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            <title type="main">Famous Victories of Henry V: Scene 11</title>
            <title type="short">FV: Scene 11</title>
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               <persName ref="pers:COCK1">Peter Cockett</persName>
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               <persName ref="pers:COCK1">Peter Cockett</persName>
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               <persName ref="pers:SYME1">Holger Schott Syme</persName>
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               <persName ref="pers:COCK1">Peter Cockett</persName>
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               <orgName ref="org:SQMP1">Shakespeare and the Queen’s Men Project</orgName>
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                    <orgName><reg>Queen’s Men Editions</reg><abbr>QME</abbr></orgName>
                    <note><p>The Queen’s Men Editions anthology is led by Helen Ostovich, General Editor; Peter Cockett, General Editor (Performance); Andrew Griffin, General Editor (Text; until 2026); and Janelle Jenstad, General Editor (Text; 2026–)</p></note>
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            <funder>Social Sciences and Humanities Research Council of Canada</funder>
            <funder>McMaster University</funder>
            <funder>Poculi Ludique Societas</funder>
            <funder>University of Waterloo</funder>
            <funder>University of Toronto</funder>
            <funder>Centre for Drama, Theatre &amp; Performance Studies</funder>
            <funder>University of Victoria</funder>
            <funder>Friends of the ISE</funder>
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            <p>Released with Queen’s Men Editions 2.0</p>
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            <publisher>University of Victoria on the Linked Early Modern Drama Online Platform</publisher>
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               <p>Intellectual copyright in this edition is held by the editor, <persName ref="pers:COCK1">Peter Cockett</persName>. The critical paratexts, including this <title level="a">Scene 11</title>, are licensed under a <ref target="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC_ND 4.0 license</ref>, which means that they are freely downloadable without permission under the following conditions: (1) credit must be given to the editor, QME, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except for quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of QME, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom.</p>
               <p>Production photographs and videos on this site may not be downloaded. They appear freely on this site with the permission of the actors and the ACTRA union. They may be used within the context of university courses, within the classroom, and for reference within research contexts, including conferences, when credit is given to the producing company and to the actors. Commercial use of videos and photographs is forbidden.</p>
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            <p xml:id="emdFV_video_scene11_p1">This scene is relatively straightforward but also quite clever. There are two kinds of Frenchmen in the scene: ones who fear Henry and ones who arrogantly mock him. The Dauphin and the Constable are in the latter party. The French king is in the former and is joined by the returning archbishop of Bruges and the fearful messenger from Harfleur. To keep the production true to the <ref target="doc:emdFV_PerfIntro#emdFV_PerfIntro_p11">nationalistic agenda of the Queen’s Men</ref>, the SQM performance played up this division since both attitudes enhance our impression of Henry V if in different ways. The French King’s fear of the English king makes Henry V appear all the more mighty, and the Dauphin’s arrogant pride makes us all imagine the fall we know is coming. The scene thus helps to whip the audience up into a patriotic anticipation of English victory. The production annotations in this scene document the specific acting choices made in order to achieve this effect in performance.</p>
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         <list rend="simple">
            <head>Navigation</head>
            <item>See <ref target="doc:emdFV_ProductionCredits">Production Credits</ref>.</item>
            <item>Go back to <ref target="doc:emdFV_video">scene index for the SQM production of <title level="m">Famous Victories</title></ref>.</item>
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