Chronicles

Chronicles Leir: Holinshed Author Raphael Holinshed Editor Andrew Griffin Conversion and Remediation LEMDO Team Queen’s Men Editions QME

The Queen’s Men Editions anthology is led by Helen Ostovich, General Editor; Peter Cockett, General Editor (Performance); Andrew Griffin, General Editor (Text; until 2026); and Janelle Jenstad, General Editor (Text; 2026–)

Social Sciences and Humanities Research Council of Canada McMaster University Poculi Ludique Societas University of Waterloo University of Toronto Centre for Drama, Theatre & Performance Studies University of Victoria Friends of the ISE

Released with Queen’s Men Editions 2.0

University of Victoria on the Linked Early Modern Drama Online Platform

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Queen’s Men Editions

Born-digital, peer-reviewed document written by Andrew Griffin. First published in the QME 1.0 anthology on the ISE platform. Converted to TEI-XML and remediated by the LEMDO Team for republication in the QME 2.0 anthology on the LEMDO platform.

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Document Types All documents in LEMDO are either born-digital documents or primary documents. Within those two general categories, LEMDO offers additional ways to categorize a file. Primary Source Primary source documents. Use this top-level category only for supplementary texts, usually in combination with the editorial treatment letmixed. Editorial Treatments Distinct approaches to textual editing used by LEMDO editors Mixed Texts in which a variety of possibly incongruous editorial approaches have been mixed. Use this category in combination with ldtPrimary. Document History Various sources from which born-digital texts have made their way into the LEMDO collection. Original Source: IML This TEI file was created based on one or more files from the Internet Shakespeare Editions anthology, originally encoded in ISE Markup Language (a custom markup language somewhat resembling SGML). Responsibilities Responsibilities Author MARC Code List for Relators definition: A person, family, or organization responsible for creating a work that is primarily textual in content, regardless of media type (e.g., printed text, spoken word, electronic text, tactile text) or genre (e.g., poems, novels, screenplays, blogs). Use also for persons, etc., creating a new work by paraphrasing, rewriting, or adapting works by another creator such that the modification has substantially changed the nature and content of the original or changed the medium of expression. LEMDO uses the term author in two contexts: (1) to indicate the author of a primary work or document (such as Hamlet), and (2) to indicate the author of a secondary text (such as the Critical Introduction to <title level="m">Hamlet, by David Bevington). Editor MARC Code List for Relators definition: A person, family, or organization contributing to a resource by revising or elucidating the content, e.g., adding an introduction, notes, or other critical matter. An editor may also prepare a resource for production, publication, or distribution. For major revisions, adaptations, etc., that substantially change the nature and content of the original work, resulting in a new work, see author. LEMDO uses the general term editor only in edition metadata and only to indicate when a person is responsible for editing all parts of an edition. Otherwise, use the more granular terms to describe the precise nature of the editorial role. Markup Editor MARC Code List for Relators definition: A person or organization performing the coding of SGML, HTML, or XML markup of metadata, text, etc. LEMDO uses this term for someone who encodes a file, remediates a converted text, or reviews the XML markup of a file. Published file. Updated metadata Updated metadata, proofread. Numbered paragraphs. Remediated file. Created TEI from IML file. Peer review arranged by QME Editorial Board Michael Best Michael Best

Michael Best is Professor Emeritus at the University of Victoria, BC. He founded the Internet Shakespeare Editions in 1996, and was Coordinating Editor until 2017, contributing two editions to the ISE: King John and King Lear (the latter also available in print from Broadview Press). In print, he has published editions of works of Elizabethan magic and huswifery, a collection of letters from the Australian goldfields, and Shakespeare on the Art of Love (2008). He contributed regular columns for the Shakespeare Newsletter on Electronic Shakespeares, and has written many articles and chapters for both print and online books and journals, principally on questions raised by the new medium in the editing and publication of texts. He has delivered papers and plenary lectures on electronic media and the Internet Shakespeare Editions at conferences in Canada, the USA, the UK, Spain, Australia, and Japan.

Peter Cockett Peter Cockett

Peter Cockett is an associate professor in the iArts (Integrated Arts) program at McMaster University. He is the co-editor, with Melinda Gough, of Engendering the Stage in the Age of Shakespeare and Beyond (University of Toronto Press, 2025) which publishes the findings of their 2018 Performance as Research (PaR) workshop at the Stratford Festival Lab. He is the general editor (performance), and technical co-ordinating editor of Queen’s Men Editions. His PaR directing credits include King Leir, The Famous Victories of Henry V, and Friar Bacon and Friar Bungay (2006), Clyomon and Clamydes (2010), and Three Ladies of London (2015) for the Shakespeare and the Queen’s Men project (SQM). The process behind the 2006 productions is documented in depth on the project website Performing the Queen’s Men. For the PLS, the University of Toronto’s Medieval and Renaissance Players, he has directed the Digby Mary Magdalene (2003) and the double bill of George Peele’s The Old Wives Tale and the Chester Antichrist (2004). He also directed An Experiment in Elizabethan Comedy (2005) for the SQM project and Inside Out: The Persistence of Allegory (2008) in collaboration with Alan Dessen. Peter is a professional actor and director with numerous stage and screen credits. He can be contacted at cockett@mcmaster.ca.

Tracey El Hajj Tracey El Hajj

Junior Programmer 2019–2020. Research Associate 2020–2021. Tracey received her PhD from the Department of English at the University of Victoria in the field of Science and Technology Studies. Her research focuses on the algorhythmics of networked communications. She was a 2019–2020 President’s Fellow in Research-Enriched Teaching at UVic, where she taught an advanced course on Artificial Intelligence and Everyday Life. Tracey was also a member of the Map of Early Modern London team, between 2018 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.

Mahayla Galliford Mahayla Galliford

Project Manager, 2025-present; Assistant Project Manager, 2024-2025; Research Assistant, 2021-present. Mahayla Galliford (she/her) graduated from the University of Victoria with a BA (honours with distinction) in 2024, and an MA English in 2026. Mahayla’s undergraduate research explored early modern stage directions and civic water pageantry. Her SSHRC-funded MA thesis project focuses on transcribing, editing, and encoding early modern girls’ manuscripts, specifically Lady Rachel Fane’s May Masque in collaboration with LEMDO.

Andrew Griffin Andrew Griffin

Andrew Griffin is an associate professor in the department of English and an affiliate professor in the department of Theater and Dance at the University of California, Santa Barbara. He is general editor (text) of Queen’s Men Editions. He studies early modern drama and early modern historiography while serving as the lead editor at the EMC Imprint. He has co-edited with Helen Ostovich and Holger Schott Syme Locating the Queen’s Men (2009) and has co-edited The Making of a Broadside Ballad (2016) with Patricia Fumerton and Carl Stahmer. His monograph, Untimely Deaths in Renaissance Drama: Biography, History, Catastrophe, was published with the University of Toronto Press in 2019. He is editor of the anonymous The Chronicle History of King Leir (Queen’s Men Editions, 2011). He can be contacted at griffin@english.ucsb.edu.

Martin Holmes Martin Holmes

Martin Holmes has worked as a developer in the UVic’s Humanities Computing and Media Centre for over two decades, and has been involved with dozens of Digital Humanities projects. He has served on the TEI Technical Council and as Managing Editor of the Journal of the TEI. He took over from Joey Takeda as lead developer on LEMDO in 2020. He is a collaborator on the SSHRC Partnership Grant led by Janelle Jenstad.

Navarra Houldin Navarra Houldin

Training and Documentation Lead 2025–present. LEMDO project manager 2022–2025. Textual remediator 2021–present. Navarra Houldin (they/them) completed their BA with a major in history and minor in Spanish at the University of Victoria in 2022. Their primary research was on gender and sexuality in early modern Europe and Latin America. They are continuing their education through an MA program in Gender and Social Justice Studies at the University of Alberta where they will specialize in Digital Humanities.

Janelle Jenstad Janelle Jenstad

Janelle Jenstad is a Professor of English at the University of Victoria, Director of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Beatrice Kaethler, she co-edited Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge). She has edited John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Elizabethan Theatre, Early Modern Literary Studies, Shakespeare Bulletin, Renaissance and Reformation, and The Journal of Medieval and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives (MLA); Institutional Culture in Early Modern England (Brill); Shakespeare, Language, and the Stage (Arden); Performing Maternity in Early Modern England (Ashgate); New Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter); Placing Names: Enriching and Integrating Gazetteers (Indiana); Making Things and Drawing Boundaries (Minnesota); Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (Routledge); and Civic Performance: Pageantry and Entertainments in Early Modern London (Routledge). For more details, see janellejenstad.com.

Kate LeBere Kate LeBere KL

Project Manager, 2020–2021. Assistant Project Manager, 2019–2020. Textual Remediator and Encoder, 2019–2021. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. During her degree she published papers in The Corvette (2018), The Albatross (2019), and PLVS VLTRA (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.

James D. Mardock James Mardock

James Mardock is Associate Professor of English at the University of Nevada, Associate General Editor for the Internet Shakespeare Editions, and a dramaturge for the Lake Tahoe Shakespeare Festival and Reno Little Theater. In addition to editing quarto and folio Henry V for the ISE, he has published essays on Shakespeare, Ben Jonson, and other Renaissance literature in The Seventeenth Century, Ben Jonson Journal, Borrowers and Lenders, and contributed to the collections Representing the Plague in Early Modern England (Routledge 2010) and Shakespeare Beyond Doubt (Cambridge 2013). His book Our Scene is London (Routledge 2008) examines Jonson’s representation of urban space as an element in his strategy of self-definition. With Kathryn McPherson, he edited Stages of Engagement (Duquesne 2013), a collection of essays on drama in post-Reformation England, and he is currently at work on a monograph on Calvinism and metatheatrical awareness in early modern English drama.

Helen Ostovich Helen Ostovich

Helen Ostovich, professor emerita of English at McMaster University, is the founder and general editor of Queen’s Men Editions. She is a general editor of The Revels Plays (Manchester University Press); Series Editor of Studies in Performance and Early Modern Drama (Ashgate, now Routledge), and series co-editor of Late Tudor and Stuart Drama (MIP); play-editor of several works by Ben Jonson, in Four Comedies: Ben Jonson (1997); Every Man Out of his Humour (Revels 2001); and The Magnetic Lady (Cambridge 2012). She has also edited the Norton Shakespeare 3 The Merry Wives of Windsor Q1602 and F1623 (2015); The Late Lancashire Witches and A Jovial Crew for Richard Brome Online, revised for a 4-volume set from OUP 2021; The Ball, for the Oxford Complete Works of James Shirley (2021); The Merry Wives of Windsor for Internet Shakespeare Editions, and The Dutch Courtesan (with Erin Julian) for the Complete Works of John Marston, OUP 2022. She has published many articles and book chapters on Jonson, Shakespeare, and others, and several book collections, most recently Magical Transformations of the Early Modern English Stage with Lisa Hopkins (2014), and the equivalent to book website, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context containing scripts, glossary, almost fifty conference papers edited and updated to essays; video; link to Queen’s Mens Ediitons and YouTube: http://threeladiesoflondon.mcmaster.ca/contexts/index.htm, 2015. Recently, she was guest editor of Strangers and Aliens in London ca 1605, Special Issue on Marston, Early Theatre 23.1 (June 2020). She can be contacted at ostovich@mcmaster.ca.

Eric Rasmussen Eric Rasmussen

Eric Rasmussen is Regents Teaching Professor and Foundation Professor of English at the University of Nevada. He is co-editor with Sir Jonathan Bate of the RSC William Shakespeare Complete Works and general editor, with Paul Werstine, of the New Variorum Shakespeare. He has received the Falstaff Award from PlayShakespeare.com for Best Shakespearean Book of the Year in 2007, 2012, and 2013.

Anonymous Raphael Holinshed Raphael Holinshed William Shakespeare William Shakespeare LEMDO Team The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors. University of Victoria https://www.uvic.ca/ QME Editorial Board

The QME Editorial Board consists of Helen Ostovich, General Editor; Peter Cockett, General Editor (Performance); Andrew Griffin, General Editor (Text); and Janelle Jenstad General Editor (Text).

Queen’s Men Editions QME

From Raphael Holinshed, Chronicles (London: Henry Denham, 1587)

Leir, the son of Bladud, was admitted ruler over the Britons in the year of the world 3105, at what time Joash reigned in Judea. This Leir was a prince of right noble demeanor, governing his land and subjects in great wealth. He made the town of Caerleir, now called Leicester, which standeth upon the river of Soar. It is written that he had by his wife three daughters without other issue,Children. whose names were Gonorilla, Regan, and Cordeilla, which daughters he greatly loved, but specially Cordeilla, the youngest far above the two elder. When this Leir therefore was come to great years, and began to waxGrow. unwieldy through age, he thought to understand the affections of his daughters towards him, and prefer her whom he best lovedThe wording suggests suggests perhaps that Leir thought that Cordeilla would be most eloquent in returning his love, so he would be able to give her most land. to the succession over the kingdom. Whereupon he first asked Gonorilla the eldest how well she loved him, who calling her gods to record,Take note. protested that she loved him more than her own life, which by right and reason should be most dear unto her. With which answer the father being well pleased, turned to the second, and demanded of her how well she loved him; who answered (confirming her sayings with great oaths) that she loved him more than tongue could express, and far above all other creatures of the world.

Then called he his youngest daughter Cordeilla before him, and asked of her what account she made of him, unto whom she made this answer as followeth: Knowing the great love and fatherly zeal that you have always borne towards me (for the which I may not answer you otherwise than I think, and as my conscience leadeth me) I protest unto you, that I have loved you ever, and will continually (while I live) love you as my natural father. And if you would more understand the love that I bear you, ascertainAssure. yourself, that so much as you have, so much you are worth, and so much I love you, and no more. The father being nothing content with this answer, married his two eldest daughters, the one unto Henninus the Duke of Cornwall, and the other unto Maglanus the Duke of Albany, betwixt whom he willed and ordained that his land should be divided after his death, and the one half thereof immediately should be assigned to them in hand,Under their authority. but for the third daughter, Cordeilla, he reserved nothing.

Nevertheless it fortuned that one of the princes of Gallia (which now is called France) whose name was Aganippus, hearing of the beauty, womanhood, and good conditions of the said Cordeilla, desired to have her in marriage, and sent over to her father, requiring that he might have her to wife, to whom answer was made, that he might have his daughter, but as for any dower he could have none, for all was promised and assured to her other sisters already. Aganippus, notwithstanding this answer of denial to receive anything by way of dower with Cordeilla, took her to wife, only moved thereto (I say) for respect of her person and amiable virtues. This Aganippus was one of the twelve kings that ruled Gallia in those days, as in the British history it is recorded. But to proceed.

After that Leir was fallen into age, the two dukes that had married his two eldest daughters, thinking it long yet the government of the land did come to their hands, arose against him in armor, and wrestStripped by force. from him the governance of the land, upon conditions to be continued for term of life, by the which he was put to his portion, that is, to live after a rate assigned to him for the maintenance of his estate, which in process of time was diminished as well by Maglanus as by Henninus. But the greatest grief that Leir took, was to see the unkindnessUnnaturalness. of his daughters, which seemed to think that all was too much which their father had, the same being never so little.However little it was. In so much that going from the one to the other, he was brought to that misery, that scarcely they would allow him one servant to wait upon him.

In the end, such was the unkindness, or (as I may say) the unnaturalness which he found in his two daughters, notwithstanding their fair and pleasant words uttered in time past, that being constrained of necessity, he fled the land, and sailed to Gallia, there to seek some comfort of his youngest daughter Cordeilla, whom before timeIn earlier days. he hated. The lady Cordeilla, hearing that he was arrived in poor estate, the first sent to him privily a certain sum of money to apparel himself withal, and to retain a certain number of servants that might attend upon him in honorable wise, as appertained to the estate which he had borne,His earlier status and dignity. and then so accompanied, she appointed him to come to the court, which he did, and was so joyfully, honorably, and lovingly received, both by his son-in-law Aganippus, and also by his daughter Cordeilla, that his heart was greatly comforted, for he was no less honored than if he had been king of the whole country himself.

Now when he had informed his son-in-law and his daughter in what sort he had been used by his other daughters, Aganippus caused a mighty army to be put in readiness, and likewise a great navy of ships to be rigged, to pass over to Britain with Leir, his father-in-law, to see him again restored to his kingdom. It was accorded, that Cordeilla should also go with him to take possession of the land, the which heI.e., Leir. promised to leave unto her, as the rightful inheritor after his decease, notwithstanding any former grant made to her sisters or to their husbands in any manner of wise.

Hereupon, when his army and navy of ships were ready, Leir and his daughter Cordeilla with her husband took the sea, and arriving in Britain, fought with their enemies, and discomfitedVanquished and overthrew. them in battle, in which Maglanus and Henninus were slain, and then was Leir restored to his kingdom, which he ruled after this by the space of two years, and then died, forty years after he first began to reign. His body was buried at Leicester in a vault under the channel of the river of Soar beneath the town.