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            <note>
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            <note>
               <p>Project Manager, 2025-present; Assistant Project Manager, 2024-2025; Research Assistant, 2021-present. Mahayla Galliford (she/her) graduated from the University of Victoria with a BA (honours with distinction) in 2024, and an MA English in 2026. Mahayla’s undergraduate research explored early modern stage directions and civic water pageantry. Her SSHRC-funded MA thesis project focuses on transcribing, editing, and encoding early modern girls’ manuscripts, specifically Lady Rachel Fane’s <title level="m">May Masque</title> in collaboration with LEMDO.</p>
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               <surname>Houldin</surname>
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               <p>Training and Documentation Lead 2025–present. LEMDO project manager 2022–2025. Textual remediator 2021–present. Navarra Houldin (they/them) completed their BA with a major in history and minor in Spanish at the University of Victoria in 2022. Their primary research was on gender and sexuality in early modern Europe and Latin America. They are continuing their education through an MA program in Gender and Social Justice Studies at the University of Alberta where they will specialize in Digital Humanities.</p>
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            <note>
               <p>Janelle Jenstad is a Professor of English at the University of Victoria, Director of <ref target="https://mapoflondon.uvic.ca">The Map of Early Modern London</ref>, and Director of <ref target="https://lemdo.uvic.ca">Linked Early Modern Drama Online</ref>. With Jennifer Roberts-Smith and Mark Beatrice Kaethler, she co-edited <title level="m">Shakespeare’s Language in Digital Media: Old Words, New Tools</title> (Routledge). She has edited John Stow’s <title level="m">A Survey of London</title> (1598 text) for MoEML and is currently editing <title level="m">The Merchant of Venice</title> (with Stephen Wittek) and Heywood’s <title level="m">2 If You Know Not Me You Know Nobody</title> for DRE. Her articles have appeared in <title level="j">Digital Humanities Quarterly</title>, <title level="j">Elizabethan Theatre</title>, <title level="j">Early Modern Literary Studies</title>, <title level="j">Shakespeare Bulletin</title>, <title level="j">Renaissance and Reformation</title>, and <title level="j">The Journal of Medieval and Early Modern Studies</title>. She contributed chapters to <title level="m">Approaches to Teaching Othello</title> (MLA); <title level="m">Teaching Early Modern Literature from the Archives</title> (MLA); <title level="m">Institutional Culture in Early Modern England</title> (Brill); <title level="m">Shakespeare, Language, and the Stage</title> (Arden); <title level="m">Performing Maternity in Early Modern England</title> (Ashgate); <title level="m">New Directions in the Geohumanities</title> (Routledge); <title level="m">Early Modern Studies and the Digital Turn</title> (Iter); <title level="m">Placing Names: Enriching and Integrating Gazetteers</title> (Indiana); <title level="m">Making Things and Drawing Boundaries</title> (Minnesota); <title level="m">Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies</title> (Routledge); and <title level="m">Civic Performance: Pageantry and Entertainments in Early Modern London</title> (Routledge). For more details, see <ref target="https://janellejenstad.com/">janellejenstad.com</ref>.</p>
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               <surname>Seaberg</surname>
            </persName>
            <note>
               <p>Samuel Seaberg, a University of Victoria English undergrad, enjoys riding his bike. During the summer of 2025, he began working with LEMDO as a recipient of the Valerie Kuehne Undergraduate Research Award (VKURA). Unfortunately, due to his summer being spent primarily in working to establish an edition of Thomas Heywood’s <title level="m">If You Know Not Me, You Know Nobody, Part 2</title> and consequently working out how to represent multi-text works in a digital space, his bike has suffered severely of sheltered seclusion from the sun. Note: Samuel now works for LEMDO as the Assistant Project Manager, much to his bike’s chagrin.</p>
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            <editor>Hibbard, G.R.</editor>
            <title level="m">Hamlet</title>. <title level="s">The Oxford Shakespeare</title>. <publisher>Oxford University Press</publisher>, <date>1987</date>. WSB <idno type="WSB">ah389</idno>.</bibl>
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               <head>Rationale</head>
               <p>Most print editions do not number stage directions. Stage directions (SD) normally sit outside the act-scene-line (ASL) numbering system that is conventional in modern print editions. However, LEMDO gives xml:ids and independent numbers to stage directions, which means that editors can cite <emph>their own</emph> stage directions with great precision. To cite from other published LEMDO editions, follow the guidelines for print editions (at least until we surface the SD numbers in our HTML interface).</p>
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               <head>Practice: Cite from Print Editions</head>
               <p>If a stage direction is embedded in a line (within the dialogue) or typeset on a line that also contains dialogue, we can use the ASL (or scene-lines) to point to the stage direction. If the stage direction is before or after a speech, it is standard practice to identify stage directions by the nearest line. Use your judgement to decide whether the line before or after the stage direction is the most appropriate <soCalled>hook</soCalled> for the stage direction. A good general practice is to think about blocks of action; keep the stage direction with the line that belongs to the same block of action. The first stage direction in a scene will necessarily be cited by the subsequent line, just as the last stage direction in a scene will necessarily be cited by the preceding line. In a play with acts and scenes, the first stage direction might thus be cited <ident>1.1.1SD</ident>.</p>
               <p>If the edition has an established system for numbering stage directions, cite by the edition’s system. For example, the <title level="m">New Oxford Shakespeare Complete Works</title> (NOS CW) adds <ident>.1</ident> to the preceding ASL or scene-line. The stage direction after <ident>1.1.112</ident> is thus <ident>1.1.112.1</ident>.</p>
               <p>To cite an editor’s note on a stage direction, add <ident>.n</ident> to the number of the stage direction. A note on <ident>1.1.1SD</ident> would be cited <ident>1.1.1SD.n</ident>. A note on <ident>1.1.112.1</ident> would be cited <ident>1.1.112.1.n</ident>
               </p>
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                  <head>Examples</head>
                  <p>Citing a stage direction from G.R. Hibbard’s edition of <title level="m">Hamlet</title>: <egXML xmlns="http://www.tei-c.org/ns/Examples" valid="false">
                        <p>Hibbard unnecessarily expands <quote>Exeunt</quote> (Q2, F) to <quote>Exit Hamlet hurriedly, pursued by the rest</quote>
                           <ref type="bibl" target="bibl:HIBB3">4.2.28SD</ref>.</p>
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               <head>Practice: Cite from Your Own Edition</head>
               <p>To cite from a <emph>semi-diplomatic text</emph> in your own edition, our current protocol gives you two options: <list rend="numbered">
                     <item>Add anchors to the semi-diplomatic file and point to the anchors. See <title level="a"><ref target="learn_anchorsPointers.xml">Create Anchors</ref></title> to learn how to add anchors, and <title level="a"><ref target="learn_linkPtr.xml">Encode Pointer Links</ref></title> to learn how to point to those anchors.</item>
                     <item>Point to the xml:id of the closest speech. All speeches in semi-diplomatic transcriptions have canonical speech numbers, so we can use the <ident>localCit</ident> protocol described here: <title level="a"><ref target="learn_linkPtr.xml#learn_linkPtr_specialASSp">Special Case: Linking to Canonical References</ref></title>.</item>
                  </list> We will soon have a third way for you to point to places in your semi-diplomatic text. We will be giving xml:ids to witness line numbers (WLNs) in the xml; currently (as of July 2026), WLNs have <att>n</att> values from which HTML ids are generated in the processing. We will update this document when xml:ids are in place and can be pointed to using the <ident>localCit</ident> protocol.</p>
               <p>To cite from your <emph>modern</emph> text, take advantage of the fact that stage directions have their own xml:id in the modern text. (See <title level="a"><ref target="learn_numberStageDirections.xml">Number Stage Directions</ref></title> for an explanation of how stage directions are numbered.) Follow the protocol for using a <ref target="lemdo_spec_ptr.xml"><gi>ptr</gi></ref> element with a <att>type</att> value of <val>localCit</val> to point to the xml:id of the stage direction. See <title level="a"><ref target="learn_linkPtr.xml#learn_linkPtr_specialASSp">Special Case: Linking to Canonical References</ref></title>. Example: <egXML xmlns="http://www.tei-c.org/ns/Examples" valid="true">
                     <p>it is clear that Labervele cannot hear Lemot and Florila’s discussion, and speaks in asides overheard only by the audience until <ptr type="localCit" target="doc:emdAHDM_M#emdAHDM_M_s6_sd15"/>, when he addresses Lemot directly.</p>
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