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                    <note><p>The Queen’s Men Editions anthology is led by Helen Ostovich, General Editor; Peter Cockett, General Editor (Performance); Andrew Griffin, General Editor (Text; until 2026); and Janelle Jenstad, General Editor (Text; 2026–)</p></note>
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                <funder>Social Sciences and Humanities Research Council of Canada</funder>
                <funder>McMaster University</funder>
                <funder>Poculi Ludique Societas</funder>
                <funder>University of Waterloo</funder>
                <funder>University of Toronto Centre for Drama, Theatre &amp; Performance Studies</funder>
                <funder>University of Victoria</funder>
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                    <p>Intellectual copyright in this edition is held by the editor, <persName ref="pers:MARS1">Karen Sawyer Marsalek</persName>. The critical paratexts, including this <title level="a">Pierce Penniless, His Supplication to the Devil</title>, are licensed under a <ref target="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC_ND 4.0 license</ref>, which means that they are freely downloadable without permission under the following conditions: (1) credit must be given to the editor, QME, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except for quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of QME, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom.</p>
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            <head><title level="m">Tarlton’s Jests</title></head>
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            <head>An Excellent Jest of Tarlton, Suddenly Spoken</head>
            
            <p xml:id="emdFV_Tarlton_p1">At the Bull at Bishopsgate was a play of Henry the Fifth, wherein the Judge was to take a box on the ear, and because he was absent that should take the blow, Tarlton himself (ever forward to please) took upon him to play the same Judge, besides his own part of the clown, and Knell, then playing Henry the Fifth, hit Tarlton a sound box indeed, which made the people laugh the more, because it was he. But anon the Judge goes in, and immediately Tarlton (in his clown’s clothes) comes out and asks the actors. <q>What news</q>? <q>Oh</q>, saith one, <q>hadst thou been here thou shouldst have seen Prince Henry hit the Judge a terrible box on the ear</q>. <q>What, man</q>, said Tarlton, <q>strike a Judge</q>? <q>It is true in faith</q>, said the other. <q>No other like</q>, said Tarlton <q>and it could not but be terrible to the Judge, when the report so terrifies me that methinks the blow remains still on my cheek, that it burns again</q>. The people laughed at this mightily, and to this day I have heard it commended for rare, but no marvel, for he had many of these. But I would see our clowns in these days do the like; no, I warrant thee, and yet they think well of themselves, too.</p>
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