LEMDO Peer Review Anthology: Tes Irenes Trophaea, or The Triumphs of Peace: Collation

Tes Irenes Trophaea, or The Triumphs of Peace: Collation

Witnesses

[This Edition]: This edition, edited by Andrew Brown.

[Q]:

Squire, John. Tes Irenes Trophæ. Or, The Tryumphs of Peace. London: Printed by Nicholas Okes, 1620. STC 23120.5. DEEP 689. Greg 633a.

[Nichols]:

Nichols, John, ed. THΣ IPHNHΣ TPOΦAIA; Or, The Tryumphs of Peace. In The Progresses, Processions, and Magnificent Festivities of King James the First, His Royal Consort, Family, and Court. Vol. 4. London: J.B. Nichols, Printer to the Society of Antiquaries, 1828. 619–627.

[Finlayson]:

Finlayson, J. Caitlin, ed. Two London Lord Mayorʼs Shows by John Squire (1620) and John Taylor (1634). Collections XVII. Oxford: Malone Society, 2015. 75–110.

Adopted reading (This Edition):

Trophaea, or

Nichols:

ΤΡΟΦΑΙΑ; OR,

Trophæa. OR,

Adopted reading (This Edition):

Triumphs of Peace,

Nichols:

TRUYMPHS OF PEACE,

Tryumphs of Peace.

Adopted reading (This Edition):

gentleman Sir

Nichols:

Gentleman, Sir

Adopted reading (This Edition):

1620. At

Nichols:

1620. at

1620. At

Adopted reading (This Edition):

fortune to

Nichols:

fortune to

Fortune, to

Adopted reading (This Edition):

calumny in

Nichols:

calumny in

calumny, in

Adopted reading (This Edition):

attention, and

Nichols:

attention; and

Adopted reading (This Edition):

you, and

Nichols:

you, and

you and

The marks visible after you on A2v in the original pageant book are unclear; while they may form a mistakenly inverted semicolon, these spots of ink may simply be the result of over-inking in the printing process, with no punctuation intended to be present. A similar instance of such over-inking can also be found in the phrase naked shape on A3v. In the absence of a more definitive answer, and given that the only plausible alternative is itself an error, I have included no punctuation in my reading of Q in this collation.

Adopted reading (This Edition):

Trophaea, or

Nichols:

TROPHÆA, OR

Trophæa. OR,

Adopted reading (This Edition):

silver;

Nichols:

silver;

siluer:

Adopted reading (This Edition):

dominions,

Nichols:

dominions,

dominions;

Adopted reading (This Edition):

horses;

Nichols:

horses;

horses:

Adopted reading (This Edition):

locks

Nichols:

locks

locks,

Adopted reading (This Edition):

spices;

Nichols:

spices;

spices:

Adopted reading (This Edition):

nutmeg tree;

Finlayson:

Nutmegg-tree:

Nichols:

nutmegg-tree;

Nut-megg-tree:

Adopted reading (This Edition):

same,

Nichols:

same,

same;

Adopted reading (This Edition):

bow;

Nichols:

bow;

bow:

Adopted reading (This Edition):

thee.

Nichols:

thee;

thee:

Adopted reading (This Edition):

moon

Nichols:

moone

moone,

Adopted reading (This Edition):

billows,

Nichols:

billowʼs

billowes

Adopted reading (This Edition):

attend

Nichols:

attend

attend;

Adopted reading (This Edition):

pressed,

Nichols:

prest,

Adopted reading (This Edition):

gales,

Nichols:

gales;

gales,

Adopted reading (This Edition):

unite

Nichols:

unite

vnite,

Adopted reading (This Edition):

divine

Nichols:

divine

diuine,

Adopted reading (This Edition):

water

Nichols:

water

water,

Adopted reading (This Edition):

bays;

Nichols:

bayes.

Bayes:

Adopted reading (This Edition):

quadrangle

Nichols:

quadrangle,

Quadrangle,

Adopted reading (This Edition):

dukes,

Nichols:

Dukes,

Dukes;

Adopted reading (This Edition):

marquises,

Nichols:

Marquises,

Marquises;

Adopted reading (This Edition):

Ireland;

Nichols:

Ireland;

Ireland:

Adopted reading (This Edition):

bases and capitals

Nichols:

bases and capitalls

Bases, and Capitalls,

Adopted reading (This Edition):

Mayoress,

Nichols:

Maiores,

Maiores;

Adopted reading (This Edition):

stars

Nichols:

starres,

Adopted reading (This Edition):

wheel. Round

Nichols:

wheele; round

wheele: round

Adopted reading (This Edition):

gown;

Nichols:

gowne;

gowne,

Adopted reading (This Edition):

downward,

Nichols:

downeward,

downeward;

Adopted reading (This Edition):

attendants,

Nichols:

attendants,

Attendants

Adopted reading (This Edition):

wool,

Nichols:

wool,

Wooll;

Adopted reading (This Edition):

spinning,

Nichols:

spinning,

Spinning;

Adopted reading (This Edition):

feltmakers,

Nichols:

feltmakers,

Feltmakers;

Adopted reading (This Edition):

bowed,

Nichols:

bowed,

Bowed;

Adopted reading (This Edition):

basoned,

Nichols:

basoned,

Basoned;

Adopted reading (This Edition):

sheep, each

Nichols:

sheape. Each

sheepe: Each

Adopted reading (This Edition):

invention

Nichols:

Invention,

inuention,

Adopted reading (This Edition):

hourglasses

Nichols:

houre-glasses

houre-glasses,

Adopted reading (This Edition):

sundials;

Nichols:

sun-dialls,

Adopted reading (This Edition):

Ignis, fire,

Nichols:

Ignis, Fire,

Ignis fire,

Adopted reading (This Edition):

Aer, air,

Nichols:

Aer, Aire,

Aer Aire,

Adopted reading (This Edition):

Aqua, water,

Nichols:

Aqua, Water,

Aqua water,

Adopted reading (This Edition):

Terra, earth,

Nichols:

Terra, Earth,

Terra earth,

Adopted reading (This Edition):

heads.

Nichols:

heads;

heads

Adopted reading (This Edition):

imitate,

Nichols:

imitate,

imitate;

Adopted reading (This Edition):

bear.

Nichols:

beare.

beare:

Adopted reading (This Edition):

hours,

Nichols:

howers,

howers:

Adopted reading (This Edition):

Age; when

Nichols:

Age; when

age: when

Adopted reading (This Edition):

desolation.

Nichols:

desolation.

desolation:

Adopted reading (This Edition):

palm;

Nichols:

palme,

Adopted reading (This Edition):

England;

Nichols:

England;

England:

Adopted reading (This Edition):

heaven,

Nichols:

Heaven,

heauen:

Adopted reading (This Edition):

sphere

Nichols:

spheare,

Adopted reading (This Edition):

down;

Nichols:

downe,

downe:

Adopted reading (This Edition):

prisoner.

Nichols:

prisoner.

prisoner,

Adopted reading (This Edition):

decree

Nichols:

decree,

decree;

Adopted reading (This Edition):

ends,

Nichols:

ends;

ends:

Adopted reading (This Edition):

fate;

Nichols:

fate,

Adopted reading (This Edition):

lenity;

Nichols:

lenity;

lenity:

Adopted reading (This Edition):

state

Nichols:

state

state,

Adopted reading (This Edition):

sovereignty,

Nichols:

soveraignty,

soueraignty;

Adopted reading (This Edition):

dominions;

Nichols:

dominions;

dominions:

Adopted reading (This Edition):

obsequies.

Nichols:

obsequies.

obsequies:

Adopted reading (This Edition):

War, and

Nichols:

Warre, and

Warre and

Adopted reading (This Edition):

me; yet

Nichols:

me; yet

me: yet

Adopted reading (This Edition):

you,

Nichols:

you,

you;

Adopted reading (This Edition):

aid,

Nichols:

aide;

Adopted reading (This Edition):

hazards,

Nichols:

hazards,

hazards;

Adopted reading (Nichols, Finlayson):

ingenti matris

ingentimatris

Adopted reading (This Edition):

disheveled

Finlayson:

disheueled

Nichols:

dishevered

disheuered

Adopted reading (This Edition):

to th’end

Nichols:

to th’ end

Finlayson:

to th’ end

to’th end,

Adopted reading (Nichols, Finlayson):

you

your

Adopted reading (Finlayson):

deity

Nichols:

diety [ditty]

die-ty

While I have rendered this word as deity in reference to the god Apollo who accompanies the muses here, it is possible that Squireʼs original die-ty is also intended to pun on ditty as a synonym for song.

Adopted reading (This Edition):

undae

Finlayson:

Vnde

Nichols:

Vndæ

Adopted reading (This Edition):

Autumn

Finlayson:

Autumne

Nichols:

Autumne

Antumne

Adopted reading (This Edition):

sedges

Finlayson:

segges

Nichols:

segges

flegges

Adopted reading (This Edition):

pyramid

Nichols:

Pyramed

Pyramed,

Adopted reading (This Edition):

flowers

Nichols:

flowers

flowers,

Adopted reading (This Edition):

Methinks

Nichols:

Methinkes

ME thinkes

Adopted reading (This Edition):

subicit

Nichols:

subjicit

subÿcit

Adopted reading (This Edition):

Jones,

Nichols:

Jones,

Iones

Adopted reading (This Edition):

(I hope)

Nichols:

I hope

(I hope)

Adopted reading (This Edition):

water

Nichols:

water,

Adopted reading (This Edition):

mansion

Nichols:

mansion

Mansion,

Adopted reading (This Edition):

back

Nichols:

backe

backe,

Adopted reading (This Edition):

seas and winds

Nichols:

Seas and Winds

seas, and winds,

Adopted reading (This Edition):

crutch,

Nichols:

croutch;

Adopted reading (This Edition):

pyramid sat

Nichols:

Pyramed sate

Pyramed, sate

Adopted reading (This Edition):

hurled

Nichols:

hurlʼd

hurld

Adopted reading (This Edition):

Commonwealth

Nichols:

Commonwealth

Common-wealth,

Adopted reading (This Edition):

Tipsley,

Nichols:

Tipsley,

Tipsley

Adopted reading (This Edition):

silver)

Nichols:

silver,)

silver)

Adopted reading (This Edition):

Oceanus,

Nichols:

Oceanus,

Oceanus

Adopted reading (This Edition):

combind

Nichols:

combine

combind

Adopted reading (This Edition):

stella

Nichols:

Stella

stella

Adopted reading (This Edition):

Terpsichore

Nichols:

TERPSICHORE

Terpsichore,

Adopted reading (This Edition):

viol

Nichols:

voyall

Voyall

Adopted reading (This Edition):

landscape

Nichols:

landskip,

Landskip,

Adopted reading (This Edition):

lions

Nichols:

lyons

Lyons,

Adopted reading (This Edition):

Beata,

Nichols:

BEATA,

Beata;

Adopted reading (This Edition):

goats

Nichols:

gotes

Gotes,

Adopted reading (This Edition):

bore

Nichols:

bare

Adopted reading (This Edition):

three-tined

Nichols:

threatened

three teend

Finlayson suggests either tined (having points or tines) or tind (kindled, cf. tinder) as potential readings (90).

Adopted reading (This Edition):

ayed,

Nichols:

ayd

ayʼd,

Finlayson suggests ayed (an adverbial form of aye, meaning always), eyed, or aided as potential readings (90). Of these readings, eyed is perhaps the most plausible, given Squire’s recurrent emphasis on the spectacular quality of the show and its components.

Adopted reading (This Edition):

blazon

Nichols:

blazon

blason

Adopted reading (This Edition):

oʼerflow

Nichols:

oreflowe

Adopted reading (This Edition):

oʼer

Nichols:

ore

oʼre

Adopted reading (This Edition):

combine

Nichols:

combine

combind

Adopted reading (This Edition):

Erato,

Nichols:

Erato

Adopted reading (This Edition):

Urania,

Nichols:

Urania,

Vrania

Adopted reading (This Edition):

fear

Nichols:

feare,

Adopted reading (This Edition):

welcome honoured praetor,

Nichols:

welcome, honorʼd Pretor

welcome honorʼd Pretor

Adopted reading (This Edition):

unbounded

Nichols:

unbounded

vnbounded,

Adopted reading (This Edition):

world

Nichols:

world

World,

Adopted reading (This Edition):

for,

Nichols:

for

Adopted reading (This Edition):

War

Nichols:

War

War,

Adopted reading (This Edition):

star

Nichols:

starr,

star,

Adopted reading (This Edition):

withdraw

Nichols:

withdraw,

Adopted reading (This Edition):

joy

Nichols:

joy

Ioy,

Adopted reading (This Edition):

apace

Nichols:

apace,

Adopted reading (This Edition):

lord,

Nichols:

Lord,

Lord

Adopted reading (This Edition):

here

Nichols:

here

here,

Adopted reading (This Edition):

year

Nichols:

yeare

yeare,

Adopted reading (This Edition):

care

Nichols:

care

care,

Adopted reading (This Edition):

you

Nichols:

yee

Adopted reading (This Edition):

attends

Nichols:

attends,

Adopted reading (This Edition):

will

Nichols:

will

will,

Adopted reading (This Edition):

state

Nichols:

state

state,

Adopted reading (This Edition):

resist

Nichols:

resist,

Adopted reading (This Edition):

sway

Nichols:

sway

sway,

Adopted reading (This Edition):

I, mounted

Nichols:

I mounted

Adopted reading (This Edition):

desolation

Nichols:

desolation

desolation,

Adopted reading (This Edition):

eyes

Nichols:

eies

eies,

Adopted reading (This Edition):

immortalize

Nichols:

immortalize

immortallize,

Adopted reading (This Edition):

refine

Nichols:

refine

refine,

Adopted reading (This Edition):

sacrifice

Nichols:

sacrifize

sacrifize,

Adopted reading (This Edition):

shrine

Nichols:

shrine

shrine,

Adopted reading (This Edition):

chance

Nichols:

chance

chance,

Adopted reading (This Edition):

state

Nichols:

state

state,

Adopted reading (This Edition):

charge

Nichols:

charge

charge,

Adopted reading (This Edition):

throne

Nichols:

throane

throane,

Adopted reading (This Edition):

advance

Nichols:

advance

aduance,

Adopted reading (This Edition):

known

Nichols:

knowne

knowne,

Adopted reading (This Edition):

inheritance

Nichols:

inheritance

inheritance,

Adopted reading (This Edition):

cease

Nichols:

cease

cease,

Adopted reading (This Edition):

brings

Nichols:

brings

brings,

Adopted reading (This Edition):

day

Nichols:

day,

Adopted reading (This Edition):

ships

Nichols:

ships,

Adopted reading (This Edition):

eye

Nichols:

eye,

Adopted reading (This Edition):

world

Nichols:

world

world,

Adopted reading (This Edition):

powers

Nichols:

powers

powers,

Adopted reading (This Edition):

days,

Nichols:

dayes,

dayes

Adopted reading (This Edition):

sustain

Nichols:

sustaine

sustaine,

Adopted reading (This Edition):

rage

Nichols:

rage

rage,

Adopted reading (This Edition):

see

Nichols:

see,

Adopted reading (This Edition):

love

Nichols:

love

loue,

Adopted reading (This Edition):

care

Nichols:

care

care,

Adopted reading (This Edition):

return

Nichols:

return

returne,

Adopted reading (This Edition):

urn

Nichols:

urne

vrne,

Adopted reading (This Edition):

repair

Nichols:

repaire

repaire,

Adopted reading (This Edition):

were

Nichols:

were

where

Adopted reading (This Edition):

house,

Nichols:

house,

house;

Prosopography

Andrew S. Brown

Andrew S. Brown (he/him/his) is an assistant professor of English at Dalhousie University in Kjipuktuk, Miʼkmaʼki (Halifax, NS). His research and teaching interests include early modern drama, book history, digital humanities, ecocriticism, law and literature, performance studies, and gender and sexuality studies. His work has previously appeared in the journals English Literary Renaissance, Studies in Philology, Eighteenth-Century Studies, Milton Studies, and Early Theatre. For a full list of publications and links, visit https://orcid.org/0000-0002-4841-9957.

Janelle Jenstad

Janelle Jenstad is a Professor of English at the University of Victoria, Director of The Map of Early Modern London, and Director of Linked Early Modern Drama Online. With Jennifer Roberts-Smith and Mark Kaethler, she co-edited Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge). She has edited John Stow’s A Survey of London (1598 text) for MoEML and is currently editing The Merchant of Venice (with Stephen Wittek) and Heywood’s 2 If You Know Not Me You Know Nobody for DRE. Her articles have appeared in Digital Humanities Quarterly, Elizabethan Theatre, Early Modern Literary Studies, Shakespeare Bulletin, Renaissance and Reformation, and The Journal of Medieval and Early Modern Studies. She contributed chapters to Approaches to Teaching Othello (MLA); Teaching Early Modern Literature from the Archives (MLA); Institutional Culture in Early Modern England (Brill); Shakespeare, Language, and the Stage (Arden); Performing Maternity in Early Modern England (Ashgate); New Directions in the Geohumanities (Routledge); Early Modern Studies and the Digital Turn (Iter); Placing Names: Enriching and Integrating Gazetteers (Indiana); Making Things and Drawing Boundaries (Minnesota); Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (Routledge); and Civic Performance: Pageantry and Entertainments in Early Modern London (Routledge). For more details, see janellejenstad.com.

John Squire

Mark Kaethler

Mark Kaethler is Department Chair, Arts, at Medicine Hat College; Assistant Director, Mayoral Shows, with MoEML; and Assistant Director for LEMDO. They are the author of Thomas Middleton and the Plural Politics of Jacobean Drama (De Gruyter, 2021) and a co-editor with Jennifer Roberts-Smith and Janelle Jenstad of Shakespeare’s Language in Digital Media: Old Words, New Tools (Routledge, 2018). Their work has appeared in The London Journal, Early Theatre, Literature Compass, Digital Studies/Le Champe Numérique, and Journal of the Text Encoding Initiative, as well as in several edited collections. Mark’s research interests include early modern literature’s intersections with politics; digital media and humanities; textual editing; game studies; cognitive science; and ecocriticism.

Navarra Houldin

Project manager 2022–present. Textual remediator 2021–present. Navarra Houldin (they/them) completed their BA in History and Spanish at the University of Victoria in 2022. During their degree, they worked as a teaching assistant with the University of Victoriaʼs Department of Hispanic and Italian Studies. Their primary research was on gender and sexuality in early modern Europe and Latin America.

Bibliography

Finlayson, J. Caitlin, ed. Two London Lord Mayorʼs Shows by John Squire (1620) and John Taylor (1634). Collections XVII. Oxford: Malone Society, 2015. 75–110.

Orgography

LEMDO Team (LEMD1)

The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors.

MoEML Mayoral Shows (MOMS1)

Anthology Leads and General Editors: Mark Kaethler and Janelle Jenstad. The team includes SSHRC-funded research assistants. Peer review is coordinated by the General Editors but conducted by other editors and external scholars.

University of Victoria (UVIC1)

https://www.uvic.ca/

Witnesses

Finlayson, J. Caitlin, ed. Two London Lord Mayorʼs Shows by John Squire (1620) and John Taylor (1634). Collections XVII. Oxford: Malone Society, 2015. 75–110.

Squire, John. Tes Irenes Trophæ. Or, The Tryumphs of Peace. London: Printed by Nicholas Okes, 1620. STC 23120.5. DEEP 689. Greg 633a.

This edition, edited by Andrew Brown.

Metadata

Authority title	Tes Irenes Trophaea, or The Triumphs of Peace: Collation
Type of text	Apparatus
Publisher	The Map of Early Modern London and the University of Victoria on the Linked Early Modern Drama Online platform
Series
Source
Editorial declaration
Edition	Released with LEMDO Editions for Peer Review 0.1.4
Encoding description
Document status	draft
Funder(s)	Social Sciences and Humanities Research Council of Canada
License/availability	Intellectual copyright in this edition is held by the editor, Andrew S. Brown. The XML file of the Collation is licensed for reuse under a CC BY-NC-SA 4.0 license, which means that it is freely downloadable without permission under the following conditions: (1) credit must be given to the editor, MoMS, and LEMDO in any subsequent use of the files and/or data; (2) derivatives (e.g., repurposed collation) must be shared under the same CC BY-NC-SA 4.0 license; and (3) commercial uses are not permitted without the knowledge and consent of the editor, MoMS, and LEMDO.