Introduction to the Site Intro Author QME Anthology Leads Conversion and Remediation LEMDO Team Queen’s Men Editions QME

The Queen’s Men Editions anthology is led by Helen Ostovich, General Editor; Peter Cockett, General Editor (Performance); Andrew Griffin, General Editor (Text; until 2026); and Janelle Jenstad, General Editor (Text; 2026–)

 Social Sciences and Humanities Research Council of Canada McMaster University Poculi Ludique Societas University of Waterloo University of Toronto Centre for Drama, Theatre & Performance Studies University of Victoria Friends of the ISE

Released with Queen’s Men Editions 2.0

 University of Victoria on the Linked Early Modern Drama Online Platform

This file is licensed under a CC BY-NC_ND 4.0 license, which means that it is freely downloadable without permission under the following conditions: (1) credit must be given to the author, Queen’s Men Editions, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except in quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of Queen’s Men Editions, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom. Neither the content nor the code in this file is licensed for training large language models (LLMs), ingestion into an LLM, or any use in any artificial intelligence applications; such uses are considered to be commercial uses and are strictly prohibited.

Production photographs and videos on this site may not be downloaded. They appear freely on this site with the permission of the actors and the ACTRA union. They may be used within the context of university courses, within the classroom, and for reference within research contexts, including conferences, when credit is given to the producing company and to the actors. Commercial use of videos and photographs is forbidden.

Queen’s Men Editions

Page written by the QME Anthology Leads. First published in the QME 1.0 anthology on the ISE platform. Converted to TEI-XML and remediated by the LEMDO Team for republication in the QME 2.0 anthology on the LEMDO platform.

Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines

This document follows Canadian spelling conventions.

 Document Types All documents in LEMDO are either born-digital documents or primary documents. Within those two general categories, LEMDO offers additional ways to categorize a file. Born-digital Born-digital documents are anything other than primary texts About Documents about LEMDO or another anthology. Document History Various sources from which born-digital texts have made their way into the LEMDO collection. Original Source: XWiki This TEI file was created based on one or more supplementary files from the Internet Shakespeare Editions anthology, originally encoded in HTML and stored in the ISE’s XWiki system. Responsibilities Responsibilities Author MARC Code List for Relators definition: A person, family, or organization responsible for creating a work that is primarily textual in content, regardless of media type (e.g., printed text, spoken word, electronic text, tactile text) or genre (e.g., poems, novels, screenplays, blogs). Use also for persons, etc., creating a new work by paraphrasing, rewriting, or adapting works by another creator such that the modification has substantially changed the nature and content of the original or changed the medium of expression. LEMDO uses the term author in two contexts: (1) to indicate the author of a primary work or document (such as Hamlet), and (2) to indicate the author of a secondary text (such as the Critical Introduction to <title level="m">Hamlet, by David Bevington). Markup Editor MARC Code List for Relators definition: A person or organization performing the coding of SGML, HTML, or XML markup of metadata, text, etc. LEMDO uses this term for someone who encodes a file, remediates a converted text, or reviews the XML markup of a file. Published file. Standardized spelling of theater to theatre (the predominant spelling in this file and LEMDO’s preference). Changed other spellings to Canadian. Changed hi tags to title. Corrected encoding of lists. Corrected typos. Gave xml:ids to paragraphs. Waiting for OSTO1 to proof and approve before we change status to IML-TEI_proofed. Updated metadata Added text from homepage to first section, added sentence to PAR and a link Removed front element from born-digital documents that should not have one. Removed hi elements. Change path of links. Tidied metadata. Copyedited file. Changed xml:id of document. Moved it to a new directory in the repo. Added catRef to indicate it’s a QME file. Updated xml:ids of divs. Converted document. Peer review arranged by QME Editorial Board. Peter Cockett Peter Cockett

Peter Cockett is an associate professor in the iArts (Integrated Arts) program at McMaster University. He is the co-editor, with Melinda Gough, of Engendering the Stage in the Age of Shakespeare and Beyond (University of Toronto Press, 2025) which publishes the findings of their 2018 Performance as Research (PaR) workshop at the Stratford Festival Lab. He is the general editor (performance), and technical co-ordinating editor of Queen’s Men Editions. His PaR directing credits include King Leir, The Famous Victories of Henry V, and Friar Bacon and Friar Bungay (2006), Clyomon and Clamydes (2010), and Three Ladies of London (2015) for the Shakespeare and the Queen’s Men project (SQM). The process behind the 2006 productions is documented in depth on the project website Performing the Queen’s Men. For the PLS, the University of Toronto’s Medieval and Renaissance Players, he has directed the Digby Mary Magdalene (2003) and the double bill of George Peele’s The Old Wives Tale and the Chester Antichrist (2004). He also directed An Experiment in Elizabethan Comedy (2005) for the SQM project and Inside Out: The Persistence of Allegory (2008) in collaboration with Alan Dessen. Peter is a professional actor and director with numerous stage and screen credits. He can be contacted at cockett@mcmaster.ca.

 Martin Holmes Martin Holmes

Martin Holmes has worked as a developer in the UVic’s Humanities Computing and Media Centre for over two decades, and has been involved with dozens of Digital Humanities projects. He has served on the TEI Technical Council and as Managing Editor of the Journal of the TEI. He took over from Joey Takeda as lead developer on LEMDO in 2020. He is a collaborator on the SSHRC Partnership Grant led by Janelle Jenstad.

 Navarra Houldin Navarra Houldin

Training and Documentation Lead 2025–present. LEMDO project manager 2022–2025. Textual remediator 2021–present. Navarra Houldin (they/them) completed their BA with a major in history and minor in Spanish at the University of Victoria in 2022. Their primary research was on gender and sexuality in early modern Europe and Latin America. They are continuing their education through an MA program in Gender and Social Justice Studies at the University of Alberta where they will specialize in Digital Humanities.

 Janelle Jenstad Janelle Jenstad

Janelle Jenstad is a Professor of English at the University of Victoria, Director of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Beatrice Kaethler, she co-edited Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge). She has edited John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Elizabethan Theatre, Early Modern Literary Studies, Shakespeare Bulletin, Renaissance and Reformation, and The Journal of Medieval and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives (MLA); Institutional Culture in Early Modern England (Brill); Shakespeare, Language, and the Stage (Arden); Performing Maternity in Early Modern England (Ashgate); New Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter); Placing Names: Enriching and Integrating Gazetteers (Indiana); Making Things and Drawing Boundaries (Minnesota); Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (Routledge); and Civic Performance: Pageantry and Entertainments in Early Modern London (Routledge). For more details, see janellejenstad.com.

 Joey Takeda Joey Takeda

Joey Takeda is LEMDO’s Consulting Programmer and Designer, a role he assumed in 2020 after three years as the Lead Developer on LEMDO.

 McMillin, Scott, and Sally-Beth MacLean. The Queen’s Men and Their Plays. Cambridge University Press, 1998. WSB aw359. LEMDO Team The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors. QME Editorial Board

The QME Editorial Board consists of Helen Ostovich, General Editor; Peter Cockett, General Editor (Performance); Andrew Griffin, General Editor (Text); and Janelle Jenstad General Editor (Text).

 Queen’s Men Editions QME

The Queen’s Men Editions anthology is led by Helen Ostovich, General Editor; Peter Cockett, General Editor (Performance); Andrew Griffin, General Editor (Text; until 2026); and Janelle Jenstad, General Editor (Text; 2026–)
Queen’s Men Editions

Queen’s Men Editions is a collaborative site, created by an international body of scholars, theatre practitioners, and digital developers, all working to achieve the same goals: to inspire a love of early theatre beyond Shakespeare; to recover the plays associated with the Queen’s Men in particular as enjoyable, teachable, and performable theatrical texts; and to present those texts in a richly linked, open-access, online environment.

The Queen’s Men

The Queen’s Men were the foremost theatrical company of the 1580s, an all-star troupe formed in the Queen’s name by her chief advisor Sir Francis Walsingham, and her close ally the Earl of Leicester. From 1583 through to Elizabeth’s death in 1603, they toured the provinces of England performing plays that celebrated national and Protestant virtues. The Queen’s Men Editions (QME) publishes the plays associated with the company in performance editions that incorporate textual scholarship with production records of modern performances of the plays.

Performance Editions

QME gives the user two primary ways to access the work of the Queen’s Men: through visual records of modern performances of their plays, and through performance editions of their play texts in both original and modern spelling. The two avenues of access are interrelated through linked annotations embedded in the play texts that discuss the texts themselves, their historical contexts, and the creative choices behind the modern productions. Our User Guide, demonstrates the navigational possibilities of the site for the purposes of study and research. See also our History and Vision page.

Performance as Research

QME is a product of a larger research enterprise that began with the Shakespeare and the Queen’s Men project (SQM) in 2006, led by Alexandra Johnston and Helen Ostovich and inspired by Scott McMillan and Sally-Beth MacLean’s book, The Queen’s Men and their Plays. The project emerged from University of Toronto’s Poculi Ludique Societas and Centre for Performance Studies in Early Theatre. The ongoing research project places the production and performance of plays at the centre of the research endeavour as an important and dynamic complement to library research on surviving texts and theatre documents from the period. The methodology behind these editions was developed further at our 2015 conference Performance as Research in Early English Theatre Studies: <title level="m">The Three Ladies of London in Context. The QME performance editions integrate the Performance as Research (PaR) productions with traditional textual scholarship.

Contexts

In addition to the contextual information embedded in the performance editions, QME provides an overview of the history of the company with a timeline of the documentary evidence and biographies of the actors. It also has expanding sections on pedagogy, associated with the PaR productions of the plays.

Contributors to the Site

QME is a collaborative site, created by an international body of scholars, theatre practitioners, and digital developers. For information on our contributors and collaborators, see: Editorial Board Advisory Board Directors of the Productions Editors of the Plays Acknowledgements

Editorial Guidelines

The editions of Famous Victories, Friar Bacon and Friar Bungay, King Leir, and Selimus follow the ISE Editorial Guidelines. All other editions follow the DRE/NISE Editorial Guidelines.

ISE Editorial Guidelines
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