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            <title type="main">Friar Bacon and Friar Bungay: Scene 15</title>
            <title type="short">FBFB: Scene 15</title>
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               <persName ref="pers:COCK1">Peter Cockett</persName>
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               <persName ref="pers:COCK1">Peter Cockett</persName>
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               <persName ref="pers:SYME1">Holger Schott Syme</persName>
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               <persName ref="pers:COCK1">Peter Cockett</persName>
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               <orgName ref="org:SQMP1">Shakespeare and the Queen’s Men Project</orgName>
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               <orgName ref="org:LEMD1">LEMDO Team</orgName>
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            <sponsor ref="org:QME1"/>
            <funder>Social Sciences and Humanities Research Council of Canada</funder>
            <funder>McMaster University</funder>
            <funder>Poculi Ludique Societas</funder>
            <funder>University of Waterloo</funder>
            <funder>University of Toronto Centre for Drama, Theatre &amp; Performance Studies</funder>
            <funder>University of Victoria</funder>
            <funder>Friends of the ISE</funder>
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            <p>Released with Queen’s Men Editions 2.0</p>
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            <publisher>University of Victoria on the Linked Early Modern Drama Online Platform</publisher>
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               <licence from="2023-09-01" resp="pers:COCK1" corresp="anth:qme"/>
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               <p>Intellectual copyright in this edition is held by the editor, <persName ref="pers:COCK1">Peter Cockett</persName>. The critical paratexts, including this <title level="a">Scene 15</title> page, are licensed under a <ref target="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC_ND 4.0 license</ref>, which means that they are freely downloadable without permission under the following conditions: (1) credit must be given to the editor, QME, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except for quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of QME, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom.</p>
               <p>Production photographs and videos on this site may not be downloaded. They appear freely on this site with the permission of the actors and the ACTRA union. They may be used within the context of university courses, within the classroom, and for reference within research contexts, including conferences, when credit is given to the producing company and to the actors. Commercial use of videos and photographs is forbidden.</p>
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            <p>Queen’s Men Editions</p>
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            <p>Page written by <persName ref="pers:COCK1">Peter Cockett</persName>. First published in the QME 1.0 anthology on the ISE platform. Converted to TEI-XML and remediated by the <orgName ref="org:LEMD1">LEMDO Team</orgName> for republication in the QME 2.0 anthology on the LEMDO platform.</p>
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            <p xml:id="emdFBFB_video_scene15_p1">The SQM company attempted to give the final scene the sense of grandeur and spectacle implied by its opening extended stage direction. The actors all entered in procession performing a stately pavanne to musical accompaniment. The scene’s obvious patriotic intentions were a source of amusement for the cast but after some negotiation they agreed to play the scene without parody. <persName ref="pers:GRAY1">Jason Gray</persName> (Bacon) rose admirably to the challenge of summoning the prophetic vistion of the play’s future, which was the Queen’s Men’s present and our past. <persName ref="pers:ALLI1">Don Allison</persName> (King Henry) closed the action calling all to a great feast to celebrate England’s glory as the other actors progress off the stage to stately music.</p>
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         <list rend="simple">
            <head>Navigation</head>
            <item>See <ref target="doc:emdFBFB_ProductionCredits">Production Credits</ref>.</item>
            <item>Go back to <ref target="doc:emdFBFB_video">scene index for the SQM production of <title level="m">Friar Bacon and Friar Bungay</title></ref>.</item>
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