<?xml version="1.0" encoding="UTF-8"?><TEI xmlns="http://www.tei-c.org/ns/1.0" xml:id="emdFV_video_scene12">
   <teiHeader>
      <fileDesc>
         <titleStmt>
            <title type="main">Famous Victories of Henry V: Scene 12</title>
            <title type="short">FV: Scene 12</title>
            <respStmt>
               <resp ref="resp:drt">Director</resp>
               <persName ref="pers:COCK1">Peter Cockett</persName>
            </respStmt>
            <respStmt>
               <resp ref="resp:aut_ann">Author of Annotations</resp>
               <persName ref="pers:COCK1">Peter Cockett</persName>
            </respStmt>
            <respStmt>
               <resp ref="resp:edm">Video Director</resp>
               <persName ref="pers:SYME1">Holger Schott Syme</persName>
            </respStmt>
            <respStmt>
               <resp ref="resp:edt_comp">Video Compiler</resp>
               <persName ref="pers:COCK1">Peter Cockett</persName>
            </respStmt>
            <respStmt>
               <resp ref="resp:prn">Production Company</resp>
               <orgName ref="org:SQMP1">Shakespeare and the Queen’s Men Project</orgName>
            </respStmt>
            <respStmt>
               <resp ref="resp:edt_mrk">Conversion and Remediation</resp>
               <orgName ref="org:LEMD1">LEMDO Team</orgName>
            </respStmt>
            <sponsor ref="org:QME1"/>
            <funder>Social Sciences and Humanities Research Council of Canada</funder>
            <funder>McMaster University</funder>
            <funder>Poculi Ludique Societas</funder>
            <funder>University of Waterloo</funder>
            <funder>University of Toronto</funder>
            <funder>Centre for Drama, Theatre &amp; Performance Studies</funder>
            <funder>University of Victoria</funder>
            <funder>Friends of the ISE</funder>
         </titleStmt>
         <editionStmt>
            <p>Released with Queen’s Men Editions 2.0</p>
         </editionStmt>
         <publicationStmt>
            <publisher>University of Victoria on the Linked Early Modern Drama Online Platform</publisher>
            <availability>
               <licence from="2023-09-01" resp="pers:COCK1" corresp="anth:qme"/>
               <licence from="2023-09-01" resp="pers:COCK1" corresp="anth:lemdo"/>
               <p>Intellectual copyright in this edition is held by the editor, <persName ref="pers:COCK1">Peter Cockett</persName>. The critical paratexts, including this <title level="a">Scene 12</title>, are licensed under a <ref target="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC_ND 4.0 license</ref>, which means that they are freely downloadable without permission under the following conditions: (1) credit must be given to the editor, QME, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except for quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of QME, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom.</p>
               <p>Production photographs and videos on this site may not be downloaded. They appear freely on this site with the permission of the actors and the ACTRA union. They may be used within the context of university courses, within the classroom, and for reference within research contexts, including conferences, when credit is given to the producing company and to the actors. Commercial use of videos and photographs is forbidden.</p>
            </availability>
         </publicationStmt>
         <seriesStmt>
            <p>Queen’s Men Editions</p>
         </seriesStmt>
         <sourceDesc>
            <p>Page written by <persName ref="pers:COCK1">Peter Cockett</persName>. First published in the QME 1.0 anthology on the ISE platform. Converted to TEI-XML and remediated by the <orgName ref="org:LEMD1">LEMDO Team</orgName> for republication in the QME 2.0 anthology on the LEMDO platform.</p>
         </sourceDesc>
      </fileDesc>
      <profileDesc>
         <textClass>
            <catRef scheme="tax:emdDocumentTypes" target="cat:ldtBornDigParatextCritical"/>
         </textClass>
      </profileDesc>
      <encodingDesc>
         <p>Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines</p>
         <editorialDecl>
            <p>n/a</p>
         </editorialDecl>
      </encodingDesc>
      <revisionDesc status="published">
         <change who="org:LEMD1" when="2023-10-31" status="published">Published file.</change>
         <change who="pers:HOUL3" when="2023-09-12" status="TEI_proofed">Removed extra label element, added paragraph xml:id, proofed.</change>
         <change who="pers:HOUL3" when="2023-07-31" status="TEI_proofing">Updated metadata</change>
         <change who="pers:MATT2" when="2020-12-21" status="published">Added metadata and license.</change>
         <change who="org:QMEB1" notAfter="2018" status="peerReviewed">Original content peer reviewed for QME and added to XWiki by a member of the QME team or a member of the ISE team acting on behalf of QME. The earlier history of this content was not captured in metadata.</change>
      </revisionDesc>
   </teiHeader>
   <facsimile>
      <surface xml:id="emdFV_video_scene12_sfc" corresp="#perf_FV_QME_full_scene12">
         <media url="sourceperf:FV/fv_12.mp4" mimeType="video/mp4"/>
         <note>
            <p xml:id="emdFV_video_scene12_p1">The company felt this was a relatively nondescript scene but used it to begin to build the anticipation of the battle to come. It features the arrival of a French Herald who appears twice more in the play. On his final appearance he kneels to the English king, and in performance we tried to emphasize the herald’s pride here to increase the extent of his later reversal of fortune, who like the Dauphin and Bruges, is another proud Frenchman brought to heel by the English hero king. <persName ref="pers:HOPK2">Paul Hopkins</persName> (Henry V) started to mix the stately gravity he assumed on his coronation with some of the playfulness of his performance as the young prince. <persName ref="pers:HOPK2">Hopkins</persName>’s Henry V <ref target="doc:emdFV_PerfIntro#emdFV_PerfIntro_p11">stood at the charismatic center of our nationalistic interpretation of the play</ref>.</p>
         </note>
      </surface>
   </facsimile>
   <text>
      <body>
         <list rend="simple">
            <head>Navigation</head>
            <item>See <ref target="doc:emdFV_ProductionCredits">Production Credits</ref>.</item>
            <item>Go back to <ref target="doc:emdFV_video">scene index for the SQM production of <title level="m">Famous Victories</title></ref>.</item>
         </list>
      </body>
   </text>
</TEI>