Tes Irenes Trophaea, or The Triumphs of Peace: Bibliography

Copies and Editions Collated

Squire, John. Tes Irenes Trophæ. Or, The Tryumphs of Peace. London: Printed by Nicholas Okes, 1620. STC 23120.5. DEEP 689. Greg 633a.
Nichols, John, ed. THΣ IPHNHΣ TPOΦAIA; Or, The Tryumphs of Peace. In The Progresses, Processions, and Magnificent Festivities of King James the First, His Royal Consort, Family, and Court. Vol. 4. London: J.B. Nichols, Printer to the Society of Antiquaries, 1828. 619–627.
Finlayson, J. Caitlin, ed. Two London Lord Mayorʼs Shows by John Squire (1620) and John Taylor (1634). Collections XVII. Oxford: Malone Society, 2015. 75–110.

Secondary Sources

Bentley, Gerald Eades The Jacobean and Caroline Stage. Vol 1. Oxford: Clarendon Press, 1941. Print.
Berdan, Frances F. and Patricia Rieff Anawalt, eds. The Essential Codex Mendoza.Berkeley, CA: University of California Press, 1997.
Bergeron, David M. Stuart Civic Pageants and Textual Performance. Renaissance Quarterly 51.1 (1998): 163–183.
Bergeron, David M. English Civic Pageantry, 1558–1642. Tucson, AZ: Medieval and Renaissance Texts and Studies, 2003.
Bergeron, David M., ed. Porta Pietatis, or, The Port or Harbour of Piety. Thomas Heywood’s Pageants: A Critical Edition. New York: Garland, 1986. 105–122. Print.
Bergeron, David M. Review of John Nichols’s The Progresses and Public Processions of Queen Elizabeth I: A New Edition of the Early Modern Sources. Renaissance Quarterly 68.2 (2015): 775-779.
Bevington, David. Modern Spelling: The Hard Choices. Textual Performances: The Modern Reproduction of Shakespeareʼs Drama. Ed. Lukas Erne and Margaret Jane Kidnie. Cambridge: Cambridge University Press, 2004. 143–157.
Blayney, Peter W.M. The Publication of Playbooks. A New History of English Drama. Ed. John D. Cox and David Scott Kastan. New York: Columbia University Press, 1997.
Chakravarty, Urvashi. Fictions of Consent: Slavery, Servitude, and Free Service in Early Modern England. Philadelphia: University of Pennsylvania Press, 2022.
Chapman, Mathieu. Anti-Black Racism in Early Modern English Drama: The Other “Other.” Taylor & Francis, 2016.
Finlayson, J. Caitlin. John Squire: The Unknown Author of The Tryumphs of Peace, the London Lord Mayor’s Show for 1620. Neophilologus 94.3 (2010): 531–539. doi: 10.1007/s11061-010-9197-1.
Finlayson, J. Caitlin. Jacobean Foreign Policy, London’s Civic Polity and Squire’s Lord Mayor’s Show, The Tryumphs of Peace (1620). Studies in Philology 110.3 (2013): 584–610. doi: 10.1353/sip.2013.0022.
Finlayson, J. Caitlin. Squire [Squier], John (c. 1587–1653), Church of England Clergyman and Author. Oxford Dictionary of National Biography. 2014-05-29.
Goldring, Elizabeth, Faith Eales, Elizabeth Clarke, and Jayne Elisabeth Archer, eds. John Nichols’s The Progresses and Public Processions of Queen Elizabeth I: A New Edition of the Early Modern Sources. 4 vols. Oxford: Oxford University Press, 2014.
Goode, Michael and John Smolenski, eds. The Specter of Peace: Rethinking Violence and Power in the Colonial Atlantic. Leiden: Brill, 2018.
Greg, W.W., ed. A Bibliography of the English Printed Drama to the Restoration. 5 vols. London: Bibliographical Society, 1939–1959; rpt. 1962.
Hazlitt, W. Carew, ed. A Manual for the Collector and Amateur of Old English Plays. London: Pickering & Chatto, 1892.
Heng, Geraldine. The Invention of Race in the European Middle Ages. Cambridge: Cambridge University Press, 2018.
Hill, Tracey. Pageantry and Power. Manchester: Manchester University Press, 2010.
Kaethler, Mark. The Triumphs of Repetition: Living Places in Early Modern Mayoral Shows. The London Journal 47.1 (2022): 68–84. doi: 10.1080/03058034.2021.1991605.
Kaethler, Mark. Walking with Vigilance: Middleton’s Edge in The Triumphs of Truth. Early Theatre 24.2 (2021): 73–98. DOI 10.12745/et.24.2.3863.
Karim-Cooper, Farah. The Materials of Race: Staging the Black and White Binary in the Early Modern Theatre. The Cambridge Companion to Shakespeare and Race, edited by Ayanna Thompson. Cambridge: Cambridge University Press, 2021, pp. 17-29.
Kuhn, John. Inimitable Rarities?: Feather Costumes, Indigenous Artistic Labour and Early Modern English Theatre History. Shakespeare 19.1 (2023): 38-53.
Loomba, Ania. Introduction to The Triumphs of Honour and Virtue. Thomas Middleton: The Collected Works. Ed. Gary Taylor and John Lavagnino. Oxford: Oxford University Press, 2007. 1714–1718.
Lowe, Lisa. The Intimacies of Four Continents. Durham, NC: Duke University Press, 2015.
Mak, Bonnie. Archaeology of a Digitization. Journal of the Association for Information Science and Technology 65.8 (2014): 1515–1526.
Middleton, Thomas. The Triumphs of Truth. London, 1613. Ed. David M. Bergeron. Thomas Middleton: The Collected Works. Ed. Gary Taylor and John Lavagnino. Oxford: Clarendon, 2007. 968–976.
Ndiaye, Noémie. Scripts of Blackness: Early Modern Performance Culture and the Making of Race. Philadelphia: University of Pennsylvania Press, 2022.
Nichols, John, ed. THΣ IPHNHΣ TPOΦAIA; Or, The Tryumphs of Peace. In The Progresses, Processions, and Magnificent Festivities of King James the First, His Royal Consort, Family, and Court. Vol. 4. London: J.B. Nichols, Printer to the Society of Antiquaries, 1828. 619–627.
Ramachandran, Ayesha. The Worldmakers: Global Imagining in Early Modern Europe. Chicago: University of Chicago Press, 2015.
Roach, Joseph. Cities of the Dead: Circum-Atlantic Performance. New York: Columbia University Press, 1996.
Robinson, Philip. Trading Places: Middleton’s Mayor and Middleton’s Moor. The Literary London Society Journal 9.2 (2011).
Sambucus, Joannes. Emblemata. Antwerp: Christophe Plantin, 1564. H4v-H5r. Accessed digitally at https://www.emblems.arts.gla.ac.uk/french/emblem.php?id=FSAb085.
Schoenberger, Melissa. Cultivating Peace: The Virgilian Georgic in English, 1650-1750. Lewisburg, PA: Bucknell University Press, 2019.
Schwarz, Kathryn. Tough Love: Amazon Encounters in the English Renaissance. Durham, NC: Duke University Press, 2000.
Sen, Amrita. Locating the Rhinoceros and the Indian: Strangers, Trade, and the East India Company in Thomas Heywood’s Porta Pietatis. Civic Performance: Pageantry and Entertainments in Early Modern London. Ed. J. Caitlin Finlayson and Amrita Sen. New York: Routledge, 2020. 32–49.
Shewring, Margaret and Linda Briggs, ed. Waterborne Pageants and Festivities in the Renaissance: Essays in Honour of J.R. Mulryne. Farnham, Surrey: Routledge, 2013.
Smith, Thomas. De Republica Anglorum. London, 1583. STC 22857. ESTC S117628.
Smith, Ian. White Skin, Black Masks: Racial Cross-Dressing on the Early Modern Stage. Renaissance Drama 32 (2003): 33-67.
Squire, John. A sermon. Appointed for the New-Church-yard, by London, on White-sunday, 1619. Preached by Iohn Squire, minister of Gods Word of Saint Leonardʼs Shoreditch in Middlesex. London: Nicholas Okes for John Piper, 1619. ESTC S117832.
Squire, John. Three sermons two of them appointed for the Spittle, preached in St. Pauls Church, by John Squier, vicar of St. Leonards Shoredich in Middlesex: and John Lynch, parson of Herietsham in Kent. London: Robert Young for Humfrey Blunden, 1637. ESTC S117832.
Trevisan, Sara. The Lord Mayor’s Show in Early Modern London. Literature Compass 11.8 (2014): 538–548.
Virgil. Aeneid, Eclogues, Georgics. Trans. H. Rushton Fairclough. Loeb Classical Library. 2 vols. 1965.
Wheeler-Holohan, V. Boutell’s Manual of Heraldry. London: Frederick Warne and Co., Ltd., 1931.
Withington, Phil. The Semantics of “Peace” in Early Modern England. Transactions of the Royal Historical Society 23 (2013): 127–153.
Wells, Stanley. Modernizing Shakespeare’s Spelling. Oxford: Clarendon Press, 1979. WSB as264.

Prosopography

Andrew S. Brown

Andrew S. Brown (he/him/his) is an assistant professor of English at Dalhousie University in Kjipuktuk, Miʼkmaʼki (Halifax, NS). His research and teaching interests include early modern drama, book history, digital humanities, ecocriticism, law and literature, performance studies, and gender and sexuality studies. His work has previously appeared in the journals English Literary Renaissance, Studies in Philology, Eighteenth-Century Studies, Milton Studies, and Early Theatre. For a full list of publications and links, visit https://orcid.org/0000-0002-4841-9957.

Janelle Jenstad

Janelle Jenstad is a Professor of English at the University of Victoria, Director of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge). She has edited John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Elizabethan Theatre, Early Modern Literary Studies, Shakespeare Bulletin, Renaissance and Reformation, and The Journal of Medieval and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives (MLA); Institutional Culture in Early Modern England (Brill); Shakespeare, Language, and the Stage (Arden); Performing Maternity in Early Modern England (Ashgate); New Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter); Placing Names: Enriching and Integrating Gazetteers (Indiana); Making Things and Drawing Boundaries (Minnesota); Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (Routledge); and Civic Performance: Pageantry and Entertainments in Early Modern London (Routledge). For more details, see janellejenstad.com.

John Squire

Mark Kaethler

Mark Kaethler is Department Chair, Arts, at Medicine Hat College; Assistant Director, Mayoral Shows, with MoEML; and Assistant Director for LEMDO. They are the author of Thomas Middleton and the Plural Politics of Jacobean Drama (De Gruyter, 2021) and a co-editor with Jennifer Roberts-Smith and Janelle Jenstad of Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge, 2018). Their work has appeared in The London Journal, Early Theatre, Literature Compass, Digital Studies/Le Champe Numérique, and Journal of the Text Encoding Initiative, as well as in several edited collections. Mark’s research interests include early modern literature’s intersections with politics; digital media and humanities; textual editing; game studies; cognitive science; and ecocriticism.

Navarra Houldin

Project manager 2022–present. Textual remediator 2021–present. Navarra Houldin (they/them) completed their BA in History and Spanish at the University of Victoria in 2022. During their degree, they worked as a teaching assistant with the University of Victoriaʼs Department of Hispanic and Italian Studies. Their primary research was on gender and sexuality in early modern Europe and Latin America.

Bibliography

Bentley, Gerald Eades The Jacobean and Caroline Stage. Vol 1. Oxford: Clarendon Press, 1941. Print.
Berdan, Frances F. and Patricia Rieff Anawalt, eds. The Essential Codex Mendoza.Berkeley, CA: University of California Press, 1997.
Bergeron, David M. English Civic Pageantry, 1558–1642. Tucson, AZ: Medieval and Renaissance Texts and Studies, 2003.
Bergeron, David M. Review of John Nichols’s The Progresses and Public Processions of Queen Elizabeth I: A New Edition of the Early Modern Sources. Renaissance Quarterly 68.2 (2015): 775-779.
Bergeron, David M. Stuart Civic Pageants and Textual Performance. Renaissance Quarterly 51.1 (1998): 163–183.
Bergeron, David M., ed. Porta Pietatis, or, The Port or Harbour of Piety. Thomas Heywood’s Pageants: A Critical Edition. New York: Garland, 1986. 105–122. Print.
Bevington, David. Modern Spelling: The Hard Choices. Textual Performances: The Modern Reproduction of Shakespeareʼs Drama. Ed. Lukas Erne and Margaret Jane Kidnie. Cambridge: Cambridge University Press, 2004. 143–157.
Blayney, Peter W.M. The Publication of Playbooks. A New History of English Drama. Ed. John D. Cox and David Scott Kastan. New York: Columbia University Press, 1997.
Chakravarty, Urvashi. Fictions of Consent: Slavery, Servitude, and Free Service in Early Modern England. Philadelphia: University of Pennsylvania Press, 2022.
Chapman, Mathieu. Anti-Black Racism in Early Modern English Drama: The Other “Other.” Taylor & Francis, 2016.
Finlayson, J. Caitlin, ed. Two London Lord Mayorʼs Shows by John Squire (1620) and John Taylor (1634). Collections XVII. Oxford: Malone Society, 2015. 75–110.
Finlayson, J. Caitlin. Jacobean Foreign Policy, London’s Civic Polity and Squire’s Lord Mayor’s Show, The Tryumphs of Peace (1620). Studies in Philology 110.3 (2013): 584–610. doi: 10.1353/sip.2013.0022.
Finlayson, J. Caitlin. John Squire: The Unknown Author of The Tryumphs of Peace, the London Lord Mayor’s Show for 1620. Neophilologus 94.3 (2010): 531–539. doi: 10.1007/s11061-010-9197-1.
Finlayson, J. Caitlin. Squire [Squier], John (c. 1587–1653), Church of England Clergyman and Author. Oxford Dictionary of National Biography. 2014-05-29.
Goldring, Elizabeth, Faith Eales, Elizabeth Clarke, and Jayne Elisabeth Archer, eds. John Nichols’s The Progresses and Public Processions of Queen Elizabeth I: A New Edition of the Early Modern Sources. 4 vols. Oxford: Oxford University Press, 2014.
Goode, Michael and John Smolenski, eds. The Specter of Peace: Rethinking Violence and Power in the Colonial Atlantic. Leiden: Brill, 2018.
Greg, W.W., ed. A Bibliography of the English Printed Drama to the Restoration. 5 vols. London: Bibliographical Society, 1939–1959; rpt. 1962.
Hazlitt, W. Carew, ed. A Manual for the Collector and Amateur of Old English Plays. London: Pickering & Chatto, 1892.
Heng, Geraldine. The Invention of Race in the European Middle Ages. Cambridge: Cambridge University Press, 2018.
Hill, Tracey. Pageantry and Power. Manchester: Manchester University Press, 2010.
Kaethler, Mark. The Triumphs of Repetition: Living Places in Early Modern Mayoral Shows. The London Journal 47.1 (2022): 68–84. doi: 10.1080/03058034.2021.1991605.
Kaethler, Mark. Walking with Vigilance: Middleton’s Edge in The Triumphs of Truth. Early Theatre 24.2 (2021): 73–98. DOI 10.12745/et.24.2.3863.
Karim-Cooper, Farah. The Materials of Race: Staging the Black and White Binary in the Early Modern Theatre. The Cambridge Companion to Shakespeare and Race, edited by Ayanna Thompson. Cambridge: Cambridge University Press, 2021, pp. 17-29.
Kuhn, John. Inimitable Rarities?: Feather Costumes, Indigenous Artistic Labour and Early Modern English Theatre History. Shakespeare 19.1 (2023): 38-53.
Loomba, Ania. Introduction to The Triumphs of Honour and Virtue. Thomas Middleton: The Collected Works. Ed. Gary Taylor and John Lavagnino. Oxford: Oxford University Press, 2007. 1714–1718.
Lowe, Lisa. The Intimacies of Four Continents. Durham, NC: Duke University Press, 2015.
Mak, Bonnie. Archaeology of a Digitization. Journal of the Association for Information Science and Technology 65.8 (2014): 1515–1526.
Middleton, Thomas. The Triumphs of Truth. London, 1613. Ed. David M. Bergeron. Thomas Middleton: The Collected Works. Ed. Gary Taylor and John Lavagnino. Oxford: Clarendon, 2007. 968–976.
Ndiaye, Noémie. Scripts of Blackness: Early Modern Performance Culture and the Making of Race. Philadelphia: University of Pennsylvania Press, 2022.
Nichols, John, ed. THΣ IPHNHΣ TPOΦAIA; Or, The Tryumphs of Peace. In The Progresses, Processions, and Magnificent Festivities of King James the First, His Royal Consort, Family, and Court. Vol. 4. London: J.B. Nichols, Printer to the Society of Antiquaries, 1828. 619–627.
Ramachandran, Ayesha. The Worldmakers: Global Imagining in Early Modern Europe. Chicago: University of Chicago Press, 2015.
Roach, Joseph. Cities of the Dead: Circum-Atlantic Performance. New York: Columbia University Press, 1996.
Robinson, Philip. Trading Places: Middleton’s Mayor and Middleton’s Moor. The Literary London Society Journal 9.2 (2011).
Sambucus, Joannes. Emblemata. Antwerp: Christophe Plantin, 1564. H4v-H5r. Accessed digitally at https://www.emblems.arts.gla.ac.uk/french/emblem.php?id=FSAb085.
Schoenberger, Melissa. Cultivating Peace: The Virgilian Georgic in English, 1650-1750. Lewisburg, PA: Bucknell University Press, 2019.
Schwarz, Kathryn. Tough Love: Amazon Encounters in the English Renaissance. Durham, NC: Duke University Press, 2000.
Sen, Amrita. Locating the Rhinoceros and the Indian: Strangers, Trade, and the East India Company in Thomas Heywood’s Porta Pietatis. Civic Performance: Pageantry and Entertainments in Early Modern London. Ed. J. Caitlin Finlayson and Amrita Sen. New York: Routledge, 2020. 32–49.
Shewring, Margaret and Linda Briggs, ed. Waterborne Pageants and Festivities in the Renaissance: Essays in Honour of J.R. Mulryne. Farnham, Surrey: Routledge, 2013.
Smith, Ian. White Skin, Black Masks: Racial Cross-Dressing on the Early Modern Stage. Renaissance Drama 32 (2003): 33-67.
Smith, Thomas. De Republica Anglorum. London, 1583. STC 22857. ESTC S117628.
Squire, John. A sermon. Appointed for the New-Church-yard, by London, on White-sunday, 1619. Preached by Iohn Squire, minister of Gods Word of Saint Leonardʼs Shoreditch in Middlesex. London: Nicholas Okes for John Piper, 1619. ESTC S117832.
Squire, John. Tes Irenes Trophæ. Or, The Tryumphs of Peace. London: Printed by Nicholas Okes, 1620. STC 23120.5. DEEP 689. Greg 633a.
Squire, John. Three sermons two of them appointed for the Spittle, preached in St. Pauls Church, by John Squier, vicar of St. Leonards Shoredich in Middlesex: and John Lynch, parson of Herietsham in Kent. London: Robert Young for Humfrey Blunden, 1637. ESTC S117832.
Trevisan, Sara. The Lord Mayor’s Show in Early Modern London. Literature Compass 11.8 (2014): 538–548.
Virgil. Aeneid, Eclogues, Georgics. Trans. H. Rushton Fairclough. Loeb Classical Library. 2 vols. 1965.
Wells, Stanley. Modernizing Shakespeare’s Spelling. Oxford: Clarendon Press, 1979. WSB as264.
Wheeler-Holohan, V. Boutell’s Manual of Heraldry. London: Frederick Warne and Co., Ltd., 1931.
Withington, Phil. The Semantics of “Peace” in Early Modern England. Transactions of the Royal Historical Society 23 (2013): 127–153.

Orgography

LEMDO Team (LEMD1)

The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors.

MoEML Mayoral Shows (MOMS1)

Anthology Leads and General Editors: Mark Kaethler and Janelle Jenstad. The team includes SSHRC-funded research assistants. Peer review is coordinated by the General Editors but conducted by other editors and external scholars.

University of Victoria (UVIC1)

https://www.uvic.ca/

Metadata

Authority title Tes Irenes Trophaea, or The Triumphs of Peace: Bibliography
Type of text Bibliography
Publisher The Map of Early Modern London and the University of Victoria on the Linked Early Modern Drama Online platform
Series MoEML Mayoral Shows anthology
Source
Compiled by Andrew Brown and encoded by the LEMDO Team.
Editorial declaration This document uses Canadian spelling but preserves the spellings of cited resources
Edition Released with LEMDO Editions for Peer Review 0.1.4
Encoding description Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines
Document status draft
Funder(s) Social Sciences and Humanities Research Council of Canada
License/availability
Intellectual copyright in this edition is held by the editor, Andrew S. Brown. The XML file of the Bibliography is licensed for reuse under a CC BY-NC-SA 4.0 license, which means that it is freely downloadable without permission under the following conditions: (1) credit must be given to the editor, MoMS, and LEMDO in any subsequent use of the files and/or data; (2) derivatives (e.g., adapted scripts for performance) must be shared under the same CC BY-NC-SA 4.0 license; and (3) commercial uses are not permitted without the knowledge and consent of the editor, MoMS, and LEMDO.