and His Contemporaries in Performance. Ed. Edward J. Esche. Ashgate, 2000. 191–210. WSB bba910. Thomson, Peter. Richard Tarlton. Oxford Dictionary of National Biography. Thorndike, Lynn. Roger Bacon and Experimental Method in the Middle Ages. The Philosophical Review 23.3 (1914): 271–298. Thorndike, Lynn. The True Roger Bacon, I. American Historical Review 21.2 (1916): 237–257. Thorndike, Lynn. The True Roger Bacon, II. American Historical Review 21.3 (1916): 468–480. Tilley, Morris P. A Dictionary of the Proverbs in England in the Sixeenth and Seventeenth Centuries. University of Michigan Press, 1950; rpt. 1966. Tolstoy, Leo. Tolstoy on Shakespeare: A Critical Essay on Shakespeare. Trans. V. Tchertkoff and I.M.F.. Funk and Wagnalls, 1906. Towne, Frank. White Magic in <title level="m">Friar Bacon and Friar Bungay? Modern Language Notes 67.1 (1952): 9–13. Tucker, Patrick. Secrets of Acting Shakespeare: The Original Approach. London: Routledge, 2001. WSB aah195. van Helden, Albert. The Invention of the Telescope. Transactions of the American Philological Society 67.4 (1977): 1–67. Vitkus, Daniel. Turning Turk: English Theater and the Multicultural Mediterranean, 1570–1630. Palgrave Macmillan, 2003. WSB aal194. Vitkus, Daniel J., ed. Three Turk Plays from Early Modern England. Columbia University Press, 2000. Wager, William. Enough is as Good as a Feast. London: John Allde, 1570. STC 24933. ESTC S111566. Walsh, Brian. Theatrical Temporality and Historical Consciousness in <title level="m">The Famous Victories of Henry V. Theatre Journal 59 (2007): 57–73. Walsh, Brian. Shakespeare, the Queen’s Men, and the Elizabethan Performance of History. Cambridge University Press, 2009. WSB aay460. Walsh, Brian. New Directions: <quote>By Shrewsbury clock</quote>: The Time of Day and the Death of Hotspur in <title level="m">I Henry IV. 1 Henry IV: A Critical Guide. Ed. Stephen Longstaffe. Continuum, 2011. 142–159. WSB bbba783d. Walsham, Alexandra. Providentialism. The Oxford Handbook of Holinshed’s <title level="m">Chronicles. Oxford University Press, 2013. 427–442. Walsham, Alexandra. Providence in Early Modern England. Oxford University Press, 1999. Walter, J.H., ed. King Henry V. By William Shakespeare. Arden Shakespeare. Harvard University Press, 1954; rpt. London: Methuen, 1964. Ward, Bernard M. <title level="m">The Famous Victories of Henry V: Its Place in Elizabethan Dramatic Literature. Review of English Studies 4 (1928): 270–294. Ward, A.W. Marlowe, The Tragical History of Doctor Faustus; Greene, Honorable History of Friar Bacon and Friar Bungay. 4th ed. Clarendon Press, 1901. Watson, Andrew G. Thomas Allen of Oxford and his Manuscripts. Medieval Scribes, Manuscripts, & Libraries. Ed. M.B. Parker and Andrew G. Watson. Scolar Press, 1978. 279–314. Weimann, Robert. Shakespeare and the Popular Tradition in Theatre. Ed. R. Schwartz. Johns Hopkins University Press, 1978. WSB at417. Weis, René, ed. King Henry IV, Part 2. By William Shakespeare. Oxford University Press, 1998. Wells, William S. <title level="m">The Famous Victories of Henry the Fifth: A Critical Edition. Stanford University. PhD dissertation, 1935. Werstine, Paul. Touring and the Construction of Shakespeare Textual Criticism. Textual Formations and Reformations. Ed. Laurie E. Maguire and Thomas L. Berger. University of Delaware Press, 1998. 45–66. WSB bw971. Werstine, Paul. Early Modern Playhouse Manuscripts and the Editing of Shakespeare. Cambridge University Press, 2013. WSB aaac5. Wertheim, Albert. The Presentation of Sin in <title level="m">Friar Bacon and Friar Bungay. Criticism 16.4 (1974): 273–286. West, Robert H. White Magic in <title level="m">Friar Bacon. Modern Language Notes 67.7 (1952): 499–500. Whetstone, George. The English myrror. A regard wherein al estates may behold the conquests of enuy. London: George Seton, 1586. STC 25336. ESTC S126805. White, Paul Whitfield. Theatre and Reformation: Protestantism, Patronage and Playing in Tudor England. Cambridge University Press, 1993. Wiggins, Martin, and Catherine Richardson. British Drama 1533–1642: A Catalogue. Volume 3, 1590–1597. Oxford University Press, 2012. WSB aaac69. Wiles, David. Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse. Cambridge University Press, 1987. WSB ah160. Wilkinson, Louise. Pawn and Political Player: Observations on the Life of a Thirteenth-Century Countess. Historical Research 73/181 (2000): 105–123. Williams, Deanne. <title level="m">Friar Bacon and Friar Bungay and the Rhetoric of Temporality. Reading the Withington, Phil. <q>The Semantics of <q>Peace</q> in Early Modern England.</q> Transactions of the Royal Historical Society, 23, 2013, 127–53. Medieval in Early Modern England. Ed. Gordon McMullan and David Matthews. Cambridge: Cambridge University Press, 2007. WSB aau522. 31–48. Wilson, Elkin Calhoun. England’s Eliza. Harvard University Press, 1939. Wilson, Robert. A right excellent and famous comoedy called the three ladies of London. London: Roger Ward, 1584. STC 25784. ESTC S111805. DEEP 119. Wilson, Robert. The Coblers Prophesie. London: Cuthbert Burby, 1594. STC 25781. DEEP 191. ESTC S111809. Wilson, Robert. The pleasant and Stately Morall, of the three Lordes and three Ladies of London. With the great loy and Pompe, Solempnized at their Mariages: Commically interlaced with much honest Mirth, for pleasure and recreation, among many Morall obseruations and other important matters of due Regard. London. 1590. STC 25783. DEEP 128. ESTC S111813. Woodberry, G.E. Greene’s Place in Comedy: A Monograph. Representative English Comedies. Ed. Charles Mills Gayley. MacMillan, 1916. 385–394. Wright, Thomas, ed. The Political Songs of England from the Reign of John to that of Edward II. Camden Society, 1939. Yamada, Akihiro. Thomas Creede: Printer to Shakespeare and His Contemporaries. Meisei University Press, 1994. WSB a763. Yates, Frances. Giordano Bruno’s Conflict with Oxford. Journal of the Warburg Institute 2.3 (1939): 227–242. Zetterberg, J. Peter. The Mistaking of <quote>the Mathematicks</quote> for Magic in Tudor and Stuart England. Sixteenth Century Journal 1 (1980): 83–97. Adams, Joseph Quincy. Chief Pre-Shakespearean Dramas: A Selection of Plays Illustrating the History of the English Drama from its Origin Down to Shakespeare. Boston: Houghton Mifflin, 1924. LEMDO Team The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors.

This bibliography lists all the sources cited in the QME editions published to date, except for specific copies of early publications, which are listed only in the edition bibliographies. It also includes all the sources cited in the anthology’s About pages and resources. Note that each edition also has its own bibliography page.

For a curated list of suggested critical and pedagogical readings, see Suggested Readings.

Works Cited in QME About Pages Bentley, Greg. Coppernose: The Nature of Burden’s Disease in Robert Greene’s <title level="m">Friar Bacon and Friar Bungay. English Language Notes 22.4 (1985): 28–32. Butler, E.M. The Myth of the Magus. Cambridge University Press, 1948. Eccles, Mark. Shakespeare in Warwickshire. Madison: University of Wisconsin Press, 1961. WSB aav113. Greene, Robert. The Honorable History of Friar Bacon and Friar Bungay. English Renaissance Drama: A Norton Anthology. Ed. David Bevington. New York: W.W. Norton, 2002. 134–181. Knutson, Roslyn L. The Start of Something Big. Locating the Queen’s Men, 1583–1603. Ed. Helen Ostovich, Holger Schott Syme, and Andrew Griffin. London: Routledge, 2009. Leggatt, Alexander. Introduction to English Renaissance Comedy. Manchester University Press, 1999. WSB aaa426. Marlowe, Christopher. The tragicall history of D. Faustus. London: Valentine Simmes, 1604. STC 17429. ESTC S120173. DEEP 369. Maus, Katharine Eisaman. Horns of Dilemma: Jealousy, Gender, and Spectatorship in English Renaissance Drama. ELH 54.1 (1987): 561–583. McCallum, James Dow. Greene’s Friar Bacon and Friar Bungay. Modern Language Notes 35.4 (1920): 212–217. McMillin, Scott, and Sally-Beth MacLean. The Queen’s Men and Their Plays. Cambridge University Press, 1998. WSB aw359. McNeir, Waldo F. Traditional Elements in the Character of Greene’s Friar Bacon. Studies in Philology 45.2 (1948): 172–179. Reynolds, Bryan, and Henry Turner. Performative Transversations: Collaborations Through and Beyond Greene’s <title level="m">Friar Bacon and Friar Bungay. Transversal Enterprises in the Drama of Shakespeare and his Contemporaries: Fugitive Explorations. Ed. Bryan Reynolds. New York: Palgrave Macmillan, 2006. 240–250. Towne, Frank. White Magic in <title level="m">Friar Bacon and Friar Bungay? Modern Language Notes 67.1 (1952): 9–13. Williams, Deanne. <title level="m">Friar Bacon and Friar Bungay and the Rhetoric of Temporality. Reading the Withington, Phil. <q>The Semantics of <q>Peace</q> in Early Modern England.</q> Transactions of the Royal Historical Society, 23, 2013, 127–53. Medieval in Early Modern England. Ed. Gordon McMullan and David Matthews. Cambridge: Cambridge University Press, 2007. WSB aau522. 31–48.
Works Cited in Actor Biographies Chambers, E.K. The Elizabethan Stage. Vol. 2. Oxford: Clarendon Press, 1923. Collier, John Payne. Memoirs of Edward Alleyn, Founder of Dulwich College: Including Some New Particulars Respecting Shakespeare, Ben Jonson, Massinger, Marston, Dekker, &c. London: The Shakespeare Society, 1841. Eccles, Mark. Elizabethan Actors I: A–D. N&Q 236 (1991): 38–49. Eccles, Mark. Shakespeare in Warwickshire. Madison: University of Wisconsin Press, 1961. WSB aav113. Galloway, David, ed. Records of Early English Drama: Norwich, 1540–1642. Toronto: University of Toronto Press, 1984. Greene, Robert, and Thomas Lodge. A looking glasse, for London and Englande. London: Thomas Creede, 1598. Gurr, Andrew. Playgoing in Shakespeare’s London. 2nd ed. Cambridge University Press, 1996. Harvey, Gabriel. Four Letters and Certain Sonnets, especially Touching Robert Greene, and other Parties, by Him Abused. London: John Wolfe, 1592. STC 12900. ESTC S103855. Harvey, Gabriel. Letter-Book of Gabriel Harvey, A.D. 1573–1580. Ed. Edward John Long Scott. Westminster: The Camden Society, 1884. Heywood, Thomas. Apology for Actors. London: Nicholas Okes, 1612. STC 13309. ESTC S106113. Honigmann, E.A.J., and Susan Brock. Playhouse Wills, 1558–1642. Manchester: Manchester University Press, 1993. Jonson, Ben. Bartholmew fayre. London, 1631. STC 14753.5. ESTC S4350. Lodge, Thomas. A Defence of Poetry, Music, and Stage Plays. London: H. Singleton, 1579. STC 16663. ESTC S105765. McMillin, Scott. Simon Jewell and the Queen’s Men. Review of English Studies 27 (1976): 174–177. Meres, Francis. Palladis tamia. London: Cuthbert Burby, 1598. STC 17834. ESTC S110013. Nashe, Thomas. Pierce Penniless, His Supplication to the Devil. London: Abel Jeffes, 1592. Nungezar, Edwin. A Dictionary of Actors. New Haven: Yale University Press, 1929. Peacham, Henry. Thalia’s banquet: furnished with an hundred and odde dishes of newly deuised epigrammes, whereunto (beside many worthy friends) are inuited all that loue in offensiue mirth, and the Muses. London: Printed by Nicholas Okes for Francis Constable, 1620. STC 19515. ESTC S110329. Peacham, Henry. The truth of our times: revealed out of one mans experience, by way of essay. London: Printed by Nicholas Okes for James Becket, 1638. STC 19517. ESTC S114189. Stow, John, and Edmund Howes. Annales, or, A Generall Chronicle of England … unto the End of this Present Yeere, 1631. London: 1631. Tarlton, Richard. Tarlton’s Jests. London, Thomas Snodam for John Budge, 1613. STC 23683.3. ESTC S106896. Thomson, Peter. Richard Tarlton. Oxford Dictionary of National Biography. Wilson, Robert. The Coblers Prophesie. London: Cuthbert Burby, 1594. STC 25781. DEEP 191. ESTC S111809. Wilson, Robert. The pleasant and Stately Morall, of the three Lordes and three Ladies of London. With the great loy and Pompe, Solempnized at their Mariages: Commically interlaced with much honest Mirth, for pleasure and recreation, among many Morall obseruations and other important matters of due Regard. London. 1590. STC 25783. DEEP 128. ESTC S111813. Wilson, Robert. A right excellent and famous comoedy called the three ladies of London. London: Roger Ward, 1584. STC 25784. ESTC S111805. DEEP 119.
Shakespeare and the Queen’s Men: Performance Bibliography Billing, Christian M. Rehearsing Shakespeare: Embodiment, Collaboration, Risk and Play. Shakespeare Bulletin 30.4 (Winter 2012) 383–410. WSB bbbb686. Bloom, Harold. Shakespeare: the Invention of the Human. Riverhead Books, 1998. WSB aw679. Carson, Christie, and Farim Karim-Cooper. Shakespeare’s Globe: A Theatrical Experiment. Cambridge University Press, 2008. WSB aaw331. Cockett, Peter. An Experiment in Elizabethan Comedy. The Shakespeare and the Queen’s Men Project. Glen Morris Studio, January 2006. Cockett, Peter. The Ghost of Dick Tarlton, Gentleman. The Queen’s Men Seminar. Shakespeare Association of America. April 2009. Cockett, Peter. Incongruity, Humour and Early English Comic Figures: Armin’s Natural Fools, the Vice, and Tarlton the Clown. University of Toronto. PhD dissertation, 2001. Cockett, Peter. Performing Natural Folly: The Jests of Lean Leanard and the Touchstones of Robert Armin and David Tennant. New Theatre Quarterly. 22.2 (May 2006): 141–154. WSB bbt348a. Cushman, Robert. The Difficulties of Love Times Three. National Post. 11 February 2015. Cushman, Robert. Play Descends into Skid Row. National Post. 4 November 2006. Dessen, Alan C. Elizabethan Stage Conventions and Modern Interpreters. Cambridge University Press, 1984. WSB am38. Dessen, Alan C. Recovering Shakespeare’s Theatrical Vocabulary. Cambridge: Cambridge University Press, 1995. WSB ai47. DOI: 10.1017/CBO9780511627460. Dessen, Alan C. Shakespeare and the Late Moral Plays. Lincoln: University of Nebraska Press, 1986. WSB aj417. Dessen, Alan C. Stage Directions as Evidence: The Question of Provenance. Shakespeare: Text and Theater: Essays in Honor of Jay L. Halio. Ed. Lois Potter, Arthur F. Kinney, and Barbara Silverstein. Delaware: University of Delaware P–Associated University Press, 1999. 229–247. WSB bbb564. Dessen, Alan C. and Peter Cockett. Inside Out: The Persistence of Allegory in Renaissance Performance. Graduate Centre for Study of Drama and <foreign xml:lang="la">Poculi Ludique Societas</foreign>. University of Toronto, 5–7 February 2010. Dessen, Alan C., and Leslie Thomson. A Dictionary of Stage Directions in English Drama, 1580–1642. Cambridge University Press, 1999. WSB aaa585. Eccles, Mark. Shakespeare in Warwickshire. Madison: University of Wisconsin Press, 1961. WSB aav113. Escolme, Bridget. Talking to the Audience: Shakespeare, Performance, Self. New York: Routledge, 2005. WSB aaq96. Greenblatt, Stephen. Renaissance Self-Fashioning: From More to Shakespeare. 1980; rpt. Chicago: University of Chicago Press, 2005. WSB ar380. Howard, Jean E. Crossdressing, The Theatre, and Gender Struggle in Early Modern England. Shakespeare Quarterly 39.4 (Winter 1988): 418–440. WSB bg773. Kaplan, Jon. Stage Scenes. Now Magazine. 19 January 2006. King, Pamela. Review of Queen’s Men at McMaster University, 24–29 October, 2006. Early Modern Literary Studies. 13.3 (January 2008): 20.1–20.10. Lopez, Jeremy. A Partial Theory of Original Practice. Shakespeare Survey 61 (2008): 302–317. WSB bbw622. McMillin, Scott, and Sally-Beth MacLean. The Queen’s Men and Their Plays. Cambridge University Press, 1998. WSB aw359. Meagher, John C. Pursuing Shakespeare’s Dramaturgy: Some Contexts, Resources, and Strategies in His Playmaking. Associated University Press, 2003. WSB aal216. Meagher, John C. Shakespeare’s Shakespeare: How the Plays Were Made. Continuum, 1997. WSB av213. Menzer, Paul. Afterword. Inside Shakespeare: Essays on the Blackfriars Stage. Ed. Paul Menzer.Susquehanna University Press, 2006. 223–230. WSB aat277. Palfrey, Simon, and Tiffany Stern. Shakespeare in Parts. Oxford: Oxford University Press, 2007. WSB aau418. Preston, Thomas. Cambyses: King of Persia. AMS Press, 1970. Roberts-Smith, Jennifer. The Red Lion and the White Horse: Inns Used by Patronized Performers in Norwich, 1583–1624. Early Theatre. 10.1 (2007): 109–144. Shakespeare, William. Hamlet. Ed. Harold Jenkins. Arden Shakespeare. Routledge, 1982. WSB ap156. Stern, Tiffany. Rehearsal from Shakespeare to Sheridan. Oxford University Press, 2000. WSB aab871. Thomson, Peter. Richard Tarlton. Oxford Dictionary of National Biography. Tucker, Patrick. Secrets of Acting Shakespeare: The Original Approach. London: Routledge, 2001. WSB aah195. White, Paul Whitfield. Theatre and Reformation: Protestantism, Patronage and Playing in Tudor England. Cambridge University Press, 1993.
Works Cited in QME Editions Adams, Joseph Quincy. Chief Pre-Shakespearean Dramas: A Selection of Plays Illustrating the History of the English Drama from its Origin Down to Shakespeare. Boston: Houghton Mifflin, 1924. Agrippa, Heinrich Cornelius. Of the Vanity and Uncertainty of Arts and Sciences. Trans. James Standford. London: Henry Wykes, 1569. STC 204. ESTC S100458. Alford, Steven. The Watchers: A Secret History of the Reign of Elizabeth I. Bloomsbury, 2012. Allmand, Christopher. The Hundred Years War: England and France at war c. 1300 – c. 1450. Cambridge University Press, 1988. Allott, Robert. Englands Parnassus: or the choysest flowers of our moderne poets. London: Nicholas Ling, Cuthbert Burby, and Thomas Hayes, 1600. STC 379. ESTC S1431. Altman, Joel B. The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama. University of California Press, 1978. WSB at17. The Chronicle History of King Leir. Ed. Sidney Lee. Chatto & Windus, 1909. A Critical Edition of the True Chronicle History of King Leir and His Three Daughters, Gonorill, Ragan and Cordella. Ed. Donald Michie. Garland, 1991. The Famous History of Friar Bacon. London: Edward Allde, 1629. STC 1184. ESTC S123071. The famous victories of Henry the fifth. Thomas Creede, 1598. STC 13072. Queen’s Men Editions. ESTC S106379. DEEP 252. The first part of the tragicall raigne of Selimus, sometime Emperour of the Turkes, and grandfather to him that now raigneth. London: Thomas Creede, 1594. STC 12310a. ESTC S124196. DEEP 203. The lamentable and true tragedie of M. Arden of Feuersham in Kent. London: Edward White, 1592. STC 733. ESTC S106279. DEEP 142. The lamentable tragedie of Locrine. London: Thomas Creede, 1595. STC 21528. ESTC S106301. DEEP 210. The life and death of Iacke Straw, a notable rebell in England. London: Thomas Pavier, 1604. STC 23357. ESTC S111291. DEEP 167. A most pleasant comedie of Mucedorus. London: William Jones, 1598. STC 18230. ESTC S106305. DEEP 258. The Second Tome of Homilies. London: Richard Jugge, 1563. STC 13666.7. ESTC S125416. The Troublesome Reign of John King of England. London, 1591. STC 14644, 14645. ESTC S106391. The True Tragedie of Richard the third: Wherein is showne the death of Edward the fourth, with the smothering of the two yoong Princes in the Tower: With a lamentable ende of Shore’s wife, an example for all wicked women. And lastly, the coniunction and ioyning of the two noble Houses, Lancaster and Yorke. As it was playd by the Queenes Maiesties Players. London: Thomas Creede, 1594. STC 21009. ESTC S111104. Arber, Edward, ed. A Transcript of the Registers of the Company of Stationers of London, 1554–1640 A.D. 3 vols. London, 1875. Archer, I.W. The Pursuit of Stability: Social Relations in Elizabethan London. Cambridge University Press, 1991. Ardolino, Frank. Greene’s Use of the History of Oxford in <title level="m">The Honourable History of Friar Bacon and Friar Bungay. ANQ 18.2 (2005): 20–25. Ashton, Peter. A shorte treatise vpon the Turkes chronicles. London: Edward Whitechurch, 1546. STC 11899. ESTC S103126. Assarsson-Rizzi, Kerstin. Friar Bacon and Friar Bungay: A Structural and Thematic Analysis of Robert Greene’s Play. C.W.K. Gleerupland, 1972. Bacon, Roger. <title level="m">Epistola fratris Rogerii Baconus de secretis operibus artis et naturae, et de nullitate magiae. Fr. Rogeri Bacon Opera Quaedem Hactenus Inedita. Ed. J.S. Brewer. London: Longman, Green, and Roberts, 1859. 523–551. Bailey, Amanda. Flaunting: Style and the Subversive Male Body in Renaissance England. University of Toronto Press, 2007. WSB aau227. Baldwin, William, George Ferrers, and Thomas Chaloner. A myrrour for magistrates. London: Edward Whitchurch, 1563. STC 1248. ESTC S100551. Bale, John. Illustrium Maioris Britaniae Scriptorum. Gippeswici in Anglia: D. van der Straten, 1548. STC 1295. ESTC S100599. Barbour, Richmond. Before Orientalism: London’s Theatre of the East, 1576–1626. Cambridge University Press, 2003. WSB aal241. Bassett, Margaret. Newgate Prison in the Middle Ages. Speculum 18.2 (April 1943): 233–246. Bentley, Greg. Coppernose: The Nature of Burden’s Disease in Robert Greene’s <title level="m">Friar Bacon and Friar Bungay. English Language Notes 22.4 (1985): 28–32. Berek, Peter. <title level="m">Locrine Revised, Selimus, and Early Responses to Tamburlaine. Research Opportunities in Renaissance Drama 23 (1980): 33–54. Berek, Peter. <title level="m">Tamburlaine’s Weak Sons: Imitation as Interpretation Before 1593. Renaissance Drama 13 (1982): 55–82. Bergeron, David M. <soCalled>Bogus History</soCalled> and Robert Greene’s <title level="m">Friar Bacon and Friar Bungay. Early Theatre 17.1 (2014): 93–112. Bevington, David, ed. King Henry IV, Part I. By William Shakespeare. 1987. Rpt. Oxford University Press, 1998. Bevington, David. Tudor Drama and Politics. Harvard University Press, 1968. WSB aaj49. The Bible. The Geneva Bible. London, 1599. STC 2173. 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