The Queen’s Men Editions anthology is led by Helen Ostovich, General Editor; Peter Cockett, General Editor (Performance); Andrew Griffin, General Editor (Text; until 2026); and Janelle Jenstad, General Editor (Text; 2026–)
Released with Queen’s Men Editions 1.0
Intellectual copyright is held by the editor and licensed for reuse under a CC BY-nd/4.0 license. The XML files of the old-spelling texts and the modern text are freely downloadable without permission, provided credit is given to QME, the editor(s), and LEMDO in any subsequent use of the files and data.
Born digital, but converted from XWiki.
Encoded in TEI P5 according to the LEMDO Encoding Guidelines.
Your Name: ____________________
PLAY / SCENE PERFORMED: ____________________
Explain briefly how this scene was cut/organized for theatrical effect to build to a climax. What was the interpretation or concept behind this performance?
Which roles were particularly effective? For what reason(s)? (Use the back if you need more room.) If a role didn’t work well, try to assess the problem in performance.
How did the costuming work? Was there a concept operating through clothing style?
What props and/or set elements most impressed you? What did they add to the scene in terms of meaning that you picked up visually (as opposed to verbal meaning)?
What was your favourite moment during the action or speaking a line? Why did it work?
OVERALL, this performance was (circle one): excellent / very good / good / OK / not so hot.
On a scale of 1-10, I’d give this performance: _____
I would describe it as: ____________________