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            <title type="main">English Narrative Poetry and Shakespeare</title>
            <title type="alpha">Narrative Poetry and Shakespeare, English</title>
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                    <note><p>Anthology Leads: Kate McPherson and Kate Moncrief.</p></note>
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            <funder><ref target="https://www.sshrc-crsh.gc.ca/">Social Sciences and Humanities Research Council of Canada</ref></funder>
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            <p>By Camryn Longmuir, inspired by <persName ref="pers:BEST1">Michael Best</persName>’s <title level="m">Shakespeare’s Life and Times</title>, <title level="s">Internet Shakespeare Editions</title></p>
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<div xml:id="emee_NarrativePoetry_Intro">
   <head>Introduction</head>
   <p xml:id="emee_NarrativePoetry_p1">In early modern England, narrative poetry, or poetry that has characters and tells a story, gained popularity as secular literature became more widespread in the 16th century. Many authors were influenced and inspired by classical authors of narrative poetry such as Ovid, author of a well-known book called <title level="m">Metamorphoses</title>, stories of love and transformation from Greco-Roman mythology. Both Christopher Marlowe and William Shakespeare explored these topics in narrative poems.</p>
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    <div xml:id="emee_NarrativePoetry_Ovid">
       <head>Ovid</head>
       <p xml:id="emee_NarrativePoetry_p2">Publius Ovidius Naso, also known as Ovid, was born in Italy in 43 BCE, just as the Roman Empire was forming. After attempting to work in law, Ovid decided on a career as a poet instead. He became friends with other established poets such as Horace and quickly became successful and popular in the Roman literary world. His poetry was nearly always about love, his most famous collection being <title level="m">Metamorphoses</title>, which is concerned with retelling classic myths about the gods and the  transformations of humans they so often cause. In early modern England, Ovid’s poetry was used in the grammar school curriculum, so Shakespeare and Marlowe (who were born the same year) likely first encountered Ovid’s narrative poems as they learned to read and write in Latin.</p>
       <p xml:id="emee_NarrativePoetry_p3">Researcher Will Tosh from Shakespeare’s Globe reports that
          <cit><quote>It’s possible Shakespeare owned his own copy <supplied>of <title level="m">Metamorphoses</title></supplied> from a young age: a Latin edition of 1502, printed in Venice, survives in the Bodleian Library in Oxford with the frustratingly vague signature <q>Wm She</q> and the unverifiable assertion, dated 1682, that <q>this little book of Ovid was given to me by W. Hall who said it was once Will Shakespeare’s</q>.</quote></cit> Scholars cannot be sure if this book belonged to Shakespeare, but the influence of Ovid’s work on Shakespeare is unmistakable.
       </p>
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    <div xml:id="emee_NarrativePoetry_OvidAndShakespeare">
       <head>Ovid &amp; Shakespeare</head>
       <p xml:id="emee_NarrativePoetry_p4">Just about the time Shakespeare and Marlowe were born, Arthur Golding published the first verse translation of Ovid’s <title level="m">Metamorphoses</title> in English, which raised the popularity of the stories it includes. Scholars have found similarities between some of Ovid’s works and those of writers like Marlowe and Shakespeare. Marlowe translated some of Ovid’s <title level="a">Elegies</title> and also used the tale of Hero and Leander from Ovid’s <title level="a">Heroides</title> for one of his narrative poems of the same title. Some of Shakespeare’s works that adapt Ovid’s work from <title level="m">Metamorphoses</title> include the tale of Procne and Philomel, which appears in Shakespeare’s 1592 tragedy <title level="m">Titus Andronicus</title>. Shakespeare also transforms the story of Pyramus and Thisbe, comically retold as the play-within-the-play at the end of <title level="m">A Midsummer Night’s Dream</title>. Shakespeare’s two major narrative poems, <title level="m">Venus and Adonis</title> and <title level="m">Lucrece</title>, are imitations of Ovid’s <title level="m">Metamorphoses</title> and another work by Ovid called <title level="m">Fasti</title>.</p>
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    <div xml:id="emee_NarrativePoetry_ComparingNarrativePoems">
       <head>Comparing Narrative Poems</head>
       <div xml:id="emee_NarrativePoetry_VenusAndAdonis">
          <head><title level="m">Venus and Adonis</title></head>
          <p xml:id="emee_NarrativePoetry_p5">In Shakespeare’s <title level="m">Venus and Adonis</title>, which was his first published poem, the goddess Venus attempts to seduce the young hunter Adonis. He resists her seduction as she offers him a transformation of beauty. She tells him she will enhance his beauty by <quote><supplied>m</supplied>aking <supplied>his lips</supplied> red, and pale, with fresh variety</quote> (1.21). This is Venus’ attempt to transform Adonis from asexual to sexual (Cousins 19). At the end of the poem, Venus also changes Adonis into a snake’s head frittilary, a kind of flower. He becomes <quote>a purple flower sprung up, checkered with white/resembling well his pale cheeks</quote> (2.1160–1170)</p>
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       <div xml:id="emee_NarrativePoetry_Lucrece">
          <head><title level="m">Lucrece</title></head>
          <p xml:id="emee_NarrativePoetry_p6">Shakespeare’s <title level="m">Lucrece</title>, inspired by <title level="m">Fasti</title> by Ovid, relates the tale of the Roman warrior Tarquin’s sexual assault on Lucrece. Lucrece goes through a transformation after the assault, previously being described as a woman whose eyes are <quote>mortal stars bright as heaven’s beauties</quote> (1.13) to eyes full of fear and confusion. Overcome by shame at the loss of her chastity, Lucrece dies by suicide.</p>
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       <div xml:id="emee_NarrativePoetry_MarloweAndShakespeare">
          <head>Marlowe &amp; Shakespeare</head>
          <p xml:id="emee_NarrativePoetry_p7">Christopher Marlowe’s use of narrative poetry may also influenced Shakespeare’s narrative and dramatic poetry. Marlowe’s poem <title level="m">Hero and Leander</title> has been compared to <title level="m">Venus and Adonis</title>, since both explore Elizabethan gender models and morals in their adaptations of Ovid’s <title level="m">Metamorphoses</title>.Marlowe’s poem was not published until 1598, five years after Marlowe’s death in 1593.</p>
          <p xml:id="emee_NarrativePoetry_p8">Some scholars speculate whether the poem was intentionally left unfinished as a commentary on religious morals in Elizabethan England. Comparatively, Shakespeare’s poem is left <quote>morally incomplete</quote> in that the sexual relationship between Venus and Adonis is never consummated, and Adonis is punished for unknown reasons (Drahos 85). Whatever the poets’ ulimately unknowable intentions were for their narrative poems, both authors reveal their debt to classical authors such as Ovid.</p>
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    <div xml:id="emee_NarrativePoetry_biblioPrint">
       <head>Key Print Sources</head>
       <listBibl>
          <bibl><author>Armstrong, Rebecca</author>. <title level="m">Ovid and His Love Poetry</title>. <publisher>Bloomsbury Publishing</publisher>, 2015.</bibl>
          
          <bibl><author>Bate, Jonathan</author>. <title level="m">Shakespeare and Ovid</title>. <publisher>Oxford University Press</publisher>, 1994.</bibl>
          
          <bibl><author>Cousins, A. D.</author> <title level="m">Shakespeare’s Sonnets and Narrative Poems</title>. <publisher>Routledge</publisher>, 2013.</bibl>
          
          <bibl><author>Foster, Brett</author>. <title level="a">The Collected Poems of Christopher Marlowe</title>. <title level="j">Kenyon Review</title> vol. 31, no. 4, Sept. 2009, pp. 179–183.</bibl>
       </listBibl>
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    <div xml:id="emee_NarrativePoetry_biblioOnline">
       <head>Key Online Sources</head>
       
       <listBibl>
          <bibl><author>Best, Michael</author>. <title level="a">Narrative Poems</title>. <title level="m">Shakespeare’s Life and Times</title>. <title level="s">Internet Shakespeare Editions</title>. <publisher>University of Victoria</publisher>. 4 Jan. 2011. <ref target="https://internetshakespeare.uvic.ca/Library/SLT/literature/poetry/narrativepoems.html">https://internetshakespeare.uvic.ca/Library/SLT/literature/poetry/narrativepoems.html</ref>.</bibl>
          
          <bibl><author>Drahos, Jonathan Wade</author>. <title level="a">Shakesperean and Marlovian Epyllion: Dramatic Ekphrasis of <title level="m">Venus and Adonis</title> and <title level="m">Hero and Leander</title></title>. <publisher>University of Birmingham</publisher>. Unpublished Thesis. 2015. <ref target="https://etheses.bham.ac.uk/id/eprint/5911/1/Drahos15PhD.pdf">https://etheses.bham.ac.uk/id/eprint/5911/1/Drahos15PhD.pdf</ref>.</bibl>
          
          <bibl><author>Shakespeare Birthplace Trust</author>. <title level="a">Shakespeare’s Poems</title>. <publisher>Shakespeare Birthplace Trust</publisher>. <ref target="https://www.shakespeare.org.uk/explore-shakespeare/shakespedia/shakespeares-poems/">https://www.shakespeare.org.uk/explore-shakespeare/shakespedia/shakespeares-poems/</ref>. Accessed 2 Mar. 2024.</bibl>
          
          <bibl><author>Tosh, Will</author>. <title level="a">Shakespeare and Ovid’s <title level="m">Metamorphoses</title></title>. <title level="m">Shakespeare’s Globe</title>. 22 Sep. 2021. <ref target="https://www.shakespearesglobe.com/discover/blogs-and-features/2021/09/22/shakespeare-and-ovids-metamorphoses/">https://www.shakespearesglobe.com/discover/blogs-and-features/2021/09/22/shakespeare-and-ovids-metamorphoses/</ref>.</bibl>
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