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            <funder>McMaster University</funder>
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               <p>Production photographs and videos on this site may not be downloaded. They appear freely on this site with the permission of the actors and the ACTRA union. They may be used within the context of university courses, within the classroom, and for reference within research contexts, including conferences, when credit is given to the producing company and to the actors. Commercial use of videos and photographs is forbidden.</p>
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            <note>
               <p>Don Allison was an actor with Shakespeare and the Queen’s Men Project. He played <soCalled>King Henry</soCalled> and <soCalled>Voice of the Brazen Head</soCalled> in <title level="m">Friar Bacon and Friar Bungay</title> (2006) and <soCalled>King Henry</soCalled> and <soCalled>Charles VI</soCalled> in <title level="m">Famous Victories</title> (2006).</p>
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               <forename>Phillip</forename>
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            <note>
               <p>Phillip Borg was an actor with Shakespeare and the Queen’s Men Project. He played <soCalled>Thomas</soCalled>, <soCalled>Lambert</soCalled>, <soCalled>Constable</soCalled>, and <soCalled>Spirit</soCalled> in <title level="m">Friar Bacon and Friar Bungay</title> (2006) and <soCalled>Lord Mayor</soCalled>, <soCalled>Porter</soCalled>, <soCalled>Captain</soCalled>, <soCalled>Third French Soldier</soCalled>, <soCalled>English Soldier</soCalled>, and <soCalled>French Secretary</soCalled> in <title level="m">Famous Victories</title> (2006).</p>
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               <forename>Scott</forename>
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            <note>
               <p>Scott Clarkson was an actor with Shakespeare and the Queen’s Men Project. He played <soCalled>Edward Lacy</soCalled> in <title level="m">Friar Bacon and Friar Bungay</title> (2006) and <soCalled>First Receiver</soCalled>, <soCalled>Cutbert Cutter</soCalled>, <soCalled>Canterbury</soCalled>, <soCalled>Herald</soCalled>, and <soCalled>Frenchman</soCalled> in <title level="m">Famous Victories</title> (2006).</p>
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               <forename>Peter</forename>
               <surname>Cockett</surname>
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            <note>
               <p>Peter Cockett is an associate professor in the iArts (Integrated Arts) program at McMaster University. He is the co-editor, with Melinda Gough, of <title level="m">Engendering the Stage in the Age of Shakespeare and Beyond</title> (University of Toronto Press, 2025) which publishes the findings of their 2018 Performance as Research (PaR) workshop at the Stratford Festival Lab. He is the general editor (performance), and technical co-ordinating editor of <title level="m">Queen’s Men Editions</title>. His PaR directing credits include <title level="m">King Leir</title>, <title level="m">The Famous Victories of Henry V</title>, and <title level="m">Friar Bacon and Friar Bungay</title> (2006), <title level="m">Clyomon and Clamydes</title> (2010), and <title level="m">Three Ladies of London</title> (2015) for the Shakespeare and the Queen’s Men project (SQM). The process behind the 2006 productions is documented in depth on the project website <ref target="https://thequeensmen.ca/"><title level="m">Performing the Queen’s Men</title></ref>. For the PLS, the University of Toronto’s Medieval and Renaissance Players, he has directed the Digby <title level="m">Mary Magdalene</title> (2003) and the double bill of George Peele’s <title level="m">The Old Wives Tale</title> and the Chester <title level="m">Antichrist</title> (2004). He also directed <title level="m">An Experiment in Elizabethan Comedy</title> (2005) for the SQM project and <title level="m">Inside Out: The Persistence of Allegory</title> (2008) in collaboration with Alan Dessen. Peter is a professional actor and director with numerous stage and screen credits. He can be contacted at <ref target="mailto:cockett@mcmaster.ca">cockett@mcmaster.ca</ref>.</p>
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               <forename>Julian</forename>
               <surname>DeZotti</surname>
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            <note>
               <p>Julian DeZotti was an actor with Shakespeare and the Queen’s Men Project. He played <soCalled>Margaret</soCalled> in <title level="m">Friar Bacon and Friar Bungay</title> (2006) and <soCalled>Lawrence Costermonger</soCalled>, <soCalled>Clerk</soCalled>, <soCalled>First French Soldier</soCalled>, and <soCalled>Katherine of France</soCalled> in <title level="m">Famous Victories</title> (2006).</p>
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               <reg>Tracey El Hajj</reg>
               <forename>Tracey</forename>
               <surname>El Hajj</surname>
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               <p>Junior Programmer 2019–2020. Research Associate 2020–2021. Tracey received her PhD from the Department of English at the University of Victoria in the field of Science and Technology Studies. Her research focuses on the <term>algorhythmics</term> of networked communications. She was a 2019–2020 President’s Fellow in Research-Enriched Teaching at UVic, where she taught an advanced course on <title level="a">Artificial Intelligence and Everyday Life.</title> Tracey was also a member of the <title level="m">Map of Early Modern London</title> team, between 2018 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.</p>
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               <reg>Adam Fraser</reg>
               <forename>Adam</forename>
               <surname>Fraser</surname>
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            <note>
               <p>Adam Fraser was an actor with Shakespeare and the Queen’s Men Project. He played <soCalled>John Warren</soCalled> and <soCalled>2 Scholar</soCalled> in <title level="m">Friar Bacon and Friar Bungay</title> (2006) and <soCalled>Second Receiver</soCalled> and <soCalled>Oxford</soCalled> in <title level="m">Famous Victories</title> (2006).</p>
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               <forename>Mahayla</forename>
               <surname>Galliford</surname>
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            <note>
               <p>Project Manager, 2025-present; Assistant Project Manager, 2024-2025; Research Assistant, 2021-present. Mahayla Galliford (she/her) graduated from the University of Victoria with a BA (honours with distinction) in 2024, and an MA English in 2026. Mahayla’s undergraduate research explored early modern stage directions and civic water pageantry. Her SSHRC-funded MA thesis project focuses on transcribing, editing, and encoding early modern girls’ manuscripts, specifically Lady Rachel Fane’s <title level="m">May Masque</title> in collaboration with LEMDO.</p>
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               <reg>Derek Genova</reg>
               <forename>Derek</forename>
               <surname>Genova</surname>
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            <note>
               <p>Derek Genova was an actor with Shakespeare and the Queen’s Men Project. He played <soCalled>Eleanor</soCalled>, <soCalled>1 Scholar</soCalled>, <soCalled>Hostess</soCalled>, and <soCalled>Post</soCalled> in <title level="m">Friar Bacon and Friar Bungay</title> (2006) and <soCalled>Tom</soCalled>, <soCalled>Boy</soCalled>, <soCalled>Dauphin</soCalled>, <soCalled>Second French Soldier</soCalled> in <title level="m">Famous Victories</title> (2006).</p>
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               <reg>Jason Gray</reg>
               <forename>Jason</forename>
               <surname>Gray</surname>
            </persName>
            <note>
               <p>Jason Gray was an actor with Shakespeare and the Queen’s Men Project. He played <soCalled>Friar Bacon</soCalled> in <title level="m">Friar Bacon and Friar Bungay</title> (2006) and <soCalled>John Cobbler</soCalled>, <soCalled>Bruges</soCalled>, and <soCalled>Captain</soCalled> in <title level="m">Famous Victories</title> (2006).</p>
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               <reg>Andrew Griffin</reg>
               <forename>Andrew</forename>
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               <p>Andrew Griffin is an associate professor in the department of English and an affiliate professor in the department of Theater and Dance at the University of California, Santa Barbara. He is general editor (text) of Queen’s Men Editions. He studies early modern drama and early modern historiography while serving as the lead editor at the <ref target="http://emcimprint.english.ucsb.edu">EMC Imprint</ref>. He has co-edited with Helen Ostovich and Holger Schott Syme <title level="m">Locating the Queen’s Men</title> (2009) and has co-edited <title level="m">The Making of a Broadside Ballad</title> (2016) with Patricia Fumerton and Carl Stahmer. His monograph, <ref target="https://www.cambridge.org/core/journals/renaissance-quarterly/article/untimely-deaths-in-renaissance-drama-biography-history-catastrophe-andrew-griffin-toronto-university-of-toronto-press-2019-x-198-pp-45/D1154E832B251D4BEC76BD5504351063"><title level="m">Untimely Deaths in Renaissance Drama: Biography, History, Catastrophe</title></ref>, was published with the University of Toronto Press in 2019. He is editor of the anonymous <title level="m">The Chronicle History of King Leir</title> (Queen’s Men Editions, 2011). He can be contacted at <ref target="mailto:griffin@english.ucsb.edu">griffin@english.ucsb.edu</ref>.</p>
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               <reg>Peter Higginson</reg>
               <forename>Peter</forename>
               <surname>Higginson</surname>
            </persName>
            <note>
               <p>Peter Higginson was an actor with Shakespeare and the Queen’s Men Project. He played <soCalled>Mason</soCalled>, <soCalled>King of Castile</soCalled>, and <soCalled>Friend</soCalled> in <title level="m">Friar Bacon and Friar Bungay</title> (2006) and <soCalled>Robin Pewterer</soCalled> and <soCalled>York</soCalled> in <title level="m">Famous Victories</title> (2006).</p>
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               <reg>Martin Holmes</reg>
               <forename>Martin</forename>
               <surname>Holmes</surname>
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            <note>
               <p>Martin Holmes has worked as a developer in the UVic’s Humanities Computing and Media Centre for over two decades, and has been involved with dozens of Digital Humanities projects. He has served on the TEI Technical Council and as Managing Editor of the Journal of the TEI. He took over from Joey Takeda as lead developer on LEMDO in 2020. He is a collaborator on the SSHRC Partnership Grant led by Janelle Jenstad.</p>
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               <reg>Paul Hopkins</reg>
               <forename>Paul</forename>
               <surname>Hopkins</surname>
            </persName>
            <note>
               <p>Paul Hopkins was an actor with Shakespeare and the Queen’s Men Project. He played <soCalled>Prince Edward</soCalled> and <soCalled>Other Clowns</soCalled> in <title level="m">Friar Bacon and Friar Bungay</title> (2006) and <soCalled>Prince Henry</soCalled> in <title level="m">Famous Victories</title> (2006).</p>
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               <reg>Navarra Houldin</reg>
               <forename>Navarra</forename>
               <surname>Houldin</surname>
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            <note>
               <p>Training and Documentation Lead 2025–present. LEMDO project manager 2022–2025. Textual remediator 2021–present. Navarra Houldin (they/them) completed their BA with a major in history and minor in Spanish at the University of Victoria in 2022. Their primary research was on gender and sexuality in early modern Europe and Latin America. They are continuing their education through an MA program in Gender and Social Justice Studies at the University of Alberta where they will specialize in Digital Humanities.</p>
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               <reg>Janelle Jenstad</reg>
               <forename>Janelle</forename>
               <surname>Jenstad</surname>
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            <note>
               <p>Janelle Jenstad is a Professor of English at the University of Victoria, Director of <ref target="https://mapoflondon.uvic.ca">The Map of Early Modern London</ref>, and Director of <ref target="https://lemdo.uvic.ca">Linked Early Modern Drama Online</ref>. With Jennifer Roberts-Smith and Mark Beatrice Kaethler, she co-edited <title level="m">Shakespeare’s Language in Digital Media: Old Words, New Tools</title> (Routledge). She has edited John Stow’s <title level="m">A Survey of London</title> (1598 text) for MoEML and is currently editing <title level="m">The Merchant of Venice</title> (with Stephen Wittek) and Heywood’s <title level="m">2 If You Know Not Me You Know Nobody</title> for DRE. Her articles have appeared in <title level="j">Digital Humanities Quarterly</title>, <title level="j">Elizabethan Theatre</title>, <title level="j">Early Modern Literary Studies</title>, <title level="j">Shakespeare Bulletin</title>, <title level="j">Renaissance and Reformation</title>, and <title level="j">The Journal of Medieval and Early Modern Studies</title>. She contributed chapters to <title level="m">Approaches to Teaching Othello</title> (MLA); <title level="m">Teaching Early Modern Literature from the Archives</title> (MLA); <title level="m">Institutional Culture in Early Modern England</title> (Brill); <title level="m">Shakespeare, Language, and the Stage</title> (Arden); <title level="m">Performing Maternity in Early Modern England</title> (Ashgate); <title level="m">New Directions in the Geohumanities</title> (Routledge); <title level="m">Early Modern Studies and the Digital Turn</title> (Iter); <title level="m">Placing Names: Enriching and Integrating Gazetteers</title> (Indiana); <title level="m">Making Things and Drawing Boundaries</title> (Minnesota); <title level="m">Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies</title> (Routledge); and <title level="m">Civic Performance: Pageantry and Entertainments in Early Modern London</title> (Routledge). For more details, see <ref target="https://janellejenstad.com/">janellejenstad.com</ref>.</p>
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            <persName>
               <reg>Matthew Krist</reg>
               <forename>Matthew</forename>
               <surname>Krist</surname>
            </persName>
            <note>
               <p>Matthew Krist was an actor with Shakespeare and the Queen’s Men Project. He played <soCalled>Rafe Simnell</soCalled>, <soCalled>Richard</soCalled>, <soCalled>Friar Bungay</soCalled>, and <soCalled>Devil</soCalled> in <title level="m">Friar Bacon and Friar Bungay</title> (2006) and <soCalled>Ned</soCalled>, <soCalled>Cobbler’s Wife</soCalled>, and <soCalled>Drummer</soCalled> in <title level="m">Famous Victories</title> (2006).</p>
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               <reg>David Kynaston</reg>
               <forename>David</forename>
               <surname>Kynaston</surname>
            </persName>
            <note>
               <p>David Kynaston was an actor with Shakespeare and the Queen’s Men Project. He played <soCalled>Jaques Vandermast</soCalled>, <soCalled>Burden</soCalled>, and <soCalled>Serlsby</soCalled> in <title level="m">Friar Bacon and Friar Bungay</title> (2006) and <soCalled>Jockey</soCalled>, <soCalled>Lord Chief Justice</soCalled>, <soCalled>Constable</soCalled>, <soCalled>Burgundy</soCalled> in <title level="m">Famous Victories</title> (2006).</p>
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               <reg>Kate LeBere</reg>
               <forename>Kate</forename>
               <surname>LeBere</surname>
               <abbr>KL</abbr>
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            <note>
               <p>Project Manager, 2020–2021. Assistant Project Manager, 2019–2020. Textual Remediator and Encoder, 2019–2021. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. During her degree she published papers in <title level="j">The Corvette</title> (2018), <title level="j">The Albatross</title> (2019), and <title level="j">PLVS VLTRA</title> (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.</p>
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               <forename>Scott</forename>
               <surname>Matthews</surname>
            </persName>
         </person>
         <person xml:id="MATU1" copyOf="PERS1.xml#MATU1">
            <persName>
               <reg>Christopher Matusiak</reg>
               <forename>Christopher</forename>
               <surname>Matusiak</surname>
            </persName>
            <note>
               <p>Christopher Matusiak (<title level="m">Friar Bacon and Friar Bungay</title>) is an Associate Professor of English at Ithaca College in New York where he teaches courses on Shakespeare and early modern drama. His research on seventeenth-century theatre management at the Drury Lane Cockpit has appeared in <title level="m">Early Theatre</title> and <title level="m">Medieval and Renaissance Drama in England</title>, and in <title level="m">Shakespeare Quarterly</title> on the use of John Aubrey’s manuscripts in studies of Shakespeare’s life. He is currently writing a book (with Eva Griffith) about Christopher Beeston and the Cockpit playhouse, and researching another on the persistence of illegal stage-playing during the English Civil Wars, <title level="m">Shakespearean Actors and their Playhouses in Civil War London</title>. He also prepared <title level="m">REED London: The Cockpit-Phoenix</title>: an edited collection of seventeenth-century manuscripts and printed documents illustrating the history of the Cockpit-Phoenix playhouse in Drury Lane (for <title level="m">The Records of Early English Drama</title>). He can be contacted at <ref target="mailto:cmatusiak@ithaca.edu">cmatusiak@ithaca.edu</ref>.</p>
            </note>
         </person>
         <person xml:id="MAYN1" copyOf="PERS1.xml#MAYN1">
            <persName>
               <reg>Scott Maynard</reg>
               <forename>Scott</forename>
               <surname>Maynard</surname>
            </persName>
            <note>
               <p>Scott Maynard was an actor and musical director with Shakespeare and the Queen’s Men Project. He played <soCalled>Clement</soCalled> and <soCalled>Emperor of Germany</soCalled> in <title level="m">Friar Bacon and Friar Bungay</title> (2006) and <soCalled>Exeter</soCalled> in <title level="m">Famous Victories</title> (2006).</p>
            </note>
         </person>
         <person xml:id="NASH7" copyOf="PERS1.xml#NASH7">
            <persName>
               <reg>Alon Nashman</reg>
               <forename>Alon</forename>
               <surname>Nashman</surname>
            </persName>
            <note>
               <p>Alon Nashman was an actor and musical director with Shakespeare and the Queen’s Men Project. He played <soCalled>Keeper</soCalled> and <soCalled>Miles</soCalled> in <title level="m">Friar Bacon and Friar Bungay</title> (2006) and <soCalled>Derrick</soCalled> in <title level="m">Famous Victories</title> (2006).</p>
            </note>
         </person>
         <person xml:id="OSTO1" copyOf="PERS1.xml#OSTO1">
            <persName>
               <reg>Helen Ostovich</reg>
               <forename>Helen</forename>
               <surname>Ostovich</surname>
            </persName>
            <note>
               <p>Helen Ostovich, professor emerita of English at McMaster University, is the founder and general editor of <title level="m">Queen’s Men Editions</title>. She is a general editor of The Revels Plays (Manchester University Press); Series Editor of Studies in Performance and Early Modern Drama (Ashgate, now Routledge), and series co-editor of Late Tudor and Stuart Drama (MIP); play-editor of several works by Ben Jonson, in <title level="m">Four Comedies: Ben Jonson</title> (1997); <title level="m">Every Man Out of his Humour</title> (Revels 2001); and <title level="m">The Magnetic Lady</title> (Cambridge 2012). She has also edited the Norton Shakespeare 3 <title level="m">The Merry Wives of Windsor</title> Q1602 and F1623 (2015); <title level="m">The Late Lancashire Witches</title> and <title level="m">A Jovial Crew</title> for <ref target="https://www.dhi.ac.uk/brome/intro.jsp"><title level="m">Richard Brome Online</title></ref>, revised for a 4-volume set from OUP 2021; <title level="m">The Ball</title>, for the Oxford Complete Works of James Shirley (2021); <title level="m">The Merry Wives of Windsor</title> for Internet Shakespeare Editions, and <title level="m">The Dutch Courtesan</title> (with Erin Julian) for the Complete Works of John Marston, OUP 2022. She has published many articles and book chapters on Jonson, Shakespeare, and others, and several book collections, most recently <title level="m">Magical Transformations of the Early Modern English Stage</title> with Lisa Hopkins (2014), and the equivalent to book website, <title level="m">Performance as Research in Early English Theatre Studies:</title> The Three Ladies of London <title level="m">in Context</title> containing scripts, glossary, almost fifty conference papers edited and updated to essays; video; link to <title level="m">Queen’s Mens Ediitons</title> and YouTube: <ref target="http://threeladiesoflondon.mcmaster.ca/contexts/index.htm">http://threeladiesoflondon.mcmaster.ca/contexts/index.htm</ref>, 2015. Recently, she was guest editor of Strangers and Aliens in London ca 1605, Special Issue on Marston, <title level="m">Early Theatre</title> 23.1 (June 2020). She can be contacted at <ref target="mailto:ostovich@mcmaster.ca">ostovich@mcmaster.ca</ref>.</p>
            </note>
         </person>
         <person xml:id="ROBE2" copyOf="PERS1.xml#ROBE2">
            <persName>
               <reg>Jennifer Roberts-Smith</reg>
               <forename>Jennifer</forename>
               <surname>Roberts-Smith</surname>
            </persName>
            <note>
               <p>Jennifer Roberts-Smith is an associate professor of theatre and performance at the University of Waterloo. Her interdisciplinary work in early modern performance editing combines textual scholarship, performance as research, archival theatre history, and design in the development of live and virtual renderings of early modern performance texts, venues, and practices. With Janelle Jenstad and Mark Beatrice Kaethler, she is co-editor of <title level="m">Shakespeare’s Language in Digital Media: Old Words New Tools</title> (2018). Her most recent work has focused on methods for design research that deepen interdisciplinary understanding and take a relational approach. She is currently managing director of the <ref target="http://www.qcollaborative.com/">qCollaborative</ref> (the critical feminist design research lab housed in the <ref target="https://uwaterloo.ca/games-institute/">University of Waterloo’s Games Institute</ref>, and leads the SSHRC-funded Theatre for Relationality and Design for Peace projects. She is also creative director and virtual reality development cluster lead for the Digital Oral Histories for Reconciliation (DOHR) project. She can be contacted at <ref target="mailto:j33rober@uwaterloo.ca">jennifer.roberts-smith@uwaterloo.ca</ref>.</p>
            </note>
         </person>
         <person xml:id="STOE1" copyOf="PERS1.xml#STOE1">
            <persName>
               <reg>Paul Stoesser</reg>
               <forename>Paul</forename>
               <surname>Stoesser</surname>
            </persName>
            <note>
               <p>Paul Stoesser was a set and props designer with Shakespeare and the Queen’s Men Project. He worked on <title level="m">Friar Bacon and Friar Bungay</title> (2006) and <title level="m">Famous Victories</title> (2006).</p>
            </note>
         </person>
         <person xml:id="TAKE1" copyOf="PERS1.xml#TAKE1">
            <persName>
               <reg>Joey Takeda</reg>
               <forename>Joey</forename>
               <surname>Takeda</surname>
            </persName>
            <note>
               <p>Joey Takeda is LEMDO’s Consulting Programmer and Designer, a role he assumed in 2020 after three years as the Lead Developer on LEMDO.</p>
            </note>
         </person>
         <person xml:id="TRAN1" copyOf="PERS1.xml#TRAN1">
            <persName>
               <reg>Tom Tranmer</reg>
               <forename>Tom</forename>
               <surname>Tranmer</surname>
            </persName>
            <note>
               <p>Tom Tranmer was an actor with Shakespeare and the Queen’s Men Project. He played <soCalled>Will Ermsby</soCalled>, <soCalled>Joan</soCalled>, <soCalled>Devil 1</soCalled>, and <soCalled>Devil 2</soCalled> in <title level="m">Friar Bacon and Friar Bungay</title> (2006) and <soCalled>Jailor</soCalled> and <soCalled>Messenger</soCalled> in <title level="m">Famous Victories</title> (2006).</p>
            </note>
         </person>
         <person xml:id="WINE1" copyOf="PERS1.xml#WINE1">
            <persName>
               <reg>Emily Winerock</reg>
               <forename>Emily</forename>
               <surname>Winerock</surname>
            </persName>
            <note>
               <p>Emily Winerock was a choreographer with Shakespeare and the Queen’s Men Project. She worked on <title level="m">Friar Bacon and Friar Bungay</title> (2006) and <title level="m">Famous Victories</title> (2006).</p>
            </note>
         </person>
         <person xml:id="GREE1" copyOf="PROS1.xml#GREE1">
            <persName>
               <reg>Robert Greene</reg>
               <forename>Robert</forename>
               <surname>Greene</surname>
            </persName>
         </person>
      </listPerson>
      <listOrg>
         <org xml:id="LEMD1" copyOf="ORGS1.xml#LEMD1">
            <orgName>
               <reg>LEMDO Team</reg>
            </orgName>
            <note>The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors.</note>
         </org>
         <org xml:id="UVIC1" copyOf="ORGS1.xml#UVIC1">
            <orgName>
               <reg>University of Victoria</reg>
            </orgName>
            <idno type="URI">https://www.uvic.ca/</idno>
         </org>
         <org xml:id="SQMP1" copyOf="ORGS1.xml#SQMP1">
            <orgName>
               <reg>Shakespeare and the Queen’s Men Project</reg>
            </orgName>
            <idno type="URI">https://thequeensmen.ca/</idno>
         </org>
         <org xml:id="QMEB1" n="qmeEditorialBoard" copyOf="ORGS1.xml#QMEB1">
            <orgName>
               <reg>QME Editorial Board</reg>
            </orgName>
            <note>
               <p>The QME Editorial Board consists of <persName ref="#OSTO1">Helen Ostovich</persName>, General Editor; <persName ref="#COCK1">Peter Cockett</persName>, General Editor (Performance); <persName ref="#GRIF1">Andrew Griffin</persName>, General Editor (Text); and <persName ref="#JENS1">Janelle Jenstad</persName>  General Editor (Text).</p>
            </note>
         </org>
         <org xml:id="QME1" copyOf="ORGS1.xml#QME1">
            <orgName>
               <reg>Queen’s Men Editions</reg>
               <abbr>QME</abbr>
            </orgName>
            <note>
               <p>The Queen’s Men Editions anthology is led by Helen Ostovich, General Editor; Peter Cockett, General Editor (Performance); Andrew Griffin, General Editor (Text; until 2026); and Janelle Jenstad, General Editor (Text; 2026–)</p>
            </note>
         </org>
      </listOrg>
   </standOff>
   <text>
      <body>
            <table type="nameVal">
                <head>Famous Victories SQM Production (2006)</head>
                <row role="data">
                    <cell>Theaters</cell>
                    <cell>Arts and Letters Club (Canada) / Glen Morris Studio (Canada)</cell>
                </row>
                <row role="data">
                    <cell>Release Locations</cell>
                    <cell>Canada</cell>
                </row>
                
                
              
                <row role="data">
                    <cell>Setting</cell>
                    <cell>University Setting</cell>
                </row>
                
                <row role="data">
                    <cell>Producer</cell>
                    <cell><orgName ref="#SQMP1">Shakespeare and the Queen’s Men Project</orgName></cell>
                </row>
            </table>
            <table type="nameVal">
                <head>Production Team</head>
                <row role="label">
                    <cell>Name</cell>
                    <cell>Role</cell>
                </row>
                <row role="data">
                    <cell><persName ref="#COCK1">Dr. Peter Cockett</persName></cell>
                    <cell>Director</cell>
                </row>
                <row role="data">
                    <cell>Linda Phillips</cell>
                    <cell>Costume Design</cell>
                </row>
                <row role="data">
                    <cell><persName ref="#MAYN1">Scott Maynard</persName></cell>
                    <cell>Musical Director</cell>
                </row>
               <row role="data">
                    <cell><persName ref="#ROBE2">Dr. Jennifer Roberts-Smith</persName></cell>
                    <cell>Producer</cell>
                </row>
                <row role="data">
                    <cell><persName ref="#STOE1">Paul Stoesser</persName></cell>
                    <cell>Set Designer</cell>
                </row>
                <row role="data">
                    <cell><persName ref="#WINE1">Emily Winerock</persName></cell>
                    <cell>Choreography</cell>
                </row>
                
            </table>
            
            <table type="nameVal">
                <head>Cast</head>
                <row role="label">
                    <cell>Name</cell>
                    <cell>Role(s)</cell>
                </row>
                <row role="data">
                    <cell><persName ref="#GRAY1">Jason Gray</persName></cell>
                    <cell>Friar Bacon</cell>
                </row>
                <row role="data">
                    <cell><persName ref="#NASH7">Alon Nashman</persName></cell>
                    <cell>Miles, Keeper of Fressingfield</cell>
                </row>
                <row role="data">
                    <cell><persName ref="#HOPK2">Paul Hopkins</persName></cell>
                    <cell>Prince Edward, Other Clown</cell>
                </row>
                <row role="data">
                    <cell><persName ref="#KRIS1">Matthew Krist</persName></cell>
                    <cell>Rafe Simnell, Friar Bungay, Richard, 3rd Devil</cell>
                </row>
                <row role="data">
                    <cell><persName ref="#DEZO1">Julian DeZotti</persName></cell>
                    <cell>Fair Margaret of Fressingfield</cell>
                </row>
                <row role="data">
                    <cell><persName ref="#CLAR8">Scott Clarkson</persName></cell>
                    <cell>Ned Lacy, Earl of Lincoln</cell>
                </row>
                <row role="data">
                    <cell><persName ref="#ALLI1">Don Allison</persName></cell>
                    <cell>Henry III, Voice of the Brazen Head</cell>
                </row>
                <row role="data">
                    <cell><persName ref="#BORG1">Phillip Borg</persName></cell>
                    <cell>Thomas, Spirit in the shape of Hercules, Lord 1, Lambert, Constable, 1st Devil, 2nd Devil</cell>
                </row>
                <row role="data">
                    <cell><persName ref="#GENO1">Derek Genova</persName></cell>
                    <cell>Hostess, Eleanor, Scholar 1, A Post</cell>
                </row>
                <row role="data">
                    <cell><persName ref="#HIGG2">Peter Higginson</persName></cell>
                    <cell>Keeper’s Friend, Clement, King of Castile</cell>
                </row>      
                <row role="data">
                    <cell><persName ref="#KYNA1">David Kynaston</persName></cell>
                    <cell>Serlsby, Burden, Lord 2, Jacques Vandermast</cell>
                </row>
                <row role="data">
                    <cell><persName ref="#MAYN1">Scott Maynard</persName></cell>
                    <cell>Mason, Emperor of Germany</cell>
                </row>
                <row role="data">
                    <cell><persName ref="#FRAS1">Adam Fraser</persName></cell>
                    <cell>John Warren, Other Clown 2, Scholar 2</cell>
                </row>
                <row role="data">
                    <cell><persName ref="#TRAN1">Tom Tranmer</persName></cell>
                    <cell>Will Ermsby, Joan</cell>
                </row>
            </table>
        </body>
   </text>
</TEI>
