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            <title type="main">Famous Victories of Henry V: Scene 7</title>
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               <persName ref="pers:COCK1">Peter Cockett</persName>
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               <persName ref="pers:SYME1">Holger Schott Syme</persName>
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                    <note><p>The Queen’s Men Editions anthology is led by Helen Ostovich, General Editor; Peter Cockett, General Editor (Performance); Andrew Griffin, General Editor (Text; until 2026); and Janelle Jenstad, General Editor (Text; 2026–)</p></note>
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            <funder>Social Sciences and Humanities Research Council of Canada</funder>
            <funder>McMaster University</funder>
            <funder>Poculi Ludique Societas</funder>
            <funder>University of Waterloo</funder>
            <funder>University of Toronto</funder>
            <funder>Centre for Drama, Theatre &amp; Performance Studies</funder>
            <funder>University of Victoria</funder>
            <funder>Friends of the ISE</funder>
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               <p>Intellectual copyright in this edition is held by the editor, <persName ref="pers:COCK1">Peter Cockett</persName>. The critical paratexts, including this <title level="a">Scene 7</title>, are licensed under a <ref target="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC_ND 4.0 license</ref>, which means that they are freely downloadable without permission under the following conditions: (1) credit must be given to the editor, QME, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except for quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of QME, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom.</p>
               <p>Production photographs and videos on this site may not be downloaded. They appear freely on this site with the permission of the actors and the ACTRA union. They may be used within the context of university courses, within the classroom, and for reference within research contexts, including conferences, when credit is given to the producing company and to the actors. Commercial use of videos and photographs is forbidden.</p>
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               <p xml:id="emdFV_video_scene07_p1">Although the prince has been reformed, Derrick remains committed to a life of revelry and misdemeanor. In this scene, he plays a joke on his host John Cobbler pretending to be insulted by the quality of the dinner served by the cobbler’s wife. The joke picks up on the end of their last scene when John warned Derrick that he is poor and <quote>glad of a dish of roots</quote> (<ptr type="localCit" target="doc:emdFV_M#emdFV_M_anc_1694 doc:emdFV_M#emdFV_M_anc_1695"/>). Once again Derrick is the <ref target="doc:emdFV_PerfIntro#emdFV_PerfIntro_p5">trickster clown</ref> and John, the dupe. Derrick charges onto the stage calling John’s wife a whore, and the hapless John follows behind trying to quiet him for the sake of his public reputation and find the cause of Derrick’s anger. Making this joke work for a contemporary audience was difficult on two levels. First of all due to the obscurity of the reference to <quote>roots</quote>, or root vegetables whose edible part is below ground (carrots, beets, radishes, parsnips, turnips, and other tubers), which were lower class fare for the table. It was unclear to many in our modern audience that the rustic clown Derrick is assuming airs and graces by suggesting it is insulting to his dignity to be offered a <quote>dish of roots</quote>. This class-based comedy is also enhanced in the original social context by the common vein of humor arising from cuckoldry, activated by the public insults Derrick directs at John’s wife.</p>
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            <head>Navigation</head>
            <item>See <ref target="doc:emdFV_ProductionCredits">Production Credits</ref>.</item>
            <item>Go back to <ref target="doc:emdFV_video">scene index for the SQM production of <title level="m">Famous Victories</title></ref>.</item>
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