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            <title type="main">The Dairy</title>
            <title type="alpha">Dairy, The</title>
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               <persName ref="pers:MCPH1">Kate McPherson</persName>
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               <orgName ref="org:UVIC1">University of Victoria</orgName>
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            <funder><ref target="https://www.sshrc-crsh.gc.ca/">Social Sciences and Humanities Research Council of Canada</ref></funder>
            <funder><ref target="https://www.mitacs.ca/our-programs/globalink-research-internship-students/">Mitacs Globalink Research Internship</ref></funder>
            <funder><ref target="https://www.uvu.edu/">Utah Valley University</ref></funder>
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            <p>Released with Early Modern England Encyclopedia 1.0a</p>
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            <publisher>University of Victoria on the Linked Early Modern Drama Online Platform</publisher>
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               <p>Unless otherwise noted, intellectual copyright in EMEE Anthology pages is held by <persName ref="pers:MCPH1">Kate McPherson</persName> on behalf of the contributors. Copyright on the TEI-XML markup is held by the <orgName ref="org:UVIC1">University of Victoria</orgName> on behalf of the <orgName ref="org:LEMD1">LEMDO Team</orgName>. The content and TEI-XML markup in this file are licensed under a <ref target="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC-ND 4.0 license</ref>. This file is freely downloadable without permission under the following conditions: (1) credit must be given to the authors, EMEE, and LEMDO in any subsequent use of the files and /or data; (2) this availability statement must remain in the file; (3) the content cannot be adapted or repurposed (except for quotations for the purposes of academic review and citation); and (4) commercial uses are not permitted without the knowledge and consent of the authors, EMEE, and LEMDO. Neither the content nor the code in this file is licensed for training large language models (LLMs), ingestion into an LLM, or any use in any artificial intelligence applications; such uses are considered to be commercial uses and are strictly prohibited.</p>
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            <p>Early Modern England Encyclopedia</p>
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            <p>By Kate McPherson, inspired by <persName ref="pers:BEST1">Michael Best</persName>’s <title level="m">Shakespeare’s Life and Times</title>, <title level="s">Internet Shakespeare Editions</title></p>
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         <change who="pers:HAMB1" when="2023-05-25" status="TEI_INP">Added date, pubPlace, and publisher tags to sources</change>
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<text>
   <figure>
      <graphic url="img:EMEE_Dairy_Millet_MET_1855-56_KRM.jpg" mimeType="image/jpeg" width="2527px" height="3668px" style="max-height: 40rem; width: auto;">
         <desc resp="pers:HAMB1">A woman in an apron and head bandana uses a butter churn. A small cat rubs against her leg.</desc>
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      <figDesc resp="pers:HAMB1"><title level="m">Woman Churning Butter</title>, an etching by Jean-François Millet (1855–1856). Courtesy of The Metropolitan Museum of Art. <ref target="https://creativecommons.org/public-domain/">Public Domain</ref>.</figDesc>
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       <p xml:id="emee_Dairy_p1">
       <cit>
       <quote><l>Either I mistake your shape and making quite,</l> 
       <l>Or else you are that shrewd and knavish sprite</l> 
       <l>Call’d Robin Goodfellow: are not you he</l> 
       <l>That frights the maidens of the villagery;</l> 
       <l>Skim milk and sometimes labour in the quern <supplied>grain grinder</supplied></l> 
       <l>And bootless make the breathless housewife churn.</l></quote>
       <bibl>(<title level="m">A Midsummer Night’s Dream</title> 2.1.399–405)</bibl><!-- You can add <ref type="bibl" target="bibl:ABCD1" to this bibl later -->
       </cit>
       </p>
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     <div xml:id="emee_Dairy_Overview">
        <head>Overview</head>
        <p xml:id="emee_Dairy_p2">Among the most important duties of a housewife, especially a countrywoman, would be the production of dairy foods for her household. Common people, particularly those of the poorer classes, would have gotten much of their protein from cow’s milk (and occasionally ewe’s milk) products.</p>
        <p xml:id="emee_Dairy_p3">A rustic character in ThomasLodge and Robert Greene’s play <title level="m">A Looking Glass for London and England</title> cogently sums up the value of the cow in the ordinary man’s diet:
           <cit>
              <quote>
              Why, sir, alas, my cow is a common-wealth to me, for first, sir, she allows me, my wife and son, for to banquet ourselves withal: butter, cheese, whey, curds, cream, sod <supplied>boiled milk</supplied>, raw milk, sour milk, sweet milk and buttermilk.</quote>
              <bibl>(1.3.91–5)</bibl>
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         <p xml:id="emee_Dairy_p4">Women typically milked the cows, strained the milk, separated the cream, and made cheese products from the family cow. Both soft, unripened cheeses and harder, aged cheeses were developed to preserve the nutrition of milk without refrigeration. Because England has a temperate climate that features extensive grass pastures, it’s ideal for grazing cattle. That temperate climate means that the <!--<quote>blah blah blah <q>quotation within quotation</q> gosh this quotation is getting long <gap reason="sampling"/> and now we pick up with our quotation</quote>-->cool rooms in a farmhouse or barn room with thick stone walls, especially if it is partly below ground, can be used to store and to age dairy products.</p>
        <p xml:id="emee_Dairy_p5">Gervase Markham notes that:
           <cit>
              <quote>Touching the well ordering of milk after it is come home to the dairy, the main point belonging thereunto is the housewife's cleanliness in the sweet and neat keeping of the dairy house; where not the least mote of any filth may by any means appear, but all things either to the eye or nose so void of sourness or sluttishness, that a prince's bed chamber must not exceed it.</quote>
              <bibl>Markham</bibl>
           </cit>
           Markham also comments extensively on the process for churning butter, which the Shakespeare Birthplace Trust also explores in a discussion of important material objects of the period. The upshot of all the specific instructions on dairy work in household management guides of the period emphasizes that women remained responsible for dairy production as an important aspect of their economic contribution to a household.</p>
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         <head>Key Print Sources</head>
         <listBibl>
            <bibl><author>Forgeng, Jeffrey L.</author> <title level="m">Daily Life in Elizabethan England</title>. 2nd ed. <publisher>Greenwood Press</publisher>, 2010.</bibl>
            <bibl><author>Markham, Gervase</author>. <title level="m">The English Housewife</title>. Ed. <editor>Michael Best</editor>. <publisher>McGill-Queen’s University Press</publisher>, 1986.</bibl>
            <bibl><author>Orlin, Lena Cowen</author>. <title level="m">Elizabethan Households: An Anthology</title>. <publisher>Folger Shakespeare Library</publisher>, 1995.</bibl>
         </listBibl>
      </div>
      
      <div xml:id="emee_Dairy_biblioOnline">
         <head>Key Online Sources</head>
         <listBibl>
            <bibl><author>Best, Michael</author>. <title level="a">The Dairy</title>. <title level="m">Shakespeare’s Life and Times</title>.<title level="s">Internet Shakespeare Editions</title>, <ref target="https://internetshakespeare.uvic.ca/Library/SLT/society/huswifery/dairy.html">https://internetshakespeare.uvic.ca/Library/SLT/society/huswifery/dairy.html. Accessed 18 Feb. 2023</ref>.</bibl>
            
            <bibl><author>Sharrett, Elizabeth</author>. <title level="a">Shakespeare’s World in 100 Objects: Butter Churn</title>. <title level="m">Shakespeare Birthplace Trust</title>, 21 Jun. 2023, <ref target="https://www.shakespeare.org.uk/explore-shakespeare/blogs/shakespeare-100-objects-butter-churn/">https://www.shakespeare.org.uk/explore-shakespeare/blogs/shakespeare-100-objects-butter-churn/</ref>.</bibl>
         </listBibl>
      </div>
      
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         <head>Image Sources</head>
         <listBibl>
            <bibl><author>Millet, Jean-François</author>. <title level="m">Woman Churning Butter</title> 1855–1856. Etching. The Metropolitan Museum of Art. Object number: 17.21.40. <ref target="https://www.metmuseum.org/art/collection/search/371478">https://www.metmuseum.org/art/collection/search/371478</ref>.</bibl>
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