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            <title type="main">The Death of Elizabeth I</title>
            <title type="alpha">Elizabeth 1, the Death of</title>
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               <orgName ref="org:UVIC1">University of Victoria</orgName>
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            <funder><ref target="https://www.sshrc-crsh.gc.ca/">Social Sciences and Humanities Research Council of Canada</ref></funder>
            <funder><ref target="https://www.mitacs.ca/our-programs/globalink-research-internship-students/">Mitacs Globalink Research Internship</ref></funder>
            <funder><ref target="https://www.uvu.edu/">Utah Valley University</ref></funder>
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            <p>Released with Early Modern England Encyclopedia 1.0a</p>
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            <publisher>University of Victoria on the Linked Early Modern Drama Online Platform</publisher>
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               <p>Unless otherwise noted, intellectual copyright in EMEE Anthology pages is held by <persName ref="pers:MCPH1">Kate McPherson</persName> on behalf of the contributors. Copyright on the TEI-XML markup is held by the <orgName ref="org:UVIC1">University of Victoria</orgName> on behalf of the <orgName ref="org:LEMD1">LEMDO Team</orgName>. The content and TEI-XML markup in this file are licensed under a <ref target="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC-ND 4.0 license</ref>. This file is freely downloadable without permission under the following conditions: (1) credit must be given to the authors, EMEE, and LEMDO in any subsequent use of the files and /or data; (2) this availability statement must remain in the file; (3) the content cannot be adapted or repurposed (except for quotations for the purposes of academic review and citation); and (4) commercial uses are not permitted without the knowledge and consent of the authors, EMEE, and LEMDO. Neither the content nor the code in this file is licensed for training large language models (LLMs), ingestion into an LLM, or any use in any artificial intelligence applications; such uses are considered to be commercial uses and are strictly prohibited.</p>
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            <p>Early Modern England Encyclopedia</p>
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            <p>By Kate McPherson, inspired by <persName ref="pers:BEST1">Michael Best</persName>’s <title level="m">Shakespeare’s Life and Times</title>, <title level="s">Internet Shakespeare Editions</title></p>
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         <graphic url="img:EMEE_DeathElizabethI_Funeral_BL_McPherson.jpg" mimeType="image/jpeg" width="2000px" height="646px">
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         <figDesc>Funeral Procession of Queen Elizabeth. The hand drawn image depicts a horse with velvet trappings led by two attendants, followed by the Sergeant of the Vestry, the Children of the Chapel Royal, and others. Drawing possibly by William Camden. Courtesy British Library. CC-BY.4.0.</figDesc>
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      <p xml:id="emee_ElizabethDeath_p1">On the 24th of March 1603, Queen Elizabeth I died after ruling England for 44 years. After several months of decline and eventual refusal to eat or speak, she died at Richmond Palace after a few days in a coma. She was 69 years old and, against the odds, had managed to rule England as a single female monarch for many decades. Her death affected the entire nation, the balance of power in Europe, but also the theater: Shakespeare and his company changed patrons from the Lord Chamberlain to the new King, and they changed the topics for new plays written after 1603.</p>
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   <div xml:id="emee_ElizabethDeath_Funeral">
      <head>The Funeral</head>
      <p xml:id="emee_ElizabethDeath_p2">The Queen’s funeral occurred about five weeks later, commencing on April 28th. It featured an enormous amount of pageantry, with more than 1,000 mourners walking behind the carriage transporting her body, which was sealed in a coffin. Many more thousands of citizens lined the streets.</p>
      <p xml:id="emee_ElizabethDeath_p3">Chronicler John Stowe records that her mourners raised <quote>such a general sighing, groaning and weeping as the like hath not been seen or known in the memory of man.</quote>  Extensive drawings were made of the occasion, the some of the first ever of an English royal funeral. The drawing below shows some of the members of the procession, including Children of the Chapel Royal, who were some of the boy players whom Hamlet complains about as the <quote>aery of children</quote> (<ref>2.2.39</ref>) in Shakespeare’s play.</p>
      <p xml:id="emee_ElizabethDeath_p4">The depiction of the procession offers valuable insight into Elizabethan funeral practices. The mourners depicted include both noblemen and commoners, as well as the clothes they wore, the arms carried by the men, and the trappings of the horses. It also shows Elizabeth’s effigy (a waxen image of the monarch) atop a chariot drawn by four horses and accompanied by barons with heraldic flags.</p>
      <p xml:id="emee_ElizabethDeath_p5">Her wooden coffin was covered in purple velvet, carried on a chariot drawn by four grey horses with black drapery. A carved effigy in colored wood was placed atop the coffin, while her actual body was encased in lead inside.</p>
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            <desc>A chariot drawn by four horses, carrying the coffin covered in purple velvet.</desc>
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         <figDesc><title level="m">Funeral Procession of Queen Elizabeth</title>. The canopy is carried by six knights, with Gentlemen Pensioners (the Queen’s ceremonial bodyguard). c. 1603. Drawing possibly by William Camden. Courtesy <title level="m"> British Library</title> Add. 35324. CC-BY.4.0.</figDesc>
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      <head>Shakespeare and the Queen</head>
      <p xml:id="emee_ElizabethDeath_p6">According to Ben Jonson, Shakespeare’s plays were admired by Elizabeth. He wrote in a dedicatory poem in the First Folio (1623):
         <cit>
         <quote><l>Sweet Swan of Avon! What a sight it were</l>
         <l>To see thee in our waters yet appear</l>
         <l>And make those flights upon the banks of Thames</l>
         <l>That so did take Eliza and our James.</l></quote> <bibl>(<title level="a">On Shakespeare</title>, lines 71–74)</bibl>
         </cit>
         Scholars have no direct record of what Elizabeth I thought of Shakespeare’s plays, but the frequency of The Lord Chamberlain’s Men performing at court supports Jonson’s opinion. During the last ten years of Elizabeth’s reign, the Lord Chamberlain’s Men were clearly the company most favored by the court, performing at court 32 times, compared to 37 performances by all other companies combined.</p>
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      <div xml:id="emee_ElizabethDeath_biblioPrint">
         <head>Key Print Sources</head>
         <listBibl>
            <bibl><author>Doran, Susan</author>. <title level="m">Queen Elizabeth I</title>. <publisher>New York UP</publisher>, 2003.</bibl>
            <bibl><author>Woodward, Jennifer</author>. <title level="m">The Theatre of Death: The Ritual Management of Royal Funerals in Renaissance England, 1570–1625</title>. <publisher>Boydell Press</publisher>, 1997.
            </bibl>
         </listBibl>
      </div>
      
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         <head>Key Online Sources</head>
         <listBibl>
            <bibl><author>Best, Michael</author>. <title level="a">The Death of Elizabeth I</title>. <title level="m">Shakespeare’s Life and Times</title>.<title level="s">Internet Shakespeare Editions</title>, <ref target="https://internetshakespeare.uvic.ca/Library/SLT/life/maturity/elizabeth.html">https://internetshakespeare.uvic.ca/Library/SLT/life/maturity/elizabeth.html</ref>. Accessed 19 Feb. 2023.</bibl>
            <bibl><author>Collinson, Patrick</author>. <title level="a">Elizabeth I (1533–1603)</title>. <title level="m">Oxford Dictionary of National Biography</title>, 5 Jan. 2012, DOI <idno type="DOI">doi.org/10.1093/ref:odnb/8636</idno>.</bibl>
            <bibl><title level="a">Elizabeth I</title>. <title level="m">Westminster Abbey</title>, <ref target="https://www.westminster-abbey.org/abbey-commemorations/royals/elizabeth-i">https://www.westminster-abbey.org/abbey-commemorations/royals/elizabeth-i</ref>. Accessed 19 Feb. 2023.</bibl>
         </listBibl>
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         <head>Image Sources</head>
         <listBibl>
            <bibl><title level="m">Funeral Procession of Queen Elizabeth</title>. 1603. <title level="m">The British Library</title>. Shelfmark Add. 35324. <ref target="https://www.imagesonline.bl.uk/asset/11780/">https://www.imagesonline.bl.uk/asset/11780/</ref>.</bibl>
            <bibl><title level="m">A Horse Trapped with Velvet, led by Two Attendants; the Sergeant of the Vestry and Children of the Chapel Royal</title>. n.d. MS. <title level="m">The British Library</title>.</bibl>
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