The Essex Rebellion The Essex Rebellion Author Kate McPherson Copy Editor Leah Hamby Senior Encoder Leah Hamby Encoding and Metadata LEMDO Team Copyright Holder (Content) Kate McPherson Copyright Holder (XML and interface) University of Victoria Early Modern England Encyclopedia EMEE

Anthology Leads: Kate McPherson and Kate Moncrief.

 Social Sciences and Humanities Research Council of Canada Mitacs Globalink Research Internship Utah Valley University

Released with Early Modern England Encyclopedia 1.0a

 University of Victoria on the Linked Early Modern Drama Online Platform

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Early Modern England Encyclopedia

By Kate McPherson, inspired by Michael Best’s Shakespeare’s Life and Times, Internet Shakespeare Editions

Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines

This document uses Canadian English spelling

 Document Types All documents in LEMDO are either born-digital documents or primary documents. Within those two general categories, LEMDO offers additional ways to categorize a file. Born-digital Born-digital documents are anything other than primary texts Critical Critical material, such as a general introduction or a textual introduction. Responsibilities Responsibilities Author A person, family, or organization responsible for creating a work that is primarily textual in content, regardless of media type (e.g., printed text, spoken word, electronic text, tactile text) or genre (e.g., poems, novels, screenplays, blogs). Use also for persons, etc., creating a new work by paraphrasing, rewriting, or adapting works by another creator such that the modification has substantially changed the nature and content of the original or changed the medium of expression. LEMDO uses the term author in two contexts: (1) to indicate the author of a primary work or document (such as Hamlet), and (2) to indicate the author of a secondary text (such as the Critical Introduction to <title level="m">Hamlet, by David Bevington). Copy Editor LEMDO uses the term owner for the person who checks facts, quotations, and citations; may make formatting changes; may convert from one citation style to another; may suggest wording changes; and enforces conformity with the project style guide. Markup Editor A person or organization performing the coding of SGML, HTML, or XML markup of metadata, text, etc. Gloss needed. Copyright Holder A person or organization to whom copy and legal rights have been granted or transferred for the intellectual content of a work. The copyright holder, although not necessarily the creator of the work, usually has the exclusive right to benefit financially from the sale and use of the work to which the associated copyright protection applies. Normally the editor is the copyright holder for an LEMDO edition. EMEE Keywords Culture Learn about the customs, beliefs, and daily lives of people in early modern England. Daily Life Courtiers Published file. Updated metadata proofed updated author respStmt. swapped the desc and figDescs to be correct. added image citation and figure. Added date, pubPlace, and publisher tags to sources, changed tag from ref to bibl in block quote Added Shakespeare’s Life and Times database to Best sources. Fixed mistakes Created File Michael Best Michael Best

Michael Best is Professor Emeritus at the University of Victoria, BC. He founded the Internet Shakespeare Editions in 1996, and was Coordinating Editor until 2017, contributing two editions to the ISE: King John and King Lear (the latter also available in print from Broadview Press). In print, he has published editions of works of Elizabethan magic and huswifery, a collection of letters from the Australian goldfields, and Shakespeare on the Art of Love (2008). He contributed regular columns for the Shakespeare Newsletter on Electronic Shakespeares, and has written many articles and chapters for both print and online books and journals, principally on questions raised by the new medium in the editing and publication of texts. He has delivered papers and plenary lectures on electronic media and the Internet Shakespeare Editions at conferences in Canada, the USA, the UK, Spain, Australia, and Japan.

 Leah Hamby Leah Hamby

Leah Hamby is the primary encoder for the Early Modern England Encyclopedia. Aside from encoding, she also works as an editor for the project and contributed several articles of her own. She has been working on the EMEE since February 2023. As of February 2026, she is soon to graduate with honours from Utah Valley University with a major in history and a minor in creative writing. Her other work with the LEMDO program includes remediating William Kemp’s Kemp’s Nine Day’s Wonder for the Digital Renaissance Editions.

 Navarra Houldin Navarra Houldin

Training and Documentation Lead 2025–present. LEMDO project manager 2022–2025. Textual remediator 2021–present. Navarra Houldin (they/them) completed their BA with a major in history and minor in Spanish at the University of Victoria in 2022. Their primary research was on gender and sexuality in early modern Europe and Latin America. They are continuing their education through an MA program in Gender and Social Justice Studies at the University of Alberta where they will specialize in Digital Humanities.

 Kate McPherson Kate McPherson

Kate McPherson is Professor of English and Honors Program Director at Utah Valley University (Orem, UT, USA). In 2015, she began working to redevelop Shakespeare’s Life and Times, created by Michael Best, into the Early Modern England Encyclopedia. Her other publications include commentary on Pericles and The Comedy of Errors for the New Oxford Shakespeare (2016); the co-edited volumes Stages of Engagement: Drama and Religion in Post-Reformation England with James Mardock (Duquesne University Press, 2014) and Shakespeare Expressed: Page, Stage, and Classroom in Shakespeare and His Contemporaries, with Kathryn M. Moncrief and Sarah Enloe (Fairleigh Dickinson University Press, 2013). With Kathryn M. Moncrief, Kate has also two edited collections, Performing Pedagogy in Early Modern England: Gender, Instruction, and Performance (Ashgate, 2011) and Performing Maternity in Early Modern England (Ashgate 2008). She has also published numerous articles on early modern maternity in scholarly journals. Kate participated in the 2008 National Endowment for the Humanities Institute, Shakespeare’s Blackfriars: The Study, the Stage, the Classroom, at the American Shakespeare Center. She also served as Play Seminar Director, a public humanities position, for the Utah Shakespeare Festival in 2017 and 2018.

 LEMDO Team The LEMDO Team is based at the University of Victoria and normally comprises the project director, the lead developer, project manager, junior developers(s), remediators, encoders, and remediating editors. University of Victoria https://www.uvic.ca/
Robert Devereaux, the Earl of Essex by the Studio of Marcus Gheeraerts, 1596–1601. Courtesy of National Gallery of Art. Public Domain.
Courtier and Military Leader

Robert Devereux, Earl of Essex (1566–1601), was one of Queen Elizabeth I’s favored courtiers near the end of her reign, from about 1587 until he died in disgrace. He served as her Master of the Horse and later as a member of the Privy Council. His charisma and military leadership in the wake of the 1588 Spanish Armada crisis, as well as expeditions and battles in the Netherlands, France, and Spain, made him very popular among both the English court and populace. His fortunes changed after being named Lord Lieutenant of Ireland in 1599 and his failure to suppress the Irish Rebellion in 1600. He left Ireland without the Queen’s permission and was tried and convicted by the Privy Council upon his return.

Devereaux’s Fall and Richard II

In February 1601, Essex and a few sympathizers commissioned The Lord Chamberlain’s Men to stage a performance of Shakespeare’s Richard II. The play features a king being deposed. This deeply offended and disturbed the Queen and her advisors. Elizabeth is said to have exclaimed, I am Richard II. Know ye not that? Essex and his 200 armed fellows entered the City of London to seek an audience with the Queen but was soon arrested. He was quickly tried and executed for treason.

The Lord Chamberlain’s Men was paid 40 shillings, more than the usual 10 shillings for the performance. They had complained that the play was so old and long out of use that they were afraid of a small audience. Augustine Philips, one of the players, had to go before the Privy Council to explain the company’s involvement. As Alan Nelson notes, Philips testified that they had been asked to perform the deposyng and kyllyng of Kyng Rychard the Second. Phillips and his fellow actors proposed an alternative play but after negotiation were finally content to play as requested. No action was taken against them. Ironically, the players also performed another play before the queen on the eve of Essex’s execution.

Shakespeare, Essex, and Henry V

Before the collapse of Essex’s rebellion, Shakespeare had expressed high hopes about the Earl’s expedition to Ireland. Near the end of the play Henry V, the Chorus describes Essex’s Irish adventure as it proclaims But now behold, In the quick forge and working house of thought, How London doth pour out her citizens! The mayor and all his brethren in best sort— Like to the senators of th’ antique Rome, With the plebeians swarming at their heels— Go forth and fetch their conqu’ring Caesar in; As, by a lower but by loving likelihood, Were now the general of our gracious empress (As in good time he may) from Ireland coming, Bringing rebellion broached on his sword, How many would the peaceful city quit, To welcome him! (Prologue.22–34) Essex’s ambitions had destroyed the precarious balance of Elizabeth’s earlier reign by forcing her to side with a faction led by Robert Cecil, Lord of Burghley, who was Secretary of the Privy Council. Burghley had long been the Queen’s most trusted advisor, and Essex failed to supplant him despite his charms. After a failed 1599 campaign to put down rebellion by the Irish lords against England’s colonial rule in Ireland, Essex abandoned his post and returned to court without the Queen’s permission. She banished him and he remained under suspicion of treason. His rebellion and subsequent death occurred the next year.

Key Print Sources The Oxford Companion to Shakespeare. edited by Michael Dobson, Stanley Wells, Will Sharpe, and Erin Sullivan, 2nd ed., Oxford, Oxford University Press, 2015. Potter, Lois. The Life of William Shakespeare: a Critical Biography. Wiley-Blackwell, 2012. Shapiro, James. 1599: A Year in the Life of William Shakespeare. Harper-Collins, 2005.
Key Online Sources Best, Michael. Elizabeth and Essex. Shakespeare’s Life and Times.Internet Shakespeare Editions, https://internetshakespeare.uvic.ca/Library/SLT/history/elizabeth/essex.html. Accessed 24 Feb. 2023. Nelson, Alan H. Examination of Augustine Phillips. Shakespeare Documented, 1 Feb. 2020, 10.37078/341. Robert, Earl of Essex. British Broadcasting Corporation, https://www.bbc.co.uk/history/historic_figures/earl_of_essex_robert.shtml. Accessed 24 Feb. 2023.
Image Source Studio of Marcus Gheeraerts, The Younger,. Robert Devereux, 2nd Earl of Essex. 1596–1601. Oil on wood. National Gallery of Art. Accession 1947.18.1. https://www.nga.gov/artworks/34162-robert-devereux-2nd-earl-essex.