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            <title type="main">Famous Victories of Henry V: Scene 15</title>
            <title type="short">FV: Scene 15</title>
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               <resp ref="resp:drt">Director</resp>
               <persName ref="pers:COCK1">Peter Cockett</persName>
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               <persName ref="pers:COCK1">Peter Cockett</persName>
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               <persName ref="pers:SYME1">Holger Schott Syme</persName>
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               <persName ref="pers:COCK1">Peter Cockett</persName>
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               <orgName ref="org:SQMP1">Shakespeare and the Queen’s Men Project</orgName>
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            <funder>Social Sciences and Humanities Research Council of Canada</funder>
            <funder>McMaster University</funder>
            <funder>Poculi Ludique Societas</funder>
            <funder>University of Waterloo</funder>
            <funder>University of Toronto</funder>
            <funder>Centre for Drama, Theatre &amp; Performance Studies</funder>
            <funder>University of Victoria</funder>
            <funder>Friends of the ISE</funder>
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            <p>Released with Queen’s Men Editions 2.0</p>
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            <publisher>University of Victoria on the Linked Early Modern Drama Online Platform</publisher>
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               <p>Intellectual copyright in this edition is held by the editor, <persName ref="pers:COCK1">Peter Cockett</persName>. The critical paratexts, including this <title level="a">Scene 15</title>, are licensed under a <ref target="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC_ND 4.0 license</ref>, which means that they are freely downloadable without permission under the following conditions: (1) credit must be given to the editor, QME, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except for quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of QME, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom.</p>
               <p>Production photographs and videos on this site may not be downloaded. They appear freely on this site with the permission of the actors and the ACTRA union. They may be used within the context of university courses, within the classroom, and for reference within research contexts, including conferences, when credit is given to the producing company and to the actors. Commercial use of videos and photographs is forbidden.</p>
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            <p>Queen’s Men Editions</p>
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            <p>Page written by <persName ref="pers:COCK1">Peter Cockett</persName>. First published in the QME 1.0 anthology on the ISE platform. Converted to TEI-XML and remediated by the <orgName ref="org:LEMD1">LEMDO Team</orgName> for republication in the QME 2.0 anthology on the LEMDO platform.</p>
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         <change who="org:QMEB1" notAfter="2018" status="peerReviewed">Original content peer reviewed for QME and added to XWiki by a member of the QME team or a member of the ISE team acting on behalf of QME. The earlier history of this content was not captured in metadata.</change>
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            <p xml:id="emdFV_video_scene15_p1">The text does not clearly indicate whether the battle was staged or not. The words <quote>The Battle</quote> might have been added by the print compositors for the sake of future readers. It does seem unlikely, however, that the Queen’s Men would have missed this opportunity for spectacle. Even the clown Tarlton was an avid swordsman, reaching the rank of Master of Fence (<ref type="bibl" target="bibl:THOM4">Thomson n.p.</ref>). The SQM company working with fight director <persName ref="pers:LEVI4">Daniel Levinson</persName> developed a battle sequence that displayed our English king’s valor in fighting three French soldiers single-handedly and armed at one point only with a small shield. We also depicted the death of the Duke of York and re-introduced Derrick, who reappears soon after (having been absent from the play for several scenes). When performing in a bar setting, <persName ref="pers:HOPK2">Paul Hopkins</persName> (Henry V) developed a piece of business where he paused in battle to take a drink of beer from what appeared to be an audience member’s glass. (It had in fact been planted by the actor.) Audiences loved this moment, enhancing what I felt was the <ref target="doc:emdFV_PerfIntro#emdFV_PerfIntro_p15">egalitarian relationship between actors and audience</ref> in the SQM productions.</p>
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      <body>
         <list rend="simple">
            <head>Navigation</head>
            <item>See <ref target="doc:emdFV_ProductionCredits">Production Credits</ref>.</item>
            <item>Go back to <ref target="doc:emdFV_video">scene index for the SQM production of <title level="m">Famous Victories</title></ref>.</item>
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