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            <title type="main">Shakespeare and the Queen’s Men: Performance Bibliography</title>
            <title type="short">SQM: Perf Bibl</title>
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            <funder><ref target="http://www.sshrc-crsh.gc.ca/">Social Sciences and Humanities Research Council of Canada</ref></funder>             <funder><ref target="https://www.mcmaster.ca/">McMaster University</ref></funder>             <funder><ref target="https://pls.artsci.utoronto.ca/">Poculi Ludique Societas</ref></funder>             <funder><ref target="https://pls.artsci.utoronto.ca/">University of Waterloo</ref></funder>             <funder><ref target="https://pls.artsci.utoronto.ca/">University of Toronto Centre for Drama, Theatre &amp; Performance Studies</ref></funder>             <funder><ref target="https://www.uvic.ca/">University of Victoria</ref></funder>             <funder><ref target="https://internetshakespeare.uvic.ca/Foyer/makingwaves/friends/">Friends of the ISE</ref></funder> 
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            <p>Released with Queen’s Men Editions 2.0</p>
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            <publisher>University of Victoria on the Linked Early Modern Drama Online Platform</publisher>
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               <p>This file is licensed under a <ref target="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC_ND 4.0 license</ref>, which means that it is freely downloadable without permission under the following conditions: (1) credit must be given to the author, Queen’s Men Editions, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except in quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of Queen’s Men Editions, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom. Neither the content nor the code in this file is licensed for training large language models (LLMs), ingestion into an LLM, or any use in any artificial intelligence applications; such uses are considered to be commercial uses and are strictly prohibited.</p>
               
               <p>Production photographs and videos on this site may not be downloaded. They appear freely on this site with the permission of the actors and the ACTRA union. They may be used within the context of university courses, within the classroom, and for reference within research contexts, including conferences, when credit is given to the producing company and to the actors. Commercial use of videos and photographs is forbidden.</p>
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            <p>Queen’s Men Editions</p>
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            <p>Page written by the <orgName ref="org:QME1">QME Anthology Leads</orgName>. First published in the QME 1.0 anthology on the ISE platform. Converted to TEI-XML and remediated by the <orgName ref="org:LEMD1">LEMDO Team</orgName> for republication in the QME 2.0 anthology on the LEMDO platform.</p>
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         <change who="pers:HOUL3" when="2023-07-12">Updated metadata</change>
         <change who="pers:SOUC1" when="2023-07-10">Put in alphabetical order.</change>
         <change who="pers:LEBE1" when="2021-04-13">Remediated.</change>
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         <change who="pers:JENS1" when="2021-01-09" status="published">Changed filename and xml:id from emdgeneral_SQMPerfBib to qme_SQMPerfBibl. Moved from the FBFB portfolio into the QME anthology. Changed @status value to published. Corrected and augmented metadata to match the metadata template for anthology files.</change>
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         <change who="pers:TAKE1" when="2018-07-11" status="prgGenerated">Converted document.</change>
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            <p xml:id="qme_SQMPerfBibl_p1">This bibliography is also included in the <ref target="doc:qme_bibliography">general anthology bibliography</ref>.</p>
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               <bibl corresp="bibl:BILL2"/><!-- Billing, Christian M. "Rehearsing Shakespeare: Embodiment, Collaboration, Risk and Play" -->
               <bibl corresp="bibl:BLOO1"/> <!-- Bloom, Harold. Shakespeare: the Invention of the Human -->
               <bibl corresp="bibl:CARS1"/> <!-- Carson, Christie and Farim Karim-Cooper. Shakespeare’s Globe: A Theatrical Experiment -->
               <bibl corresp="bibl:COCK4"/> <!-- Cockett, Peter. "An Experiment in Elizabethan Comedy" -->
               <bibl corresp="bibl:COCK5"/> <!-- Cockett, Peter. "The Ghost of Dick Tarlton, Gentleman" -->
               <bibl corresp="bibl:COCK6"/> <!-- Cockett, Peter. Incongruity, Humour and Early English Comic Figures: Armin’s Natural Fools, the Vice, and Tarlton the Clown -->
               <bibl corresp="bibl:COCK7"/> <!-- Cockett, Peter. "Performing Natural Folly: The Jests of Lean Leanard and the Touchstones of Robert Armin and David Tennant" -->
               <bibl corresp="bibl:CUSH3"/> <!-- Cushman, Robert. "The Difficulties of Love Times Three" -->
               <bibl corresp="bibl:CUSH1"/> <!-- Cushman, Robert. "Play Descends into Skid Row" -->
               <bibl corresp="bibl:DESS2"/> <!-- Dessen, Alan C., and Leslie Thompson. A Dictionary of Stage Directions in English Drama, 1580-1642 -->
               <bibl corresp="bibl:DESS4"/> <!-- Dessen, Alan C. Elizabethan Stage Conventions and Modern Interpreters -->
               <bibl corresp="bibl:DESS10"/> <!-- Dessen, Alan C. and Cockett, Peter. "Inside Out: The Persistence of Allegory in Renaissance Performance" -->
               <bibl corresp="bibl:DESS1"/> <!-- Dessen, Alan C. Recovering Shakespeare’s Theatrical Vocabulary. Cambridge, Cambridge University Press, 1995 -->
               <bibl corresp="bibl:DESS7"/> <!-- Dessen, Alan C. Shakespeare and the Late Moral Plays -->
               <bibl corresp="bibl:DESS9"/> <!-- Dessen, Alan C. "Stage Directions as Evidence: The Question of Provenance." Shakespeare: Text and Theater: Essays in Honor of Jay L. Halio -->
               <bibl corresp="bibl:ECCL2"/> <!-- Eccles, Mark. Shakespeare in Warwickshire -->
               <bibl corresp="bibl:ESCO1"/> <!-- Escolme, Bridget. Talking to the Audience: Shakespeare, Performance, Self --> 
               <bibl corresp="bibl:GREE2"/> <!-- Greenblatt, Stephen. Renaissance Self-Fashioning: From More to Shakespeare -->
               <bibl corresp="bibl:HOWA4"/> <!-- Howard, Jean E. "Crossdressing, The Theatre, and Gender Struggle in Early Modern England" --> 
               <bibl corresp="bibl:KAPL2"/> <!-- Kaplan, Jon. "Stage Scenes" -->
               <bibl corresp="bibl:KING3"/> <!-- King, Pamela. "Review of Queen’s Men at McMaster University, 24-29 October, 2006" -->
               <bibl corresp="bibl:LOPE1"/> <!-- Lopez, Jeremy. "A Partial Theory of Original Practice" -->
               <bibl corresp="bibl:MCMI1"/> <!-- McMillin, Scott, and Sally-Beth MacLean. The Queen’s Men and Their Plays -->
               <bibl corresp="bibl:MEAG3"/> <!-- Meagher, John C. Pursuing Shakespeare’s Dramaturgy: Some Contexts, Resources, and Strategies in His Playmaking -->
               <bibl corresp="bibl:MEAG2"/> <!-- Meagher, John C. Shakespeare’s Shakespeare: How the Plays Were Made -->
               <bibl corresp="bibl:MENZ1"/> <!-- Menzer, Paul. "Afterword." Inside Shakespeare: Essays on the Blackfriars Stage -->
               <bibl corresp="bibl:PALF1"/> <!-- Palfrey, Simon and Tiffany Stern. Shakespeare in Parts -->
               <bibl corresp="bibl:PRES4"/> <!-- Preston, Thomas. Cambyses: King of Persia -->
               <bibl corresp="bibl:ROBE4"/> <!-- Roberts-Smith, Jennifer. "The Red Lion and the White Horse: Inns Used by Patronized Performers in Norwich, 1583-1624" -->
               <bibl corresp="bibl:SHAK20"/> <!-- Shakespeare, William. Hamlet. Ed. Harold Jenkins. Arden Shakespeare -->
               <bibl corresp="bibl:STER3"/> <!-- Stern, Tiffany. Rehearsal from Shakespeare to Sheridan -->
               <bibl corresp="bibl:THOM4"/> <!-- Thomson, Peter. "Richard Tarlton." Oxford Dictionary of National Biography -->
               <bibl corresp="bibl:TUCK1"/> <!-- Tucker, Patrick. Secrets of Acting Shakespeare: The Original Approach -->
               <bibl corresp="bibl:WHIT8"/> <!-- White, Paul Whitfield. Theatre and Reformation: Protestantism, Patronage and Playing in Tudor England -->
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