<?xml version="1.0" encoding="UTF-8"?><TEI xmlns="http://www.tei-c.org/ns/1.0" xml:id="emdFV_NashePierce">
    <teiHeader>
        <fileDesc>
            <titleStmt>
                <title type="main">Pierce Penniless, His Supplication to the Devil</title>
                <title type="short">FV: Nashe</title>
                <respStmt>
                    <resp ref="resp:aut">Author</resp>
                    <persName ref="pros:NASH6">Thomas Nashe</persName>
                </respStmt>
                <respStmt>
                    <resp ref="resp:edt">Editor</resp>
                    <persName ref="pers:MARS1">Karen Sawyer Marsalek</persName>
                </respStmt>
                <respStmt>
                    <resp ref="resp:edt_mrk">Conversion and Remediation</resp>
                    <orgName ref="org:LEMD1">LEMDO Team</orgName>
                </respStmt>
                <sponsor ref="org:QME1"/>
                <funder>Social Sciences and Humanities Research Council of Canada</funder>
                <funder>McMaster University</funder>
                <funder>Poculi Ludique Societas</funder>
                <funder>University of Waterloo</funder>
                <funder>University of Toronto Centre for Drama, Theatre &amp; Performance Studies</funder>
                <funder>University of Victoria</funder>
                <funder>Friends of the ISE</funder>
            </titleStmt>
            <editionStmt>
                <p>Released with Queen’s Men Editions 2.0</p>
            </editionStmt>
            <publicationStmt>
                <publisher>University of Victoria on the Linked Early Modern Drama Online Platform</publisher>
                <availability>
                    <licence from="2023-09-01" resp="pers:COCK1" corresp="anth:qme"/>
                    <licence from="2023-09-01" resp="pers:COCK1" corresp="anth:lemdo"/>
                    <p>Intellectual copyright in this edition is held by the editor, <persName ref="pers:MARS1">Karen Sawyer Marsalek</persName>. The critical paratexts, including this <title level="a">Pierce Penniless, His Supplication to the Devil</title>, are licensed under a <ref target="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC_ND 4.0 license</ref>, which means that they are freely downloadable without permission under the following conditions: (1) credit must be given to the editor, QME, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except for quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of QME, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom.</p>
                    <p>Production photographs and videos on this site may not be downloaded. They appear freely on this site with the permission of the actors and the ACTRA union. They may be used within the context of university courses, within the classroom, and for reference within research contexts, including conferences, when credit is given to the producing company and to the actors. Commercial use of videos and photographs is forbidden.</p>
                </availability>
            </publicationStmt>
            <seriesStmt>
                <p>Queen’s Men Editions</p>
            </seriesStmt>
            <sourceDesc>
                <p>Born-digital, peer-reviewed document written by <persName ref="pers:MARS1">Karen Sawyer Marsalek</persName>. First published in the QME 1.0 anthology on the ISE platform. Converted to TEI-XML and remediated by the <orgName ref="org:LEMD1">LEMDO Team</orgName> for republication in the QME 2.0 anthology on the LEMDO platform.</p>
            </sourceDesc>
        </fileDesc>
        <profileDesc>
            <textClass>
                <catRef scheme="tax:emdDocumentTypes" target="cat:ldtPrimary"/>
                <catRef scheme="tax:emdEditorialTreatments" target="cat:letMixed"/>
            </textClass>
        </profileDesc>
        <encodingDesc>
            <p>Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines</p>
            <editorialDecl>
                <p>Edited according to the ISE Editorial Guidelines</p>
            </editorialDecl>
        </encodingDesc>
        <revisionDesc status="published">
            <change who="org:LEMD1" when="2023-10-31" status="published">Published file.</change>
            <change who="pers:HOUL3" when="2023-08-01" status="IML-TEI_proofing">Updated metadata</change>
            <change who="pers:MATT2" when="2020-12-21" status="published">Added respStmt for LEMD1. Updated encodingDesc. Added QME anthology type. Published file.</change>
            <change who="pers:LEBE1" when="2020-11-30" status="IML-TEI_INP">Remediated document.</change>
            <change who="pers:LEBE1" when="2020-10-01" status="prgGenerated">Created document by dividing a single file that was initially created in XWiki.</change>
            <change who="org:QME1" notAfter="2018">Original peer-reviewed content added to XWiki by a member of the QME team or a member of the ISE team acting on behalf of QME. The earlier history of this content was not captured in metadata.</change>
            <change who="org:QMEB1" notAfter="2018" status="peerReviewed">Peer review arranged by QME Editorial Board</change>
        </revisionDesc>
    </teiHeader>
    <text>
        <front>
            <head>From Thomas Nashe, <title level="m">Pierce Penniless, His Supplication to the Devil</title></head>
        </front>
        <body>
            <p xml:id="emdFV_NashePierce_p1">I will defend it against any cullion, or clubfisted usurer of them all, there is no immortality can be given a man on earth like unto plays. What talk I to them of immortality, that are the only underminers of honor, and do envy any man that is not sprung up by base broker like themselves? They care not if all the ancient houses were rooted out, so that like the burgomasters of the Low Countries they might share the government amongst them as states and be quarter-masters of our monarchy. All arts to them are vanity, and if you tell them what a glorious thing it is to have Henry the Fifth represented on the stage leading the French King prisoner, and forcing both him and the Dauphin to swear fealty, <q>Aye, but</q> (will they say) <q>What do we get by it?</q>, respecting neither the right of fame that is due to true nobility deceased, or what hopes of eternity are to be proposed to adventurous minds, to encourage them forward, but only their execrable lucre and filthy, unquenchable avarice.</p>
        </body>
    </text>
</TEI>