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               <name ref="#JENS1">Janelle Jenstad</name>
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                  <p>The Queen’s Men Editions anthology is led by Helen Ostovich, General Editor; Peter Cockett, General Editor (Performance); and Andrew Griffin, General Editor (Text).</p>
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            <funder>Social Sciences and Humanities Research Council of Canada</funder>
            <funder>McMaster University</funder>
            <funder>Poculi Ludique Societas</funder>
            <funder>University of Waterloo</funder>
            <funder>University of Toronto Centre for Drama, Theatre &amp; Performance Studies</funder>
            <funder>University of Victoria</funder>
            <funder>Friends of the ISE</funder>
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            <p>Released with Queenʼs Men Editions 2.0</p>
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               <p>This file is licensed under a <ref target="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC_ND 4.0 license</ref>, which means that it is freely downloadable without permission under the following conditions: (1) credit must be given to the author, Queen’s Men Editions, and LEMDO in any subsequent use of the files and/or data; (2) the content cannot be adapted or repurposed (except in quotations for the purposes of academic review and citation); and (3) commercial uses are not permitted without the knowledge and consent of Queen’s Men Editions, the editor, and LEMDO. This license allows for pedagogical use of the critical paratexts in the classroom.</p>
               <p>Production photographs and videos on this site may not be downloaded. They appear freely on this site with the permission of the actors and the ACTRA union. They may be used within the context of university courses, within the classroom, and for reference within research contexts, including conferences, when credit is given to the producing company and to the actors. Commercial use of videos and photographs is forbidden.</p>
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      <body><div type="ographies"><listPerson><person xml:id="CHRI1" copyOf="PERS1.xml#CHRI1">
                    <persName>
                        <reg>Rylyn Christensen</reg>
                        <forename>Rylyn</forename>
                        <surname>Christensen</surname>
                    </persName>
                    <note><p>Rylyn Christensen is an English major at the University of Victoria.</p></note>
                </person><person xml:id="COCK1" copyOf="PERS1.xml#COCK1">
                    <persName>
                        <reg>Peter Cockett</reg>
                        <forename>Peter</forename>
                        <surname>Cockett</surname>
                    </persName>
                    <note>
                        <p>Peter Cockett is an associate professor in the Theatre and Film Studies at McMaster University. He is the general editor (performance), and technical co-ordinating editor of <title level="m">Queen’s Men Editions</title>. He was the stage director for the Shakespeare and the Queen’s Men project (SQM), directing <title level="m">King Leir</title>, <title level="m">The Famous Victories of Henry V</title>, and <title level="m">Friar Bacon and Friar Bungay</title> (2006) and he is the performance editor for our editions of those plays. The process behind those productions is documented in depth on his website <ref target="https://thequeensmen.ca/"><title level="m">Performing the Queen’s Men</title></ref>. Also featured on this site are his PAR productions of <title level="m">Clyomon and Clamydes</title> (2009) and <title level="m">Three Ladies of London</title> (2014). For the PLS, the University of Toronto’s Medieval and Renaissance Players, he has directed the Digby <title level="m">Mary Magdalene</title> (2003) and the double bill of George Peele’s <title level="m">The Old Wives Tale</title> and the Chester <title level="m">Antichrist</title> (2004). He also directed <title level="m">An Experiment in Elizabethan Comedy</title> (2005) for the SQM project and <title level="m">Inside Out: The Persistence of Allegory</title> (2008) in collaboration with Alan Dessen. Peter is a professional actor and director with numerous stage and screen credits. He can be contacted at <ref target="mailto:cockett@mcmaster.ca">cockett@mcmaster.ca</ref>.</p>
                    </note>
                </person><person xml:id="ELHA1" copyOf="PERS1.xml#ELHA1">
                    
                    <persName>
                        <reg>Tracey El Hajj</reg>
                        <forename>Tracey</forename>
                        <surname>El Hajj</surname>
                    </persName>
                    <note><p>Junior Programmer 2019–2020. Research Associate 2020–2021. Tracey received her PhD from the Department of English at the University of Victoria in the field of Science and Technology Studies. Her research focuses on the <term>algorhythmics</term> of networked communications. She was a 2019–2020 President’s Fellow in Research-Enriched Teaching at UVic, where she taught an advanced course on <title level="a">Artificial Intelligence and Everyday Life.</title> Tracey was also a member of the <title level="m">Map of Early Modern London</title> team, between 2018 and 2021. Between 2020 and 2021, she was a fellow in residence at the Praxis Studio for Comparative Media Studies, where she investigated the relationships between artificial intelligence, creativity, health, and justice. As of July 2021, Tracey has moved into the alt-ac world for a term position, while also teaching in the English Department at the University of Victoria.</p></note>
                    
                </person><person xml:id="GRIF1" copyOf="PERS1.xml#GRIF1">
                    <persName>
                        <reg>Andrew Griffin</reg>
                        <forename>Andrew</forename>
                        <surname>Griffin</surname>
                    </persName>
                    <note>
                        <p>Andrew Griffin is an associate professor in the department of English and an affiliate professor in the department of Theater and Dance at the University of California, Santa Barbara. He is general editor (text) of Queen’s Men Editions. He studies early modern drama and early modern historiography while serving as the lead editor at the <ref target="http://emcimprint.english.ucsb.edu">EMC Imprint</ref>. He has co-edited with Helen Ostovich and Holger Schott Syme <title level="m">Locating the Queen’s Men</title> (2009) and has co-edited <title level="m">The Making of a Broadside Ballad</title> (2016) with Patricia Fumerton and Carl Stahmer. His monograph, <ref target="https://www.cambridge.org/core/journals/renaissance-quarterly/article/untimely-deaths-in-renaissance-drama-biography-history-catastrophe-andrew-griffin-toronto-university-of-toronto-press-2019-x-198-pp-45/D1154E832B251D4BEC76BD5504351063"><title level="m">Untimely Deaths in Renaissance Drama: Biography, History, Catastrophe</title></ref>, was published with the University of Toronto Press in 2019. He is editor of the anonymous <title level="m">The Chronicle History of King Leir</title> (Queen’s Men Editions, 2011). He can be contacted at <ref target="mailto:griffin@english.ucsb.edu">griffin@english.ucsb.edu</ref>.</p>
                    </note>
                </person><person xml:id="CMEE1" copyOf="PERS1.xml#CMEE1">
                    <persName type="cont">
                        <reg>Chloe Mee</reg>
                        <forename>Chloe</forename>
                        <surname>Mee</surname>
                        <abbr>CM</abbr>
                    </persName>
                    <note>
                        <p>Chloe Mee is a research assistant on the LEMDO team who is working as a remediator on Old Spelling texts. She is about to start her second year at UVic in Fall 2022 and is pursuing an Honours degree in English. Currently, she is working on the LEMDO team through a VKURA internship. She loves literature and is enjoying the opportunity to read and encode Shakespeare quartos!</p>
                    </note>
                </person><person xml:id="HOUL3" copyOf="PERS1.xml#HOUL3">
                    <persName>
                        <reg>Navarra Houldin</reg>
                        <forename>Navarra</forename>
                        <surname>Houldin</surname>
                    </persName>
                    <note>
                        <p>Project manager 2022-present. Textual remediator 2021-present. Navarra Houldin (they/them) completed their BA in History and Spanish at the University of Victoria in 2022. During their degree, they worked as a teaching assistant with the University of Victoriaʼs Department of Hispanic and Italian Studies. Their primary research was on gender and sexuality in early modern Europe and Latin America.</p>
                    </note>
                </person><person xml:id="GALL2" copyOf="PERS1.xml#GALL2">
                    <persName>
                        <reg>Mahayla Galliford</reg>
                        <forename>Mahayla</forename>
                        <surname>Galliford</surname>
                    </persName>
                    <note>
                        <p>Research assistant, remediator, encoder, 2021–present. Mahayla Galliford is a fourth-year student in the English Honours and Humanities Scholars programs at the University of Victoria. She researches early modern drama and her Jamie Cassels Undergraduate Research Award project focused on approaches to encoding early modern stage directions. </p>
                    </note>
                </person><person xml:id="HOLM1" copyOf="PERS1.xml#HOLM1">
                    <persName>
                        <reg>Martin Holmes</reg>
                        <forename>Martin</forename>
                        <surname>Holmes</surname>
                    </persName>
                    <note><p>Martin Holmes has worked as a developer in the 
                        UVicʼs Humanities Computing and Media Centre for 
                        over two decades, and has been involved with dozens
                        of Digital Humanities projects. He has served on
                        the TEI Technical Council and as Managing Editor of
                        the Journal of the TEI. He took over from Joey Takeda as 
                    lead developer on LEMDO in 2020. He is a collaborator on 
                    the SSHRC Partnership Grant led by Janelle Jenstad.</p></note>
                </person><person xml:id="JENS1" copyOf="PERS1.xml#JENS1">
                    <persName>
                        <reg>Janelle Jenstad</reg>
                        <forename>Janelle</forename>
                        <surname>Jenstad</surname>
                    </persName>
                    <note><p>Janelle Jenstad is a Professor of English at the University of
                            Victoria, Director of <ref target="https://mapoflondon.uvic.ca">The Map
                                of Early Modern London</ref>, and Director of <ref target="https://lemdo.uvic.ca">Linked Early Modern Drama
                                Online</ref>. With Jennifer Roberts-Smith and Mark Kaethler, she
                            co-edited <title level="m">Shakespeare’s Language in Digital Media: Old
                                Words, New Tools</title> (Routledge). She has edited John Stow’s
                                <title level="m">A Survey of London</title> (1598 text) for MoEML
                            and is currently editing <title level="m">The Merchant of Venice</title>
                            (with Stephen Wittek) and Heywood’s <title level="m">2 If You Know Not
                                Me You Know Nobody</title> for DRE. Her articles have appeared in
                                <title level="j">Digital Humanities Quarterly</title>, <title level="j">Elizabethan Theatre</title>, <title level="j">Early Modern
                                Literary Studies</title>, <title level="j">Shakespeare
                                Bulletin</title>, <title level="j">Renaissance and
                                Reformation</title>, and <title level="j">The Journal of Medieval
                                and Early Modern Studies</title>. She contributed chapters to <title level="m">Approaches to Teaching Othello</title> (MLA); <title level="m">Teaching Early Modern Literature from the Archives</title>
                            (MLA); <title level="m">Institutional Culture in Early Modern
                                England</title> (Brill); <title level="m">Shakespeare, Language, and
                                the Stage</title> (Arden); <title level="m">Performing Maternity in
                                Early Modern England</title> (Ashgate); <title level="m">New
                                Directions in the Geohumanities</title> (Routledge); <title level="m">Early Modern Studies and the Digital Turn</title> (Iter);
                                <title level="m">Placing Names: Enriching and Integrating
                                Gazetteers</title> (Indiana); <title level="m">Making Things and
                                Drawing Boundaries</title> (Minnesota); <title level="m">Rethinking
                                Shakespeare Source Study: Audiences, Authors, and Digital
                                Technologies</title> (Routledge); and <title level="m">Civic
                                Performance: Pageantry and Entertainments in Early Modern
                                London</title> (Routledge). For more details, see <ref target="https://janellejenstad.com/">janellejenstad.com</ref>.</p></note>
                </person><person xml:id="LEBE1" copyOf="PERS1.xml#LEBE1">
                    <persName>
                        <reg>Kate LeBere</reg>
                        <forename>Kate</forename>
                        <surname>LeBere</surname>
                        <abbr>KL</abbr>
                    </persName>
                    <note>
                        <p>Project Manager, 2020–2021. Assistant Project Manager, 2019–2020. Textual Remediator and Encoder, 2019–2021. Kate LeBere completed her BA (Hons.) in History and English at the University of Victoria in 2020. During her degree she published papers in <title level="j">The Corvette</title> (2018), <title level="j">The Albatross</title> (2019), and <title level="j">PLVS VLTRA</title> (2020) and presented at the English Undergraduate Conference (2019), Qualicum History Conference (2020), and the Digital Humanities Summer Institute’s Project Management in the Humanities Conference (2021). While her primary research focus was sixteenth and seventeenth century England, she completed her honours thesis on Soviet ballet during the Russian Cultural Revolution. She is currently a student at the University of British Columbia’s iSchool, working on her masters in library and information science.</p>
                    </note>
                </person><person xml:id="MARS1" copyOf="PERS1.xml#MARS1">
                    <persName>
                        <reg>Karen Sawyer Marsalek</reg>
                        <forename>Karen</forename>
                        <surname>Marsalek</surname>
                    </persName>
                    <note>
                        <p>Karen Sawyer Marsalek (<title level="m">Famous Victories of Henry V</title>, early modern text) is an associate professor of English at St. Olaf College. She has edited, directed and performed in several early English plays. Her publications include essays on <soCalled>true</soCalled> resurrections in medieval drama and <title level="m">The Winter’s Tale</title>, <soCalled>false</soCalled> resurrections in the Chester Antichrist and <title level="m">1 Henry IV</title>, and theatrical properties of skulls and severed heads. Her current research is on remains and revenants in the King’s Men’s repertory. She can be contacted at <ref target="mailto:marsalek@stolaf.edu">marsalek@stolaf.edu</ref>.</p>
                    </note>
                </person><person xml:id="MART1" copyOf="PERS1.xml#MART1">
                    <persName>
                        <reg>Mathew Martin</reg>
                        <forename>Mathew</forename>
                        <surname>Martin</surname>
                    </persName>
                    <note>
                        <p>Dr. Mathew R. Martin is Full Professor at Brock University, Canada, and
                            Director of Brock’s PhD in Interdisciplinary Humanities. He is the
                            author of <title level="m">Between Theatre and Philosophy</title> (2001)
                            and <title level="m">Tragedy and Trauma in the Plays of Christopher
                                Marlowe</title> (2015) and co-editor, with his colleague James
                            Allard, of <title level="m">Staging Pain, 1500-1800: Violence and Trauma
                                in British Theatre</title> (2009). For Broadview Press he has edited
                            Christopher Marlowe’s <title level="m">Edward the Second</title> (2010),
                            <title level="m">Jew of Malta</title> (2012), <title level="m">Doctor Faustus: The B-Text</title> (2013), and <title level="m">Tamburlaine the Great Part One and Part Two</title> (2014). For
                            Revels Editions he has edited George Peele’s <title level="m">David and
                                Bathsheba</title> (2018) and Marlowe’s <title level="m">The Massacre
                                    at Paris</title> (forthcoming). He has published two articles of
                            textual criticism on the printed texts of Marlowe’s plays: <title level="a">Inferior Readings: The Transmigration of
                                <soCalled>Material</soCalled> in Tamburlaine the Great</title>
                            (Early Theatre 17.2 [December 2014]), and (on the political inflections
                            of the shifts in punctuation in the early editions of the play) <title level="a">Accidents Happen: Roger Barnes’s 1612 Edition of Marlowe’s
                                Edward the Second</title> (Early Theatre 16.1 [June 2013]). His
                            latest editing project is a Broadview edition of Robert Greene’s <title level="m">Selimus</title>. He is also writing two books: one on
                            psychoanalysis and literary theory and one on the language of
                            non-violence in Elizabethan drama in the late 1580s and
                            1590s.</p>
                    </note>
                </person><person xml:id="MATU1" copyOf="PERS1.xml#MATU1">
                    <persName>
                        <reg>Christopher Matusiak</reg>
                        <forename>Christopher</forename>
                        <surname>Matusiak</surname>
                    </persName>
                    <note>
                        <p>Christopher Matusiak (<title level="m">Friar Bacon and Friar Bungay</title>) is an Associate Professor of English at Ithaca College in New York where he teaches courses on Shakespeare and early modern drama. His research on seventeenth-century theatre management at the Drury Lane Cockpit has appeared in <title level="m">Early Theatre</title> and <title level="m">Medieval and Renaissance Drama in England</title>, and in <title level="m">Shakespeare Quarterly</title> on the use of John Aubrey’s manuscripts in studies of Shakespeare’s life. He is currently writing a book (with Eva Griffith) about Christopher Beeston and the Cockpit playhouse, and researching another on the persistence of illegal stage-playing during the English Civil Wars, <title level="m">Shakespearean Actors and their Playhouses in Civil War London</title>. He also prepared <title level="m">REED London: The Cockpit-Phoenix</title>: an edited collection of seventeenth-century manuscripts and printed documents illustrating the history of the Cockpit-Phoenix playhouse in Drury Lane (for <title level="m">The Records of Early English Drama</title>). He can be contacted at <ref target="mailto:cmatusiak@ithaca.edu">cmatusiak@ithaca.edu</ref>.</p>
                    </note>
                </person><person xml:id="MATT2" copyOf="PERS1.xml#MATT2">
                    <persName>
                        <reg>Scott Matthews</reg>
                        <forename>Scott</forename>
                        <surname>Matthews</surname>
                    </persName>
                </person><person xml:id="MELN2" copyOf="PERS1.xml#MELN2">
                    <persName>
                        <reg>Kirk Melnikoff</reg>
                        <forename>Kirk</forename>
                        <surname>Melnikoff</surname>
                    </persName>
                    <note>
                        <p>Kirk Melnikoff is Professor of English at UNC Charlotte and a past president of the Marlowe Society of America. His research interests range from sixteenth-century British Literature and Culture, to Shakespeare in Performance, to Book History. His essays have appeared in a number of journals and books, and he is the author of <title level="m">Elizabethan Book Trade Publishing and the Makings of Literary Culture</title> (U Toronto P, 2018). He has also edited four essay collections, most recently <title level="m">Christopher Marlowe, Theatrical Commerce, and the Book Trade</title> (Cambridge UP, 2018), and published an edition of Robert Greene’s <title level="m">James IV</title> in 2020. He is currently co-editing a collection of early modern book-trade wills which will be published by Manchester UP, editing Marlowe’s <title level="m">Edward II</title> for the <title level="m">Oxford Marlowe: Collected Works</title> project, and working on a monograph on bookselling in early modern England.</p>
                    </note>
                </person><person xml:id="SIRI1" copyOf="PERS1.xml#SIRI1">
    <persName>
        <reg>Peter Sirisko</reg>
        <forename>Peter</forename>
        <surname>Sirisko</surname>
    </persName>
    <note><p>Peter Sirisko, consultant for the QME, is Media Producer at New Motto in Hamilton, Ontario. He has a Bachelor of Arts, Honours, in Theatre and Film from McMaster University (2013), where he was an editor for McMaster Television, a Theatre Technician, and a Media Production Intern. He has been a freelance video producer since 2010.</p></note>
</person><person xml:id="SNEL1" copyOf="PERS1.xml#SNEL1">
                    <persName>
                        <reg>Josiah Snell</reg>
                        <forename>Josiah</forename>
                        <surname>Snell</surname>
                    </persName>
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                    <persName>
                        <reg>Ada Souchu</reg>
                        <forename>Ada</forename>
                        <surname>Souchu</surname>
                        <note><p>Ada Souchu is an MA student at Sorbonne Université in Early Modern English literature. After a BA in Classics in 2021, they are currently doing an MA on Latin and Greek sources in Early Modern theatre. They are a junior transcriber on the Douai project.</p></note>
                    </persName>
                </person><person xml:id="SZPA1" copyOf="PERS1.xml#SZPA1"><persName><reg>Patrick Szpak</reg>
                <forename>Patrick</forename>
                <surname>Szpak</surname></persName>
                <note><p>Patrick Szpak is a Programmer Consultant and Web Designer in the Humanities Computing and Media Centre at the University of Victoria.</p></note></person><person xml:id="TAKE1" copyOf="PERS1.xml#TAKE1">
                    <persName>
                        <reg>Joey Takeda</reg>
                        <forename>Joey</forename>
                        <surname>Takeda</surname>
                    </persName>
                    <note><p>Joey Takeda is LEMDO’s Consulting Programmer and Designer, a role he
                            assumed in 2020 after three years as the Lead Developer on
                        LEMDO.</p></note>
                </person><person xml:id="VATC1" copyOf="PERS1.xml#VATC1">
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                        <reg>Nicole Vatcher</reg>
                        <forename>Nicole</forename>
                        <surname>Vatcher</surname>
                        <abbr>NV</abbr>
                    </persName>
                    <note>
                        <p>Technical Documentation Writer, 2020-present. Nicole Vatcher completed her BA (Hons.) in English at the University of Victoria in 2021. Her primary research focus was womenʼs writing in the modernist period.</p>
                    </note>
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                        <reg>Jodi Litvin</reg>
                        <forename>Jodi</forename>
                        <surname>Litvin</surname>
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                  <note>The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors.</note>  
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      <body>
         <p xml:id="qme_release_p1">QME follows the <ref target="https://endings.uvic.ca/principles.html#release-management">Endings Principles for Release Management</ref>. We periodically release new static versions of this website as new material is created and peer-reviewed. The release is comprised of a complete and self-contained set of HTML files; they have no dependencies on external code libraries or on a back end server. The Endings <ref target="https://endings.uvic.ca/staticSearch/docs/howDoesItWork.html">staticSearch engine</ref> (created by <name ref="#HOLM1">Martin Holmes</name> and <name ref="#TAKE1">Joey Takeda</name>) is built into the release so that QME is fully concordanced, indexed, and searchable. The QME release schedule allows us to publish editions as they are completed, add new documentary discoveries, and update our bibliography in a systematic way. Each static release has a version number. Major releases are indicated by a change to the whole number integer (1.0 to 2.0). Minor releases of content are indicated by a change to the point number (2.0 to 2.1). The first QME release on the LEMDO platform is numbered 2.0, which recognizes that the QME anthology was first published on the <ref target="https://qme.uvic.ca/">ISE platform</ref>. Releases are described on this page in chronological order.</p>
         
         <div xml:id="qme_release_2.0">
            <head>QME 2.0</head>
            <p xml:id="qme_release_p2">This first release of the QME anthology on the LEMDO platform on 2023-10-31 includes all of the contextual pages from the old QME site, converted from XWiki markup language and carefully remediated by the <orgName ref="#LEMD1">LEMDO team</orgName> in consultation with <persName ref="#COCK1">Peter Cockett</persName>.</p>
            <p xml:id="qme_release_p3">With QME 2.0, we are publishing for the first time <persName ref="#MELN2">Kirk Melnikoff</persName>ʼs edition of <ref target="emdSel_edition.xml"><title level="m">Selimus</title></ref>, completed and peer-reviewed in 2022.</p>
            <p xml:id="qme_release_p4">This release also includes three peer-reviewed editions that were previously published in the QME anthology on the ISE platform. Each one has been converted from the ISE Markup Language (IML) to LEMDOʼs customization of the Text Encoding Initiative tagset (TEI-XML) and carefully remediated by the LEMDO team. In the course of remediation, the LEMDO team has checked each transcription afresh, added styling to capture the mise-en-page of the early printed book, updated links, created a site-wide bibliography, added missing sources, numbered speeches, copy-edited all critical paratexts, brought them into line with LEMDO house style where necessary (e.g., expanding dates and page ranges), and made minor corrections:
               <list rend="bulleted">
                  <item><ref target="emdFV_edition.xml"><title level="m">Famous Victories of Henry V</title></ref>, edited by <persName ref="#MARS1">Karen Marsalek</persName> (old-spelling text), <persName ref="#MART1">Mathew Martin</persName> (modern text), and <persName ref="#COCK1">Peter Cockett</persName> (performance);</item>
                  <item><ref target="emdFBFB_edition.xml"><title level="m">Friar Bacon and Friar Bungay</title></ref>, edited by <persName ref="#MATU1">Chris Matusiak</persName> and <persName ref="#COCK1">Peter Cockett</persName> (performance);</item>
                  <item><ref target="emdLeir_edition.xml"><title level="m">King Leir</title></ref>, edited by <persName ref="#GRIF1">Andrew Griffin</persName> and <persName ref="#COCK1">Peter Cockett</persName> (performance)</item>
               </list></p>
          
            <p xml:id="qme_release_p5">Known omissions in this release are as follows:
            <list rend="bulleted">
               <item>The old-spelling texts of five plays, all of which are still available on the <ref target="https://qme.uvic.ca/">old QME site</ref>:
               <list>
                  <item><title level="m">Three Ladies of London</title></item>
                  <item><title level="m">Three Lords and Three Ladies of London</title></item>
                  <item><title level="m">Troublesome Reign of King John</title></item>
                  <item><title level="m">True Tragedy of Richard III</title></item>
                  <item><title level="m">Clyomon and Clamydes</title></item>
               </list></item>
            </list>
               We expect to release converted and remediated transcriptions of these plays in QME 2.1.
            </p>
            <p xml:id="qme_release_p6">Credit for releasing QME 2.0 goes to the following people:
        <list>
           <item>Current LEMDO Project Manager <persName ref="#HOUL3">Navarra Houldin</persName> for supporting the QME anthology lead (Peter Cockett), the editor of <title level="m">Selimus</title> (Kirk Melnikoff), and the LEMDO Director (Janelle Jenstad); managing the remediation workflow; writing CSS renditions and in-line styling for old-spelling texts; designing the QME footer; tweaking the QME site-wide SCSS; overseeing the release workflow; resolving diagnostics; standardizing metadata; writing the user guide with Peter Cockett; and running dozens of XPath searches and XSLT transformations to standardize things across the anthology.</item>
           <item>Former Project Manager <persName ref="#LEBE1">Kate LeBere</persName> and current/former LEMDO RAs <persName ref="#GALL2">Mahayla Galliford</persName>, <name ref="#CMEE1">Chloe Mee</name>, <persName ref="#CHRI1">Rylyn Christensen</persName>, <persName ref="#MATT2">Scott Matthews</persName>, <persName ref="#SNEL1">Josiah Snell</persName>, <persName ref="#LITV1">Jodi Litvin</persName>, and <persName ref="#SOUC1">Ada Souchu</persName> for remediation work.</item>
          <item>Former LEMDO Project Manager <name ref="#VATC1">Nicole Vatcher</name> for her work training other team members.</item>
          <item><name ref="#HOUL3">Navarra Houldin</name> and <name ref="#JENS1">Janelle Jenstad</name> for final proofing and pre-release checks.</item>
           <item>Editor <persName ref="#MELN2">Kirk Melnikoff</persName> for entrusting his work to LEMDO and QME and bearing with a certain amount of encoding and editorial experimentation.</item>
           <item>LEMDO’s first Lead Programmer <name ref="#TAKE1">Joey Takeda</name> for creating the initial TEI customization, conceiving the anthology-publication model, and converting all the XWiki files and many of the IML files to TEI.</item>
           <item>LEMDOʼs former Junior Programmer <persName ref="#ELHA1">Tracey El Hajj</persName> for completing the IML-to-TEI conversions.</item>
           <item>HCMC Developer-Designer <persName ref="#SZPA1">Patrick Szpak</persName> for the LEMDO design and the initial QME design.</item>
           <item>QME Designer <persName ref="#SIRI1">Peter Sirisko</persName> for the current QME design.</item>
           <item>HCMC Developer and LEMDO Lead Programmer <name ref="#HOLM1">Martin Holmes</name> for consulting on the TEI customization, writing the initial XSLT to convert IML to TEI; writing processing to create Endings-compliant HTML from our XML, developing the hosting and archiving plan, and releasing the site.</item></list>
            </p>
            <byline>Janelle Jenstad — October 31, 2023</byline>
         </div>
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   </text>
</TEI>
