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            <title type="main">Banquets</title>
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               <persName ref="pers:CURT3">Elise Curtis</persName>
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                    <orgName><reg>Early Modern England Encyclopedia</reg><abbr>EMEE</abbr></orgName>
                    <note><p>Anthology Leads: Kate McPherson and Kate Moncrief.</p></note>
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           <funder><ref target="https://www.sshrc-crsh.gc.ca/">Social Sciences and Humanities Research Council of Canada</ref></funder>
            <funder><ref target="https://www.mitacs.ca/our-programs/globalink-research-internship-students/">Mitacs Globalink Research Internship</ref></funder>
            <funder><ref target="https://www.uvu.edu/">Utah Valley University</ref></funder>
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            <publisher>University of Victoria on the Linked Early Modern Drama Online Platform</publisher>
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               <p>Intellectual copyright in this entry is held by <persName ref="pers:MCPH1">Kate McPherson</persName> on behalf of the contributors. Copyright on the TEI-XML markup is held by the <orgName ref="org:UVIC1">University of Victoria</orgName> on behalf of the <orgName ref="org:LEMD1">LEMDO Team</orgName>. The content and TEI-XML markup in this file are licensed under a <ref target="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC_ND 4.0 license</ref>. This file is freely downloadable without permission under the following conditions: (1) credit must be given to the authors, EMEE, and LEMDO in any subsequent use of the files and /or data; (2) this availability statement must remain in the file; (3) the content cannot be adapted or repurposed (except for quotations for the purposes of academic review and citation); and (4) commercial uses are not permitted without the knowledge and consent of the authors, EMEE, and LEMDO. Neither the content nor the code in this file is licensed for training large language models (LLMs), ingestion into an LLM, or any use in any artificial intelligence applications; such uses are considered to be commercial uses and are strictly prohibited.</p>
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            <p>By Elise Curtis, inspired by <persName ref="pers:BEST1">Michael Best</persName>’s <title level="m">Shakespeare’s Life and Times</title>, <title level="s">Internet Shakespeare Editions</title></p>
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      <figure>
         <graphic url="img:EMEE_Banquets_Macbeth_Folger_Curtis.jpg" mimeType="image/jpeg" width="1580px" height="1130px" style="max-height: 40rem; width: auto;">
            <desc>An image of the banquet scene from Macbeth Act 3, Scene 4, with Lady Macbeth gesturing for the guests to depart. Printed by Charles Sharpe, 19th century. Image courtesy of the Folger Shakespeare Library. ART File S528m1 no.104 copy 1. CC-BY SA 4.0. </desc>
         </graphic>
         <figDesc>An image of the banquet scene from <title level="m">Macbeth</title> Act 3, Scene 4, with Lady Macbeth gesturing for the guests to depart. Printed by Charles Sharpe, 19th century. Image courtesy of the Folger Shakespeare Library. ART File S528m1 no.104 copy 1. CC-BY SA 4.0.</figDesc>
      </figure>
     <div xml:id="emee_Banquets_Overview">
        <head>Overview</head>
        <p xml:id="emee_Banquets_p1">Banquets were hosted in Tudor and Stuart times at the royal courts and at the homes of the wealthy to celebrate events and individuals. They offered a chance to eat extravagantly prepared food and ample drinks. Music, pageants, theatrical performances (including the elaborately costumed performances known as masques), acrobats, and dancing provided entertainment. Banquets were featured in the literature of the time, including more festive representations in Shakespeare’s plays like <title level="m">The Taming of the Shrew</title> and more sinister examples in plays like <title level="m">Macbeth</title>.</p>
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      <div xml:id="emee_Banquets_Setting">
         <head>Setting</head>
         <p xml:id="emee_Banquets_p2">Banquets often took place in the great halls of castles, large rooms that could hold many invited guests. The word banquet is derived from the word bench, which was the common seat that people used to eat at the tables. Elaborate food in many separate courses was served for eating and as part of the entertainment, such as a roasted peacock that then had its tail feathers included in the presented dish. Instead of wooden dishes or trenchers made of bread, expensive buffet plates were used to serve the dishes so the food could be admired first, then be dished out by servants to individuals. The more tiers on these buffet serving dishes, the higher the rank and wealth of the host of the event.</p>
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      <div xml:id="emee_Banquets_Food">
         <head>Food</head>
         <p xml:id="emee_Banquets_p3">The food at banquets was served in multiple courses throughout the night. The dishes focused on various animal proteins, including beef, venison, poultry, pork, and fish. Vegetables were considered a more common food, so they were not featured much at celebratory banquets. Ironically, this meant that poorer people who likely never attended a banquet had a healthier diet than those of higher in social rank. Because of the social status of vegetables and legumes, the rich tended to focus on meat products, breads, and desserts. The last course of the meal was often wine or another alcoholic beverage such as mead, a fermented honey drink. Just as we toast to someone today, early modern English banquet guests drank to their honored guests or others.</p>
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         <head>Dessert Banquets</head>
         <p xml:id="emee_Banquets_p4">Elaborate multicourse meals with many sweets also become popular as a type of banquet in the 16th century, since sugar from the labor of enslaved people on Portuguese and Spanish plantations in South America made this once scarce commodity much more common.  Tudor and Stuart banquets often featured a type of multi-course dessert known a collation. Based on Italian recipes, the collations may have had as many as 12 dishes (one for each month) served over three courses.
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            <item>The first course of the collation featured candied fruits and nuts, confections made of marzipan (sweetened almond paste), and sweet or spiced biscuits.</item>
            <item>The second course served both savory and sweet foods, including roasted meats, meat pies, breads, and cakes.</item>
            <item>The third course of the collation also featured both sweet and savory foods but added fresh fruits and aged cheeses.</item>
         </list></p>
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      <div xml:id="emee_Banquets_Recipes">
         <head>Recipes</head>
         <p xml:id="emee_Banquets_p5">Recipe books began to be published in the 16th century but were not in the structured format that we use today. Recipes were written out as running text, so the ingredients were included with the actions of the recipe, if they were included at all. Recipe authors assumed that cooks needed some instruction but not detailed discussion of cooking techniques. Ingredients and portions of ingredients were often assumed or glossed over. Measurements were often compared to non-edible items like musket balls or handfuls.</p>
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      <div xml:id="emee_Banquets_Entertainment">
         <head>Entertainment</head>
         <p xml:id="emee_Banquets_p6">Besides the food, ample entertainment was also provided to the guests at banquets. Dramatic interludes would often be performed at these gatherings. Later, masques, an elite form of theater featuring spectacular costumes and members of the court performing some scenes, became popular in the Elizabethan era. Masques were more likes sketches, brief plays designed to create wonder or pay tribute to an event, such as a wedding or a military victory. They were sometimes included in between the larger acts of a full-length play. The interludes would be performed by both professional actors and amateurs alike. These interludes often featured some sort of debatable idea or symbolic message that amused the audience. Music was performed extensively in banquet hall by singers and instrumentalists. Drums, recorders, and other wind instruments, as well as viols (the precursor to violas annd violins as we know them) were among the instruments.</p>
      </div>
      <div xml:id="emee_Banquets_Social">
         <head>Social Arrangements</head>
         <p xml:id="emee_Banquets_p7">People were separated by rank at banquets. The tables were organized so that a raised table in the center or one end of the hall would hold the lord and guests of honor. The nobility sat at the head of the table and room, and each person had a rank until the very last seat at the tables. Because salt was placed along the table in shallow dishes called cellars rather than shakers, this is where the phrases <term>above the salt</term> and <term>below the salt</term> come from: if someone sat above the salt or at a position higher than where the salt cellar was placed, they were of high social position. If they sat below the salt, they were of an inferior social ranking.</p>
         <p xml:id="emee_Banquets_p8">Generally, banquets were thrown to honor a specific guest. Banquets were also held to impress certain guests, celebrate marriages or betrothals, and commemorate military victories or diplomatic alliances.</p>
      </div>
      <div xml:id="emee_Banquets_Shakespeare">
         <head>Examples of Banquets in Shakespeare</head>
         <p xml:id="emee_Banquets_p9">In the first line of <title level="m">Macbeth</title> Act 3 Scene 4, the title character recognizes the politics involved in banquets: <quote>You know your own degrees; sit down.</quote> He references the places that each person is required to sit, and that it is so commonplace that the potential seating chart confusion is quickly glossed over. The scene revolves around Macbeth being distracted in the banquet by the ghost of Banquo, the man who he just had murdered. Banquet guests were expected to engage in lively conversation, and to have an outburst like Macbeth’s was considered rude and would have been concerning. As today, the social norms around banquets were ruled by etiquette. As Lady Macbeth tries to have the guests leave, she feels compelled to tell them to not leave by rank, but to just leave.</p>
         <p xml:id="emee_Banquets_p10">In the final scenes of <title level="m">The Taming of the Shrew</title>, a banquet provides the setting that allows the characters to have a conversation that sums up the play’s themes. After the meal is over, the women go into the parlor to chat. After being summoned in turn by their husbands to resolve a debate about who has the most obedient wife, Katerina gives her famous speech about women’s duty to men, causing some characters to win or lose bets with each other. The banquet hall is used to display Petruchio’s victory over his wife, revealing in the play’s action the symbolic role that banquets held in early modern culture.</p>
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      <div xml:id="emee_Banquets_biblioPrint">
         <head>Key Print Sources</head>
         <listBibl>
            <bibl><author>Richardson, Catherine</author>. <title level="m">Shakespeare and Material Culture</title>. <publisher>Oxford University Press</publisher>, 2011.</bibl><!-- not -->
           
            <bibl><author>Segan, Francine</author>. <title level="m">Shakespeare’s Kitchen: Renaissance Recipes for the Contemporary Cook</title>. <publisher>Random House</publisher>, 2003.</bibl><!-- not -->
            
            <bibl><author>Thirsk, Joan</author>. <title level="m">Food in Early Modern England: Phases, Fads, Fashions 1500–1760</title>. <publisher>Hambledon Continuum</publisher>, 2009.</bibl><!-- not -->
         </listBibl>
      </div>
      
      <div xml:id="emee_Banquets_biblioOnline">
         <head>Key Online Sources</head>
        <listBibl>
           <bibl><title level="a">Above/Below the Salt - Words and Phrases That Come from the Dinner Table</title>. <title level="m">Merriam-Webster</title>, <publisher>Merriam-Webster</publisher>, 2018, <ref target="https://www.merriam-webster.com/wordplay/word-histories-dinner">https://www.merriam-webster.com/wordplay/word-histories-dinner</ref>.</bibl>
           
           <bibl><author>Alchin, L. K.</author> <title level="a">Old Elizabethan Recipes</title>. <title level="m">Elizabethan Era</title>, 2017, <ref target="https://www.elizabethan-era.org.uk/old-elizabethan-recipes.htm">https://www.elizabethan-era.org.uk/old-elizabethan-recipes.htm</ref>.</bibl>
           
           <bibl><author>Bramley, Anne</author>. <title level="a">In Shakespeare’s Plays, Mealtimes Were A Recipe For Drama</title>. <title level="m">NPR</title>, <publisher>NPR</publisher>, 18 Apr. 2016, <ref target="https://www.npr.org/sections/thesalt/2016/04/18/474409705/in-shakespeare-s-plays-mealtimes-were-a-recipe-for-drama">https://www.npr.org/sections/thesalt/2016/04/18/474409705/in-shakespeare-s-plays-mealtimes-were-a-recipe-for-drama</ref>.</bibl>
           
           <bibl><author>Britannica, The Editors of Encyclopaedia</author>. <title level="a">Interlude</title>. <title level="m">Encyclopædia Britannica</title>, <publisher>Encyclopædia Britannica, Inc.</publisher>, 2 Mar. 2012, <ref target="https://www.britannica.com/art/interlude">https://www.britannica.com/art/interlude</ref>.</bibl>
           
           <bibl><author>Schmidt, Steven</author>. <title level="a">What, Exactly, Was the Tudor and Stuart Banquet?</title> <title level="m">Manuscript Cookbook Survey</title>. Aug. 2019. <ref target="https://www.manuscriptcookbookssurvey.org/what-exactly-was-the-tudor-and-stuart-banquet/">https://www.manuscriptcookbookssurvey.org/what-exactly-was-the-tudor-and-stuart-banquet/</ref>. Accessed 6 Feb. 2023.</bibl>
        </listBibl>
      </div>
      
      <div xml:id="emee_Banquets_biblioImage">
         <head>Image Sources</head>
         <listBibl>
            <bibl><author>Sharpe, Charles William</author>. <title level="m">The Banquet Scene in <title level="m">Macbeth</title> <supplied>Act III, Scene 4</supplied> from the Picture in the Possession of Frederick W. Cosens, Esq</title>. <title level="m">Folger Digital Collections</title>, 2018, <ref target="https://digitalcollections.folger.edu/img28073">https://digitalcollections.folger.edu/img28073</ref>.
            </bibl>
         </listBibl>
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