<?xml version="1.0" encoding="UTF-8"?><?xml-model href="../sch/lemdo.rng" type="application/xml" schematypens="http://relaxng.org/ns/structure/1.0"?>
<?xml-model href="../sch/lemdo.rng" type="application/xml" schematypens="http://purl.oclc.org/dsdl/schematron"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0" xml:id="emee_AnneClifford">
   <teiHeader>
      <fileDesc>
         <titleStmt>
            <title type="main">Lady Anne Clifford</title>
            <title type="alpha">Clifford, Anne</title>
            <respStmt>
               <resp ref="resp:aut">Author</resp>
               <persName ref="pers:MCPH1">Kate McPherson</persName>
            </respStmt>
            <respStmt>
               <resp ref="resp:edt_cpy">Copy Editor</resp>
               <persName ref="pers:HAMB1">Leah Hamby</persName>
            </respStmt>
            <respStmt>
               <resp ref="resp:edt_mrk">Senior Encoder</resp>
               <persName ref="pers:HAMB1">Leah Hamby</persName>
            </respStmt>
            <respStmt>
               <resp ref="resp:edt_mrk">Encoding and Metadata</resp>
               <orgName ref="org:LEMD1">LEMDO Team</orgName>
            </respStmt>
            <!--<respStmt>                <resp ref="resp:vet">Reviewer</resp>                <persName ref="pers:JENS1">Janelle Jenstad</persName>             </respStmt>-->
            <respStmt>
               <resp ref="resp:cph">Copyright Holder (Content)</resp>
               <persName ref="pers:MCPH1">Kate McPherson</persName>
            </respStmt>
            <respStmt>
               <resp ref="resp:cph">Copyright Holder (XML and interface)</resp>
               <orgName ref="org:UVIC1">University of Victoria</orgName>
            </respStmt>
            <sponsor>
                    <orgName><reg>Early Modern England Encyclopedia</reg><abbr>EMEE</abbr></orgName>
                    <note><p>Anthology Leads: Kate McPherson and Kate Moncrief.</p></note>
                    </sponsor>
            <funder><ref target="https://www.sshrc-crsh.gc.ca/">Social Sciences and Humanities Research Council of Canada</ref></funder>
            <funder><ref target="https://www.mitacs.ca/our-programs/globalink-research-internship-students/">Mitacs Globalink Research Internship</ref></funder>
            <funder><ref target="https://www.uvu.edu/">Utah Valley University</ref></funder>
         </titleStmt>
         
         <editionStmt>
            <p>Released with Early Modern England Encyclopedia 1.0a</p>
         </editionStmt>
         
         <publicationStmt>
            <publisher>University of Victoria on the Linked Early Modern Drama Online Platform</publisher>
            <availability>
               <licence from="2026-02-12" resp="pers:MCPH1" corresp="anth:emee"/>
               <licence from="2026-02-12" resp="pers:MCPH1" corresp="anth:lemdo"/>
               <p>Unless otherwise noted, intellectual copyright in EMEE Anthology pages is held by <persName ref="pers:MCPH1">Kate McPherson</persName> on behalf of the contributors. Copyright on the TEI-XML markup is held by the <orgName ref="org:UVIC1">University of Victoria</orgName> on behalf of the <orgName ref="org:LEMD1">LEMDO Team</orgName>. The content and TEI-XML markup in this file are licensed under a <ref target="https://creativecommons.org/licenses/by-nc-nd/4.0/">CC BY-NC-ND 4.0 license</ref>. This file is freely downloadable without permission under the following conditions: (1) credit must be given to the authors, EMEE, and LEMDO in any subsequent use of the files and /or data; (2) this availability statement must remain in the file; (3) the content cannot be adapted or repurposed (except for quotations for the purposes of academic review and citation); and (4) commercial uses are not permitted without the knowledge and consent of the authors, EMEE, and LEMDO. Neither the content nor the code in this file is licensed for training large language models (LLMs), ingestion into an LLM, or any use in any artificial intelligence applications; such uses are considered to be commercial uses and are strictly prohibited.</p>
            </availability>
         </publicationStmt>
         <seriesStmt>
            <p>Early Modern England Encyclopedia</p>
         </seriesStmt>
         
      <sourceDesc>
            <p>By Kate McPherson, inspired by Michael Best’s <title level="m">Shakespeare’s Life and Times</title>, <title level="s">Internet Shakespeare Editions</title></p>
         </sourceDesc></fileDesc>
      <profileDesc>
         <textClass>
            <catRef scheme="tax:emdDocumentTypes" target="cat:ldtBornDigParatextCritical"/>
            <catRef scheme="tax:encyKey" target="cat:encyCultureDailyLifeInheritance"/>
            <catRef scheme="tax:encyKey" target="cat:encyCultureLiteratureArtsWomenWriters"/>
            <catRef scheme="tax:encyKey" target="cat:encyCultureGenderObedience"/>
            <catRef scheme="tax:encyKey" target="cat:encyCultureGenderFemininity"/>
           </textClass>
      </profileDesc>
      <encodingDesc>
         <p>Encoded in TEI P5 according to the LEMDO Customization and Encoding Guidelines</p>
         <editorialDecl>
            <p>This document uses Canadian English spelling</p>
         </editorialDecl>
      </encodingDesc>
      <revisionDesc status="published">
          <change when="2026-02-12" who="org:LEMD1" status="published">Published file.</change> 
         <change who="pers:HOUL3" when="2026-02-06">Updated metadata</change>
         
        <change who="pers:JENS1" when="2026-01-25">Fixed link and typo.</change>
        <change who="pers:MCPH1" when="2025-11-05">proofed</change>
        <change who="pers:HAMB1" when="2024-11-06" status="TEI_INP">updated author respStmt.</change>
        <change who="pers:HAMB1" when="2024-05-14" status="TEI_INP">Added desc to figure.</change>
        <change who="pers:HAMB1" when="2023-11-10" status="TEI_INP">Added image and image citation.</change>
        <change who="pers:HAMB1" when="2023-05-24" status="TEI_INP">Added date, pubPlace, and publisher tags to sources</change>
        <change who="pers:HAMB1" when="2023-05-11" status="TEI_INP">Added Shakespeare’s Life and Times database to Best sources.</change>
        <change who="pers:HAMB1" when="2023-05-04" status="TEI_INP">Fixed minor coding and text mistakes</change>
        <change who="pers:HAMB1" when="2023-04-16" status="TEI_INP">Created File</change>
     </revisionDesc>
   </teiHeader>
<text>
   <body>
      <figure>
         <graphic url="img:EMEE_AnneClifford_Great_Picture_Belcamp_Wikimedia_McPherson.jpg" mimeType="image/jpeg" width="1200px" height="615px"/>
         <figDesc><title level="m">The Great Picture</title>, attributed to Jan van Belcamp, 1646. The left panel shows Anne Clifford, age 13, the central panel shows her parents and two brothers, while the right panel shows the widowed Anne Clifford at about age 56. Courtesy of Abbot Hall Gallery. CC-BY.4.0.</figDesc>
      </figure>
   <div xml:id="emee_AnneClifford_Biography">
      <head>Biography and Legal Battle</head>
      <p xml:id="emee_AnneClifford_p1">Lady Anne Clifford (1590–1676) was the only surviving child of Baron George Clifford and Lady Margaret Russell. At age 15, she was the heir to an extensive barony in the north-west of England when her father died. Her unusual inheritance occurred because the original documents, issued during the reign of Edward II, stated that the oldest child would inherit, no matter the gender. Clifford’s father, however, willed his estate to his brother and his male line, with the condition that it would revert to his daughter only if there were no male heirs. His will left his daughter £15,000—a huge fortune at the time, but not the title as long as her male cousins survived. This led to many years of lawsuits because of legal skepticism about a female heir to a title. Her mother, the noted intellectual Lady Margaret Russell, was the only one to support her daughter’s cause. Clifford’s mother even went so far as to publicly contest her husband’s will. Anne Clifford’s male cousin in line for the title died in 1643. After the English Civil Wars concluded, Anne Clifford took possession of her properties and the title in 1649. She went on to lead the barony for 27 years. She acted much like a lord by rebuilding churches, convening courts, and establishing an almshouse for the local poor. She wrote several versions of her personal and family history, including <title level="m">The Diary of Anne Clifford</title>.</p>
   </div>
   <div xml:id="emee_AnneClifford_Marriages">
      <head>Clifford’s Marriages</head>
      <p xml:id="emee_AnneClifford_p2">Anne Clifford was twice married, first in 1609 to Richard Sackville, 3rd Earl of Dorset. They were not well-matched, as he was notorious in his extravagance and infidelities. Her first husband pushed Clifford to give up the fight for her inheritance and accept a cash payment, but she refused. Clifford was told by Dorset and all her male relatives, as well as the Archbishop of Canterbury, that she was foolish to keep fighting for her inheritance instead of accepting the money. Her husband needed the money and threated to separate from her and go off to the court of James I to indulge himself. He also threatened to leave her alone in one of their houses and take their child with him.</p>
     <p xml:id="emee_AnneClifford_p3">Dorset died in 1624, and Clifford wed her second husband, Philip Herbert, 4th Earl of Pembroke and Montgomery in 1630. He took her side and helped her to pursue her rightful inheritance. Yet they, too, did not get along well, and she eventually lived separately from him, in part due to their political and religious differences. As England moved towards Civil War, she sided with Charles I and he sided with the Parliamentarians who later executed Charles in 1649. Pembroke died in 1650.</p>
   </div>
   <div xml:id="emee_AnneClifford_Writer">
      <head>Clifford the Writer</head>
      <p xml:id="emee_AnneClifford_p4">Anne Clifford wrote at least four autobiographies at different stages of her life, all of which were intended, at least in part, to justify her legal and moral claim on her inheritance. Her diary contains significant detail about everyday life that is missing from many other women’s diaries of the time. The diary opens with the 13-year-old Clifford remembering the funeral of Queen Elizabeth and the surrounding events in 1603, situating Clifford at an important historical moment.</p>
      <p xml:id="emee_AnneClifford_p5">Because of the disapproval that Clifford faced from almost everyone, including her first husband, the king, and the court, she used the Bible to justify her rebellious actions. She was a moderate Calvinist but friends with both Catholics and Puritans during a religiously divided era.</p>
      <p xml:id="emee_AnneClifford_p6">Clifford’s household growing up was mostly women, because her father was often away at sea or court. This woman-centered household, Queen Elizabeth’s influence, and the fact that Clifford was well-educated by a personal tutor, may have been the reason she was able to rebel consistently and push against both law and custom. She is reported to have smoked a pipe, worn short hair, and established a specific retirement home for her female servants. Anne Clifford lived to be 86, although her diary was not published until 1923 and not edited fully until 1990.</p>
   </div>
   
      <div xml:id="emee_AnneClifford_biblioPrint">
      <head>Key Print Sources</head>
      <listBibl>
         <bibl><author>Seelig, Sharon Cadman</author>. <title level="m">Autobiography and Gender in Early Modern Literature: Reading Women’s Lives, 1600–1680</title>. <publisher>Cambridge University Press</publisher>, 2005.</bibl>
         <bibl><author>Sackville-West, Vitan</author>. <title level="m">The Diary of the Lady Anne Clifford</title>. <publisher>george Doran and Company</publisher>, 1923.</bibl>
         
         <bibl><author>Zlatar, Antoinina Bevan</author>. <title level="a">Anne Clifford and Her Bible</title>. <title level="j">Studies in English Literature</title>, 1500–1900, vol. 57, no. 1, 2017, pp. 157–180. doi: <idno type="DOI">10.1353/sel.2017.0007</idno></bibl>
         
         <bibl><author>Spence, Richard T.</author> <title level="a">Clifford, Anne <supplied>Known as Lady Anne Clifford</supplied>, Countess of Pembroke, Dorset, and Montgomery</title>. <title level="m">Oxford Dictionary of National Biography</title>, 25 Sep. 2014, doi: <idno type="DOI">10.1093/ref:odnb/5641</idno>.</bibl>
      </listBibl>
   </div>
   
      <div xml:id="emee_AnneClifford_biblioOnline">
      <head>Key Online Sources</head>
      <listBibl>
         <bibl><title level="a">Anne Clifford Biography</title>. <title level="m">Encyclopedia of World Biography</title>, <ref target="https://www.notablebiographies.com/supp/Supplement-Ca-Fi/Clifford-Anne.html">https://www.notablebiographies.com/supp/Supplement-Ca-Fi/Clifford-Anne.html</ref>. Accessed 18 Feb. 2023.</bibl>
         
         <bibl><author>Best, Michael</author>. <title level="a">Lady Anne Clifford</title>. <title level="m">Shakespeare’s Life and Times</title>. <title level="s">Internet Shakespeare Editions</title>, 4 Jan. 2011, <ref target="https://internetshakespeare.uvic.ca/Library/SLT/literature/women%20writers/clifford.html">https://internetshakespeare.uvic.ca/Library/SLT/literature/women%20writers/clifford.html</ref>.</bibl>
         
         <bibl><title level="a">Great Picture Triptych</title>. <title level="m">Abbot Hall Gallery</title>, 23 Nov. 2012, <ref target="https://lakelandarts.org.uk/the-great-picture-5/">https://lakelandarts.org.uk/the-great-picture-5/</ref>.</bibl>
         
         <bibl><title level="m">Lady Anne Clifford</title>. <title level="m">English Heritage</title>, <ref target="https://www.english-heritage.org.uk/learn/histories/women-in-history/anne-clifford/">https://www.english-heritage.org.uk/learn/histories/women-in-history/anne-clifford/</ref>. Accessed 18 Feb. 2023.</bibl>
         
         <bibl><author>Nicolson, Adam</author>. <title level="a">A World on the Verge of Collapse: Anthony van Dyck’s 4th Earl of Pembroke and His Family</title>. <title level="m">Tate ETC</title>, 1 Jan. 2009, <ref target="https://www.tate.org.uk/tate-etc/issue-15-spring-2009/world-on-verge-collapse">https://www.tate.org.uk/tate-etc/issue-15-spring-2009/world-on-verge-collapse.</ref></bibl>
      </listBibl>
   </div>
      
      <div xml:id="emee_AnneClifford_biblioImage">
         <head>Image Sources</head>
         <listBibl>
            <bibl>Belcamp, Jan van. <title level="m">The Great Picture</title>. 1646. Oil on canvas. <title level="m">Abbot Hall Gallery</title>.</bibl>
         </listBibl>
      </div>
   </body>
</text>
</TEI>