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            <title type="main">Copyright Policy</title>
            <title type="short">Copyright</title>
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               <orgName ref="org:QME1">QME Anthology Leads</orgName>
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               <persName ref="pers:JENS1">Janelle Jenstad</persName>
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            <funder><ref target="http://www.sshrc-crsh.gc.ca/">Social Sciences and Humanities Research Council of Canada</ref></funder>             <funder><ref target="https://www.mcmaster.ca/">McMaster University</ref></funder>             <funder><ref target="https://pls.artsci.utoronto.ca/">Poculi Ludique Societas</ref></funder>             <funder><ref target="https://pls.artsci.utoronto.ca/">University of Waterloo</ref></funder>             <funder><ref target="https://pls.artsci.utoronto.ca/">University of Toronto Centre for Drama, Theatre &amp; Performance Studies</ref></funder>             <funder><ref target="https://www.uvic.ca/">University of Victoria</ref></funder>             <funder><ref target="https://internetshakespeare.uvic.ca/Foyer/makingwaves/friends/">Friends of the ISE</ref></funder> 
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            <p>Released with Queen’s Men Editions 2.0</p>
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            <publisher>University of Victoria on the Linked Early Modern Drama Online Platform</publisher>
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               <p>This file is licensed under a <ref target="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC_ND 4.0 license</ref>, which means that it is freely downloadable without permission under the following conditions: (1) credit must be given to the author, Queen’s Men Editions, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except in quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of Queen’s Men Editions, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom. Neither the content nor the code in this file is licensed for training large language models (LLMs), ingestion into an LLM, or any use in any artificial intelligence applications; such uses are considered to be commercial uses and are strictly prohibited.</p>
               
               <p>Production photographs and videos on this site may not be downloaded. They appear freely on this site with the permission of the actors and the ACTRA union. They may be used within the context of university courses, within the classroom, and for reference within research contexts, including conferences, when credit is given to the producing company and to the actors. Commercial use of videos and photographs is forbidden.</p>
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            <p>Queen’s Men Editions</p>
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            <p>Page written by the <orgName ref="org:QME1">QME Anthology Leads</orgName>. First published in the QME 1.0 anthology on the ISE platform. Converted to TEI-XML and remediated by the <orgName ref="org:LEMD1">LEMDO Team</orgName> for republication in the QME 2.0 anthology on the LEMDO platform.</p>
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         <editorialDecl> 	<p>This document follows Canadian spelling conventions.</p>     		</editorialDecl> 
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         <change who="org:LEMD1" when="2023-10-31" status="published">Published file.</change>
         <change who="pers:JENS1" when="2023-08-05" status="IML-TEI_proofing">Change name to orgName and persName. Changed case of title. Numbered paragraphs. Reworked text to align with CC license we have chosen. Left status at proofing until OSTO1 signs off.</change>
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         <change who="pers:HOLM1" when="2021-03-11">Removed front element from born-digital documents that should not have one.</change>
         <change who="pers:JENS1" when="2020-11-19" status="IML-TEI_INP">Renamed document. JENS1 also worked on this document in 2020-10.</change>
         <change who="pers:TAKE1" when="2018-08-02" status="prgGenerated">Converted document.</change>
         <change who="org:QMEB1" notAfter="2018" status="peerReviewed">Peer review arranged by QME Editorial Board</change>
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         <p xml:id="qme_copyright_p1">All items published on the site of the <title level="m">Queen’s Men Editions</title>, whether text, image, sound or video files, are the intellectual property of the creator(s). The XML encoding is the intellectual property of the LEMDO project, held on LEMDO’s behalf by the University of Victoria.</p>
         <p xml:id="qme_copyright_p2">Most files are licensed under a CC BY-NC_ND 4.0 license, which means that they may be freely downloadable without permission under the following conditions: (1) credit must be given to the author(s), <title level="m">Queen’s Men Editions</title>, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed for publication (except in quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of <title level="m">Queen’s Men Editions</title>, the editor(s) or author(s), and LEMDO. This license allows for pedagogical use of the old-spelling texts, modern texts, critical paratexts, annotations, collations, and supplementary materials in the classroom. It also allows theatre practitioners to create scripts from and mount performances of the texts; cuts, transpositions, and word substitutions are allowed if the production requires such adaptations, but publication of the adapted script must be cleared with the copyright holders of the text. In every case, you must give credit to <title level="m">Queen’s Men Editions</title>, the editor(s) or author(s), and LEMDO.</p>
         <p xml:id="qme_copyright_p3">Production photographs and videos on this site may not be downloaded. They appear freely on this site with the permission of the actors and the ACTRA union. They may be used within the context of university courses, within the classroom, and for reference within research contexts, including conferences, when credit is given to the producing company and to the actors. Commercial use of videos and photographs is forbidden.</p>
         <p xml:id="qme_copyright_p4">Many images are generously made available by libraries, museums, and galleries around the world. In each case, copyright is held by the institution that owns the image; the owner is clearly indicated on the same page as the image, as is a link to their web site. All uses of these images for other than educational, non-profit purposes must be negotiated with the owner of the copyright.</p>
         <p xml:id="qme_copyright_p5">Texts of the plays and poems are copyright the editor; in cases where the works have not yet been edited, copyright rests with the <orgName ref="org:QME1">Queen’s Men Editions</orgName>. Other written materials, such as critical articles, are copyright the authors.</p>
         <p xml:id="qme_copyright_p6">If there is no specific copyright notice, the materials are copyright of the <orgName ref="org:QME1">Queen’s Men Editions</orgName> (the organization). Queries concerning the use of materials where copyright resides in the <title level="m">Queen’s Men Editions</title> (the anthology) should be directed to <ref target="mailto:ostovich@mcmaster.ca">Dr. Helen Ostovich</ref>.</p>
         <p xml:id="qme_copyright_p7">Every attempt has been made to ensure that graphics and other items published on the site have been cleared for copyright. If any visitor to the site is aware of an instance where copyright has been violated, please contact <ref target="mailto:ostovich@mcmaster.ca">Dr. Helen Ostovich</ref> with details.</p>
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