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            <title type="main">John Lanham (fl. 1571–1591)</title>
            <title type="short">Lanham</title>
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               <resp ref="#aut">Author</resp>
               <persName ref="#GRIF1">Andrew Griffin</persName>
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                  <reg>Queen’s Men Editions</reg>
                  <abbr>QME</abbr>
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               <note>
                  <p>The Queen’s Men Editions anthology is led by Helen Ostovich, General Editor; Peter Cockett, General Editor (Performance); Andrew Griffin, General Editor (Text; until 2026); and Janelle Jenstad, General Editor (Text; 2026–)</p>
               </note>
            </sponsor>
            <funder>
               <ref target="http://www.sshrc-crsh.gc.ca/">Social Sciences and Humanities Research Council of Canada</ref>
            </funder>
            <funder>
               <ref target="https://www.mcmaster.ca/">McMaster University</ref>
            </funder>
            <funder>
               <ref target="https://pls.artsci.utoronto.ca/">Poculi Ludique Societas</ref>
            </funder>
            <funder>
               <ref target="https://pls.artsci.utoronto.ca/">University of Waterloo</ref>
            </funder>
            <funder>
               <ref target="https://pls.artsci.utoronto.ca/">University of Toronto Centre for Drama, Theatre &amp; Performance Studies</ref>
            </funder>
            <funder>
               <ref target="https://www.uvic.ca/">University of Victoria</ref>
            </funder>
            <funder>
               <ref target="https://internetshakespeare.uvic.ca/Foyer/makingwaves/friends/">Friends of the ISE</ref>
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         <editionStmt>
            <p>Released with Queen’s Men Editions 2.0</p>
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         <publicationStmt>
            <publisher>University of Victoria on the Linked Early Modern Drama Online Platform</publisher>
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               <p>This file is licensed under a <ref target="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC_ND 4.0 license</ref>, which means that it is freely downloadable without permission under the following conditions: (1) credit must be given to the author, Queen’s Men Editions, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except in quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of Queen’s Men Editions, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom. Neither the content nor the code in this file is licensed for training large language models (LLMs), ingestion into an LLM, or any use in any artificial intelligence applications; such uses are considered to be commercial uses and are strictly prohibited.</p>
               <p>Production photographs and videos on this site may not be downloaded. They appear freely on this site with the permission of the actors and the ACTRA union. They may be used within the context of university courses, within the classroom, and for reference within research contexts, including conferences, when credit is given to the producing company and to the actors. Commercial use of videos and photographs is forbidden.</p>
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            <p>Content written by <persName ref="#GRIF1">Andrew Griffin</persName> for <ref target="https://thequeensmen.ca/"><title level="m">Performing the Queen’s Men</title></ref>. Encoded by the <orgName ref="#LEMD1">LEMDO Team</orgName> for publication in the QME 2.0 anthology on the LEMDO platform.</p>
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                     <gloss type="emd">LEMDO uses the term author in two contexts: (1) to indicate
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            <persName>
               <reg>Peter Cockett</reg>
               <forename>Peter</forename>
               <surname>Cockett</surname>
            </persName>
            <note>
               <p>Peter Cockett is an associate professor in the iArts (Integrated Arts) program at McMaster University. He is the co-editor, with Melinda Gough, of <title level="m">Engendering the Stage in the Age of Shakespeare and Beyond</title> (University of Toronto Press, 2025) which publishes the findings of their 2018 Performance as Research (PaR) workshop at the Stratford Festival Lab. He is the general editor (performance), and technical co-ordinating editor of <title level="m">Queen’s Men Editions</title>. His PaR directing credits include <title level="m">King Leir</title>, <title level="m">The Famous Victories of Henry V</title>, and <title level="m">Friar Bacon and Friar Bungay</title> (2006), <title level="m">Clyomon and Clamydes</title> (2010), and <title level="m">Three Ladies of London</title> (2015) for the Shakespeare and the Queen’s Men project (SQM). The process behind the 2006 productions is documented in depth on the project website <ref target="https://thequeensmen.ca/"><title level="m">Performing the Queen’s Men</title></ref>. For the PLS, the University of Toronto’s Medieval and Renaissance Players, he has directed the Digby <title level="m">Mary Magdalene</title> (2003) and the double bill of George Peele’s <title level="m">The Old Wives Tale</title> and the Chester <title level="m">Antichrist</title> (2004). He also directed <title level="m">An Experiment in Elizabethan Comedy</title> (2005) for the SQM project and <title level="m">Inside Out: The Persistence of Allegory</title> (2008) in collaboration with Alan Dessen. Peter is a professional actor and director with numerous stage and screen credits. He can be contacted at <ref target="mailto:cockett@mcmaster.ca">cockett@mcmaster.ca</ref>.</p>
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            <persName>
               <reg>Andrew Griffin</reg>
               <forename>Andrew</forename>
               <surname>Griffin</surname>
            </persName>
            <note>
               <p>Andrew Griffin is an associate professor in the department of English and an affiliate professor in the department of Theater and Dance at the University of California, Santa Barbara. He is general editor (text) of Queen’s Men Editions. He studies early modern drama and early modern historiography while serving as the lead editor at the <ref target="http://emcimprint.english.ucsb.edu">EMC Imprint</ref>. He has co-edited with Helen Ostovich and Holger Schott Syme <title level="m">Locating the Queen’s Men</title> (2009) and has co-edited <title level="m">The Making of a Broadside Ballad</title> (2016) with Patricia Fumerton and Carl Stahmer. His monograph, <ref target="https://www.cambridge.org/core/journals/renaissance-quarterly/article/untimely-deaths-in-renaissance-drama-biography-history-catastrophe-andrew-griffin-toronto-university-of-toronto-press-2019-x-198-pp-45/D1154E832B251D4BEC76BD5504351063"><title level="m">Untimely Deaths in Renaissance Drama: Biography, History, Catastrophe</title></ref>, was published with the University of Toronto Press in 2019. He is editor of the anonymous <title level="m">The Chronicle History of King Leir</title> (Queen’s Men Editions, 2011). He can be contacted at <ref target="mailto:griffin@english.ucsb.edu">griffin@english.ucsb.edu</ref>.</p>
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            <persName>
               <reg>Navarra Houldin</reg>
               <forename>Navarra</forename>
               <surname>Houldin</surname>
            </persName>
            <note>
               <p>Training and Documentation Lead 2025–present. LEMDO project manager 2022–2025. Textual remediator 2021–present. Navarra Houldin (they/them) completed their BA with a major in history and minor in Spanish at the University of Victoria in 2022. Their primary research was on gender and sexuality in early modern Europe and Latin America. They are continuing their education through an MA program in Gender and Social Justice Studies at the University of Alberta where they will specialize in Digital Humanities.</p>
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         <bibl xml:id="HEYW3" copyOf="BIBL1.xml#HEYW3">
            <author>Heywood, Thomas</author>. <title level="m">Apology for Actors</title>. <pubPlace>London</pubPlace>: <publisher>Nicholas Okes</publisher>, <date>1612</date>. STC <idno type="STC">13309</idno>. ESTC <idno type="ESTC">S106113</idno>.</bibl>
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               <reg>LEMDO Team</reg>
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            <note>The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors.</note>
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            <item>A member of the new Queen’s company in 1583 and still there in 1588; earlier a member of Leicester’s Men.</item>
            <item>Heywood’s <title level="m">Apology for Actors</title> (<ref type="bibl" target="#HEYW3">1612</ref>) remembers him as a talented player.</item>
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