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            <title type="main">Famous Victories of Henry V: Scene 9</title>
            <title type="short">FV: Scene 9</title>
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               <persName ref="pers:COCK1">Peter Cockett</persName>
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               <persName ref="pers:COCK1">Peter Cockett</persName>
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               <persName ref="pers:SYME1">Holger Schott Syme</persName>
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               <persName ref="pers:COCK1">Peter Cockett</persName>
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               <orgName ref="org:SQMP1">Shakespeare and the Queen’s Men Project</orgName>
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            <funder>Social Sciences and Humanities Research Council of Canada</funder>
            <funder>McMaster University</funder>
            <funder>Poculi Ludique Societas</funder>
            <funder>University of Waterloo</funder>
            <funder>University of Toronto</funder>
            <funder>Centre for Drama, Theatre &amp; Performance Studies</funder>
            <funder>University of Victoria</funder>
            <funder>Friends of the ISE</funder>
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            <p>Released with Queen’s Men Editions 2.0</p>
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            <publisher>University of Victoria on the Linked Early Modern Drama Online Platform</publisher>
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               <p>Intellectual copyright in this edition is held by the editor, <persName ref="pers:COCK1">Peter Cockett</persName>. The critical paratexts, including this <title level="a">Scene 9</title>, are licensed under a <ref target="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC_ND 4.0 license</ref>, which means that they are freely downloadable without permission under the following conditions: (1) credit must be given to the editor, QME, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except for quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of QME, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom.</p>
               <p>Production photographs and videos on this site may not be downloaded. They appear freely on this site with the permission of the actors and the ACTRA union. They may be used within the context of university courses, within the classroom, and for reference within research contexts, including conferences, when credit is given to the producing company and to the actors. Commercial use of videos and photographs is forbidden.</p>
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            <p xml:id="emdFV_video_scene09_p1">The reformed prince newly crowned as king demonstrates in this scene his commitment to a life of virtue and martial endeavor against the kingdom of France. The scene is structured around three comic reversals: for his old companions, for the proud archbishop of Bruges, and for the fearful Lord Chief Justice. In the first two, the proud are met with a fall and in the last the righteous man is rewarded. The SQM company worked to enhance the audience’s delight in these reversals of fortune, increasing their anticipation of the turnaround by committing to the bragging of the proud and the fear of the Lord Chief Justice. We felt this scene was key in establishing Henry V as the model of the English hero king. <persName ref="pers:HOPK2">Paul Hopkins</persName> (Prince Henry) also managed to incorporate some of the playfulness of his wayward prince into his dealings with the Lord Chief Justice, an element of his character that became more apparent in later scenes and made the king both noble and entertaining. I feel <persName ref="pers:HOPK2">Hopkins</persName>’s <ref target="doc:emdFV_PerfIntro#emdFV_PerfIntro_p8">charismatic performance of Henry captured the way this story of the reformed monarch appealed to the English people</ref>.</p>
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      <body>
         <list rend="simple">
            <head>Navigation</head>
            <item>See <ref target="doc:emdFV_ProductionCredits">Production Credits</ref>.</item>
            <item>Go back to <ref target="doc:emdFV_video">scene index for the SQM production of <title level="m">Famous Victories</title></ref>.</item>
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